2 018 résultats
Minor shelfwear. Old price sticker to front wrap. ; Reprint of Second Edition. Alternate ISBN: 0862921555
7.7 X 5.0 X 0.7 inches; 256 pages
A bit of creasing to wraps. Edgewear to spine ends with slight colour loss. Old price sticker to rear wrap. ; 7.7 X 5.0 X 0.7 inches; 256 pages
1 corner very lightly bumped. Very light pencil marginalia to about 2 pages. Very light shelfwear. ; Unveränderter photomechanischer nachdruck der ausgabe von 1927.; 223 pages
Inner hinges reinforced with clear tape (now browned). Some browning to wraps. Scholar's bookplate to inner cover (G. P. Goold). ; Unveränderter photomechanischer nachdruck der ausgabe von 1927.; 223 pages
Scholars' name to halftitle (Mark Golden). Light shelfwear. ; The Comedies of Aristophanes: Vol. 5; 196 pages
Sticker damage to rear wrap over barcode. Else VG. ; Penguin Classics; 7.0 X 4.3 X 0.5 inches; 224 pages
Top corners lightly bumped. Else fine. DJ spine a little discolored. Light edgewear with 1 small tear (1 cm). DJ is price-clipped. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
Creasing to spine. Chipping to spine ends. Tear to base of spine cover (3 cm). Scholar's bookplate to inner cover (Robert Brown). Scholar's name to ffep (Robert Brown). Else VG. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
light foxing to top of textblock. Scholar's name to ffep (Philippa Goold née Forder). Minor shelfwear to DJ. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
Spine slightly sunned. Very minor shelfwear. ; 280 pages; Professor Dover's book is designed for those who are interested in the history of comedy as an art form but who are not necessarily familiar with the Greek language. The eleven surviving plays of Aristophanes are treated as representative of a genre. Old Attic Comedy, which was artistically and intellectually homogeneous and gave expression to the spirit of Athenian society in the late fifth and early fourth centuries B. C. Aristophanes is regarded primarily not as a reformer or propagandist but as a dramatist who sought, in competition with his rivals, to win the esteem both of the general public and of the cultivated and critical minority. He succeeded in this effort by making people laugh, and the book pays more attention than has generally been paid to the technical means, whether of language or of situation, on which Aristophanes' humor depends. Particular emphasis is laid on his indifference-positively assisted by the physical limitations of the Greek theatre and the conditions of the Athenian dramatic festivals-to the maintenance of continuous "dramatic illusion" or to the provision of a dramatic event with the antecedents and consequences which might logically be expected. More importance is attached to Aristophanes' adoption of popular attitudes and beliefs, to his creation of uninhibited characters with which the spectators could identify themselves, and to his acceptance of the comic poet's traditional role as a mordant but jocular critic of morals, than to any identifiable and consistent elements in his political standpoint.
94pp., 22cm., stempeltje op titelblad, onopgesneden
Dustjacket is protected in mylar. Moderate bump to top of spine of both DJ and book. Otherwise this would be NF; A collection of essays offering original arguments in a number of areas. Papers cluster around two topics: the writing of Langland and Chaucer, and writing as historical process. These reflect Frank's own wide-ranging work. The papers contain a refreshing ideological diversity while maintaining coherence of intellectual concerns. There is a discussion of the working of memory in The Knights Tale. On debt, on Langland's Christology and on revelry, some very interesting ideas are put foward. In addition, literary contexts for the two major poets are usefully and thoroughly mapped out, and three papers illustrate how historical events and processes may be perceived in stimulatingly different ways. Included is an introduction from the editor and bibliography of Robert Worth Frank, Jnr. Contributors: ELIZABETH KIRK, C. DAVID BENSON, ANNA BALDWIN, M. TERESA TAVORMINA, MONICA McALPINE, MARY CARRUTHERS, KATHRYN L. LYNCH, CAROLYN P. COLLETTE, MARY HAMEL, PAUL STROHM, THOMAS J. HEFFERMAN, PEGGY KNAPP; 219 pages
Small 8vo, 20pp., stitched as issued, ring binder holes to inner margin.
