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1163430269.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1258969513.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1428632549.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1494101149.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2007SONG0548123047Kessinger Publishing 2007-07-25. hardcover. Used: Good. 6.00x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
2007DADAX0548123047Kessinger Publishing 2007-07-25. hardcover. New. 6.00x1.00x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
A9781258969516Hardback. New. hardcover
B9781258969516Hardback. New. hardcover
B9781494101145Paperback / softback. New. paperback
5046London; 1871-1878. The collection is in good condition with each letter entirely legible. Two items particularly aged and one with a couple of closed tears unobtrusively repaired with archival tape. Each item bears evidence of the fact that the collection was previously held together with a pin. An interesting sidelight into the musical culture of Victorian London. COPAC only locates one copy at Cambridge of Robinson's piece published by W. Sprague of Westminster in 1874 copied by F. C. Wood 'words by permission of Messrs. Hopwood & Crew'. All items 12mo. ITEM ONE one page with slight loss at head: 'Willm Haslam' of 41 Middleton Road Dalston to 'Master Robinson' 21 March 1871. He will not require 'the services of yourself & Friend - on Thursday at Hounslow'. ITEM TWO one page: Theodore Distin 'Theo Distin' to Robinson 28 March 1872. 'I shall be happy to sing for you for whatever you can afford to give - & be pleased to help you in any way'. He will also 'look over' Robinson's 'Hymn': 'I have not yet had time'. Distin member of a family of musical entertainers is notable as the man who brought the first of Adolphe Sax's Sax Horns to Britain. ITEM THREE one page: 'Chas. F. Combe' of 17 Westbourne Terrace North Bayswater to Robinson. Offers to engage Robinson in employment and gives details in four parts. ITEM FOUR one page: Combe to Robinson. 'I find I shall be obliged to make an attendance at S. Olaves at the end of the present quarter There appears to be a feeling which we cannot quite overcome - . I write therefore to tell you that I shall be obliged to terminate your engagement at the expiration of your next month . I am sorry I have been unable to offer you a better position .'. ITEM FIVE one page: Letter of Robinson 'W. W. Robinson Jnr.' 64 Murray Street New North Road Hoxton to firm of music publishers asking whether you may 'use the words of one of your songs entitled "Gently down the Stream" for new music seeing no Writers name to sic the words. . I am anxious to get it Published'. Undated reply from individual with indecipherable signature one page on reverse stating 'If you have any desire to be implicated in a suit at law by all means make use of the words of the song published by Messrs Hopwood & Crew they have nothing to do with us'. ITEM SIX two pages: Letter to Robinson from 'F. C. WOOD Lithographical Music Copyist 32 VINCENT SQUARE WESTMINSTER S.W.' 27 October 1873 on Wood's letterhead giving an estimate 'for 2 pages of music & title'. 'My former estimate was for 12 stave pages & I see by putting the song on 1 page 15 staves will be required . Work done by this system is always cleaned off the stones as soon as finished so that the entire number of copies is likely to be required are always ordered at once. This makes it so much cheaper than engraving. Proofs also cannot be given but accuracy is insured by my having a correct copy & thoroughly examining the work before printing a single copy. If your copy is correct you need have no fear.' Discusses details of legal deposit and asks to be informed on some matters relating to the song. 'What will you do . You may depend on the work being thoroughly well done.' ITEM SEVEN two pages: Wood to Robinson 30 October 1873. 'I always enquire whether copies sent me are correct because proofs not being given it is not at all likely I can take responsibility of mistakes in copies sent me. When I have a good copy to work from parties need not fear for my work because I take good care to do it right. But as you seem rather fearful of the result I have taken the trouble to copy the whole out and send it herewith for your approval. NOT PRESENT Please see if it is correct & the music arranged as you desire to the two verses and if you return it at once I shall at once proceed. You will thus see that I have done all that can be expected to insure correctness & if I can turn out 70 pages of Band music with only the omission of one crescendo - and no mistakes surely 2 pages may be done properly.' ITEM EIGHT two pages: Wood to Robinson 10 November 1873. Sends receipt for his work of £1. 