1 631 résultats
189811578<p>John Murray. London. 1898. 8vo. 7.4 x 5 inches. Beautifully illustrated throughout with over 100 fine engravings by Tenniel and Wolf. A few light marks to the front blank endpapers but overall a nice clean copy in a fine contemporary leather binding by Bickers and Son of full tree calf. Spine with raised bands each decorated with gilt piping. Compartments ruled and fully decorated in gilt. Brown morocco title label ruled and lettered in gilt. Decorative gilt border on boards. Board edges with decorative gilt tooling. All edges marbled. Marbled endpapers. A little rubbing to the extremities but overall a lovely copy.</p> John Murray. London. 1898 hardcover
1882962F21London: John Murray 1882 . Cloth. Good. 8.5" by 6". John Tenniel; Wolf. A charming collection of four 19th century copies of Aesop's fables all of which feature the illustrations of John Tenniel. Four volumes of Rev. Thomas James edition of the fables of Aesop which were first published in this edition in 1848.Each of these volumes is the edition of James and features illustrations from John Tenniel and Wolf.Illustrated with over one-hundred vignette illustrations from Tenniel in each volume. Lewis Carroll was so impressed by John Tenniel's animated designs for this edition of the fables that he chose the Tenniel to illustrate 'Alice's Adventures in Wonderland'.Present here are: the 1852 edition of this work; the 1863 edition being the forty-eighth thousand; the 1868 edition being the sixty-third thousand and the 1882 edition being the seventy-eighth thousand.Aesop's Fables are a collection of brief moral tales attributed to a storyteller believed to have lived in ancient Greece around the 6th century BCE. These tales typically feature animals as characters who embody human traits and behaviours teaching practical life lessons through their interactions. Classic fables like "The Tortoise and the Hare" "The Boy Who Cried Wolf" and "The Ant and the Grasshopper" use simple narratives to convey enduring wisdom about virtues such as perseverance honesty and hard work. With a thirty-two page catalogue to the rear of the 1852 volume dated January 1852 and another to the 1868 volume dated April 1868.Housed in a cloth clamshell case these four volumes were collected by Eric Sweet whose bookplate appears to the interior of the clamshell. In the publisher's original cloth bindings and paper wraps housed in a cloth clamshell. The earliest volume is in paper wraps with losses of paper to the back strip and significant rubbing to wraps. Rear hinge of 1863 volume strained but firmly held. Hinges of 1868 volume strained but firmly held. Clamshell fine. Internally 1852 volume strained throughout with remaining volumes lightly strained. Pages a touch age toned with instances of light spotting throughout. Good John Murray hardcover
1957131643Paris, Pierre de Tartas 1957 In-4 33 x 25,5 cm. En feuillets, sous couverture rempliée illustrée, chemise et étui rigide toilés vert et gris-moyen, 87 ff., 20 lithographies de Abel Imblot, table des fables. Ouvrage tiré à 237 exemplaires. Celui-ci, un des 32 exeplaires réservés au Cercle bibliophile Joseph Pardo, N J. P. 24, sur Moulins Richard-de-Bas, enrichi d’un dessin original de l’artiste avec son envoi autographe, comportant une suite des lithographies sur Vélin de Rives. Des rousseurs, soutenues en garde et au titre, par ailleurs rares et éparses, la suite des lithographies en bel état.
19092126057Published by Hodder & Stoughton 1909. 1st edition. Hardback. Good. Illustrated by Detmold Edward J. Almost very good condition with no wrapper. Large format. Brown cloth with gilt titles and illustration to front. Pictorial endpapers. 23 beautiful tipped-in colour plates with tissue-guards. Assumed 1st edition. Spotting/browning to spine; some chipping to cloth at top and tail; a little fraying. Wear along cover edges; a few small nicks at corners. Some foxing and browning mostly to prelims. All plates present. Bottom corner of page 144 has small piece torn off. Published by Hodder & Stoughton hardcover
1794117012à Paris, chez Debarle, Libraire 1794 2 volumes. In-8 20 x 12 cm. Reliures de l’époque veau havane marbré, dos lisses ornés de fers encadrés de filets dorés, pièces de titre et de tomaison maroquin havane, XX-588 pp. en pagination continue, 3-4 gravures hors texte, table. Coupes légèrement frottées, coins émoussés et frottés, 1 coiffe arasée, intérieur frais.
