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2 vols., 8vo., Mixed Impressions; tweed cloth (green/brown respectively), gilt backs, coloured tops (green/brown respectively), a near fine set in unclipped dustwrapper. Dustwrapper artwork by Dell'Orco. WITH PUBLISHER'S 'ARTHUR BRYANT' BOOKMARK. The 'English Social History' set comprises: 'The Medieval Foundation' (secomd impression, 1967) and 'Protestant Island' (first impression, 1967).
8vo., First Edition; black cloth, gilt back, covers lightly dust-soiled else a very good, clean copy.
8vo., First Edition, with frontispiece and numerous plates; original brown cloth, upper board blocked in gilt, gilt back, a very good, bright, clean copy. A standard reference by the eminent ecclesiologist.
8vo., First Edition, with frontispiece, 179 fine half-tone plates on 94, and illustrations and plans in the text; blue cloth, upper board and backstrip lettered in black, covers lightly faded else a very good, bright, clean copy. Sold from an institution with its bookplate, and neat cancellation stamp on front free endpaper and rear paste-down only. Having co-operated so sgnificantly with F.H. Crossley in 'English Church Woodwork' (1917) it is very greatly to be regretted that Howard published further before his death in 1934 at the early age of 45. His renown as an ecclesiastical architect had spread - E.A. Lamborn considered him the only authority whose knowledge of ecclesiastical art in the Middle Ages could be compared with that of the late Sir William Hope. Fortunately, Howard had brought the present work so close to completion that Lamborn was able to see it through to publication with very little alteration.
8vo., First Edition, with a frontispiece, 179 fine half-tone plates on 94, and illustrations and plans in the text; blue cloth, upper board and backstrip lettered in black, endpapers lightly spotted and some occasional light spotting to text else a very good, clean copy. With a copy of the publisher's prospectus (8pp with illustrations) laid in. Having co-operated so sgnificantly with F.H. Crossley in 'English Church Woodwork' (1917) it is very greatly to be regretted that Howard published further before his death in 1934 at the early age of 45. His renown as an ecclesiastical architect had spread - E.A. Lamborn considered him the only authority whose knowledge of ecclesiastical art in the Middle Ages could be compared with that of the late Sir William Hope. Fortunately, Howard had brought the present work so close to completion that Lamborn was able to see it through to publication with very little alteration.
pp. xi, 96. Top edge gilt. Bookseller's label on rear paste down. Inked ownership of Emilie F. Latimer (from York, PA), Christmas 1916, on first fly leaf. 185mm. Original full green cloth binding lettered in gold gilt. CLASSICS BX 1
Scena di strada affollata di uomini e donne, una bancarella appesa con conigli e altre carcasse che attraversano il primo piano, due uomini che parlano in primo piano a destra e una veduta di edifici cittadini, uno con un timpano a gradini a sinistra, sullo sfondo; secondo stato pubblicato, con l’aggiunta del cielo. Acquaforte con mezzotinto, 1906, firmata a matita in basso. Una bella impressione, stampata su carta giapponese avoriata, con margini, condizioni perfette. Secondo William Gaunt si tratta di una delle quattro acqueforti realizzate il Catalogue of Frank Brangwyn's Etchings, preparato da Frank Newbolt e pubblicato dalla Fine Art Society in un'edizione limitata di 150 esemplari nel 1908. Sir Frank William Brangwyn era un artista gallese, pittore, acquerellista, stampatore, illustratore e designer. Brangwyn nacque a Bruges, in Belgio, dove suo padre, William Curtis Brangwyn, si trasferì dopo aver vinto un concorso organizzato dalla corporazione belga di San Tommaso e San Luca per progettare una chiesa parrocchiale. Brangwyn era un artista di tutti i mestieri. Oltre ai dipinti e ai disegni, produsse progetti per vetri colorati, mobili, ceramiche, vetreria da tavola, edifici e interni, fu litografo e illustratore di libri. Bibliografia W. Gaunt, The etchings of Frank Brangwyn, n. 69 II. Street scene crowded with men and women, a market stall hung with rabbit and other carcases running across the foreground, two men talking in the foreground to right and a view of town buildings, one with a stepped gable to left, in the background; second, published state, sky put in. Etching with mezzotint and surface tone, 1906, signed on pencil at the bottom. A fine impression, printed on contemporay china paper, with margins, perfect condition. One of four etchings made for and included in, the Catalogue of Frank Brangwyn's Etchings, prepared by Frank Newbolt and published by the Fine Art Society in a limited edition of 150 in 1908, according to Gaunt. Sir Frank William Brangwyn was a Welsh artist, painter, watercolourist, printmaker, illustrator, and designer. Frank Brangwyn was born in Bruges, Belgium where his father, William Curtis Brangwyn, moved after winning a competition organised by the Belgian Guild of St Thomas and St Luke to design a parish church. Brangwyn was an artistic jack-of-all-trades. As well as paintings and drawings, he produced designs for stained glass, furniture, ceramics, table glassware, buildings and interiors, was a lithographer and woodcutter and was a book illustrator. Bibliografia W. Gaunt, The etchings of Frank Brangwyn, n. 69 II.
