388 résultats
195226014Paris: GLM 1952. First edition. Hugo Valentine. Wrappers 65 pages illustrated with full-page black-and-white plates reproducing art by Valentine Hugo. One of 135 on velin de renage second paper total edition of 1425 numbered copies. Fine copy. GLM unknown
19631353437Paris: Seghers 1963. Limited Edition #41/75. Octavo 207 pages; VG/VG-; loose signatures house in printed red wraps protected in publisher's glassine; glassine with some small chipping and wear; #41 of 75 copies of the deluxe edition on Vergé de Hollande; Unpublished texts presented and annotated by Robert D. Valette. Illustrated with various documents in black in and out of text; text in french; shelved case 0. 1353437. Shelved Dupont Bookstore. Seghers unknown
19472402Paris: Éditions Cahiers d’Art 1947. First edition. 48 pp. Plain wrappers with attached dust jacket. Some toning to cover extremities minor handling wear near fine.<br /> <br /> One of 500 numbered copies although Eluard noted that only 258 copies were printed due to a lack of paper. Eluard’s poignant tribute to his wife Nusch published a few months after her sudden and unexpected death. Illustrated with eleven exquisite photographs of Nusch by Man Ray and Dora Maar. Nusch had also been the subject of Man Ray’s camera in the similarly superlative Facile published ten years earlier. In 1965 Louis Aragon during a tribute to his friend mentioned his first encounter with the book: “He signed it with an invented name Didier Desroches because he had killed Paul Eluard… What he had shown me of Didier was of a confounding beauty. This little book which was to appear as the work of an unknown it is an understatement to say that in my eyes it surpasses all that Eluard signed with his name. I thought it then and I think it today.†A rare and beautiful book. Éditions Cahiers d’Art unknown
1937D4508Paris: Éditions Jeanne Bucher 1937. Limited Edition. Hardcover. Near Fine. Rebound in solid brown crushed morocco with gilt-lettered spine; 4to; with pictorial title and 56 plates by Man Ray illustrating poems by Eluard. Inscribed and signed by Man Ray though recipient's name has been removed and signed by Eluard on half-title. Original wraps laid-in. Spine evenly sunned; very light rubbing to spine tips and corners. One plate Breton portrait has pencil measurement indications perhaps left by the publisher otherwise are all nice and clean. <br/><br/> Éditions Jeanne Bucher hardcover
194521208641945. Paris: Editions de la Revue Fontaine. 1945. 8vo. Original beige wrappers with fold-over flaps; black title lettering in black; pp. unpaginated; pages lightly toned with minimal spotting to front end paper; otherwise very good. Signed by both Eluard and Ernst and intriguingly inscribed by Eluard in French 'To Mr and Mrs Edwin Sisler this book of which I only did a third' possibly insinuating the presence of a third collaborator. Second Edition this work numbered 558 of the run of 1860.A landmark of Surrealism and the first collaboration between two of the movement's most essential and revered contributors. Combining Ernst's images with Eluard's poetry Les Malheurs Des Immortels explores the relationship between painting and poetry 'the role of the image as an icon of psychic processes and the ambivalent status of the scopic function or the reversibility of blindness and revelation'. unknown
193621640Paris: G.L.M. Guy Lévis Mano 1936. First Edition. Limited Issue. Very Good/No Dust Jacket As Issued. <br /> THE ARTISTIC FRIENDSHIP THAT SHAPED MODERNISM<br /> Surrealist collaboration at the height of the movement pairing Éluard's lyric intensity with Picasso illustrations.<br /> <br /> A seminal collaboration of the Surrealist movement pairing the lyrical intensity of Paul Éluard with the graphic genius of Pablo Picasso. Produced during a period of profound creative and political synergy between the two artists-just months before the inception of Guernica-this volume is a hallmark of Guy Lévis Mano's aesthetic of restrained modernist typography. The work features a portrait and four full-page illustrations by Picasso masterfully integrated into the text.<br /> <br /> KEY FEATURES<br /> Visuals: Portrait of Éluard and four full-page illustrations by Pablo Picasso.<br /> Limitation: Copy No. 512 of 1240 numbered copies on papier Alfa teinté total edition of 1500.<br /> Imprint: Printed on the presses of G.L.M. 6 rue Huyghens Paris; completed 15 October 1936.