1 592 résultats
308417Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 17th century 17th century. Professionally printed on premium fine-art paper Photo Rag Bright White in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
76-0462Paris: Pierre Mariette circa 1705. Etching on thick laid paper. 18.5 x 25.5 cm sheet. This is the reverse of the original print by Testa and probably printed in the 18th century. Very Good sheet trimmed to or just within platemark. [Paris: Pierre Mariette, circa 1705]. unknown
ria9780323831949_inpPaperback / softback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; Treat musculoskeletal pain more quickly and effectively with acupuncture and osteopathic treatment! Handbook of Acupuncture and Osteopathic Techniques in the Treatment of Musculoskeletal Pain: The Mazzanti AcuOsteo Method® details the paperback
3384531310.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3384531450.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3384530543.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
12000circa mid 1850's. Size overall 4 x 2 1/2 inches. circa mid 1850's. unknown
1759788 Newman Street London . 4 February 1850s . 1p. 12mo. In fair condition on aged paper. Reads: 'Dear Sir I returned yesterday only from a long journey. I hope to see you in he present week in the City.' In 1850 Gavazzi began a course of political and religious sermons in London; first at the Princess's Court Rooms Great Castle Street Oxford Street and then from 1854 in an open chapel at King's Cross. In 1859 he returned to Italy to take up a post as chaplain for Giuseppe Garibaldi serving in that role during the Expedition of the Thousand to Sicily in 1860. 88 Newman Street [ London ]. 4 February [ 1850s ]. unknown
209921863. Clearly given in response to a request for an autograph. On one side of a 7 x 11 cm piece of paper. In good condition. In a good firm hand reading: 'Dio e Patria Alessandro Gavazzi 1863'. 1863. unknown
320943Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century late 16th century. Professionally printed on premium fine-art paper Photo Rag 308 in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
320945Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century late 16th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
320944Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century late 16th century. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
320942Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 16th century late 16th century. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
21338On letterhead of 16 Park Avenue Golders Green London. 13 August 1947. 1p 12mo. In fair condition lightly aged and worn. Folded twice. Signed over a red 'Postage Revenue' 2d stamp: 'Alfredo Compoli. August 13th. 1947'. Above this the receip in Compoli's autograph reads: 'Received £500 five hundred pounds in full £200 deposit – and £250 in cash – also cheque value £50 dated August 11th. 1947 for Sale of Music Library Salon Orchestra & Trio'. Accompanying the document is an unsigned autograph receipt on a worn slip of white paper reading: 'April 28th. 1947 Received from Jack Salisbury Esq. The sum of £200 two hundred pounds as a deposit on Music purchased for £500 five hundred pounds'. On letterhead of 16 Park Avenue, Golders Green, London. 13 August 1947. unknown
2013x-3642404499Springer 2013. Paperback. New. 2013 edition. 847 pages. 9.20x6.10x1.80 inches. Springer paperback
30921612like new. unknown
3384534743.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3384533305.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
63-7197Padua: ca. 1800. Engraving on Laid Paper Oblong 6.2 x 7.5 cm. Very Good with minor stain. Printed text on verso in Latin.From the Collection of Hon. Gerald Henry Brabazon Ponsonby 1829 - 1908 Private Secretary to the Lord-Lieutenant of Ireland; son of the 4th Earl of Bessborough. [Padua: ca. 1800]. unknown
20182-6202180943Novas Edições Acadêmicas 2018. Paperback. New. 72 pages. 8.66x5.91x0.17 inches. Novas Edições Acadêmicas paperback
1921100261<p>Milano January 15 1921. 1921. Very good. - Over 60 words penned in Italian on 10-1/2 inch high by 8-1/4 inch wide cream "Via Verdi 4 Milano" stationery. Puccini writes to the publishers Fratelli Treves on behalf of his friend the writer Enrico Pea. He addresses Guido Treves the nephew of the firm's founder Emilio Treves who took over the company upon Emilio's death in 1916. Guido Treves ran the company with his wife Antonietta. Puccini writes that there is a manuscript awaiting publication at Treves' house. It is from his dear friend the Apuan region poet Enrico Pea. He asks that publication be expedited as there is a second volume ready for print. Puccini states that he wrote to Beltrami Giovanni Beltrami the managing director at Fratelli Treves who promised that it would be published soon. Signed "tuo yours G. Puccini" followed by his regards to Guido's wife. Folded horizontally and vertically for mailing the letter is slightly creased at the corners with a couple of minuscule chips to the edges. Once mounted there are remnants of archival tape along the top edge of the verso.</p><p>Giacomo Puccini often enjoyed a table at the Antico Caffe di Simo in Lucca with his friend Enrico Pea.</p><p>The book being discussed by Puccini is without doubt the first volume in Pea's "Trilogia del Moscardino" simply titled "Moscardino" published by Fratelli Treves in 1922. The book was translated into English by Ezra Pound. It was reviewed in the January 1 2005 edition of the New York Review of Books: "A small masterpiece Pea's lyrical autobiographical novel paints a fiery and intimate portrait of an old man through the brushstrokes of his grandson. The passions and tensions between the old eccentric and his brothers play themselves out in mythical sketches before a vivid backdrop of the hills of Lunigiana. Moscardino the first novella of his tetralogy Il romanzo di Moscardino is anarchic and haunting. Pound conducts Pea's vernacular song allowing images to flow from the land the flesh and beyond."</p><p>Little needs to be said about the life of the great Italian opera composer Giacomo Puccini 1858-1924 who composed several of the best known Italian operas. His works include "Manon Lescaut" "La Boheme" "Madama Butterfly" and "Turandot" among many other works.</p><p>The Italian poet novelist playwright and theatre impressario Enrico Pea 1881-1958 produced literary works that are said to be divided into two periods. The first being that of "Moscardino" and the second beginning with "Il Figlioccia" which takes on a softer delicate modulated style.</p> Milano, January 15, 1921.
19961242536Turin: Lo Scarabeo Antico 1996. Tarot cards and instructions in box. Cards still sealed and in new condition. Former owner's name on inside box lid. Scarce. Lo Scarabeo Antico unknown
201233258Oxford University Press. 2012. Hardcover. Fine in Very Good dust jacket. DJ flaps are creased. Faint yellowing to DJ.; In antiquity Rome represented one of the world's great cultural capitals. The city constituted a collective repository for various commemoratives cultural artefacts and curiosities not to mention plunder taken in war and over its history became what we might call a "museum city." Ancient Rome as a Museum considers how cultural objects and memorabilia both from Rome and its empire came to reflect a specific Roman identity and in some instances to even construct or challenge Roman perceptions of power and of the self. In this volume Rutledge argues that Roman cultural values and identity are indicated in part by what sort of materials Romans deemed worthy of display and how they chose to display view and preserve them. Grounded in the growing field of museum studies this book includes a discussion on private acquisition of cultural property and asks how well the Roman community at large understood the meaning and history behind various objects and memorabilia. Of particular importance was the use of collections by a number of emperors in the further establishment of their legitimacy and authority. Through an examination of specific cultural objects Rutledge questions how they came to reflect or even perpetuate Roman values and identity.; Oxford Studies In Ancient Culture & Representation; 9.7 X 7.7 X 1.2 inches; 424 pages . 0199573239 . Oxford University Press hardcover
19951242537Turin: Lo Scarabeo Antico 1995. Tarot cards and instructions in box. Scarce. Lo Scarabeo Antico unknown