803 résultats
feb68179Used. For more details please contact me unknown
19305319DB1930. Paris La Pleiade 1930. 154 S. 1 Bl. mit Lithografien von R. Ben Sussan. Dreiviertel Lederband mit marmorierten Deckeln. N°. 86 von 115 nummerierten Exemplaren. - Sehr gut erhaltenes Exemplar. unknown
2106MA291<p>Ilustração de Bernardo Marques. Tradução de Pedro Tamen. Fundação Calouste Gulbenkian. Lisboa. 1980.</p>_x000d_<p>De 32x235 cm. Com 84 ii págs. Encadernação inteira de pele com ferros a ouro na pasta anterior. Com sobrecapa de proteção ilustrada. Ilustrado no texto com desenhos a preto e branco e a cores de página inteira de Bernardo Marques.</p>_x000d_<p>Exemplar n.º 16 de uma tiragem de 50 com marcador de páginas em fita vermelha danos à cabeça da sobrecapa de proteção.</p>_x000d_<p>Desta obra fez-se uma tiragem de 50 exemplares numerados de 01 a 50 em papel offset RAI/150 e encadernados em pele que constitui a edição original e uma tiragem de mil exemplares em papel offset RA/125 encadernados em pano. A composição e a impressão em offset e rotogravura foi executada por Neogravura Lda. A encadernação foi executada por Paulino Ferreira. Arranjo gráfico de Fernando de Azevedo. </p> I-74-A-19 hardcover
191072491London Uten Ã¥r. Ca. 1910. 4to. “Falskt†helpergamentbind. Gulldekor pÃ¥ ryggen og deklene. Helt gullsnitt. 203 s. Med 16 helsides farveplansjer utenom pagineringen. Rikt illustrert i svart/hvitt i teksten.4to. Faux vellum binding. Gilt decoratons on spine and covers. All edges gilt. With 16 full page colour plates apart form pagination. Richly illustrated in black and white in text. Hutchinson & Co. Engelsk. <br/><br/><em>“Edition de luxe. Limited to 100 copies signed by the artistâ€. Dette eksemplaret er signert men ikke nummereret.“Edition de luxe. Limited to 100 copies signed by the artistâ€. This copy is signed but not numbered. </em> hardcover
189624645Winchester MA: De Vinne Press 1896. Vellum. Full vellum with brass clasps one lacking. Teg. Very good. xxx111 pages. 23 x 15.5 cm. Limited edition copy 1 of 50 on Japanese vellum signed by Garrett in ink. Orig. full page watercolor painting on half title signed by Garret in pencil entitled "A Street in Granada." Plus seventeen copperplate etchings by Garrett. Bookplate of Francis Wilson reknown American actor and signed by him on free front endpaper. Covers slightly splayed. Lower back cover and spine toned at lower portion. De Vinne Press unknown
1896266939Winchester Massachusetts: Emdund H. Garrett Printed at the DeVinne Press 1896. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. Recent quarter green morocco marbled boards retaining original green printed endpapers "Winchester 1896" t.e.g. Previous owner's gift inscription on front blank. Garrett Edmund H. Number 26 of 50 copies on Japan vellum signed by the translator. Watercolor on fly-title preceeding p. 1 of "Ronda Bridge Over the Tajo" by Garrett titled and signed in pencil and 19 etchings each signed in pencil by Garrett. Titled in red and black. xxx ii 118 2 pp. 1 vols. 8vo. A beautiful and stylish 1896 edition of the Prosper Mérimée novella written in 1845 and the source for Georges Bizet's opera 1875.<br /> <br /> With a tipped-in 3-page autograph letter signed "Louise I. Guiney" to Garrett Jan. 11 1893discussing her memoir of the author which appears on pp. ix-xxx: "I will set out to do some 21 pages as readable as I can make them and of course I will treat Prosper 'as if I loved him' after Walton's style with his worm ."<br /> <br /> With an autograph note signed describing the printing of the book from Edmund H. Garrett on the title page verso. Garrett also signed each etching as it appears in the book. Emdund H. Garrett [Printed at the DeVinne Press] unknown
189623328Winchester Mass: Edmund H. Garrett 1896. First edition. Garrett Edmund H. Original heavy vellum slightly marked with vellum-hinged clasp fasteners missing one clasp nice condition. One of 50 copies printed at the De Vinne Press on Japanese paper signed by Garrett. Additionally inscribed by Garrett as a wedding-present to a Miss Mary Bacon. BAL 6738 describes only the trade edition. Edmund H. Garrett unknown
1931IRIrmMER85New York: William Farquhar 1931. 1931. 4to. pp. 3 p.l. 128 2. many b/w illus. some full-page. paper-backed cloth remnants of small sticker on front endpaper. dw. dw. soiled tattered & quite chipped. First Trade Edition illustrated and translated by Sterner. F. Hardcover. New York: William Farquhar, [1931]. Hardcover
