Anne C PettyBiblio.com
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19793078mUSA: USA: Univ.of Alabama 1979. Good. Hardcover. 1979. pp122 mainly white d/j slightly marked in places<br><p></p> . USA: Univ.of Alabama, 1979 hardcover
2013L3 box704 a1Travel Sketches from Liberia: Johann Büttikofer's 19th Century Rainforest Explorations in West Africa Sources for African History 5. Annotated English Edition edited by Henk Dop Phillip T. Robinson. 2013 by Koninklijke Brill NV. Paperback 918 pages. Koninklijke Brill NV paperback
37315The American Crayon Co. Hardcover. Very Good. The American Crayon Co. Hardcover. Very Good. <br/> <br/> The American Crayon Co. hardcover
194326281The American Crayon Co 1943. hardback. about very good condiotion some light spotting on the cover in a near very good dust jacket some light foxing. The American Crayon Co hardcover
DG-45-102034995955Good. unknown
1995Q-0822214512Dramatists Play Service Inc 1995-10-01. Paperback. New. New. In shrink wrap. Looks like an interesting title! Dramatists Play Service, Inc paperback
1995DADAX0822214512Brand: Dramatists Play Service Inc 1995-10-01. Revised. paperback. New. 5.50x0.25x8.00. Buy with confidence. Excellent Customer Service & Return policy. Brand: Dramatists Play Service, Inc paperback
1999RWARE0000014405Marion Public Library. Very Good. 1999. Softcover. Cover has faint wear. Text is clean and unmarked. Tight binding. 12 Oral Hi stories of individuals from Marion IN who recalled life in the 1930's & 19 40's. Compiled by students at Marion High. . Marion Public Library paperback
29766418-nnew. unknown
29766418like new. unknown
2006Q-1597162698Bearport Publishing 2006-08-01. Library Binding. New. In shrink wrap. Looks like an interesting title! Bearport Publishing unknown
194780460thjrNew York: Benziger Brothers Inc. 1947. Book. Good. Hardcover. 4to - over 9¾ - 12" tall. Volume 2 of 3 only of the "First Complete American Edition in Three Volumes." Original blue cloth hard covers with gilt illustration to front and titling to spine. Handling wear to covers with bumping to extremities. Edges and endpapers toned; inner hinges neatly re-lined. Binding well worked but still firm. Otherwise clean tight and unmarked. Still a neat sound and very useful copy. . Benziger Brothers, Inc. Hardcover
1932530150Burns Oates & Washbourne. Good/No Dust Wrapper. 1932. Clean & Tight Contents. Hard Cover. Ex-Library R251 . Burns Oates & Washbourne hardcover
201488031Rio de Janeiro Brazil: M4 Marketing 2014. First Edition stated Presumed first printing. Hardcover. Very good. Jose Augusto Barros Graphic Production. The format is approximately 9 inches and 12 inches. Text is in English and Portuguese/Brazilian mostly in a two column format. 153 3 pages. Illustrations mostly in color. Maps No dust jacket present. Decorative covers. The cover has minor wear and soiling. From the Foreword: The book "Rio - Cultural Landscape" highlights the history of the city which is told in the illustrations and photos of the artists inspired by the beauty of that place - and the sceneries protected by UNESCO. Rio de Janeiro the first city listed as Cultural Heritage in the category of Cultural Landscape is a unique example of integrations between urban and nature. Sea mountain and forest are united to avenues buildings and monuments on a daily blend of the wealth enjoyed by locals and visitors. The city was listed in 2012 after the technical committee had evaluated the Brazilian's file and visited the country some times. It is the 19th Brazilian site included in the UNESCO's list of sites of universal value which is recognized for their importance for present and future generations. The city of Rio de Janeiro is known for its natural beauty and urban landscapes that blend in perfect harmony with mountain and sea. This recognition officially came in July 2012 when the city was declared a UNESCO World Heritage Site for its Urban Cultural Landscape.<br /> However way before obtaining this title the city of Rio de Janeiro had already established since 2003 the Registry of Intangible Cultural Property that constitutes the Carioca Cultural Heritage. It was created to "protect forms of expression ways of doing and living scientific technological and artistic creations cultural and social manifestations that give cultural identity to the Carioca people". Rio`s Patrimony of Humanity Institute has the mission of identifying and researching each of the items that deserve to receive the title. The institution has a team of architects historians and sociologists who select the immaterial goods according to the typical historical and cultural value of the city. Thus to this date there are 55 items recognized by the City Hall and the institution as Cultural Intangible Goods of Rio. M4 Marketing hardcover
200645046Smi-Asia. 2006. Softcover. Very Good. Text in Uzbek / English / Japanese; 8vo 8" - 9" tall; 112 pages . Smi-Asia paperback
235571997 HARPERCOLLINS LONDON. FULL LEATHER - AS NEW IN LIKEWISE SLIPCASE. SIGNED BY THE AUTHOR. LIMITED TO 1000 NUMBERED COPIES OF WHICH THIS IS NUMBER 950. GOLD LEAF TO PAGE EDGES AND BLUE SILK RIBBON PAGE MARKER. 1997 HARPERCOLLINS, LONDON hardcover
