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OTTIME CONDIZIONI
Libreria Tara s.n.c. · Roma, IT5,50 €
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70pp., 22cm., stempeltje op titelblad en bladsneden, onopengesneden
OTTIME CONDIZIONI
vii + 140pp., 23cm., cloth, dustwrapper, good condition, T76526
97p. notes. Ex-Library
Neat tight copy, ffep missing, one library stamp, otherwise clean, crisp, unmarked.97p. Ex-Library
Very light shelfwear to DJ. Remainder mark to top of the textblock. ; Sather Classical Lectures; 1.12 x 9.25 x 6.25 Inches; 384 pages; Modern readings of ancient Athenian drama tend to view it as a presentation of social or moral problems, as if ancient drama showed the same realism seen on the present-day stage. Such views are belied by the plays themselves, in which supremely violent actions occur in a legendary time and place distinct both from reality and from the ethics of ordinary life. Offering fresh readings of Attic tragedy, Anne Pippin Burnett urges readers to peel away twentieth-century attitudes toward vengeance and reconsider the revenge tragedies of ancient Athens in their own context. After a consideration of how our view of Elizabethan drama has obscured an accurate view of the ancient tragedies, Burnett reviews early Greek notions of vengeance as expressed in the Odyssey, Heracles' tales, Pindar's odes, Attic judicial processes, and the legend of Harmodius and Aristogeiton. Then, setting aside post-Platonic and Judeo-Christian notions of criminality, she provides new interpretations of all the Attic tragedies in which revenge is a central theme: Aeschylus' Libation Bearers, Sophocles' Ajax, Electra, and Tereus, and Euripides' Children of Heracles, Hecuba, Medea, Electra, and Orestes. Burnett shows that for the ancients, revenge meant a redress of imbalances in both human and divine worlds, achieved through human actions. The vengeful heroines thus appear in a new light. Electra, Hecuba, Medea, and others cease to be the picture of depravity in dramas that are grotesque and sensational, and are instead representative human figures who respond with grandeur to the outsize demands of necessity and supernatural powers.
8vo., original series binding of green cloth, upper board blocked in blind, gilt back, brown top, patterned endpapers, a near fine copy in unclipped dustwrapper, the latter chipped with minor loss at extremities and with two short closed tears at backstrip. With 8pp series catalogue bound in at end. First published in Everyman's Library in 1912. Includes plays by Congreve, Dryden, Etheredge, Farquhar, Otway, Vanbrugh, Wycherley, EL 604; Seymour 824.0 (recording the first edition thus).
A clean, unmarked copy with a tight binding. Later printing. 674 pages.
A clean, unmarked book with a tight binding. Edge wear to dust jacket. 228 pages. " A simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting."
Ex-library copy with the usual stamps, stickers, etc. Binding is solid and text/interior is clean and unmarked in any way. 203 pages, very clean copy with sharp corners to the covers, appears little read, b&w photos.
In 16° br. pp. 160, ben tenuto
Minor shelfwear to book. Scholar's bookplate to inner cover (G. P. Goold). Minor scuffing to front board. Includes Trinity college Cambridge Candelmas Feast from 1975 showing seating plan of G. P. Goold seated beside R. D. Dawe tipped in. ; 179 pages
Ex-library book with usual stamps, stickers etc. Binding is solid and text/interior is clean. 238 pages, 9 articles, all by different authors: Marcus:Textual Indeterminacy and Ideological Difference: The Case of Doctor Faustus; Howard: Scripts and/versus Playhouses: Ideological Production and the Renaissance Public Stage; Coddon: Madness, Subjectivity, and Treason in Hamlet and Elizabethan Culture; Dawson: Witchcraft/Bigamy: Cultural Conflict in The Witch of Edmonton; Singh: Renaissance Antitheatricality, Antifeminism, and Shakespeare's Antony and Cleopatra; Garner: Painted Ladies in Renaissance Drama And Society; Mikesell: Marriage and Genre in the Taming of the Shrew; Anderson: History and Rhetoric in Bacon, Ford, and Donne; Lewis: Characters Named Antonio in English Renaissance Drama.
x + 134pp., 19cm., stempeltje op titelblad en op bladsneden, goed, T65397
307p. Signed by the author. Hardcover Very good condition good
xx + 140pp., 24cm., enkele stempeltjes en roestvlekjes, goede staat, T72328
In 8°; Serie di 6 opere, un legno al frontestpizio, molte note manoscritte nel testo. Legatura in piena pelle con tassello, titolo e fregi in oro al dorso. Tagli in rosso.
First edition of this important compilation of medieval comedies, most of which are practically impossible to find elsewhere. Beautifully printed on fine laid paper. 8vo, publisher's cloth. Uncut. Near fine. Bossuat 5846 and 5904; Gay III, 953; Brunet IV, 1147; Graesse VI(1), 48.
3 Vols., 1662pp., orig. cloth. The prestigious series 'Records of Early English Drama' aim is to make available historical transcripts of early English drama, music, ceremonies, dance and other forms of communal public entertainment in Britain from the Middle Ages to 1642, when the Puritans closed theatres and prohibited musical and dramatic performances. This volume contains primary sources for the county of Kent, with introductory material providing context. One chapter gives an overview of why certain forms of entertainment existed locally, and descriptions of various customs throughout the calendar year. This work is extremely interesting for anyone concerned with social history, popular culture and the history of performing arts.
58p. Paperback Good condition, paper aged front cover detached Signed by the author for Mrs. St. John Hankin
102 pages. Text in French. Features: Le drame de l'homme de quarante ans; Mon premier voyage interplanetaire (III); "Comme mes eleves travaillent bien a l'ecole des Quatr Jeudis!"; Gare Saint-Lazare, leve-toi et marche!; Le feu d'artifice du baroque allemand; Il epie le petit monde bruissant de la foret; Une vie de photographe; Jean Larteguy vous parle; Histoire de rire au "Machine". Printed on glossy stock. Profusely illustrated in colour and black and white. Average wear. Unmarked. A sound vintage copy. Book
Blackwells sales sticker FEP. Used
Book is fine. DJ has 1 small closed tear and light edgewear. ; 190 pages
Book very minor shelfwear else fine. DJ has light chipping to corners and spine slightly discolored. ; 190 pages
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. OTTIME CONDIZIONI, LIEVI SEGNI DEL TEMPO. Descrizione bibliografica Titolo: Rapporto al capo della polizia Titolo originale: Report to the commissioner Autore: James Mills Traduzione di: Attilio Veraldi Editore: Milano: Arnoldo Mondadori, 1975 Lunghezza: 246 pagine; 19 cm Collana: Volume 627 di Oscar Soggetti: Letteratura contemporanea, Narrativa, Gialli, Romanzi, Vintage, Cult, crime drama, Polizieschi, Novel, New York Times, bestsellers, American screenwriters, Bo Lockley, Detective, Squadra narcotici, Inchieste, Crimini, Omicidi, Droga, Interrogatori, Interviste, Giustizia, Crimine, Film tratti da libri, Cinema, police Department officers, Richard Gere, Films based on American novels