1936962Z12London: Ward Lock & Co 1936. Cloth. Very Good Indeed. 10" by 7". Harry Rountree. Two copies of Blanche Winder's retelling of Aesop's fables beautifully illustrated with colour plates by Harry Rountree including the very scarce original dust wrapper. The Harry Rountree illustrated edition. Bound in the original cloth with pictorial boards and the original unclipped dust wrapper to one of the volumes. Illustrated by Harry Rountree with a coloured frontispiece and twenty-three coloured plates to both volumes. Collated complete. A charming illustrated collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. A two volume set featuring a complete copy and a smaller incomplete copy with the original dust wrapper. The smaller volume is lacking the pages after pp.44 but contains all twenty-four colour plates. One volume is re-backed and the other has been re-bound with the plates bound to the rear with the original spine bound to the front endpapers. Housed in a cloth clamshell box. In the publisher's original cloth re-backed with pictorial covers. The second volume is re-bound and includes the original unclipped dust wrapper. Housed in a cloth clamshell box. Externally very smart with minimal edge wear and the odd slight mark to the rear covers. Original cloth spine adhered to the front pastedown of the smaller volume. The wrap has archival repairs and a tidemark to the verso and minor creasing. Internally the slightest strain in places otherwise firm. Pages bright with the odd spot heavier to the front and rear. The clamshell has fading to the spine and joint. Very Good Indeed Ward, Lock & Co hardcover
1887962F13London: Frederick Warne 1887 . First edition. Cloth. Near Fine/Very Good Indeed. 7.5" by 8". Walter Crane; Edmund Evans. A vibrant example of the first edition of this charmingly illustrated children's edition of Aesop's moral tales in the scarce original dust wrapper. The first edition of this work.In the scarce publisher's original dust wrapper unclipped.Illustrated throughout in colour by Walter Crane printed in colour by Edward Evans. Crane was an English artist and book illustrator and is considered to be the most influential and among the most prolific children's book creators of his generation.Undated; dated 1887 'Walter Crane' by Isobel Spencer p. 203.Aesop's Fables are a collection of brief moral tales attributed to a storyteller believed to have lived in ancient Greece around the 6th century BCE. These tales typically feature animals as characters who embody human traits and behaviours teaching practical life lessons through their interactions. Classic fables like "The Tortoise and the Hare" "The Boy Who Cried Wolf" and "The Ant and the Grasshopper" use simple narratives to convey enduring wisdom about virtues such as perseverance honesty and hard work. In the publisher's original cloth backed pictorial paper covered boards with unclipped dust wrapper. A touch of shelf wear to back strip tail otherwise externally excellent. Dust wrapper bright with neat restorations to back strip head and tail head of fore edge of front wrap tail of fore edge of rear wrap. Significant closed tear to rear wrap neatly repaired with tape to the reverse. Minor chips to wrap perimeters. Internally firmly bound. Pages clean and bright. Near Fine Frederick Warne hardcover
91880London Hodder and Stoughton no date ca1909 1st. Hardback approx 10.5 x 8 inches. Light brown/tan cloth with gilt lettering to spine eagle illustration to front in red with green lettering and border to front. Plain endpapers. In very good condition. Some minor handling marks and minor rubbing to edges of cloth rubbing to bottom front edge some darkening to top page edges. Some darkening and mild foxing to prelims. Some light foxing spots to title contents pages and p1. Some dark foxing spots to outer page edges. Plates all very clean and bright all tissue guarded. Else a very good clean and tight 1st edition. 152pp. With 23 mounted colour plates and b/w illustrations in text by Edward J. Detmold. The original edition published in 1909 by Hodder & Stoughton. London, Hodder and Stoughton, no date ca1909 1st hardcover
