8 080 résultats
195340391Paris: The Olympia Press 1953. Softcover. VG - bright tight some very slight wear but overall a stunning copy. The Olympia Press paperback
202338300Barcelona: Associacio de Bibliofils de Barcelona 2023. Hardcover. Fine. Hardcover. Number 10 of 50 copies of the English edition of which twenty-two are numbered 1 to 22. There were three deluxe copies marked as A B and C; There were 25 copies numbered 26 to 50 for the Catalan edition. This is a powerful and ever relevant history of the development and evolution of the concept and adoption of the tenets of freedom of the press. "The French Revolution led to modern democracy. Terms like left-wing and right-wing revolutionary and counter-revolutionary movements freedom censorship and silencing intellectual discourse were introduced and remain relevant. The texts of Condorcet 1776 and Bonald 1826 allow us to comprehend the debate that occurred in those times. Historian Albert Corbeto provides a background for the facts and contrasts them recounting from a neutral standpoint the historical events that had a substantial impact on French and European society. There are many parallels between the past and present controversies. In today's geopolitically volatile world there is a renewed and disturbing discussion about the nature and limits of various liberties including freedom of the press.The French Revolution led to modern democracy. Terms like left-wing and right-wing revolutionary and counter-revolutionary movements freedom censorship and silencing intellectual discourse were introduced and remain relevant." Stanford University Library<br /> <br /> Albert Corbeto is a professor of Typography and Book History in the Postgraduate degree on Advanced Typography and Typographic creation in Design Degree. He is in charge of publishing and other cultural activities at the Reial Academia de Bones Lletres de Barcelona and also cooperates with the Associació de Bibliòfils de Barcelona. He has published several articles and monographs on Spanish typography as well as on other aspects of printing and book history. The illustrator Elies Plana is a Barcelona based book artist and printer who has been working in the field for the last 15 years. After studying fine arts at the art school of Olot he joined the workshop of his father Miquel Plana. He learned the craft and the different techniques by helping and assisting his father in the production of over 100 fine books. He not only learned the love for the books but also for the craftsmanship involved in every stage of producing them. In 2008 he started his own projects that vary from editions book prints and special commissions. He works with different techniques from linocuts and woodcut to etching and uses lead and wood types to print the texts<br /> <br /> Bound with marbled paper boards with brownish orange spine and cover edges. Title in black to spine and with a title lable affixed to the front cover. The book is printed ono Fredigoni paper at Gràfiques Marti. The text has been composed with the font families Linotype Didot and Adob Garamond. Housed in a slipcase covered with the same orange cloth as the book's spine which is in turn housed in a brown cardboard folder with brown fabric ties. It is in fine condition. Measures 8.8 x 13 inches. 160 numbered pages. ARTB/030226. Associacio de Bibliofils de Barcelona hardcover
180010251800. Ink and wash in black ink with pen in black ink on watermarked C & I Honig cream laid paper 14 7/8 x 12 1/4 inches 378 x 311 mm the full sheet. In very good condition with some minor areas of light brown spotting in the right-center sheet margin. An excellent drawing with fine detail. The ruins of the Temple of Vespasian and Titus are located in the Roman Forum in Rome. The temple is a marble ruin that honors the deified emperors Vespasian and Titus. Located near the Temple of Saturn all that remain standing are three Corinthian columns that formed part of the colonnade. The temple was also dedicated to the son of Vespasiano Titus. Construction started on this temple in 79 AD. unknown
1815952London: Robert Wilkinson 1815. Etching and engraving on wove paper with an "1809" watermark 13 1/2 x 10 inches 342 x 252 mm full margins. In very good condition with some age related toning and light spots of discoloration in the lower sheet quadrant. Damaged in the Blitz and largely demolished in the 1960s what remains of St Mary Elsing includes these doorways which still stand looking back towards London Wall. The ruins include tall arches which once formed the base of the tower. There is also a low wall with an arched recess which may have been used to house a tomb. Robert Wilkinson unknown
175025101750. Graphite ink and wash on cream laid paper with an extensive yet partial and illegible series of alphabetic watermarks. 7 1/4 x 4 1/2 185 x 115 mm the full sheet. With an contemporary support adhered to the top sheet edge. 19th century text in graphite added to the shield held by the putti. The image has been cropped to exclude the top portion of a recumbent figure whose legs are covered by a shroud and whose left hand remains visible in the left-center image area propped upon an pillow holding a heart. While this drawing appears to have been completed in the mid-18th century given the Neoclassical style media and paper the text "Kind Hearts and Coronets" comes from the poem Lady Clara Vere de Vere by Alfred Lord Tennyson. The poem was pubished in 1842 indicating that the pencil inscription in the image was added later. unknown