<br /> Press: Typography and design by Guy Lévis Mano the premier printer for the Surrealist avant-garde.<br /> Binding: Original printed wrappers; octavo 4.75 x 7.375 inches.<br /> Provenance: Mature Surrealist period; documented collaboration between Éluard and Picasso.<br /> <br /> CONDITION: Very Good -- An exceptional copy. The bindings are tight and square showing only minimal shelf handling wear. Internally the text block is clean with even age-toning consistent with the tinted Alfa paper stock. Notably the original glassine wrapper is present and has been preserved separately to prevent the common acidic transfer or 'ghosting' to the wrappers. HISTORICAL SIGNIFICANCE --<br /> Les Yeux fertiles is more than a poetry collection; it is a document of a friendship that defined the 20th-century Parisian avant-garde. By 1936 Éluard and Picasso were inextricably linked in their opposition to the rising tide of Fascism. The 'Fertile Eyes' of the title refer to the transformative power of the Surrealist gaze. This G.L.M. edition is highly prized by collectors for its 'book-as-object' quality where the white space of the page is as vital as the ink of Picasso's drawings.<br /> <br /> SUBJECTS: Surrealism Modernist Poetry Artistic Collaboration Pablo Picasso French Avant-Garde Livre d'Artiste Limited Editions Fine Press.<br /> <br /> BIBLIOGRAPHIC REFERENCE: Cramer 27; Bloch 289; Baer 608; G.L.M. BN n°114. G.L.M. (Guy Lévis Mano) unknown
1989031673Paragon House 1989 Book. Fine. Hardcover. First American Edition. 8vo - over 7¾ - 9¾" tall. book is tight with no markings page edge has a couple of tiny red marker marks great copy. Paragon House hardcover
1557781192.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
SONG1557781192Brand: Paragon House 0000-00-00. New edition. hardcover. Used: Good. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Paragon House hardcover
196274832Parigi: Seghers 1962. Brossura wrappers. Ottimo Fine. Avec des poèmes inédits. Documents recueillis par Cécile Valette-Eluard. Présentés et annotés par Robert D. Valette. Quelques hors texte en noir photographies et fac similés. 8vo. pp. 224. Ottimo Fine. Prima edizione di 2500 es. numerati. Seghers, unknown
2070702308.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
196218.235La Habana: Colección Centro Ediciones La Tertulia 1962. 1ª ed. Rústica. 11.3x13.7. Retrato y un dibujo por Picasso. Colección Centro, Ediciones La Tertulia paperback
19532243Paris: Pierre Seghers and Imprimerie Union 1953. Folded concertina made up of three sheets assembled and attached to the back with strips of cloth. Original hangers attached to verso. With the publisher's original rhodoïd case. A gorgeous fine copy bright and fresh. Now housed in a custom clamshell box.<br /> <br /> Eluard wrote the poem during the German occupation of France in 1942; it was originally published in the clandestine book of poetry Poésie et vérité 1942 and later printed in leaflet form and parachuted over occupied territories by the thousands by the British Royal Air Force. Liberté became a symbol of the Résistance under the oppression of Vichy and the German occupation. Eluard himself said of his stirring ode to freedom “I thought of revealing at the end the name of the woman I loved and for whom this poem was intended. But I quickly realized that the only word I had in mind was the word Liberté. Thus the woman I loved embodied a desire greater than her. I confounded it with my most sublime aspiration and this word Liberté was itself in my whole poem only to eternalize a very simple will very daily very apt that of freeing oneself from the occupation.â€<br /> <br /> This edition was commissioned as a tribute to Eluard just after his death. The publisher Pierre Seghers asked Léger to illustrate the poem and he designed this remarkable “poème-objet†in tribute to his friend. The bright pochoirs were printed by Albert Jon. A total of 212 copies were printed with twelve on canvas hand-illustrated by Léger himself; 200 on Auvergne paper and an additional twenty-six lettered copies “tirés pour les divers artisans de ce poème-objet.†This is letter ‘A’ of the twenty-six copies complete with the publisher’s rhodoïd case which is lettered on the spine. The case is rare and not often seen. Also included is the original invitation card for the presentation of the book on October 23 1953 at the Galerie Louis Carré. An exceptional copy of a talismanic and beautiful object a high spot of twentieth century printing and publishing.<br /> <br /> Saphire Fernand Léger. L’Œuvre gravé p. 300. Pierre Seghers and Imprimerie Union unknown