1J9314Biermann Steinbach 1978. 37 Blatt mit 6 ganzseitigen Tafeln und 1 losen Original-Radierung kartoniert Einband mit unwesentlicher Knickspur. - sonst gutes Exemplar / Edition ZWO / Eines von 120 numerierten und vom Künstler signierten Exemplaren / Mit einer Original-Radierung Blatt 28/45 von Benno Geisler unten rechts signiert und datiert 1978 / Benno Geisler 1946 Frankfurt am Main erhielt zahlreiche teils internationale Kunstpreise u.a. den Kunstpreis der Heussenstamm-Stiftung Frankfurt am Main; Kunstpreis Acryl; Maintower Open Air 35. Etage Frankfurt; Silbermedaille Internationale Art Kalender Ausstellung Stuttgart; 2. Preis 1st. Kochi International Trienal Art Competition In-Cho Museum Japan - unknown
17765911776 Couverture rigide Leipzig, Wittekindt, 1776. In-12, reliure demi basane à coins, dos à nerfs orné, pièce de titre en maroquin rouge, tranches rouges, charnières fendues au niveau de la coiffe supérieure, frottements sur les plats, coins émoussés. Feuillet de titre, 62 pages non chiffrées (Praefatio, Testimonia), 120 pages, 168 pages non chiffrées, rares rousseurs. Ex-libris "Patre Schaller" sur le contreplat, mentions manuscrites en grec sur la page en regard. Bon état intérieur pour cet ouvrage en grec et en latin.
ORD-17530A Lille, chez Castiaux, Libraire. A Paris, chez Delarue; Libraire quai des Augustins, N°15. Lille. Imprimerie de Blocquel. Sans date, ca 1811, date à laquelle Bloquel s'est associé à Castiaux. Petit in-12 (88 x 145 mm) plein veau brun chocolat, dos lisse, titre doré, gardes peignées, tête rougie (reliure moderne), 86 pages, bien complet des 24 gravures sur bois, groupées par 2 sur 12 planches hors texte et du charmant frontispice rehaussé de couleurs vives. Première feuille (fx-titre?) en partie coupée, sinon bel exemplaire, bien relié. Rare.
1806R200003997GENETS JEUNE. 1806. In-16. Cartonné. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 110 pages illustrées de cinquante deux gravures en noire et blanc.. . . . Classification Dewey : 880-Littératures helléniques. Littérature grecque
180423583Rouen:: A. Lelalain 1804. Nouvelle edition revue corigee & augmentee de la Vie d'Esope. contemporary full sheep. A few old notes on endsheets; some minor staining to text; boards quite scuffed but tight and sound. 16mo. Illustrated with woodcuts throughout. A. Lelalain, hardcover
1791013739Mitriti: Apud Hilarium Santos 1791. Red leather spine label. Spine floral designs in gilt. Old marbled endpapers. Title-page with illustration. All edges red. Spine extremities worn as are corners. Writing in a very old hand on title-page with small area of brown spotting. See photo. Text is quite clean with occasional brown spots. 88 illustrations through the text indexed at the conclusion. 324pp. index. A rather elusive edition of Aesop's Fables published in Madrid text in Latin. Not listed in OCLC or APBC. We have seen a 1788 Madrid edition with same number of plates but a different publisher. This edition was mentioned in Blake's "Ninth Catalogue of Second-hand Books" on p.312. . Later Edition. Full Mottled Calf. General Moderate Wear/No Jacket. 5 1/2" x 3 1/2". Apud Hilarium Santos Hardcover books
1954327078New York: The Museum of Modern Art 1954. Hardcover. Near Fine/Near Fine. First edition thus. Narrated by Glenway Wescott. Illustrated by Antonio Frasconi. Small quarto. Quarto red cloth and decorated paper over boards. Spine a little toned else about fine in lightly worn very good cardboard slipcase. copy number 195 of 975 numbered copies printed at the Spiral Press Signed by Frasconi Wescott and printer Joseph Blumenthal. A nice copy. The Museum of Modern Art hardcover