106p. Hardcover Very good condition
pp. (13), 147. Thin 8vo. Handsome original full cloth binding, lettered in gold and decorated in blind, executed by Westleys & Clark, London - with their small ticket on the rear paste down. Mildly XLib. James Orchard Halliwell (1820-1889) was a biographer of Shakespeare, book collector, antiquarian, and prodigal scholar. In spite of his intelligence and industry, Halliwell's life was dogged with controversy on both personal and professional fronts. His marriage to the daughter of Sir Thomas Phillips did not meet with Phillips' approval, and the young couple was disinherited and placed in financial st aits. He was later investigated for book theft from the library of Trinity College, Cambridge, regarding several volumes later sold to the British Museum, but no charges were ever filed and Halliwell was able to clear his name. Later disputes arose over Halliwell's views concerning the authenticity of various Shakespeareian works. His quarrel with the authorities at Stratford-on-Avon led to his decision not to bequeath his important personal Shakespeare collection to their library; instead, it was sold to a buyer in the United States upon Halliwell's death. See the DNB JUN2B / NW23
4to vol., original full cloth, Mergenthaler Linotype Company, Brooklyn, N.Y., 1923, XV-256 pp. Good condition. Anglais
pp. vi, 245. Small 8vo. 160 mm. Paper age toned. Contemporary (likely original) full leather binding. Front board almost detached. Early manuscript ownership of H. Laight. Henry Mackenzie (1745-1831) a Scottish novelist and miscellaneous writer, known as the 'Addison of the North.' Mackenzie had attempted to interest publishers in what would become his first and most famous work, 'The Man of Feeling' for several years, but they would not accept it, even as a gift. Finally, Mackenzie published it anonymously in 1771, and it became instantly successful. His "Man of Feeling" is a weak creature, dominated by a futile benevolence, who goes up to London and falls into the hands of people who exploit his kind innocence. In contrast to the masculine ideals of the Age of Reason, it inaugurated a vogue for a new kind of hero - a sensitive male. The book looks forward to the kind of Romantic- era heroes who were unashamed to weep. **PRICE JUST REDUCED! VERIA 2
8vo., First Edition, with plates, maps in the text and endpaper maps, small neat signature on front free endpaper; black cloth, gilt back, a near fine copy in unclipped dustwrapper, the latter lightly chafed at head of backstrip. Published in Hodder's much sought-after series 'The Making of the English Landscape' edited by W.G. Hoskins. Scarce in this condition.
8vo., with frontispiece and photographs in the text; pictorial cloth, gilt back, brown flecked endpapers, a near fine copy in publisher's board slip-case.
8vo., with a frontispiece, 82 plates (a number full-page) in the text and 17 maps and plans; cloth, gilt back, a very good copy in unclipped dustwrapper. First published in 1955, this seminal work is the first detailed account of the evolution of the English countryside. This edition cotnains an updated introduction by the author.
192p. Front hinge starting, Usual signs of library ownership, Green ink marks on outside edges of pages, otherwise text clean and complete, Good reading copy. Ex-Library
4to., First Edition, with numerous coloured photographs and reproductions throughout; pictorial wrappers, a fine copy. With a copy of the price list loosely inserted. SCARCE, ESPECIALLY IN THIS CONDITION.
