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Erstausgabe. Nur der Schutzumschlag verso etwas gewellt, sonst sehr sauber erhalten. Wie nur wenige Hochschullehrer verstand es Krippendorff bei seinen Studierenden das Interesse an Kritischer Theorie mit aktueller Bedeutung von Klassikern wie Goethe und Shakespeare in Kontakt zu bringen. Auch für seine Hörer die den Weg in den Buchhandel wählten war diese Begegnung bedeutsam. Wir ehren sein Andenken. UZ . Einleitung: Erkenntnisinteresse 9 Troilus und Cressida: Ein Endspiel der Staatsraison . . . . 67 H I S T O R I E N Auf der Suche nach dem politischen Sündenfall: Richard I I I O J Machterhaltung: Heinrich IV. 136 Imperialismus, Nationalismus und Krieg: Heinrich V. 175 Der unaufhaltsame Aufstieg des Herzogs von Gloucester: Richardiii 203 R Ö M E R D R A M E N Held und Spielverderber der Klassenherrschaft: Coriolanus 231 »O du bist mächtig noch! Dein Geist geht um«: Julius Caesar 265 Weltreich und Nachruhm: Antonius und Cleopatra 297 T R A G Ö D I E N Der mißlungene Ausstieg aus dem Aufstieg: Hamlet 345 Politische Tragödie ohne Katharsis: Macbeth 391 Eine Parabel auch von der Unvernunft der Macht: König Lear 427 Der Sturm: Bilanz und Umkehr 453 Nachwort 489 Chronologie der Stücke und Gedichte ISBN 9783518403884
Former classics scholar's name on inner cover (John H. Betts). ; Mnemosyne, Bibliotheca Classica Batava Supplementum; 0.5 x 9.5 x 6.4 Inches; 118 pages; This study shows that the Ecclesiazusae is an affirmation of the importance of persuasion in the fourth-century democracy. ; Praxagora, the attractive and articulate female protagonist, virtually personifies peitho, the realm of both political persuasion and erotic seduction. The ability of peitho to address both public and private motivations makes it the perfect instrument to resolve the tension in the fourth century between selfishness and civic participation. This is, after all, the central issue in the later episodes of the play.
Former owners' names on ffep (Richard Whorman-1848; William Dale-1898 [classics scholar]). Appears to be vellum binding with slightly darkened spine-slight scuffing to boards. Black spine label with gilt lettering. Attractive marbling to endpapers. Light foxing. Marginalia /annotation and underlining in red and black ink by William Dale (classicist) to a few of the plays otherwise VG. ; 772 pages
FIRST EDITION of this important and amusing 15th-century morality play. Published by Silvestre as part of the "Poesies Gothiques Francoises" series, which was printed by Crapelet and edited by Francisque Michel. From a total edition of 100 copies, this is ONE OF ONLY 50 ON BETTER PAPER (handmade Dutch laid paper). Beautifully printed in black-letter (Gothic) types by Crapelet. 4to. Attractively bound in recent cloth. Title-page a bit soiled and with a couple small tears in upper margin, else fine and bright. Brunet IV, 754.
306 p. Hardcover Good condition in full leather, lightly foxed
2 vols. (245, 340 p.) Hardcover Good condition. spine lightly worn
322p. Manuscript poem by Shaemas O'Sheel on front free endpaper. Ex libris: Edward H. Pfieffer. Hardcover Good condition
99 p. Hardcover Very good condition good The Florist Shop by Winifred Hawkridge; The Bank Account by Howard Brock; The Rescue by Rita Creighton Smith; America Passes By by Kenneth Andrews.
121 p. Hardcover Very good condition; personal label on spine The Strongest Man by Elizabeth Higgins Sullivan: The Slump by Frederick Lansing Day: The Mourner by James Mahoney: Brotherhood by William H. Wells.
139 p. Hardcover Very good condition good Torches by Kenneth Raisbeck; Cooks and Cardinals by Norman C. Lindau; A Flitch of Bacon by Eleanor Holmes Hinkley; The Playroom by Doris F. Halman.