06285London: William Heinemann 1912. Arthur Rackham Illustrates Aesop's Fables<br /> First Trade Edition<br /> <br /> RACKHAM Arthur. Aesop's Fables. A New Translation by V.S. Vernon Jones with an Introduction by G. K. Chesterton and Illustrations by Arthur Rackham. London: William Heinemann 1912. <br /> <br /> First trade edition. Small square octavo 8 x 5 7/8 inches; 202 x 149 mm. xxix 1 blank 223 1 pp. Thirteen color plates including frontispiece with captioned tissue guards fifty-three black and white drawings of which nineteen are full page. <br /> <br /> Publisher's green cloth front cover and spine pictorially decorated and lettered in gilt lower cover with publisher's blind stamp pictorial end-papers printed in green top edge stained green. Spine slightly darkened extremities of cloth slightly rubbed inner hinges cracked but sound. A good copy only.<br /> <br /> "In Aesop's Fables 1912.Rackham's primary intention was to amuse but his illustrations for fables of 'The Moon and her Mother' and 'The Gnat and the Lion' suggest the imaginative refinement that he brought to the task. Rackham was often his own model; there are several self-caricatures to be detected in Aesop's Fables. He is the man who catches the flea the pompous gentleman who scoldsd the drowning boy the credulous slave-owner who scrubs the black boy" Hudson Derek. Arthur Rackham His Life and Work p. 94.<br /> <br /> Aesop's Fables or the Aesopica is a collection of fables credited to Aesop a slave and story-teller believed to have lived in ancient Greece between 620 and 560 BC.<br /> <br /> The 1st century AD philosopher Apollonius of Tyana is recorded as having said about Aesop: ". like those who dine well off the plainest dishes he made use of humble incidents to teach great truths and after serving up a story he adds to it the advice to do a thing or not to do it. Then too he was really more attached to truth than the poets are; for the latter do violence to their own stories in order to make them probable; but he by announcing a story which everyone knows not to be true told the truth by the very fact that he did not claim to be relating real events" Philostratus Life of Apollonius of Tyana Book V:14.<br /> <br /> Latimore and Haskell pp. 38-39; Riall p. 111. London: William Heinemann, 1912 unknown
199228376Milano: Edizioni Rizzardi 1992. In-4 gr. legatura editoriale in brossura sovracoperta astuccio pp. 3911 con un'acquaforte di Cucchi num. e firmata dall'artista. Bella edizione composta con carattere Bembo e impressa con torchio a mano da A. Zanella in tiratura di 150 esemplari numerati. Il ns. 107 è allo stato di nuovo. Edizioni Rizzardi, unknown
1955041168New York: The Museum Of Modern Art 1955. First Edition Thus 1st Printing. Hardcover. Near Fine/Slipcase. Red Cloth Gilt Over Decorative Paper Covered Boards. #528 Of 975 Numbered Copies And 25 Lettered Copies All Signed By Frasconi Westcott And Blumenthal. Near Fine Slight Fading To Spine Cloth Gilt Still Brilliant; Pencil Ownership Signature Of Paco Lagerstrom Dated March 1955 And Small Ownership Label Of Anton Roshko. In The Original Black Slipcase With Cover Label Printed In Red And Black; Slipcase With Rubbing All Along Right Top And Bottom Open Edges 1/4" Splits Along Two Bottom Open Corners And Tiny Frays At Corners Of The Closed End. Paco Axel Lagerstrom 1914 - 1989 Was An Applied Mathematician And Aeronautical Engineer. He Was Trained Formally In Mathematics But Worked For Much Of His Career In Aeronautical Applications. He Was Known For Work In Applying The Method Of Asymptotic Expansion To Fluid Mechanics Problems.3 Several Of His Works Have Become Classics Including "Matched Asymptotic Expansions: Ideas And