293pp., 22cm., dans la série "Africaniste des AML et du Célibeco. Congo-Meuse" vol.7, br., bel état, C69755
in-8°. pp 138. Legatura originale in cartone alla rustica. Prima edizione di questa commedia rusticale, che deve la sua importanza sia al fatto che fu scritta in dialetto senese sia perché venne spesso paragonata alla Tancia del Buonarroti il Giovane. Opera a cura di Giovanni Conti e da lui dedicata al “Signore di Morgan, capitano d"Infanteria…al servzio di S.M. Cristianissima”. In fine correda l’opera un dizionario di spiegazione di “molte parole oscure, disusate o corrotte che sono nell’assetta”, con traduzioni di termini gergali e modi di dire popolari, e un repertorio bibliografico complemento alla Drammaturgia dell’Allacci del 1755. B. Mariscalco, Accademico “Appuntato, Intronato e Rozzo” di Siena, è lo pseudonimo di Francesco Mariani, parroco di Marciano. LANCETTI 395. MELZI-PASSANO II, 163. PARENTI, LUOGHI FALSI, 140. GAMBA 1217. SOLEINNE 4640 “Fort curieuse pour l’etude du dialect toscan”. RASI 447.
"A passionate encounter on the Greek island of Santorini . Ben is a Canadian in his fifties who has taken refuge on the sunny isle - thought to be the legendary Atlantis. He encounters Micea, a mystical local woman." First performed Feb.8 1996 at the Manitoba Theatre Centre, Winnipeg with Eric Peterson and Stavroula Logothettis. Reviewed in the Calgary Herald as "Rich in classical allusions, sparkling with local colour, leavened with humour, and imbued thtoughout with a gentle lyricism, Hunter's writing is utterly intoxticating." 120p. Book
Three volumes. pp. 167; 192; 183. Frontis and titles engraved by Bicknell. Large 8vo.Original vellum backed boards. Top edge gold. Limited to only 400 copies. Engraved Ex Libris of Truman H. Newberry. Fine English text edition issued by the Bibliophile Society The owner of this set Truman H. Newberry was a Secretary of the Navy under Theodore Roosevelt. He was elected to the Senate in 1918. On Mar ch 20, 1920, Newberry was convicted on charges of spending $3,750 to secure his Senate election (quite amazing, considering modern ideas about expenditures to secure political office). The U.S. Supreme Court overturned this decision (May 2, 1921) on the grounds that the U.S. Senate exceeded its powers in attempting to regulate primary elections. By a vote of 46 to 41 (January 12, 1922), the Senate declared Newberry to have been duly elected in 1918. On November 18, two days before the start of the 3rd session of the 67th Congress, Newberry resigned as certain members resumed their efforts to unseat him. **PRICE JUST REDUCED! W118
In 16° br. fig. pp. 266, con foto b/n f/t, tracce del tempo
Foxing and browning to endpapers. Rear hinge just starting to crack and weaken. Pages lightly browned. Blank leaves interleaved into latin text with some pencil notes to blank pages. Light foxing passim. Top of spine has a few small tears and fraying. Minor edgewear to corners. Possibly rebound in blue boards? ; Latin Text with German notes and introduction. ; 289 pages
Reveals how certain strategic metaphors embedded in the early Western literary canon have promoted--and continue to promote--systems of inequality and social control. Collins examines texts ranging from the Homeric epics and the Platonic dialogues to Virgil's "Aeneid" and the "Book of Revelation". Drawing on the linguistic and documentary evidence of usages in early societies, chiefly Greek and Hebrew, Collins has produced a penetrating examination of social and personal structures in those worlds. ; 9.5 x 0.75 x 6.5 Inches; 196 pages
ciii p., 1 l., 300 p. 20 cm. Hardcover Good condition. spine lightly worn
A clean, unmarked book with a tight binding. Full light gray cloth boards with green pasted-down label with gilt decoration and title. Sharp corners. Small spots on spine. Wood engravings by John Farleigh. Limited Edition, 168/1500. Signed by John Farleigh. No slipcase.
This new adaptation of the Bacchae by Anne Carson "was commissioned by and originally produced at the Almeida ,where it had its first performance on Thursday 23 July 2015.72p. Book
96pp., "Bekroond door de Stad Antwerpen, 1906", 25cm., moderne gecart. band, stempeltje op titelblad, T100312