1941IRIrmMÉR56New York: The Limited Editions Club 1941. 1941. 4to. pp. 143 1colophon. 34 lithographs 33 in colour 1 b/w 8 full-page incl. frontis. & title vignette. A very good copy in original quarter cloth spine darkened. without the slipcase. Limited to 1500 copies but not stated signed by the Illustrator Charlot. Designed and printed on Worthy special paper by Aldus Printers New York set in linotype Bodoni colour lithographs printed by Albert Carman NY bound by Russell-Rutter Company NY. LEC Quarto-Millenary 124. Signed by Authors. Hardcover. New York: The Limited Editions Club, 1941. Hardcover
0484285998.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1883349832Paris Calmann Lévy 1883. First Edition. Hardcover. Fine copy bound in quarter leather with a gilt title to the spine over marble boards. Remains well preserved overall; bright clean and sharp-cornered. Physical description; 2 p. l. 358 pages. Subjects; Mérimée Prosper 1803-1870. French Literature. Paris, Calmann Lévy hardcover
3368437038.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
336843702X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
B9783368437039Hardback. New. hardcover
2322542547.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0260428353.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
221897164X.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
9353448719.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
19403093104Barcelona.: Montaner y Simón. 1940. Hardcover. Good. 13 cm. XIV p. 1 h. 164 p. 2 h. 17 lám. Encuadernación en tapa dura de editorial en plena piel. Colección 'Biblioteca Selección'. Mérimée Prosper 1803-1870. Prosper Mérimée. Traducción de Pedro de Tornamira. Prólogo de Alfredo Gallart. Autocaricatura de Mérimée. Ilustraciones de Gustavo Doré y F. Gómez Soler. Grab. intercal. Doré Gustave. 1832-1883. Gómez Soler Francisco. ca. 1860-1899 . Literatura francesa. Novela corta. Cuento literario. Siglo XIX. 821.133.1-32"18" 821.133.1-3 Montaner y Simón. hardcover
ria9783368437039_inpHardcover. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Reproduction of the original. hardcover
2289E. P. Dutton & Co. Inc. Hardcover. Fair/no jacket. 3.75"x5.5"x.25". 142 pages plus 13 pages of advertisement with end papers. Maroon cloth boards with gilt letters on front and spine. Spine straight but flexible. Separation of hinges throughout. Hinge tape 2 places. POGI on first fly paper dated 1907. Red stain in back gutter. Sticker inside front cover. Minimal foxing. "Carmen is a novella by Prosper Mérimée written & 1st published in 1845. It has been adapted into a number of dramatic works including the famous opera by Georges Bizet. According to a letter Mérimée wrote to the Countess of Montijo Carmen was inspired by a story she told him on his visit to Spain in 1830. He said "It was about that ruffian from Málaga who had killed his mistress who consecrated herself exclusively to the public.As I have been studying the Gypsies for some time I have made my heroine a Gypsy." An important source for the material on the Romani people Gypsies was George Borrow's book The Zincali 1841. Another source may have been the narrative poem The Gypsies 1824 by Alexander Pushkin which Mérimée would later translate into French prose Briggs 2008. The novella comprises four parts. Only the 1st three appeared in the original publication in the 10/1/1845 issue of the Revue des Deux Mondes Robinson 1992; the 4th 1st appeared in the book publication in 1846. Mérimée tells the story as if it had really happened to him on his trip to Spain in 1830." Goodreads 3.53. E. P. Dutton & Co. Inc hardcover
1876ST20760-01Paris: Georges Chamerot pour les Amis des Livres 1876. No. 43 OF 100 COPIES numbered for subscribers this one for M. G. Masson from a total edition of 115. 