18501887London: Thomas McLean 1850. Lithograph and engraving with hand coloring in watercolor on fibrous cream wove paper 8 13/16 x 11 1/8 inches 223 x 281 mm with unevenly trimmed wide margins. In good condition with minor toning and one vertical tear at the lower-center sheet edge which extends approximately 1/8 inch into the image area. Four circular areas of adhesive on the verso at each of the four corners on the verso from a former mount. Thomas McLean unknown
188662264Boston: Houghton Mifflin & Co 1886. Early printing with illustrations by Vedder. Hardcover. Good . Elihu Vedder. Quarto 32 cm Light gray cloth over boards with elaborate decorative stamping on the backstrip and front board. Top edge gilt. Beveled edges. The cloth at the edges of the spine and boards is a bit frayed. The front free endpaper is detached but present. Omar Khayyam's spiritual and poetic classic.<br /> <br /> Illustrated by Elihu Vedder.<br /> <br /> American symbolist artist Elihu Vedder 1836-1923 was born in New York City. He spent a vast portion of his life in Rome and went on to become one of the most imaginative American expatriate painters of the second half of the nineteenth century. His reputation is founded primarily on paintings derived from dreams and fantasies which often evoke a sense of melancholy. The Rubaiyat of Omar Khayyam which so supremely demonstrates his imaginative style is his most famous work. Houghton Mifflin & Co hardcover
173189ghW. Innys London 1731. 1st Edition. Hardcover. Fair/No Jacket. 365 pages as found. Seventeen copper plate illustrations Table 12 missing plus frontis illustration. Two of these are folded - they are in tight snug condition. At some stage rebound in board with leather spine and facings. The spine edges have wear but the binding is strong and very stable. The faces have wear and scuffing. They are strong and dignified. The front and end pages are spotted by foxing. The papertrims are bound. The contents are very firm to the binding. They are considering their age lively and engaging. They are as informative and welcoming as at publication. One of the folded plant illustration tables contentedly shows a Hottentot mother puffing serenely and happily at a marijuana pipe! There is wear and marking and staining throughout. However the bodies of the pages are clear and bold and certain despite character-instilling tanning. A useful gratifying enchanting book that rests comfortably in the hand and on the shelf. fk. Our orders are shipped using tracked courier delivery services. W. Innys, London hardcover
17820005107London: Printed for the Author and sold by S. Hooper 1782. First edition. Hardcover. Fine. Engraved frontispiece. 12mo; xvi 192 pages modern quarter sheep extra gilt spine marbled boards. Rare. <br/><br/>First issue without the "Additional Subscribers" Eddy & Fleeman Preliminary handlist of books to which Dr. Samuel Johnson subscribed 48. After a military career Parker prospered as a theatrical performer and raconteur treading the boards throughout the British Isles. "His wit humour and knowledge of the world rendered him at one time an indispensable appendage to convivial gatherings of a kind - DNB." Dr. Johnson Sir Joshua Reynolds and others befriended him and both are listed here in the Subscriber's List. He was a prominent Freemason. Included here is his Dissertation on Masonry dedicated to George Montagu. ESTC T128727. Engraved frontispiece. Printed for the Author, and sold by S. Hooper hardcover
1902304678<p>First edition. Octavo. Original red cloth stamped in gilt spine slightly darkened; light rubbing. Very good. 318 pages. No dust jacket. Enclosed in a 1/2 red morocco slipcase. No signatures or bookplates.</p> Chapman & Hall, Ltd. hardcover
Gabrielsen, Egill DaaeIn Pristine Condition. unknown
Svartvik, Jan og RikardIn Pristine Condition. unknown
1930L3 box769 a222v<p>Plato In Twelve Volumes Volumes 5 and 6: The Republic In Two Volumes Volumes 1 and 2 Books I-X. Loeb Classical Library Nos. 237 and 276. With an English Translation by Paul Shorey. Volume 1 First printed 1930; Revised and reprinted 1937; Reprinted 1943 . 1982; Volume 2 First printed 1935; Reprinted 1942 . 1987 Harvard University Press William Heinemann Ltd. Hardcover complete two volumes total 1222 pp: 600 pp Volume 1 622 pp Volume 2.</p> Harvard University Press, William Heinemann Ltd. hardcover
2008SONG0884279022North River Press 2008-07-21. paperback. Used: Good. 5.40x1.10x8.20. Buy with confidence. Excellent Customer Service & Return policy. North River Press paperback
190613704Macmillan 1906. 2 vols. 8vo. First Edition on laid paper with 2 portrait frontispieces in photogravure original tissue guards present 6 plates in photogravure and 10 cartoons one coloured and facsimiles one folding some mild spotting throughout; original armorial red cloth gilt gilt backs uncut backstrips mildly sunned corners lightly bruised else a very good bright clean copy. Churchill's account of his father was his first biographical work. Woods A8a. Macmillan, hardcover
1806N3738aLondon: J. Taylor 1806. First English Edition . Modern Half Leather. Very Good/Fair. 8vo . 144pp15 folding plates with many illustrations. Bound with A CATALOGUE OF MODERN BOOKS ON ARCHITECTURE THEORETICAL PRACTICAL AND ORNAMENTAL. ON SALE AT J. TAYLOR'S ARCHITECTURAL LIBRARY HIGH HOLBORN LONDON 20pp. Edges with minimal foxing title page with some darkening. A very good copy of this RARE FIRST EDITION ITEM. <br/> <br/> J. Taylor hardcover