320 p. Top edge gilt. Deckled edges. Unopened. Paper beginning to brown but not brittle. 200mm. From Morley's Universal Library, uniformly bound with others in the series. Gilt lettered faux vellum spine over blue gray linen boards. Spine very slightly darkened. Fourth edition. Henry Morley (1822-1894) was a popular lecturer and prolific writer who did more to promote education and love of literature than any other person in the Victorian era. LOC W48/BAG 10
A clean, unmarked book with a tight binding. 62 pages. 4 3/4"w x 7"h. Plays for children to read aloud, and perhaps to record, as if on a radio program. Plays included: The Fox Brings Luck; The Bag of Fire; The Three Wishes; The Straw Ox.
609p.p. Hardcover Very good condition in light blue cloth
287 p. Top edge gilt. Deckled edges. Unopened. 200mm. From Morley's Universal Library, uniformly bound with others in the series. Gilt lettered faux vellum spine over blue gray linen boards. Spine very slightly darkened. Head and tail of spine very slightly bumped. Henry Morley (1822-1894) was a popular lecturer and prolific writer who did more to promote education and love of literature than any other person in the Victorian era. LOC W48/BAG 13 Plutarch; More; Bacon; Campanella.
Foxing to textblock. Scholar's bookplate to inner cover (G. P. Goold). Includes additional bookplate: "With the compliments of the author". DJ has some browning and foxing with light chipping. ; Masters of Latin Literature; 327 pages
Minor shelfwear. ; 7.6 X 5.0 X 0.9 inches; 288 pages
Small sticker stain to front wrap. Minor browning to edges of wraps. Scholar's name to front inner cover. Creasing to lower corner of rear wraps. Light pencil to a couple of pages. ; English translation. ; The Library of Liberal Arts; 76 pages
Remainder mark to bottom of textblock. ; Penguin Classics; 7.6 X 5.0 X 0.9 inches; 272 pages
Scholar's blindstamp to ffep (Robert Brown). Scholar's name to half-title (Robert Brown). Creasing to front wrap and spine. Light edgewear. Else VG. ; 224 pages
Pages tanned. Light edgewear to wraps. ; Translations from Greek and Roman Authors; 160 pages
Minor edgewear. Faint creasing to spine and to lower corner of front wrap. ; The World's Classics; 7.3 X 4.5 X 0.6 inches; 288 pages
Creasing to spine. Old bookseller stickers to wraps. ; The World's Classics; 7.3 X 4.5 X 0.6 inches; 288 pages
Scholar's blindstamp and name to ffep (Robert Brown). Spine and part of wraps sunned. Light pencilling to a few pages. Faint creasing to wraps. ; American Philological Association Textbook Series; 52 pages
Light chipping to front wrap. Spine very lightly browned. Scholars' bookplate to half-title. ; Cambridge Greek and Latin Classics; 241 pages; Plautus' Casina is a lively and well composed farce. The plot, which concerns the competition of a father and his son for the same girl and the various scurrilous tricks employed in the process, gives full scope to Plautus' inventiveness and richly comic language. The editors' aim is to establish the play as one of the liveliest of ancient comedies, and in their introduction and notes to make the reader continually aware of the conditions of an actual stage performance. They discuss the background and conventions of Roman comedy and by offering a complete metrical analysis they help the reader to appreciate the original musical structure of the play. The edition is intended primarily for use by students at school and university but will be of value to anyone interested in reading the play in the original.
Scholar's bookplate to inner cover (G. P. Goold). Foxing/dustsoiling to top of textblock. Minor shelfwear to DJ. Light foxing to prelims. ; Cambridge Greek and Latin Classics; 241 pages; Plautus' Casina is a lively and well composed farce. The plot, which concerns the competition of a father and his son for the same girl and the various scurrilous tricks employed in the process, gives full scope to Plautus' inventiveness and richly comic language. The editors' aim is to establish the play as one of the liveliest of ancient comedies, and in their introduction and notes to make the reader continually aware of the conditions of an actual stage performance. They discuss the background and conventions of Roman comedy and by offering a complete metrical analysis they help the reader to appreciate the original musical structure of the play. The edition is intended primarily for use by students at school and university but will be of value to anyone interested in reading the play in the original.
