Eluard paul

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Miro, Joan (illustrator); Paul Eluard (poetry by); Anne Hyde Greet (introduction)Biblio.com

Paul ELUARDBiblio.com

A major letter accompanied with 3 autograph poems. Eluard supplies the plan of his next poem collection L’Amour la Poésie dedicated to Gala

1928Elu1ÉLUARD Paul 1895-1952Autograph letter signed " Votre Eluard " to Joë Bousquet Arosa 4 Nov. 1928 4 p. in-4° Stamped and postmarked autographed envelope Some tiny spots one word crossed off in Bousquet's hand Pencil annotations by Lucien SchelerMagnificent letter by Éluard enriched with three autograph poems featured in his collection L'Amour la PoésieOne of the poet's major works dedicated to his wife Gala who was then on the verge of leaving him for Salvador Dalí"Such strikingly new concordances that I'm startled with a kind of dread by their appearance of eternity" — Jacques Rèce Variété on L'Amour la Poésie" Mon bien cher ami voici les poèmes promis. De la 2e partie la manière noire Ce livre aurait 5 parties : Premièrement Seconde Nature Comme une image Défense de savoir 1 Défense de savoir 2Le tout : L'AMOUR LA POÉSIE Et dédié à GalaAucun poème n'a de titre. Environ 100 poèmes. Mais de jour en jour mon corps mange ma tête. J'ai hâte de partir d'ici. Trop de nerfs trop de cauchemars. Peut-être puisque vous ne m'avez pas dit si vous avez un gramophone détestez-vous la musique. Mais soyez certain que ce que je vous aurai conseillé n'a avec celle-ci que de mauvais rapports. Ce que vous me dites sur la lâcheté de Paulhan le nom a été caviardé au stylo rouge peut-être de la main de Bousquet lui-même pour ne pas de compromettre ne m'étonne pas. Nous voudrions déjà être à Carcassonne. Je vous fais adresser le Tanguy de Nelli. Je voudrais écrire des chansons et c'est drôle je n'ai jamais eu si peu envie de chanter. Avez-vous fini par obtenir l'Histoire de l'Œil Si oui vous dites publiquement ce que vous en pensez. Et vous êtes le seul. Votre Eluard "The letter is enriched with three autograph poems by Éluard annotated XXIX XXXV and XXXVII" XXXV Seconde nature " on top of first page" Ils n'animent plus la lumière Ils ne jouent plus avec le feu Pendus au mépris des victoires Et limitant tous leurs semblables Criant l'orage à bras ouverts Aveugles d'avoir sur la face Tous les yeux comme des baisers La face battue par les larmes Ils ont capturé la peur et l'ennui Les solitaires pour tous Ont séduit le silence Et lui font faire des grimaces Dans le désert de leur présence. "" XXIX Seconde nature " on se separate sheet" Toutes les larmes sans raison Toute la nuit dans ton miroir La vie du plancher au plafond Tu doutes de la terre et de ta tête Dehors tout est mortel Pourtant tout est dehors Tu vivras de la vie d'ici Et de l'espace misérable Qui répond à tes gestes Qui placarde tes mots Sur un mur incompréhensible Et qui donc pense à ton visage "" XXXVII Seconde nature " on another separate sheet" A genoux la jeunesse à genoux la colère L'insulte saigne menaces ruines Les caprices n'ont plus leur couronne les fous Vivent patiemment dans le pays de tous. Le Chemin de la mort dangereuse est barré Par des funérailles superbes L'épouvante est polie la misère a des charmes Et l'amour prête à rire aux innocents obèses.Agréments naturels éléments en musique Virginités de boue artifices de singe Respectable fatigue honorable laideur Travaux délicieux où l'oubli se repaît. La souffrance est là par hasard Et nous sommes le sol sur quoi tout est bâti Et nous sommes partout Où se lèvent le ciel des autresPartout où le refus de vivre est inutile "L'Amour la Poésie anticipates the end of the poet's relationship with Gala. He dedicates it to her with these words: "To Gala / This endless book." At the time the poet's wife and muse — then openly the mistress of Max Ernst — meets Salvador Dalí. She leaves Éluard for the Surrealist painter at the very beginning of 1929. Paul Éluard as Gala prepared to leave him said to her: "Your hair slips into the abyss that justifies our separation."The collection ultimately comprises only three parts: – First of All Premièrement – Second Nature Seconde Nature – Like an Image Comme une image The three poems presented here by Éluard to Bousquet are taken from the second part of the collection Second Nature. A complete manuscript of this section is preserved in the copy of L'Amour la Poésie held at the Saint-Denis Museum no. 26 in the catalogue of the exhibition Paul Éluard Saint-Denis 1963. The last two parts — Défense de savoir 1 & 2 mentioned by Éluard — were eventually compiled into a separate volume under that very title. Speaking of the collection Éluard once said: "The title was given to me by my daughter in 1928 she was 10 years old. I had asked her after modestly reading her a few of the poems."1 – A short novel by Georges Bataille. Published clandestinely in 1928 under the pseudonym Lord Auch it recounts the sexual experiences of two adolescents and their growing perversity.Bibliography: Œuvres complètes I ed. Marcelle Dumas and Lucien Scheler Pléiade edition in the section Seconde Nature: – Poem XXXVII I p. 243 also reproduced in Poésie 1929 vol. VII p. 139 – Poem XXIX II pp. 243–244 – Poem XXXV XX p. 253