1968Alibris.0039187Oliver & Boyd. 1968. Hard cover. Good. ex-library cover wear & soiling abrasions along spine & cover edges foxing age spots inside covers & on front FFEP stamp on front FFEP stamp on copyright page label & stamp on rear FFEP label & label residue inside back cover. 258 p. diagrams. Oliver & Boyd hardcover
38918PARIS LEFEVRE 1825. EIGHT VOLUMES. A CABINET EDITION 48mo. 10 by 7 cm. ATTRACTIVELY BOUND IN HALF LEATHER MARBLED BOARDS FRONTIS. ARMORIAL BOOKPLATE. ITALIAN TEXT. SLIGHT FOXING BUT CLEAN AND TIGHTLY BOUND. SCARCE. PARIS, LEFEVRE, 1825 hardcover
196842784New York: Land's End Press 1968. Limited edition. Hardcover. g to vg. 1/1500. Folio 12 1/2 x 9 1/2". 90 2pp. Original gilt-stamped decorative cloth with gold lettering to spine. Top edge gilt. Frontispiece portrait of Aristophanes. Title page in orange purple and black lettering. Limitation page numbered and signed by Jack Brussel. Book housed in its original black slipcase with illustrated title to front panel. <br /> <br /> “Lysistrata†is a bawdy anti-war comedy by the ancient Greek playwright Aristophanes first staged in 411 BCE. It is the comic account of one woman's extraordinary mission to end the Peloponnesian War as Lysistrata convinces the women of Greece to withhold sexual privileges from their husbands as a means of forcing the men to negotiate a peace. Some consider it his greatest work and it is probably the most anthologized.<br /> <br /> This limited edition is lavishly illustrated throughout with erotic illustrations by Audrey Beardsley and ancient Athenian artists.<br /> <br /> One of 1500 signed copies of which this is No.340.<br /> <br /> Slipcase partly rubbed along edges. Binding slightly soiled along joints and spine. Corners slightly rubbed. Slipcase in overall good to good binding in good interior in very good condition. Land's End Press hardcover
1968000871NY: Land's End Press 1968. First Limited Edition. . Hard Back. Fine to Almost as New/None Issued. Aubrey Beardsley & Ancient Athenian Artists. Limited #339 of 1000 in U.S. & signed by Jack Brussel. 8 illustration from Beardsley's erotic drawings plus erotic illustrations from ancient greek artists. Slip Case in Fine Condition. One flaw caused during Binding is a spine support piece that shows at the inside front hinge 1/2 inch below the head. Pictures on request. More ART titles = >booksellers>amber unicorn>keyword= art Size: 4to 12-1/8 x 9-1/4 <br/> <br/> Land's End Press hardcover
0826416861.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2037175 Cadogan Square S.W.1. London 5 November 1930. S1p. 4to. In good condition lightly aged with minor traces of mount on reverse. Addressed to 'Frederick I. Cowles Esq. F.R.S.L. F.R.S.A. F.S.A.' Reads: 'Dear Sir In reply to your letter I should have liked to oblige you but it is impossible for me to do so. The matter would require much more time than I have to spare.' 75 Cadogan Square, S.W.1. [ London ] 5 November 1930. unknown
GB01B6R0B36I3N00Midwood. Unknown. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Midwood unknown
196221887New York: Tower Publications 1962. Original wraps. Near Fine. A gorgeous copy of the 1964 1st printing. Bright crisp and very tight. Almost as new. Small former owner stamp at the bottom of the title page. Pocketbook Midwood F227. "Even befor she got on the staff Eve knew she would be taking more than dictation. Tower Publications unknown
258999 October 1982. On his letterhead 27 Bishop’s Road London. See his entry in the Oxford DNB. 2pp 4to. In good condition lightly aged. Folded for postage and in stamped and postmarked envelope with Wesker’s address printed on it addressed to Furness in Battersea. One of a number of letters from British poets in response to enquiries from Paul Furness with regard to their pub memories. Addressed to ‘Dear Mr Furness’ and signed ‘Arnold Wesker’. Begins: ‘You must understand this about Jews: they descend from parents who fled pogroms which where sic usually lanched sic from the inns where peasants assembled and became drunk.’ Turning to his own experience he continues: ‘Neither I nor my family nor my circle of friends frequented pubs. The ignorant gathered there to realease sic their beery prejudices and hatreds to stimulate dutch courage & to give reign to a spurious imagination. / We gathered in our kitchens & shared tea sandwiches bread pudding matzos dipped in egg & fried & - if we were lucky - a little chicken-soup.’ He states that he still doesn’t ‘have the pub habit’ before turning to the ‘angry young men’ who ‘were never a group’ and ‘shared no social life’. ‘We weren’t very angry either. We simply had energy & that special joy which comes from recognition. I was rarely angry - except with fools idiot critics and I’m afraid drunks.’ He concludes: ‘David Mercer drank himself to death & was only ever maudlin when drunk as I find most people drunk become. Maudlin or self centred. Conversation is impossible. They only want to be heard.’ He ends with apologies that he ‘cant be more helpful’. 9 October 1982. On his letterhead, 27 Bishop’s Road, London. unknown