8. 6 and undertakes to forward a receipt from Stationers' Hall for five shillings. 'I am glad you are satisfied with the work as in fact I was sure you would be. But I am sorry to say theh work is cleaned off the stones. It is always so to make way for other work.' Offers to copy another hundred at £1. 4. 0. Signed receipt on verso of second leaf of bifolium. ITEM NINE one page: Margaret Bucknall 21 York Place Newport to Robinson. 'My sundays are all arranged for! Many thanks for so kindly offering to help me.' ITEM TEN four pages: F. T. Barnard 9 Cambridge Terrace Salcombe Road Sidmouth Devonshire to Robinson 19 August 1876. 'The Wedding takes place on Saturday next at Eleven o'Clock. Play some thing bright and pretty until the Bride arrives upon her arrival at Altar finish immediately. After ceremony whilst they are in Vestry similar music leading into Wedding March.' Gives further instructions and asks Robinson to discuss with the verger. 'Respecting terms of course it ought to be One Guinea ask about it and try hard for it but if any demur is made do not object as something was mentioned to me a short time since about obliging a friend for such a ceremony but I gave no decided answer; of course I being away alters the case . but take what is offered and I will arrange with you afterwards'. ITEM ELEVEN two pages: Distin of 96 Penrose Street Sutherland Square S.E. to Robinson 2 January 1877. He is pleased Robinson has 'succeeded in gaining the appointment' and hopes 'it may be only the beginning of a successful Career for you. & if my word has been the means of helping you towards it I am very pleased.' Thinks it 'rather strange' that he has 'not yet heard from Ryle who promised to send me my Fee "sharp."' ITEM TWELVE two pages: F. Jones 'per RG.' 27 Doynton Street Highgate New Town N.W. to Robinson 22 June 1878. Thanks him 'on behalf of my troupe' for sending 'Gently down the Stream' with band parts 'which we shall have the greatest pleasure in singing at our next entertainment; I with-held myself from writing before as I wished to put your letter &c before a special committee last evening they unanimously thanked you for your great kindness and agreed to have the song tried by the band this evening; they the band tried it & the Musical Director & the whole of the Troupe pronounced it a very pretty and suitable song'. Asks if Robinson would insert 'on the title page of a new edition "As sung by Mr. R. S. Austin of the original Lilian Minstrels". I have Grafton Hall Grafton Street Tottenham Ct. Road in view for our next concert'. ITEM THIRTEEN one page: Jones again 'per RG. to Robinson 9 July 1878. He 'cannot get Grafton Hall for a Saturday evening which night is most convenient for the vocal portion of my troupe the majority of which reside out of London.' Consequently he intends 'suspending all further concerts till September' but will let Robinson know if the Troupe perform before then. London; 1871-1878. unknown
2500914 December 1905. On letterhead of 50 Egerton Gardens S.W. London. 3pp 12mo. On bifolium. In good condition lightly aged. Strip of paper from mount adhering to blank reverse of second leaf. Folded once for postage. He thanks him ‘for kind lines with the information’ regarding his biography of Emma Lady Hamilton. The mistake his recipient points out regarding ‘the Douglas case’ will be ‘put right in any subsequent edn.’ Regarding ‘the Duchess & Lady H’s marriage’ he has ‘now put it more hypothetically’ but he considers ‘the inference justified by Lady H’s letter Morison M.S. 189 of the January which preceded her marriage where she emphasises that she never had such a friend taken in conjunction with the kindness of Emma of the Argyll family mentioned by Sir W. H. -’ He has been ‘overwalled’ and is ‘off to recruit for a space’. 14 December 1905. On letterhead of 50 Egerton Gardens, S.W. [London] unknown
2626116 January 1897. On letterhead of 9 Earls Court Square South Kensington London. A successful member of an English artistic family. See the Oxford DNB entries on his father Joseph Severn who nursed John Keats in Rome in his final illness and sister Mary Newton. 1p 12mo. In good condition lightly aged with thin strip of glue from mount to inner margin and details typed at head. Folded once. Reads: ‘Dear Mrs FitzSimon / I have much pleasure in sending an autograph of my dear friend Sir F. Leighton. I send also the portrait of Keats. It is photogravure by Hollyer from one of my father’s pictures / Yours sincerely / Walter Severn’. 16 January 1897. On letterhead of 9 Earls Court Square, South Kensington [London]. unknown