Le Manuscrit Français · France5 500,00 €

Paul ELUARDBiblio.com

Chanson Complète

193931Rare and extraordinary double-sided Surrealist binding by Georges Hugnet executed for his own library. He later gave it to Robert Altmann. At the beginning Georges Hugnet mounted a long autograph note offering first-hand details about his production of Surrealist bindings: "This 'book-object' invented for the personal copy of Chanson complète that Paul Éluard had given me is the last I ever made in my workshop on rue de Buci with the help of my bookbinder assistant Louis Christy who died in October 1940. Since then I have never executed any others; the Nazi occupation extinguished this vein in me. Here is the list of 'book-objects' that I still have in my library: Comte de Lautréamont Les Chants de Maldoror 1934 G.H. Onan 1934 Paul Éluard Défense de savoir 1934 André Breton L'Air de l'eau 1935 Paul Éluard Facile 1935 Hans Bellmer Die Puppe 1935 Hans Bellmer a collection of original black-and-white and colour photographs of Bellmer's dolls Raymond Roussel Locus Solus 1937 In total between 1934 and 1939 I composed around twenty 'book-objects' which at the time were housed in the libraries of Mme Lise Deharme and Peggy Guggenheim Messrs. Paul Éluard André Breton Robert Valançay P. Bomsel etc. as well as in my own. My 'book-objects' exist only in a single copy with the exception of Défense de savoir which I reproduced in order to offer it to Paul Éluard who desired it and another set of original photographs of Hans Bellmer's dolls commissioned from me after seeing my copy by Robert Valançay. Paris 25 October 1964 Georges Hugnet I am happy that the only 'book-object' I can still dispose of enters your library my dear Robert Altmann." Extraordinary "book-object" by Georges Hugnet in one of the 20 copies of Chanson complète illustrated with four lithographs by Max Ernst. Chanson complète is the fourth collaboration between Max Ernst and Paul Éluard following Répétitions Les Malheurs des immortels and Au défaut du silence. It was produced at a time when Éluard had recently been excluded from the Surrealist group by Breton due to his Stalinist positions and several critics have seen in it an act of solidarity by the painter. The volume contains fourteen poems and four lithographs. These are frottage-based works in which the artist's familiar universe reappears: birds animals vegetal forms and female bodies particularly eroticised in the third plate. For this final binding of his invention intended for his personal library Georges Hugnet deployed his full talent in the field. It is imbued with a diffuse eroticism. The hair-like fur framing the algae—or coral—on a pink ground inevitably evokes a female sexual form. One thinks of Étant donnés Marcel Duchamp's final work where a female body is similarly revealed within an ovoid black form. Georges Hugnet's extensive note highlights the rarity of the "book-objects" he created. "The bindings of Georges Hugnet—which are rather ghostly constructions around books—prepare and dress them for the greatest ball of their life" wrote Benjamin Péret in no. 10 of Minotaure Winter 1937. These creations represent both the culmination of "artistic" binding and its ironic subversion. The binding whose execution Hugnet entrusted to his friend Louis Christy a self-taught bookbinder close to the Surrealists who said he had 'made himself among masters who barely knew their craft' becomes a kind of "mental object." It is no longer decoration but the creation of a unique object "the book fulfils its purpose" as he said fully belonging to Surrealist production. Among the "book-objects" mentioned but not precisely listed in Hugnet's note one may also cite Herbe à la lune by Valentine Penrose. Robert Altmann to whom Hugnet gave this copy was the director of the Brunidor publishing house based in New York and later Paris specialising in illustrated books with engravings. Provenance: Jean-Paul Kahn collection. Gallimard

Librairie Jean-Claude Vrain · France85 000,00 $US≈ 71 918,50 €