2020L3 box708 b3<p>Encyclopedia of Jewish History and Culture Volume 3. G - Le. Editor in Chief: Dan Diner. Editorial Staff: Markus Kirchhoff Head et al. Consulting Editors of the English Edition: Frank Gentry et al. Editorial Staff of the English Edition: Ralf Balke et al. 2020 by Koninklijke Brill NV. Hardcover 760 pages.</p> Koninklijke Brill NV hardcover
199261455Colorado Springs: The Press at Colorado College 1992. Edition limited to 40 numbered copies and 10 unnumbered proofs signed by the printer James Trissel this copy no. 9; folio pp. 16; original black niger morocco over gray cloth stamped in gilt on upper cover and spine; fine copy. From the library of Kim Merker. "This book is our effort to set this most curious and enigmatic work in a form which will encourage its reading. We have taken away the verse numbers and the egregiously short lines of the King James Version and we have given the new line a generous format and a modest ornamentation. The text is set in Bembo that most readable of all romans: the paper is Johannot" colophon. The binding is by Greg Campbell at Campbell-Logan Bindery Minneapolis. The Press at Colorado College unknown
193015121Washington D.C.: Judd & Detweiler 1930. Edition ltd. to 475 copies tall 8vo pp. 2 158; many illustrations throughout; original cream linen stamped in gilt a little soiled else very good in publisher's slipcase. Designed and directed by Lester Douglas. This copy marked "designer's copy" on the colophon and with Douglas's bookplate designed by Bruce Rogers and with a 23-line autograph note to Douglas signed by Bruce Rogers "B.R." concerning the design of this book modern art architecture design etc. with original envelope tipped to a blank flyleaf; also at the back in a separate pocket are the printed comments of among others Carl Purington Rollins and William Kittridge apparently from Douglas's own newsletter. From Rogers' note: "I like . your modernistic book . better as a remembrance than as a book - but I admire all you youngsters' efforts to put "modernism" on the map - and you have almost done so - but not for long. It's getting passe already. Judd & Detweiler unknown
1888biblio28<p>24 Volumes. 1885-1888. J.P. Lippincott Company. Boards are marbled with tan corners and along spine side. Spine is tan with 5 segments; dark red and black titles. Inside boards endpages and foredges also marbled. Boards show substantial edgewear. Spines are worn - four of the volumes have chips out and are partially detahched on one side. Hinges intact but fragile. pages are tanned with nage no foxing a couple of volumes have foredge stains. Text is clean and unmarked.<br /></p> J. P. Lippincott Company hardcover
18832092902138300078Tsunashima kame kichi-ban 1883. Soft Cover. Fine. The book is in fine condition. Tsunashima kame kichi-ban paperback
18832092902138300077Tsunashima kame kichi-ban 1883. Soft Cover. Fine. The book is in fine condition. Tsunashima kame kichi-ban paperback
1812ST19567-094Bungay: C. Brightly and Co. and T. Kinnersley 1812. Sixth Edition. 215 x 133 mm. 8 1/2 x 5 1/4". viii xl 376 pp. <br/> Sympathetic light speckled half calf over marbled paper boards raised bands red and black morocco labels. With 54 hand-colored plates including frontispiece illustrating plants discussed in the text. A couple of ink corrections in a contemporary hand. Johnston 760. Variable foxing with perhaps a fourth of the text noticeably foxed but the plates almost entirely unaffected a few stains to the gutter from pressed flowers now absent other trivial defects but a perfectly readable copy with quite attractive plates in a pleasing virtually unworn retrospective binding.<br/> <br/> First published as "The Useful Family Herbal" in 1764 this popular work provides a description of British plants helpful for at-home remedies. The highlight of the volume is the well-drawn and richly colored plates which Nissen tells us were drawn by the important natural history illustrator Sydenham Edwards 1769-1819 whose work DNB describes as "among the best scientific illustrations of the day." Hill 1716-75 was a perplexingly self-destructive personality who nevertheless managed to produce useful books. He was a surgeon an unsuccessful actor and an apothecary who made considerable money selling quack medicines; he published several books including some botanical works of substantial value like the present one and a steady series of usually abusive periodicals; he was constantly scheming to make money and to raise his reputation above its rightful altitude; and he was always embroiled in controversies because of his ungovernable proclivity toward impertinence and derision as well as his overweening vanity. This last quality together with Hill's direct attacks on Garrick and his friends prompted the latter's memorable epigram reflecting the doctor/actor's reputation among his detractors: "For physic and farces his equal there scarce is:/ His farces are physic his physic a farce is." After publishing some not insignificant scientific writings including a supplement to Chambers' "Dictionary" Hill tried to obtain admission to the Royal Society but his unprincipled character blocked any hope of membership. Despite his reputation "The Family Herbal" offered here in its sixth edition was obviously viewed as serious and significant enough to be reprinted a half century and later after its first appearance. C. Brightly and Co. and T. Kinnersley unknown
2002CBS-9780896039803Sp Springer 2002. New. Sp Springer unknown
2002CBS-9780896039803Sp Springer 2002. New. Sp Springer unknown