Techniques". In 1946 Lagerstrom Was Recruited By Hans Liepmann To The Guggenheim Aeronautical Laboratory At Caltech.5 He Was Later Promoted To Professor Of Aeronautics In 1952 And Professor Of Applied Mathematics In 1967 Having Departed Only Briefly To The University Of Paris In 1960-1961 As Visiting Professor On A Guggenheim Fellowship. His Book "Laminar Flow Theory" Initially Published In 1964 In The Theory Of Laminar Flows Edited By F.K.Moore Is Still Considered As The Standard Textbook For Fluid Mechanics. Anatol Roshko 1923-2017 Was The Theodore Von Kármán Professor Of Aeronautics Emeritus At The California Institute Of Technology Pasadena Ca. Roshko Is Known For His Contributions To Gas Dynamics. He Along With H. W. Liepmann Is The Co-Author Of The Widely Used Textbook "Elements Of Gasdynamics". He Has Made Research Contributions To Problems Of Separated Flow; Bluff-Body Aerodynamics; Structure Of Turbulent Shear Flow. He Completed His Undergraduate Education At The University Of Alberta With A B.Sc. Degree In Engineering Physics In 1945 Received The M.Sc. Degree From Caltech In 1947 And The Ph.D. In 1952. Most Of His Academic Career Has Been At Caltech Where He Was The Theodore Von Karman Professor Of Aeronautics Emeritus At The Time Of His Death. He Was Also A Member Of The National Academy Of Engineering; A Fellow Of The American Institute Of Aeronautics And Astronautics The American Physical Society The American Academy Of Arts And Sciences And An Honorary Fellow Of The Indian Academy Of Sciences. Roshko Received Fluid Dynamics Prize By The American Physical Society Aps In 1987. He Was Also Awarded The Timoshenko Medal In 1999. In Fluid Mechanics The Roshko Number Ro Is A Dimensionless Number Describing Oscillating Flow Mechanisms. <br/> <br/> The Museum Of Modern Art hardcover
1804ABC_45449Rouen 1804. 12mo. chez A. Delalain Mottled calf over boards spine gilt in compartments with green title label lettered in gold red painted edges. With a full-page woodcut portrait 97 x 72 mm. of Aesop. and 192 woodcuts of ca 56 x 72 mm. illustrating the Vie dÉsope 28 and 164 out of a total of 225 Fables; woodcut head- and tailpieces. 8 C 314 2 out of 10 pp. Augmented nicely illustrated re-edition of the editions of 1764 and 1787 with the same collation printed by Richard Lallemant in Rouen Bodemann 113.1-2. As in these editions also in our edition there are the 225 fables of Aesop in French prose with the quatrains by the French writer and dramaturge Isaac Benserade 1612-1691. The translation of the Vie dÉsope is illustrated with 28 woodcuts; the other 164 woodcuts illustrate 164 Fables. They are after the series of Bernard Salomon and Marcus Gheeraerts.Our edition is copied page-for-page strikingly accurate from the edition: Rouen chez les libraires An VI =1798 also in 12mo. see nr. 57 using exactly the same type and at least for the greater part the same woodblocks for the illustrations.Library stamp ownerships entries and a note 1805 written on the first fly-leaves.l Cf. Bodemann 113.1-2. hardcover
169010502Bruxelles: Jean Léonard 1690. Provanance: Antonetta Schrassert. In-12° 15 x 9 cm 118 pp et frontispice en taille-douce. Dans la même reliure : Esope comédie accomodée au Théâtre Italien. Par Mr. Le Noble. Paris Guillaume de Luynes 1691. Frontispice 107 pp manquent les pp. 101-104. Illustré de gravures dans le texte. Reliure en plein vélin de l'époque estampée à froid titre en encre sur le dos old books Jean Léonard unknown
33498Enrichies de quatrains à la fin de chaque discours et de vingt gravures de André Collot. Paris, à l'Emblème du Secrétaire en 1941. Gd.in-4 en feuilles, couverture à rabats avec titre collé sur le 1er.plat, chemise et étui à la façon d'une toison animale grise. Ex.n° 141 sur vélin d'Arches à la forme, comprenant une suite de composition des départs. TBE.
