Perrault, C(harles)Biblio.com
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1899007161France: Eragny Press 1899. Book. Very Good. Hardcover. Limited Edition. 8vo - over 7¾" - 9¾" tall. Published in an edition of 224 copies 200 of which were for sale. In original pale blue decorative paper boards gilt lettering front cover 2 gilt decorations at spine with lovely wood engravings and decorative initials designed by Lucien Pissarro and engraved by Lucien and Esther Pissarro printed on handmade paper. Very Good spine a bit darkened endpages with usual toning small bookseller's stickers bottom edge front and rear paste downs. A quite charming edition of these classic fairy tales. Eragny Press Hardcover
185074207Paris: Magnin Blanchard & Compagnie 1850. Fine. Magnin Blanchard & Compagnie Paris 1850 S.d. 17.50 x 27.20 cm relié This illustrated edition originally appeared from Curmer but the frontispieces of each tale were only printed in black whereas they have been printed in bistre in this edition. The text of the tales is entirely engraved in italics and superbly printed on strong laid paper. The illustrations in the text are finely engraved on steel they are due to the imagination of Pauquet Marvy Jeanron Jacque Beaucé Jules Compagnon and engraved by Monin. The 15-page notice on the life and works of Perrault by Paul Jacob appeared for the first time in the 1836 edition the same is true for the dissertation in fine on fairy tales. One general title in bistre and 9 frontispieces in bistre; each page of each tale entirely engraved with text and composition framing the text or as headpieces tailpieces. Publisher's binding in half dark green shagreen. Spine with false raised bands richly decorated with ornate compartments. All edges gilt. White glazed watered paper for the endpapers. Signs of rubbing. 2 frontispieces partly detached. Some small scattered foxing on paper that is quite white with full margins. A handsome copy. ""It is one of the most beautiful illustrated books of the 19th century and perhaps the rarest in fine condition."" Carteret Le trésor du bibliophile romantique et moderne. This edition is very rare and is encountered only very infrequently just like the one published by Curmer it found itself as Carteret affirms in the hands of children with little bibliophilic sense. Magnin, Blanchard & Compagnie hardcover
221814Paris, Calixte Volland, an XIV - 1805 2 tomes en un vol. in-folio, [4]-40-32 pp., avec un frontispice allégorique et 103 planches (dont 103 portraits individuels de célébrités du XVIIe siècle, et 2 planches collectives de personnages du XVIIIe siècle), demi-chagrin rouge, dos à nerfs orné (reliure de la fin du XIXe). Qqs rousseurs.
192087354Reliure postérieure demi-box rose. Dos lisse avec titre doré. Couverture et dos conservés. Reliure signée Boichot. Papier bruni par le temps mais les couleurs sont restées vives.Recueil de huit contes de Charles Perrault, dont La Belle au bois dormant, Le Petit Chaperon rouge et Le Chat botté, chacun accompagné d'une planche en couleurs et de nombreuses illustrations en texte de l'artiste français Art déco Lucien Laforge (1889-1952). Les dessins fantaisistes aux couleurs posées en aplats ont été coloriés "au patron" par l'Atelier André Marty.