19453117720PARIS: Pierre Seghers. Near Fine with no dust jacket. 1945. First Edition; First Printing. Softcover. First edition. Copy 617 of 650. From the library of noted poet and translator Nathaniel Tarn. Near fine in printed wrappers with tissue overlay. Would be fine but for toning at spine and slender overlapping strip. Unpaginated 6 3/4" X 9" Text in French. Most attractive. ; 6 3/4" X 9" . Pierre Seghers paperback
199171032Hirmer Verlag. New. 1991. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Hirmer Verlag hardcover
1953010014Limerick Maine: Alice Jane Lougee 1953 First edition. 72 pp. illustrated. Features "To my exigent friends" by Paul Eluard "A note on Jean Genet" by Sartre; "Fragment from Plexus" by Henry Miller and other contemporary works. Black and white illustrations 1 black and white plate portrait of Alexander Trocchi. 2" x .5" chip corner chip front cover a few short tears. Good. Alice Jane Lougee paperback
1947D17783Paris: Mourlot Freres 1947. First Edition. Hardcover. Near Fine. Copy 9 of 300 examples signed by Eluard and the artist Engel-Pak slipcased with a second copy an out-of-series proof unsigned but with an original drawing for the title drawn by Engel-Pak on thin paper and initialled design not used hand-lettered by Eluard and with three additional sheets hand-lettered by Eluard for the title the colophon and a plate list this last also unused. Housed in two chemises within a vellum-backed slipcase. 12 3/4 x 9 1/4 inches 32.5 x 23.5 cm; 16 sheets printed in color lithography; plus the additional material noted above in the second copy which is printed on paper 1 cm taller than the published work. This is likely a participant's copy possibly Eluard's own. <br/><br/> Mourlot Freres hardcover
19682-2070101894GALLIMARD 1968. Leather Bound. New. gallimard edition. 1663 pages. French language. 7.01x4.65x1.73 inches. GALLIMARD hardcover
199191699Paris : Librairie Gallimard Nrf BibliothÂque de la PlÂŽiade 1993-1991. 180x115mm. LXXXIV - IX- 1517Êpages reliure d'ÂŽditeur sous jaquette en rhodo•d. Manque la jaquette du deuxiÂme exemplaire. Bel exemplaire. 1332 Librairie Gallimard, Nrf BibliothÂque de la PlÂŽiade unknown
196887447Paris : Gallimard Nrf BibliothÂque de la PlÂŽiade 1968. 180x110mm. LXXXIV IX - 1505 322Êpages photos n/b reliure d'ÂŽditeur sous double jaquette illustrÂŽe et rhodo•d ÂŽtui cartonnÂŽ dÕorigine. ImprimÂŽ sur papier bible pour les Oeuvres complÂtes. Nom du possesseur sur le haut des pages de garde supÂŽrieure du tome I et de lÕAlbum autrement trÂs bel exemplaire comme neuf. 1849 Gallimard, Nrf BibliothÂque de la PlÂŽiade unknown
1947581947. First Edition. Hardcover. Very Good/Very Good. Translated by Joseph T. Shipley; NY 1947 1st edition Philosophical Library very good condition in very good dust wrapper: cover shows mildly bumped corners; minor chipping to jacket; Art hardcover
9817New York Philosophical Library 1947. First American edition. Translated by Joseph T. Shipley. Bound in publisher's original full red cloth with the title stamped in black. Dust jacket has three closed tears less than 1" otherwise fine. Book is fine. <br/><br/> New York, Philosophical Library, [1947] hardcover
194774278New York Philosophical Library 1947. First Edition. Hardback. Near fine cloth copy in a near fine very slightly edge-nicked and dust-dulled and toned dw now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and sharp-cornered. ; 168 pages; Description: 168 p. Illus. ports. 30 cm. Subjects: Picasso Pablo 1881-1973. Notes: Translation of A Pablo Picasso. Verse and prose. New York, Philosophical Library hardcover
2003014163La Renaissance du Livre Bruxelles 2003. Book. Illus. by Lefebvre Gabriel. Near Fine. Cloth. 152 pages. Texts in French. Hardcover book of poems accompanied by beautiful reproductions of watercolor illustrations. Gift inscription by the former owner on the title page but otherwise an unmarked interior with black board binding remaining tight and sharp with an equally bright and crisp paper dustjacket. La Renaissance du Livre, Bruxelles Hardcover
1947250812002PhIlosophical Library 1947. Hardcover. Clean & Unmarked/Good. 0x0x0. A very clean and straight copy in chipped dust jacket. 168 pp. PhIlosophical Library hardcover