1789962Z6London: J. Dodsley 1789. Leather. Fine. 7" by 4". None stated. A beautifully bound copy of Robert Dodsley's edition of Aesop's fables accompanied with charming wood engravings and bound in a quarter morocco with patterned cloth boards and a uniform cloth chemise and slipcase. A new edition. Illustrated with a monochrome wood engraved frontispiece and numerous wood engraved vignettes. Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style.A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This collection is separated into three 'books' and edited with an account of the life of Aesop by Robert Dodsley. Dodley's edition was notable as the animals spoke in character such as the lion speaking in a royal manner adding personality to the creatures. His addition also included fables from ancient sources and new stories written by himself and other notable writers. Bound in a lovely modern quarter morocco with patterned cloth to the boards and with a uniform cloth chemise and slipcase. Blanks and endpapers renewed. Bound in modern quarter morroco and patterned cloth to the boards with endpapers and blanks renewed with a uniform cloth chemise and slipcase. Externally lovely. The chemise is lovely and the slipcase is very smart with slight spotting to the head. Internally firmly bound with clean and bright washed pages. Fine J. Dodsley hardcover
18001339289London: printed by C. Whittingham. For J. Johnson. W. Ginger and Son. R. Baldwin. F. and C. Rivington. G. and J. Robinson. and 13 others in London 1800. Hardcover. Octavo 2 xii 4 267 1 pages; VG-; bound in contemporary full calf later rebacking with new spine gilt titling; moderate shelfwear and rubbing to binding; The title-page is engraved; with 110 fables and one woodcut per fable; page 129/130 with large tear non-archival repair page 131/132 with large tear; early ink ownership to title page top edge; shelved case 7. ESTC: N42329 ESTC with 3 copies listed. 1339289. Shelved Dupont Bookstore. printed by C. Whittingham. For J. Johnson. W. Ginger and Son. R. Baldwin. F. and C. Rivington. G. and J. Robinson. [and 13 other hardcover books
IL514Paris, A l'Emblème du Secrétaire, 1941. 4to, pp.87, [1] + 20 full-page etchings and 21 two-colour woodcut vignettes. Numbered copy 30, ONE OF THE 30 copies printed on “Madagascar” paper and including TWO SUITS: one of the etchings with artist’s remarks on “Madagascar” paper and one of the vignettes with the two colours presented separately on “Hollande” paper. Original chemise and case. Light only external wear along case’s extremities otherwise
1813963Z12London: C. Whittingham; Chiswick Press 1813. Leather. Good. 6.5" by 4". None stated. An early nineteenth century copy of Samuel Croxall's noted edition of Aseop's fables bound in full calf and adorned with many wood engravings. An early nineteenth century copy of Samuel Croxall's edition. Illustrated with many monochrome wood engraved vignettes. A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition was translated and written by Samuel Croxall and is notable for its addition of his 'instructions' to the end of each fable which taught the reader how to apply the lessons of the fables to every day life.Bound in full contemporary calf. Bound in full contemporary calf. Externally front joint tender rear starting with wear to the extremities boards and joints and the odd slight mark to the boards. Internally firmly bound with bright and generally clean pages with only the odd spot and an owner's inscription to the front blank. Good C. Whittingham; Chiswick Press hardcover