A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: Cover illustrations of playing cards (c.1800); Connecticut Chest-on-Chest (c.1780) - frontispiece; Playing Cards for Kings and Kibitzers; Who Trained David Rittenhouse?; American and English Chairs - A Pictorial Demonstration; Early American Papermaking - from Wasp to Watermark; The Hornbook for Collectors - The ABC's of American Pottery; Antiques in Domestic Settings - Conner Prairie Farm, a Historic Indiana Farmstead restored by Mr. and Mrs. Eli Lilly; Antiques and Business - An Antiques Collection Influences a Business Policy; Christie's of London - Gutted by fire in April 1941 - article with photos; An Auction Note From England; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 109-164. Printed upon glossy stock. Unmarked with above-average wear. Covers nearly detached. A worthy reference copy of this informative issue. Book
A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: Cake Molds Carved from Mahogany (cover); Silver Coffeepot by Paul Revere (frontispiece); Some Early Andirons; The Mexican War on Printed Cottons; Antiques in Domestic Settings - English Craftsmanship in a New York Apartment; Pottery Postscripts; Bells and Bustles; Midwestern Cup-Plate Designs; Early English Baby Chairs; Silhouettes by Edouart; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 189-260. Printed upon glossy stock. Unmarked with above-average wear. Covers all but detached from textblock. A worthy reference copy of this informative issue. Book
A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: Adaptation from Fifteenth-century Swedish textile (cover illustration); English Eighteenth-century Porcelain (frontispiece editorial); Some Engraved American Siliver - Part I - Prior to About 1740; The Furniture Collection of Mrs. John H. Harwood; Sources of American Romanticism; Living With Antiques - The Chicago Apartment of Mrs. Berenice Davis Fligman; The Nathan Hale Houses; American Engravings on Papier-Mache Snuffboxes; Tests on Cup Plates; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 245-308. Printed upon glossy stock. Unmarked with average wear. Binding intact. A sound copy of this informative issue. Book
A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: Cover illustration of details from Spitalfields brocade; Eighteenth-century Brocade Costumes - some French and English costumes in the Elizabeth Day McCormick Collection; On Dating New England Houses - Part III - The Great Georgian Period, 1735-1780; Counterfeit Flaxman Chessmen; The Style Antique in Furniture - Part I - Its sources and its creators; The Richard Derby House; Some Danish-American Heirlooms - A Case of Confused Identities; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 177-244. Printed upon glossy stock. Unmarked with somewhat above-average external wear. Binding intact. A worthy reference copy of this informative issue. Please note: back cover missing. Book
A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: Silver Cake Basket by Edith Fennell (frontispiece photo); Bible Pictures in English Needlework; A Distinguished Collaboration - Illustrators Augustus Pugin and Thomas Rowlandson; Burnap Collection of English Pottery - Part II - The Early Wares; The Pingree House in Salem; New Light on a Silver Sugar Box; Wood Clocks - The Arts or Mystery of Their Manufacture; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 137-200. Printed upon glossy stock. Unmarked with above-average wear. Covers loose but present. A worthy reference copy of this informative issue. Book
A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: Frontispiece photo of English Delft in an American Setting; Some Notes on English Delft in the American Colonies; A Morse [painting] Puzzle; On Dating New England Houses - Part I - The 17th Century - Floor Plans and Framing; Painters of the Hudson River School; A Hudson Valley Portrait - The Moot Question of the "Master of the Stringy Hair"; Washington Square North; An Apartment on Washington Square - The Washington Square apartment of Mr. and Mrs. Eugene E. Dressner; George Washington Lived Here - Some Early Prints of Mount Vernon, Part II; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 129-192. Printed upon glossy stock. Unmarked with above-average wear. Covers detached but present. A worthy reference copy of this informative issue. Book
A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: John Mix Stanley, Pioneer Painter; Music Sheets for Stamp Collectors; Furniture of the Boston Tories; Antiques in Domestic Settings - Ante-Bellum Homes in Natchez; Cogdell and Mills, Charleston Sculptors; Here Lyes Buried - Taste and Trade in Charleston Tombstones; The Hornbook for Collectors - The ABC's of Early American Furniture; English Silver of American Interest; A Note on Nankin, Colonial Calico; Check List of the Works of Cogdell and Mills; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 161-220. Printed upon glossy stock. Unmarked with above-average wear. Covers detached but present. A worthy reference copy of this informative issue. Book
Features: Cover illustration of Pennsylvania fractur bookplate; The Henry S. Borneman collection of Pennsylvania-German fracturs; An American primitive portrait group; Living with Antiques - The Cannondale, Connecticut, home of Mr. and Mrs. Howard Lipman; English ceramics in the British Virgin Islands; Eighteenth-century English furniture at Luton Hoo; The mystery of AC Silver; English printed textiles - part IV - Copperplate bird designs; Tour de force in printed cotton; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 489-584. Printed upon glossy stock. Unmarked with somewhat above-average external wear. Binding intact. Please note: small clipping affects contents of the Luton Hoo article, otherwise a worthy reference copy of this informative issue. Book
A magazine for collectors and others interested in times past and in articles of daily use and adornment devised by the forefathers. Features: Porcelain in the Wilson Collection; Moravian Cabinetmakers of a Piedmont Craft Center; Living with Antiques - Time Stone Farm in Marlboro, MA; Building Preservation Notes - Community Cooperation in Burlington, New Jersey; English and Irish Glass - In the Corning Glass Center; Portrait Index at Yale; For the Casual Collector - Duncan Phyfe; The London Antiques Fair; and more. Many pages of nostalgic ads from a broad assortment of prominent dealers. Profusely illustrated with excellent black and white photos. pp. 413-496. Printed upon glossy stock. Unmarked with average wear. A worthy reference copy of this informative issue. Book