300 résultats
195363844Half editor's cloth, Bombay, School & College Bookstall, 1953, 260-152 pp.
20090103Salvador da Bahia, Maianga, 2009. Édition originale. Bilingue portugais-anglais. Grand in-4 carré de 315 mm de côté pour 254 pp. Relié éditeur avec jaquette et emboîtage protecteur. Accompagné d'un CD-ROM (non testé). Imprimé sur papier couché, richement illustré, tranchefile. Né à Bahia, au Nord-Est du Brésil, le photographe Sérgio Guerra travaille pour la communication du gouvernement d'Angola. Passionné par ce pays d'Afrique, il y consacre ici son cinquième livre. Guerra a tenu à rencontrer les Hereros, une ethnie du sud du pays qui maintient un mode de vie ancestral. Un ouvrage fascinant et plus que dépaysant, quasi introuvable hors hémisphère Sud. ************** Salvador da Bahia, Maianga, 2009. First edition. Bilingual Portuguese-English. Large square quarto (315 mm x 1/4 in) 254 pp. Publisher's hardcover with dust jacket and slipcase. Accompanied by a CD-ROM (untested). Printed on coated paper, richly illustrated, headbands. Born in Bahia, in northeastern Brazil, photographer Sérgio Guerra works for the Angolan government's communications department. Passionate about this African country, he dedicates his fifth book to it. Guerra was determined to meet the Herero people, an ethnic group in the south of the country who maintain an ancestral way of life. A fascinating and truly captivating work, virtually impossible to find outside the Southern Hemisphere. ************* Salvador da Bahia, Maianga, 2009. Primeira edição. Bilíngue português-inglês. Formato grande quadrado (315 mm x 1/4 pol.), 254 páginas. Encadernação original com sobrecapa e estojo. Acompanha CD-ROM (não testado). Impresso em papel couché, ricamente ilustrado, com faixa de cabeça. Nascido na Bahia, no nordeste do Brasil, o fotógrafo Sérgio Guerra trabalha para o departamento de comunicação do governo angolano. Apaixonado por este país africano, dedica-lhe seu quinto livro. Guerra estava determinado a conhecer o povo Herero, um grupo étnico do sul do país que mantém um modo de vida ancestral. Uma obra fascinante e verdadeiramente cativante, praticamente impossível de encontrar fora do Hemisfério Sul.
19446912441 issues in 23 vol.; hardcover (1-18) and paperback (20-44) : Guitar Review. (N° 1-18 & 20-42 : The Society of the Classic Guitar, New York, 1946-1977 ) Vol I : 1-6 ; Vol. II : 7-12 ; Vol. III : 13-18 ; 20 ; 21 ; 22 ; 23 ; 24 ; 25 ; 26 ; 27 ; 28 ; 29 ; 30 ; 31 ; 32 ; 33 ; 34 ; 35 ; 36 ; 37 ; 38 ; 39 ; 40 ; 41 ; 42
2003675122 folios vol. (43 x 34 cm), hardcover under dustjacket and plastic jacket, Sundeep Prakashan, New Delhi, 2003, 341 pp.
197859595With drawings and contributions by Suzanne Chapman, Nicholas Thayer, Lynn Holden and Timothy Kendall, In collaboration with the Pennsylvania-Yale Archaelogical Expedition to Egypt, 1 vol. in-4 reliure pleine toile sous jaquette illustrée, Department of Egyptian and Ancient near Eastern Art, Museum of Fine Arts, Boston, 1978, 34 pp. , 47 plates and 75 figures
19530531Very rare American guide to São Paulo, Brazil. A small 185 x 135 mm softcover booklet with 193 pp. Edited by A. Ratenieks and Victor Garfields in Rio de Janeiro and São Paulo, 1953. In English. Full of typical 1950s ads, this booklet describes to the English-speaking visitor what he can expect in São Paulo: the "picturesque environs", cultural life, museums, hotels.. with one folding map. Of note is a advertisement for a fur-caring service (in a place where winter barely exists!) A true snapshot of the vibrant São Paulo, then fastest-growing city of the world. An extremely rare reference - almost nothing found on the Internet. Emitted before the 4th centenary of the city.
1989137656Couverture rigide. Cartonné.608 pages.
187465434Couverture rigide. Reliure toile de l'éditeur. 288 pages.
1956595261 vol. in-4 cartonnage éditeur, Printed for The Griffith Institute, At the University Press by Charles Batey, Oxford, 1956, XV-44 pp. et 25 planches
197467295Second Edition, revised, 1 vol. 4to. hardcover with col.. dust jacket, black and white pphotogr., col. photogr. in enclosed portfolio, Barnes Tantivy, 1974, 142 pp.
1969289761 vol. grand in-8 br., 1969, 22 ff. n ch. / 8vo, paperback, richly illustrated, International Boy Scout, Saint Joseph College, Yokohama, Japan, 22 unnumbered leaves
1965144041Couverture souple. Broché. 96 pages.
2003509862 vol. in-4 softcover, col. cover, col. pict., Antiquorum, Geneva, 2003, 124 pp. and 396 pp., 580 items for the whole catalog, incl estimates. Text in English
1994512621 vol. 4to. softcover, col. cover, lots of col. illustr., Urban Council of Hong Kong, 1994, 126 pp. Text in both English and Chinese
1968125727Couverture rigide. Cartonné. 22 x 23 cm. 108 pages.
193893836Couverture rigide. Cartonnage de l'éditeur. 278 pages. Papier légèrement bruni. Couverture légèrement défraîchie.
1902XAH-62EDITIONS H.DIDIER /1902 191 PAGES FORMAT : 12 X 18 cm POIDS : 0.225 kg
194193989Couverture souple. Broché. 234 pages. Couverture légèrement défraîchie. Papier légèrement bruni.
195197469Couverture souple. Broché. 236 pages. Couverture légèrement défraîchie. Papier légèrement bruni.
19866956593 issues 8vo. softcover with col. front covers, b&w or col. ill., Early Music, Oxford Journals; Oxford University Press, Oxford, 1986, 1987, 1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1997, 1998, 1999, 2000, 2001, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, r. 725 pp. for each year i.e. more than 16,000 pages for the whole. Missing issues are : 1991 /4 , 1992 /1 , /2 and /4, 1993 /1 , 2010 /3 and /4 - Ensemble de 93 numéros de cette revue trimestrielle, du vol. XIV / 1 (Février 1986) au vol. XXXVIII / 2 (mai 2010) ; 25 années complètes, de 1986 à 2010, sauf 7 numéros ]
19756956921 vol. 12mo. softcover, Early Music, Oxford University Press, Oxford, 1975 to 1989, rd. 200 pp. fr the whole.
1997ART7354MA1Phaidon Press, 1997. In-8, paperback, 448 pp. A myriad of illustrations in both color and b&w.
199563094Edited by Doris Edel, 8vo hardcover, Four Courts Press, Dublin, 1995, 208 pp.
185259975Colored folding map, mounted on linen, G. F. Cruchley, 81 Fleet Street, London, s.d. [ circa 1850-1860 ], 79 x 66,5 cm. Full title : Cruchley's Reduction of his Large Map of England and Wales with Part of Scotland ; Showing all the Railways & Turnpike Roads with the Great Rivers and the course of the different Navigable Canals : The Market and Borough Towns and principal places adjoining the Road ; to which is added the distance from one market town to another, with the exact admeasurement prefixed to each from the metropolis.
20090373Melbourne, Miegunyah Press, 2009. A very thick in-4 book of 276 x 194 mm for (6) vii, xvii, 1108 pp. Coal black hardbinding, title in bronze on the cover and spine, abstract in bronze on the back cover. Printed on couché paper, profusely illustrated with a majority color images. No dust jacket as issued. "Crossing Cultures: Conflict, Migration and Convergence is an in-depth examination of the effect of globalism on art and art history. Covering all aspects of art—including traditional media, painting, sculpture, architecture and the crafts, as well as design, film, visual performance and new media—it explores the themes of conflict, migration and convergence in the visual, symbolic and artistic exchanges between cultures throughout history. Crossing Cultures is a compilation of the conference papers from the 32nd International Congress in the History of Art organized by the International Committee of the History of Art (CIHA), edited by conference convenor Professor Jaynie Anderson. This volume contains more than 200 papers presented at the congress by art historians from twenty-five countries, including Homi K Bhabha (Harvard University), Michael Brand (Director of the John Paul Getty Museum, Los Angeles), Marcia Langton (Chair of Australian Indigenous Studies, University of Melbourne), Ronald de Leeuw (Director of the Rijksmuseum, Amsterdam), Neil McGregor (Director of the British Museum, London) and Ruth B. Phillips (Canada Research Chair in Modern Culture and Professor of Art History, Carleton University, Ottawa). Never before has the state of art history in our polycentric world been demonstrated so well. Crossing Cultures encourages fresh thinking about global art history." (Abstract)