12703Without place or date. London 1840s. 1p. 12mo. On bifolium. Good on aged paper. The note reads: 'Mr Landor has to acknowledge the honor of Lord Londesborough's invitation for May 21. The crowded state of London will not permit him to make his usual visit there in Spring and among his regrets is his inability to pay his respects to Lord Londesborough.' Without place or date. [London, 1840s?] unknown
26959Without place or date. 1p. 12mo signs of tipping on verso good on aged paper. The note reads: 'My dear Mr. Empson I have been reading. your Narrative with great delight. Never was I more interested in any book of see image. The ballads are exquisite. Accept my best thanks and believe me your very obliged WS Landor'. Note: Landor was mentioned by Mrs Lynn Linton: She was visiting "Dr Brabant in Bath and we were at Mr. Empson's old curiosity shop when we saw what seemed a noble - looking old man badly dressed in shabby snuff - colored clothes a dirty old blue necktie unstarched cotton shirt .". Without place or date. hardcover
17475Dinner at the Connaught Rooms Great Queen Street Kingsway W.C. London 11 April b . Pamphlet printed by Metchim & Son Westminster. Both pamphlet and reservation in fair condition with light signs of age and wear. Pamphlet: Titled: 'Sir Walter Runciman's Dinner Connaught Rooms Great Queen Street Kingsway W.C. Friday April 11th at 7.30. Alphabetical List of Guests with Allocation of Seats and Plan of Grand Hall.' 26 1pp. 12mo. With fold-out 'Plan of Grand Hall Showing Numbered Tables'. With lightly-rusted staples. Fifty-two tables of the great and the good with the fifty sitters at 'Table "A"' including Lord Denman Augustine Birrrell H. H. Asquith the Marquess of Crewe Viscount Samuel and Sir Robert Hudson. Seat Reservation: Printed bifolium made out in manuscript for 'Mr. Aneurin Williams M.P.' who is placed at 'Table No. 10'. The centre pages carry another copy of the seating plan. No record of this item on either OCLC WorldCat or on COPAC but it must date from between 1906 the year Runciman became a baronet and 1933 when he entered the House of Lords. Dinner at the Connaught Rooms, Great Queen Street, Kingsway, W.C. [ London ] 11 April [ b ]. Pamphlet printed by Metchim & Son, unknown
629621 February 1916; on letterhead of the Board of Trade Whitehall Gardens London S.W. 12mo 3 pp 35 lines. Good on lightly aged paper and with a thin strip from mount adhering at head of blank verso of second leaf of bifolium. Discusses 'the restriction on the importation of paper and paper making materials' imposed 'with the object of securing more tonnage space in incoming vessels'. He has not 'been willing to fetter the discretion of the Commission' and concludes with the comment 'that if they had to consider the rival claims literary or educational of particular publications for special treatment they would find the burden placed upon them heavier than any body of persons however conscientious could be expected to bear.' 21 February 1916; on letterhead of the Board of Trade, Whitehall Gardens, London, S.W. unknown
2656413 Holland Street Kensington and other London addresses. 1886 to 1912. The fourteen items are laid down on three pages on two leaves of grey paper removed from an album on the reverse of one leaf are two coloured coaching scenes by Randolph Caldecott one featuring a highwayman. The overall condition is fair with creasing and signs of age. The Autograph Letter Signed is from Crane to 'My dear Stanley Little'. 1p. landscape 8vo. With letterhead of Beaumont Lodge Shepherd's Bush featuring an illustration by Crane of a shepherd and sheep. 20 September 1892. He is sending a copy of his 'Claims of Decorative Art' and hopes that 'as one who has thought & written much on art' he will 'accept it as a contribution from my side the question or at least as "Friendship's Offering".' As an imperialist Little's politics were opposed to Crane's. He asks him to 'look for us at No 13 Holland St. Kensington when you are next in town'. In a postscript he states: 'The good wife is away in Essex with the two boys but returns at the week's end.' On the same page are six items with decorations apparently by Crane: first a label for 'The Pioneer' printed in sepia with space for 'Number Contents Price' showing a knight climbing up dense foliage to a languid lady; second a label or bookplate for the 'A E & C S Handicraft Design' with the name supported by two women in revolutionary caps each flanked by a cherub; third another example of the Beaumont Lodge letterhead ; fourth and fifth two copies of a strange tiny design of an African hunter with spear before a setting sun printed in negative on grey paper; sixth a tiny monogram perhaps 'L J S' made by a snake