272 x 172 mm. 10 3/4 x 6 3/4". Two volumes. <br/> HANDSOME CHOCOLATE BROWN LEVANT MOROCCO GILT BY PÉTRUS RUBAN stamp-signed on front turn-in covers framed by multiple gilt rules raised bands spine compartments similarly framed gilt lettering WITH gilt turn-ins framing LIGHT BLUE GOLD PINK AND WHITE JACQUARD SILK PASTEDOWNS AND ENDLEAVES marbled flyleaves top edges gilt volume II with neat repair to head of spine. Original paper wrappers bound in. With etched portrait of the author by Lalauze and 31 etchings by Edmond Morin composed of two frontispiece plates 28 vignette headpieces and a tailpiece. Carteret IV p. 278 "Belle Illustration Cotée"; Beraldi "Les Graveurs du XIXe siècle" X pp. 144-45 "un grand succès pour la Societe des Livres". For the artist: Houfe "Dictionary of British Book Illustrators and Caricaturists" pp. 394-95. Spines just lightly sunned bindings with very light signs of use boards with a hint of dulling from leather preservative faint offsetting from etchings onto titles and pages opposite each chapter opening otherwise very fine internally--entirely clean and fresh with spacious margins and in well-preserved attractive bindings.<br/> <br/> This substantially-sized stately set offers a winning combination of handsome bindings charming illustrations and a deluxe bibliophile's printing in a limited edition. A novel of historical fiction Mérimée's "Chronique" is set in the 16th century during the reign of Charles IX and the French Wars of Religion. The plot revolves around two brothers one Catholic and one a Protestant convert whose conflict in the end the Catholic brother is responsible for the Huguenot brother's death mirrors the wider discord of the period's French Wars of Religion. The novel is known for its meticulous descriptions and faithfulness to historic fact most notably its depiction of the St. Bartholomew's Day Massacre in which thousands of Huguenots were murdered by Catholic mobs. First published in 1829 the novel appears here with illustrations by Edmond Morin "a spirited French Artist" in Houfe's words who worked as a painter illustrator and etcher in Paris and London. Our author Prosper Mérimée 1803-70 would later become a pioneer of the novella and is best known for his work "Carmen" upon which Bizet's famous opera was based. In addition to his literary contributions Mérimée also played a key role in the conservation of French history. As Inspector-General of Historical Monuments from 1833-52 he travelled extensively around France documenting the country's architectural treasures and facilitating plans for their repair and preservation. His more well-known projects include the restoration of the facade of Notre-Dame de Paris saving Vézelay Abbey from collapse and conserving the six tapestries collectively known as "The Lady and the Unicorn." The attractive bindings here are the work of Pétrus Ruban 1851-1929. Praised by the bibliophile Octave Uzanne for taking inspiration from everything around him--flowers birds architecture--and for his facility with colors Ruban became quite a fashionable binder who worked largely for the great collectors of the day among them Beraldi Baudin Granjon de l'Espinay and Romagnol. Flety notes that "with a fertile imagination he practices all genres of binding with equal felicity"--a talent that is very much on display here. Ruban won silver medals at the Palace of Industry and at the Universal Exposition in 1889 with judges at the latter praising his careful study of both historic master binders and modern artists noting that Ruban would "soon achieve the rank he so rightly seeks.". Georges Chamerot, pour les Amis des Livres unknown
190339060Paris: Librairie de la Collection des Dix / A. Romagnol 1903. A FOLIO PROOF COPY ON IMPERIAL JAPANESE PAPER of this quirky and brutal livre d'artiste. Illustrated with etchings by Chessa after Merson for the illustrations and Cossard for the manuscript text. From a total edition of 500 copies this is ONE OF ONLY TEN COPIES PRINTED IN FOLIO FOR THE PUBLISHER THE ONLY COPIES WITH THE PLATES PRIINTED BEFORE STEELFACING aciérage. These ten copies were printed on different papers and this copy is printed throughout on Imperial Japanese paper. These ten copies are mentioned in the prospectus but not in the justification surely because they were never offered for sale. LAID IN IS AN AUTOGRAPH LETTER BY MERSON SIGNED IN INK. Folio. Loose as issued in original wraps. Wraps a bit worn and spotted internally FINE AND BRIGHT with the illustrations extremely sharp and in perfect condition. Perhaps the unique surviving unbound proof copy on Japanese paper. Ray 300 Ray didn't know about the proof copies. <br/><br/> Librairie de la Collection des Dix / A. Romagnol paperback
59237Editions d'Art Edouard Pelletan 1913 In-8 338pp. illustr. portrait frontispice et vignettes gravees exemplaire numeroté sur verge Nb-0307 unknown
1020221712.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover