The Italian Review; Marzo, 1918Biblio.com
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0282051449.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0282178139.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9780847831470_inpHardback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Fifty years ago a group of Italian scholars gathered to discuss a problem: how to preserve traditional Italian cooking. They formed the Italian Academy of Cuisine to document classic recipes from every region. The academy’s more than hardcover
6984410Rizzoli International Publications Incorporated pp. xii 928 Map Col. . Hardback. New. Rizzoli International Publications, Incorporated hardcover
20099780847831470Rizzoli 2009 Book. New. Hardcover. Rizzoli hardcover
2009DADAX0847831477Rizzoli 2009-10-20. Illustrated. hardcover. New. 7.48x2.95x10.25. Buy with confidence. Excellent Customer Service & Return policy. Rizzoli hardcover
ING9780847831470Rizzoli. New. Special order direct from the distributor Rizzoli unknown
1988013163New York NY: International Culinary Society 1988. First Edition First Printing "a" . Hardcover. New/Near Fine. BRAND NEW COPY w/small push to front corners of red linen boards; dust jacket w/trace edge wear & small soil spot to back. A treasury of traditional Italian recipes illustrated with some 280 color photos. Recipes supported by chapters on Italian cheeses preserves pickles liqueurs and wines. <br/> <br/> International Culinary Society hardcover
0428100546.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
76-0462Paris: Pierre Mariette circa 1705. Etching on thick laid paper. 18.5 x 25.5 cm sheet. This is the reverse of the original print by Testa and probably printed in the 18th century. Very Good sheet trimmed to or just within platemark. [Paris: Pierre Mariette, circa 1705]. unknown
9774247655.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1611479088.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1611472598.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
ria9780323831949_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Treat musculoskeletal pain more quickly and effectively with acupuncture and osteopathic treatment! Handbook of Acupuncture and Osteopathic Techniques in the Treatment of Musculoskeletal Pain: The Mazzanti AcuOsteo Method® details the paperback
20022090502113718202Not Available 2002. Soft Cover. Fine. The book is in fine condition. Not Available paperback
1929016204London: Published by Leonard and Virginia Woolf at the Horarth Press 1929. Book measures 17x11.cm. 1501pp. Bound in original publishers red black cloth with paper title label top edge red. Label faded. Binding in very good clean firm condition. Internally pages clean. A very good clean copy. . First Edition. Cloth. Very Good Plus. Small 8vo. Published by Leonard and Virginia Woolf at the Horarth Press Hardcover
194646902HMSO 1946-1951. 3 vols. in 1 8vo. First Edition with 2 large folding maps and 4 folding maps in pocket at end neat stamp on title of third volume; attractively bound in dark red buckram gilt back ORIGINAL WRAPPERS PRESERVED a near fine copy. THE OFFICIAL AND INDISPENSABLE COMMENTARY ON THE ITALIAN CAMPAIGN. The first three parts in two volumes were prepared by Field-Marshal then General Henry Maitland Wilson who succeeded Eisenhower as SACM. The third and final volume issued in 1951 was compiled by Viscount Alexander. Inexplicably this series is not recorded by Enser. COMPLETE SETS ARE VERY SCARCE ESPECIALLY IN THIS CONDITION. HMSO, hardcover
71-1105Munich: Johann Baptist Stuntz circa 1810-1816. Pen lithograph. 28 x 21 cm. image. 35 x 25 cm. sheet. Very Good. Light surface soiling a short tear at left sheet edge. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1103Munich: Johann Baptist Stuntz circa 1810-1816. Pen lithograph. 20.5 x 28 cm. image. 25.7 x 34 cm. sheet. Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1101Munich: Johann Baptist Stuntz circa 1810-1816. Lithograph. 15.5 x 10.3 cm. image. 16 x 20.7 cm. sheet. Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1109Munich: Johann Baptist Stuntz circa 1810-1816. Pen lithograph. 34 x 22.7 cm. image. 35.5 x 24 cm. sheet. Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1108Munich: Johann Baptist Stuntz circa 1810-1816. Pen lithograph. 27.3 x 17 cm. image. 33 x 22.7 cm. sheet. Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1106Munich: Johann Baptist Stuntz circa 1810-1816. Lithograph. 21.2 x 18.5 cm. image. 33 x 26.7 cm. sheet. Very Good. Light surface soiling some water staining. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1104Munich: Johann Baptist Stuntz circa 1810-1816. Lithograph. 24.3 x 14.1 cm. image. 33.5 x 22 cm. sheet. Very Good. Light surface soiling a few specks of foxing a tear in the right margin not extending into the image. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
71-1100Munich: Johann Baptist Stuntz circa 1810-1816. Pen lithograph. 16 x 27 cm. image. 22 x 30 cm. sheet. Very Good. Light surface soiling. Rare.British Museum: Likely from 'Les Oeuvres Lithographiques choix de dessins d'après les grands maitres de toutes les Ecoles tirées du Musée de S.M. le roi de Bavière par Strixner Piloty et Cie'. It was produced under the sponsorship of Aretin and von Mannlich. It was directed and mostly made by Strixner and Piloty and was published by J Stuntz in Munich in 72 parts each of 6 sheets with 432 prints in total between 1810 and 1816 so Düssler: no complete copy is recorded in London and the BM only has oddments from it. It was followed by the separate series of plates after paintings the 'Königlich Bayerischer Gemälde-Sammlung zu München und Schleissheim' in 1817-24. See Wolfgang Wegner in 'Oberbayerisches Archiv' 87 1965 pp.139-79.Bibliographic references: Winkler 1975 / Die Frühzeit der deutschen Lithographie Dussler 1955 / Die Incunabeln der deutschen Lithographie 1796-1821 Munich: Johann Baptist Stuntz, circa 1810-1816. unknown