and printed in red. The next page carries a season ticket with design by Crane of two workmen shaking hands for the 1906 Arts & Crafts Exhibition Society at the Royal Academy made out in manuscript to 'The West Sussex Gazette'. The third page carries six items: first a printed handbill advertising 'The Leek Press Papers: No. I. The Relation of Art to Education and Social Life by Walter Crane Twenty-eight pages in wrapper.' With two vignettes the first of two country folk with ten geese; the second of a peacock. The reverse advertises a 'Catalogue of a Collection of Designs by Walter Crane A.R.W.S. with vignette of stork and lettering by Crane. Carries two close tears repaired with archival tape. Second printed in red an invitation card designed by Crane to the Old House 13 Holland St: 'Dame Walter Crane bids you welcome on New Year's Day 1912 in the evening at nine thirty'. Third Crane's autograph signature cut from the valediction to a letter: 'Every yours Walter Crane'. Fourth a handbill advertisement for 'The Fabian Society Session 1886-1887' with design by Crane of female forms representing Liberty Equality and Fraternity. The 'Executive' are named as Annie Besant Hubert Bland Edward R. Pease Frank Podmore G. Bernard Shaw Sidney Webb and Charlotte M. Wilson'. Fifth an invitation card printed in brown to the private view of the fifth Arts & Crafts Exhibition Society 3 October 1896 at the New Gallery 121 Regent Street. Made out to J. Stanley Little of the African Review. Featuring the same design as above of the two workers shaking hands. Sixth letterhead printed in red for 13 Holland Street Kensington W. Featuring a design of a crane by Crane. Heavily creased. SEE IMAGES. 13 Holland Street, Kensington, and other London addresses. 1886 to 1912. unknown
6055Undated; on three letterheads of 'Frognall End Hampstead N.W.' London. The notes on three 12mo bifoliums cover three pages with a few lines on a couple of others. In excess of eighty lines. Very good. Brief chronology and list of notable residents presumably an outline for the description of the district in Besant's 'London' 1892 or another of his many writings on the city. Undated; on three letterheads of 'Frognall End, Hampstead, N.W.' [London]. unknown
1893DEMO001181ILondon: John C. Nimmo 1893. First edition. Hardcover. Very Good. Portrait 4 ills. 4to 160 pages two tone cloth t.e.g. cloth ribbon small dark spot on rear cover <br/><br/>A Large-paper edition. With portrait and 4 illustrations. John C. Nimmo hardcover
19487On letterhead of the Ministry of Food Palace Chambers Westminster London S.W.1. 23 January 1919. 1p. 4to. In fair condition on lightly aged and worn paper. His reply to her letter has been delayed by his 'absence in Paris on official business'. He is 'satisfied that the attacks upon Sir Eyre Crowe are based upon entire ignorance of the facts'. Crowe 'has always held strongly anti-German views and expressed himself officially in this sense as long ago as 1908'. Astor understands 'that the Kaiser personally requested his removal from the Foreign Office for this reason on more than one occasion'. Nobody has ever questioned Crowe's 'great ability' and Astor does not think she has 'any reason to fear that his appointment is not greatly to the advantage of this Country'. Mrs Le Cras had been one of Nancy Astor's agents during her election campaign of 1919. On letterhead of the Ministry of Food, Palace Chambers, Westminster, London, S.W.1. 23 January 1919. unknown
20082091202133208310Heibonsha 2008. Soft Cover. Fine. Number of books: 4 books in total Heibonsha paperback
243089 May 1899; 112 Manor Road Stoke Newington N London. See his entry in the Oxford DNB. 1p 12mo. In good condition lightly aged. Folded once. The recipient whose name Jacobs gives as ‘D. H. Denselow Esq’ was the commercial artist and autograph hunter Douglas Harold Hellier-Denselow whose studio was in Gunnersbury West London. The note reads: ‘Dear Mr. Denselow / I am much obliged for your letter & its accompanying illustration. I shall not follow your example & affix my eye to my autograph / Yours very truly / W. W. Jacobs’. 9 May 1899; 112 Manor Road, Stoke Newington, N [London]. unknown
2555024 March 1931. Letterhead: ‘From / W. L. Wyllie / Tower House Portsmouth / Tel. 2598.’. See his entry and that of Swan in the Oxford DNB. From the Swan papers. On both sides of an 11.5 x 9 cm card. In good condition lightly aged and with faint ink line at foot. Signed ‘W L Wyllie’. Begins: ‘Dear Miss Swan / Very many thanks for sending me the copy of Cape St Vincent. It is quite fine I will try if I cannot steal a bit for my big picture.’ He turns to a ‘roll’ which is ‘not long enough to make a panorama’ but which he hopes to be able to ‘drive round and look at’ when the weather is warmer. ‘We might make it into pictures.’ He ends in the hope that ‘the fireback is going strong’ and with regards to her mother. 24 March 1931. Letterhead: ‘From / W. L. Wyllie, / Tower House, Portsmouth / Tel. 2598.’ unknown