167686815Chez Jean-Baptiste Coignard, rue Saint-Jacques, à la Bible d'or | Paris 1676 | 9.80 x 16 cm | relié
1688216881688. A Paris chez Jean-Baptiste Coignard 1688. Un vol. au format in-12 163 x 98 mm de 1 f. bl. 20 ff. n.fol. 252 et 19 ff. Reliure de l'ÂŽpoque de plein veau marbrÂŽ havane filet ˆ froid encadrant les plats dos ˆ nerfs ornÂŽ de filets gras ˆ froid jeu de petits filets obliques dorÂŽs sur les nerfs doubles caissons d'encadrement dorÂŽs fleurons dorÂŽs piÂce de titre de maroquin caramel titre dorÂŽ palette dorÂŽe en tÂte et queue filet dorÂŽ sur les coupes tranches rouges. Edition originale rare de cette important ouvrage. Tome Ier seul sur 4 cependant complet en tant que tel. Le prÂŽsent volume est dÂŽvolu aux Sciences et aux Arts. Les suivants qui parurent de 1692 ˆ 1697 ˆ L'Eloquence puis ˆ la PoÂŽsie et enfin ˆ l'Astronomie la GÂŽographie la Navigation la Guerre la Philosophie la Musique et la MÂŽdecine. ''CÂŽlÂbre ouvrage ˆ l'origine de la Querelle des Anciens et des Modernes l'un des ouvrages marquants de l'histoire littÂŽraire du XVIIe siÂcle.'' Exemplaire bien pourvu de son feuillet d'Errata souvent absent. ''L'auteur estime que les Modernes sont supÂŽrieurs aux Anciens et conclut sur le principe positif d'une progression constante des arts et des lettres ˆ travers les siÂcles visant ˆ donner ˆ la France la capacitÂŽ d'occuper la premiÂre place dans le temps comme dans l'espace en dÂŽmontrant la supÂŽrioritÂŽ des artistes et auteurs modernes sur les anciens ''. PÂŽrouse de Montclos in L'Art ˆ Paris. ''Au nom de la raison Charles Perrault entreprend d'examiner ici en un vaste panorama les lettres la philosophie les sciences et les arts pour dÂŽmontrer qu'ils sont soumis au progrÂs que le beau n'est pas immuable et que peut s'y affirmer un gÂŽnie proprement franÂais libÂŽrÂŽ du carcan de la comparaison avec l'AntiquitÂŽ et l'Italie. Manifeste de l'esprit moderne et de la foi dans le progrÂs tout en restituant sa place ˆ l'imagination et la sensibilitÂŽ le "ParallÂle des Anciens et des Modernes" ouvrait la voie au siÂcle des LumiÂres.'' in Tchemerzine-Scheler V 169. Tchemerzine IX Bibliographie d'ÂŽditions originales et rares d'auteurs franÂais 170 ne dÂŽcrivant qu'une ÂŽdition de 1690 - Brunet VI Manuel du libraire et de l'amateur de livres 18296 - Graesse V TrÂŽsor de livres rares et prÂŽcieux p. 206. Coiffe supÂŽrieure arasÂŽe. Marque brune en tÂte du premier plat. Rares rousseurs dans le texte. Infime manque angulaire affectant un feuillet. Manque au dernier feuillet de la PrÂŽface avec disparition de la derniÂre lige du texte. Les 5 derniers feuillets Du SiÂcle de Louis le Grand ici absents. Nonobstant bonne condition. b42961 unknown
168821688A Paris, chez Jean-Baptiste Coignard, 1688. Un vol. au format in-12 (163 x 98 mm) de 1 f. bl., 20 ff. n.fol., 252 et [19] ff. Reliure de l'époque de plein veau marbré havane, filet à froid encadrant les plats, dos à nerfs orné de filets gras à froid, jeu de petits filets obliques dorés sur les nerfs, doubles caissons d'encadrement dorés, fleurons dorés, pièce de titre de maroquin caramel, titre doré, palette dorée en tête et queue, filet doré sur les coupes, tranches rouges.
193637587Paris Editions du Perce-Ne 1936 In-4, en feuilles, couverture imprime.31 gravures in texte de J.-E. Laboureur. Tirage limit 75 exemplaires numrots et signs par l'artiste. Un des 65 exemplaires sur papier vlin de Rives.
16765784Paris, Jean Baptiste Coignart, 1676. In-12 (90 x 156 mm), 7 ff. n. ch., 316 pp., 1 f. n. ch. Veau, dos à nerfs orné, roulette sur les coupes, trace claire de mouillure dans le coin inférieur des huit premiers et six derniers feuillets (reliure de l'époque).
172242537London: Printed for John Senex and R. Gosling W. Taylor W. and J. Innys and J. Osborn 1722. Second edition thus. Folio. viii xxii ii xii 42 45-131 1 pp. Later period style full calf with blindstamped decoration to both boards spine with raised bands twin gilt lettered red labels marbled endpapers late 20th century ownership inscription to the original front flyleaf. Engraved title and dedication and 6 plates plus numerous head and tail piece vignettes historiated initials and other diagrams in the text by John Sturt. Spine a little sunned very good overall. First published in France in 1683 the first English edition appeared in 1708. Pages 43/44 are not called for. London: Printed for John Senex and R. Gosling, W. Taylor, W. and J. Innys, and J. Osborn unknown
193324878George G. Harrap & Co. 1933. Limited ed. Hardcover. Very Good. Limited edition # 55 of four hundred and sixty copies signed by the illustrator Arthur Rackham very good hardcover full vellum ruled in gilt with gilt letter and decorationno jacket or slipcase with top page edges gilt that shows soiling to covers exposure toning to white from off white along top edge of rear cover about an inch deep mild wrinkling and touch of darkening along spine tiny closed tear at spine head foxing along top edges and bit of same at top edges inside covers gift inscription at top of front blank touch of soil at rear pastedown mild spot of occasional soil to pages within and some other very minor trace wear including unattached ribbon marker laid-in. 287 pages have been cut in a fairly clean manner with decorative endpapers eight illustrated color plates and over 50 illustrations to text. Still a solid and pleasing copy of this limited edition featuring new illustrations and signature by Rackham that compliment some of the great fairy tales of all time including Jack and the Beanstalk Beauty and the Beast the Ugly Duckling Cinderella Puss in Boots Rip Van Winkle and many many others. Signed. George G. Harrap & Co. hardcover
139920Baton Rouge: Published by the Friends of the LSU Library 1987. full leather binding housed in a cloth clamshell box with leather spine label. Etherington Don. small 4to. full leather binding housed in a cloth clamshell box with leather spine label. xvi 280 pages with xvi pages of plates. A catalogue of the Mcilhenny natural history collection which describes 1388 items. A fine copy in fine clamshell box. Signed in ink by the compiler author of the preface and author of the introduction on the half-title page. This particular copy has been bound in a full leather artists' binding by Don Etherington which is unsigned. The binding is full olive green calf with green navy blue white brown dark blue tan olive red and purple leather onlays with the title stamped in black. Handmade metallic pastepaper pastedowns and endpapers. <BR> <br /> <BR> <br /> The collection which consists of art and books about nature was formed as a result of a gift from the descendants of Mcilhenny of Avery Island in Louisiana owned by the family since 1813. It is illustrated with 16 pages of beautiful color plates and several black-and-white plates and drawing throughout. Indexed. A fine copy. From the private reference library of Dorothy Sloan with a commemorative bookplate loosely inserted. Published by the Friends of the LSU Library unknown
122445London William Heinemann 1913. . First edition deluxe issue one of 1110 copies signed by Rackham on the limitation page; 4to 285 x 230 mm; William Heinemann windmill watermark to half-title 13 tipped-in colour plates with captioned tissue-guards illustrations throughout text offset to front and rear free endpaper due to binding some foxing to front and rear endpaper the occasional minor spot to a few pages very small tear to edge of ix leaf otherwise very good; contemporary green crushed morocco for Hatchard's spine in 6 gilt compartments decorative panelling and floral quatrefoil corner pieces incorporating red morocco onlays to covers all edges gilt very mild rubbing to extremities small light scratch to rear board otherwise a most attractive period binding; xii 160pp.<br /> A beautifully illustrated edition of Mother Goose Old Nursery Rhymes including many well-known ones such as Hickory-Dickory-Dock. This copy is number 716 of only 1110 copies printed in this deluxe issue and signed by the illustrator Arthur Rackham. Rackham was a leading figure in the Golden Age of Illustration as exemplified by this book.<br /> London, William Heinemann, 1913. unknown
1902123847London: Printed at the Eragny Press for Hacon & Ricketts 1902. Hardcover. Very Good. London Printed at the Eragny Press for Hacon & Ricketts 1902 first thus. Octavo 40 pages printed in red and black on Arches handmade paper with a wood-engraved vignette for the Mother Goose stories title vignette borders initials and printer's device plus 2 wood-engraved illustrations. Original quarter contrasting plain and patterned papered boards lettered in gilt; edges uncut and partially unopened; covers lightly sunned and rubbed with brown marks to the rear cover apparently from prolonged contact with another book; endpapers browned; a very good copy internally in fine condition. One of only 230 copies of which 200 were offered for sale printed at the Eragny Press of Lucien and Esther Pissarro. The title vignette and two illustrations were drawn and engraved by T. Sturge Moore; the frontispiece borders and initials were designed by Lucien and engraved by him and Esther. This is the fourteenth book of the press. Printed at the Eragny Press for Hacon & Ricketts hardcover
1768963F12London: Printed for ye editor 1768 . First edition. Leather. Very Good Indeed. 12" by 9.5". George Bickham. The very scarce first edition of Daniel Bellamy's translation of this satire about Aesop navigating the 'labyrinth' of the French court illustrated with engraved plates by George Bickham. A very scarce first edition extracted from Daniel Bellamy's 1768 work 'Ethnic Amusements'.Illustrated with a total of forty-two engraved plates including a map of the labyrinth and an engraved title page forty plates and a vignette engraving.Collated complete.Illustrated by English writing master and engraver George Bickham.This satirical and allegorical work that uses the character of Aesop as a mouthpiece for social and political commentary on the French court particularly the intrigues and excesses of Versailles. First published in the original French by Charles Perrault this is the first English language edition translated by Daniel Bellamy.ESTC No: T83830In a quarter morocco binding with marbled paper covered boards and with endpapers renewed. Housed in a felt lined chemise and matching slip case. Rebacked in marbled paper covered boards with endpapers renewed. Externally fine. Housed in a felt-lined chemise and matching slip case. Chemise in fine condition with slip case near fine with instances of light fading to board perimeters. Internally firmly bound. Minor loss and neat restoration to tail of final leaf. Small closed tears to fore edge of title page. Pages lightly age toned with the odd spot and instances of light handling marks. With light offsetting to pages facing plates. Very Good Indeed Printed for ye editor hardcover
185074207Magnin, Blanchard & Compagnie | Paris 1850 (S.d.) | 17.50 x 27.20 cm | relié
172188057Leyde, Pierre Van der Aa, 1721, in-4, 2 volumes pagination et signatures continues, [2]-78-876 (i.e. 914) pp, 26 pl, Basane marbrée de l'éoque, dos à nerfs, titres et tomaisons rouges, Première édition de ce recueil de mémoires, en partie publiés en 1680-1688 dans publié publiés originellement au sein des Essais de physique (Paris, 1680-1688) et auxquels quelques textes ont été ajoutés. Bien complet des cartons signés V5-V6 au (pages 160a à 160d) et Ss5-Ss6 (pages 328a à 238d) ; le cahier Rrrr comprend 19 feuillets signés Rrrr1-2, Rrrr2a-c, Rrrr3-16 L'ouvrage est illustré d'1 portrait dépliant de l'auteur, de 17 planches dépliantes et de 8 planches hors texte, auxquelles s'ajoutent 22 planches dans le texte. Il se compose de 5 parties : De la pesanteur des corps, de leur ressort et de leur dureté ; Du bruit ; De la méchanique des animaux ; De la génération ; Recueil de divers traités de physique et de méchanique. Cette cinquième partie a un faux-titre propre ; elle contient le fameux traité sur l'Origine des fontaines du frère de l'auteur, l'hydrologue Pierre Perrault. L'architecte-médecin Claude Perrault (1613-1688), frère de Charles et Pierre Perrault, s'est illustré dans de nombreux domaines. Il est célèbre pour avoir mis en oeuvre la belle colonnade du Louvre, dessiné les plans de l'Observatoire de Paris et traduit le De Architectura de Vitruve. On lui doit également d'importantes monographies sur les animaux. Il mourut le 9 octobre 1688, après avoir disséqué un chameau qui avait péri d'une maladie. Reliures usagées. Nombreux feuillets brunis, principalement au t. 1. ; galeries de ver à l'intérieur des premiers feuillets du t. 1 et en marge des derniers feuillets du t. 2, sans atteinte au texte ; petite mouillure angulaire claire sur les premiers feuillets du t. 1, large auréole claire sur la page de titre du t. 2. et quelques piqûres au tome 2. Légère déchirure, sans manque, sur le portrait. DSB X, p. 521. Couverture rigide
150990N.p.: N.p. 1970. Collection of nine vintage reference photographs from the 1970 film including eight borderless and one with narrow margins and wide bottom margin. Two bear provenance stamps on the verso and one bears the stamp of photographer Andre Marinie.<br /> <br /> Three in the collection are on the set photographs featuring director Jacques Demy.<br /> <br /> Based on the 1695 French fairytale in verse by Charles Perrault and loosely based on Jean Cocteau's 1946 "Beauty and the Beast." <br /> <br /> Shot on location in Chambord Ecuille Gmabais Manche and Oise France. <br /> <br /> Photographs range in size from 7 x 5 inches to 10.5 x 7 inches. Generally about Near Fine. <br /> <br /> Criterion Collection 718. N.p. unknown
1804881F49London: Tabart and Co 1804 . Paperback. Good. 5.5" by 3.5". Not Stated. Benjamin Tabart's very scarce 1804 edition of Charles Perrault's classic fairy tale the first separate printing of this work in English. This is a very scarce early single volume English language edition of the classic tale; Tabart is known to have printed sixteen editions in 1804 alone all of which are now very scarce. This is the sixth edition from Tabart published in the same year as their first.Illustrated with a hand-coloured copper plate frontispiece and with one further hand coloured plate. Collated lacking the third plate referred to by the title page.Ink inscriptions to verso of front wrap and recto of rear wrap.With a publisher's advertisement to the verso of the title page.Jisc lists only three institutionally held copies of this work: eleventh and twelfth editions held by the University of Cambridge and a fourteenth edition held by the V&A Museum libraries. In the original paper wraps. Paper repair to back strip. Original title label to front wrap detaching to head and with spotting. Spotting and handling marks to wraps. Ink inscriptions to verso of front wrap and recto of rear wrap. Internally binding strained and somewhat tender. Pages lightly age toned but generally clean with only the odd spot. Good Tabart and Co paperback
50801<p>Amsterdam by Nicolaus Visscher op den Dam in de Visscher. Met privilegie no date circa 1682. DUTCH EDITION IN 4 LANGUAGES French English Dutch and German circa 1682. 4to approximately 240 x 170 mm 9½ x 7 inches 41 engravings including the plan and entrance to Versailles the illustrattions based on Aesop's Fables text of Charles Perrault and plates with preceeding page of 4 verses by Isaac de Benserade in 4 languages. Pages: 22 1-81 5 1-79 9 bound in full contemporary vellum. Binding soiled and spotted spine rubbed with slight loss of vellum pale staining affecting lower margins of pages 75-82 with pale tide marks not affecting text and pale staining to lower margins of plates 77 & 78 not affecting images pale show-through to verso of engraved plates occasional small mark or spot otherwise a good copy. Descriptions of the designs for fountains at the Versailles Labyrinth.The French original descriptions by Charles Perrault and verses by I. de Benserade with an English version by J. Morisson German by A. Muller Dutch by Anthoni Jansz van der Goes. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. POSTAGE AT COST.</p> Amsterdam, by Nicolaus Visscher, op den Dam in de Visscher. Met privilegie, no date, circa 1682. hardcover
1688032445<p>London: Printed by Joseph Streater for sale by T Basset J Robinson B Aylmer Joh Southby And W Canning 1688 A very good copy of this important work on comparative anatomy with engraved title; rubricated title and 30 plates. The original publication had 2 separate parts both complete in themselves - the second section 'The Measure of the Earth' translated by Richard Waller is not present. Alexander Pitfeild undertook to translate this work originally led by Charles Perrault for the Royal Academy of Sciences in Paris. Animals mostly from the royal menageries at Vincennes and Versailles were supplied to the Royal Academy for detailed study and dissection. The first publication including 13 species appeared in 1671 with a second volume 5 years later. The publications had very short print runs and were very expensive being elephant folio with detailed art work mainly by Sebastien Leclerc. There was a growing desire to learn about natural history and the nature of animals and copies of Perrault's work were almost impossible to obtain. Pitfeild's translation was much needed and it became the only work published on comparative anatomy in England between 1660 and 1700. Richard Waller undertook the illustrations copying Leclerc but reducing the size taking care to keep the drawings in proportion. The second part missing here was undertaken not because it was linked in any way but because it was important and of interest to the Royal Society. Copies of Pitfeild's translation are extremely scarce. This copy is in a new binding with cloth spine with title label and paper-covered boards. Contents: engraved title page; rubricated title page; permission for printing by the Royal Society with 2 ink reference numbers at the top; dedication; To The Reader 2pp; preface 9pp; text pp 1- 267 with 30 plates p 1 with small stamp to bottom margin; a few light ink spots to bottom side margins pp 48 & 49; small repaired edge tear bottom p141; alphabetical table of animal names with errata 2pp; index of anatomical matters 11pp; finis. Contents in very good clean condition. There is some staining which is mostly to the top outer page corners and varies in intensity. Occasional light marking elsewhere. Please enquire if you would like to see more images.</p> Printed by Joseph Streater, for sale by T Basset, J Robinson, B Aylmer, Joh Southby And W Canning hardcover
168642547A Paris, chez Jean Baptiste Coignard, 1686. In-8 de (36)-106-(1) pp., veau brun, dos orné à nerfs, tranches rouges (reliure de l'époque).
1722ABC_50368London: Printed for J. Senex and R. Gosling; W. Taylor W. and J. Innys and J. Osborn 1722. Contemporary half sprinkled calf marbled paper sides red sprinkled edges. Folio. With 6 full-page engravings of columns 6 half-page engravings 23 engraved initials 23 engraved headpieces 18 engraved tailpieces as well as an engraved title page and an engraved dedication. Second English edition of Claude Perraults 1613-1688 influential work on classical architecture presents a remarkable combination of intellectual rigor practical guidance and fine engraving. Originally published in Paris in 1683 Perraults treatise was at the time controversial and dismissed by the Académie Royale dArchitecture as unsuitable for students and never republished in France or abroad apart from England.The English translation undertaken by the architect John James ca. 1672-1746 first appeared in 1708 and this second edition of 1722 adds an alphabetical explanation of architectural terms and several new engravings. John Sturt 1658-1730 celebrated engraver and publisher enriched the edition with a beautifully engraved title page a dedication leaf to Thomas Earl of Pembroke 1656-1733 and more than 50 engraved initials head- and tailpieces textual illustrations and retains 6 engraved plates illustrating the Tuscan Doric Ionic Corinthian and Composite orders.Perraults work exerted lasting influence on English architecture. Figures such as Nicholas Hawksmoor ca. 1661-1736 John Vanbrugh 1664-1726 and William Kent 1685-1748 drew upon his principles while later theorists including Isaac Ware 1704-1766 and William Chambers 1723-1796 integrated his approach into their own treatises. This second English edition therefore represents both a practical manual for builders and a key intellectual link between French architectural theory and English practice.With the initials WD and the name W. Danby written on the front pastedown possibly referring to William Danby 1752-1833 the English writer who rebuilt his family home Swinton Park and constructed a replica of Stonehenge on his estate. In 1784 he served as High Sheriff of Yorkshire. The binding shows some wear with some rubbing to the boards and spine. There is a tear to the lower margin of the title page not affecting text or illustration and some staining throughout particularly on the page containing the table of chapters to part I on pp. 94-95 and on p. 25. Otherwise in good condition.l ESTC T135482; Fowler p. 204; Harris 701; Millard II pp. 207-209 no. 56. Printed for J. Senex and R. Gosling; W. Taylor, W. and J. Innys, and J. Osborn, unknown
1843W1002137Paris: L. Curmer 1843. Dark green morocco spine and tips 4 raised bands gilt. Green marbled boards all edges sprinkled red. Some shelfwear and bumping on edges especially bottom of lower cover though this is a very sturdy binding. Spine expertly repaired with original spine laid down. Top corner of lower cover is new and beautifully matched to other tips. An engraved title page dated 1842 appears followed by the usual 1843 title page. Owner bookplates one over the other on front pastedown. Endpapers and pastedowns have some staining which extends into margins of book not affecting text or plates. First page of Sleeping Beauty repaired at top with Japanese paper. Heavily illustrated with Blanchard engravings after Paquet Marvy Jeanron Jacque and Beauce. All of Perrault's most famous fairy tales included beautifully illustrated both in full page and in text. Probably the finest Perrault work extant. First Edition. Half-Leather. Very Good/No Jacket. Illus. by M. Blanchard. 4to - over 9¾" - 12" tall. Trade. L. Curmer Hardcover books
22026Paris, Jean Porson, 1942-1950. 3 volumes grands in-8°, en feuilles, sous couvertures crème illustrées en couleurs, imprimées et rempliées, chaque conte sous coffret individuel (rouge, bleu et gris-bleu) orné d'une large pièce de titre illustrée en couleurs . [I] 41 pp. + 3 ff. n. ch.- [II] 25 pp. + 3 ff. n. ch.- [III] 33 pp. + 3 ff. n. ch.