2419430 December 1947; on letterhead of Poplar Cottage Beltinge Cliffs Herne Bay. 6 March 1948; from Poplar Cottage. Berry was hugely popular during the Edwardian period and into the First World War. His greatest success was as ‘Mr Meebles’ in ‘The Boy’ 1917. See the recipient’s entry in the Oxford DNB. Both letters signed ‘W. H. Berry’ and the second with long postscript on separate 12mo leaf signed ‘W. H. B’. In fair condition aged and worn. ONE: 30 December 1947. 4pp 4to. ‘This letter will be quite a “rat-tat from the past†as Geo. Graves used to say & its many a long year since I last saw you - & much has happened since “those were the days†& carriages were at 11. I have been thinking a lot lately of those days & evenings when I used to see you entering my tube train at Finsbury Park both bound for Theatreland & our work therein - which we both loved.’ He praises MP’s ‘recent writing on my favourite topic & my one & only period - the theatre in my time say from 1890 onwards!’ He is fulsome in praise of MP’s work adding ‘My friend Wyatt shares these joys with me & he tells me visited you recently . Strange isnt it that Wyatt is the nephew of my old dresser Bartlett. Who was with me for years until he died’ He discusses his past ill health adding ‘I’m really in pretty good form considering I’m 77 - in fact only 3 months short of 78.’’ After the death of his beloved wife he has been fortunate enough to marry ‘an old friend of ours of over 40 years & has lived here for the past 10 years . My wife passed away last January & my dear & I were married at Canterbury on July 17’. He ends with enquiries after ‘Jack Macqueen’. TWO: 6 March 1948. 2pp 4to and postscript of 2pp 12mo. He is sorry that he has not been ‘up to’ responding to MP’s two recent letters and now thanks him ‘for the Copy of that nice little mag “The Playgoer†which was naturally made more interesting by our article on “Gaiety Gals†- including pictures of Sylvia Storey & Jean Alwyn both in “Havanaâ€! Also my old publicity “guvoner†sic H. C. G Inky Stevens has an article on “Show folk†which I enjoyed - as you may imagine. Of course I could not refrain from a little longing when I thought of Gaiety “Havana†& “Show folkâ€! Ah me.’ He has sent him a photograph of the Lowther Arcade as he ‘thought the sight of the dear old place might have revived a few delightful memories’. ‘I was much amused about your story of Alphours & Tauber & I hope that when you refer to my book for anything you want you won’t miss my anecdotes about 1 Geo Edwardes & Willie Ward at a “Cuts†rehearsal “I must save time†& 2 Geo Edwardes greeting Alfred Lester who had called to protest about me having all the numbers to sing in “Havanaâ€'. In a postscript he writes: ‘I like you am so fond of & wrapped up in the Theatre that I love to write about it - if I write any-thing & I thought I’d struck a good idea & a good title when I wrote a book recently: - / “The Private life of a Theatre†/ The first chapter was an account of a visit to a typical musical comedy with everything that happens from the entry of the orchestra to the final curtain & then I say: - “now those few hours are all the general public know of the life of a theatre: but what about all those other 20 hours Does nothing happen†etc etc / But Hutchinson’s didn’t like it so its put away in Lavender with other mementos.’ 30 December 1947; on letterhead of Poplar Cottage, Beltinge Cliffs, Herne Bay. 6 March 1948; from Poplar Cottage. unknown
24077TO GRINLING: No date postmark of 6 September 1921; “The Meadows†Saham Toney Watton Norfolk. TO WHITAKER: No date postmark of 16 September 1929; 245 Southlands Rd Bickley Kent. Note to be confused with the Kew curator William Watson 1858-1925. Both cards are plain: the first with a self-printed stamp and the second with stamp affixed. Both in fair condition lightly aged. ONE to Grinling: He identifies the fungi he sent adding a comment on bacteoles of mallow. Ends in the hope of attending ‘the Epping Forest foray this year’. TWO to Whitaker. The previous Saturday he noted ‘Pyrus torminalis in the old rough lane between fences nearly opposite the Bull Inn on Shooters Hill Jack Wood Lane’. He notes that ‘everything’ is ‘extremely dry’ and that he has ‘pretty well given up toadstools for the time being’. TO GRINLING: No date (postmark of 6 September 1921); “The Meadowsâ€, Saham Toney, Watton, Norfolk. TO WHITAKER: No date (post unknown