Clement MAROTBiblio.com
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170219168à La haye The Hague: Chez Adrian Moetjens 1702. Fine. Chez Adrian Moetjens à La haye The Hague 1702 14 x 8 cm deux tomes en deux volumes relié Reprint by the same publisher of the 1700 edition 'the most sought-after' according to Brunet III 1458 who adds: ""It is difficult to find well-preserved copies with good margins and whose leaves do not have a russet tint."" Contemporary full brown sheep bindings. Spine with raised bands decorated. A tear with loss at the junction of the upper joint and headcap of volume II. Rubbing to corners and joints. Complete edition which even contains the translations made by Marot. Bookplate Biblilothèque Tramar de Lamarque. Chez Adrian Moetjens hardcover
1714VT - LA - HAY007751714. La Haie chez Adrian Moetjens Marchand-Libraire près de la cour à la Librairie Françoise. reliés plein veau de ce temps là. Quelques petits trous de vers sur les plats sinon ouvrage en très bon état bel exemplaire. 2 volumes format : 135/75cm. en frontispice du volume un une gravure en buste de Clément Marot aux 2 volumes ex-libris de la bibliothèque de M. de Harlez Trefoncier et une vignette sur la page de titre ; mors et coiffes intacts dos à faux-nerfs ornés de caissons fleuris dorés et pièces de titres rouges avec lettres dorées ; toutes tranches rouges. unknown
1723VT - LA - HAY139901723. A Paris Chez Antoine Urbain Coustelier Libraire Imprimeur. relié plein veau marbré glacé . Deux tampons en page de titre très bel exemplaire. in-16 format : 16/10 cm. avec de nombreuses lettrines des bandeaux et culs-de-lampe ; plats ornés de triples filets or dos lisse avec filets et motifs dorés pièces de titre et de tomaison en cuir avec caractères dorés le tome indiqué 2 ne concerne que le deuxième d'une série d'ouvrages d'auteurs différents édités par Coustelier par le relieur de l'époque ; coupes ornées d'un filet doré toutes tranches marbrées ; avec un ex-libris rond contemporain. unknown
1824296531824. A La Haie La Haye chez Adrien Moetjens 1700. 2 vol. au format in-16 138 x 78 mm de 1 f. bl. xvi - 732 pp. pagination continue sur les deux volumes et 8 ff. n.fol. et 1 f. bl. Reliures uniformes de l'ÂŽpoque de plaine veau glacÂŽ et marbrÂŽ fauve filet dorÂŽ encadrant les plats dos ˆ nerfs ornÂŽs de filets gras ˆ froid caissons d'encadrement dorÂŽs larges fleurons dorÂŽs semis de pointillÂŽs et de petits fleurons dorÂŽs roulettes dorÂŽs piÂces de titre et de tomaison de maroquin lie-de-vin titre dorÂŽ tomaison dorÂŽe palette dorÂŽe en queue roulette dorÂŽe sur les coupes tranches saumon. Ensemble complet des deux volumes constituant cette ''jolie ÂŽdition ; la plus recherchÂŽe''. in Brunet. Lequel ajoute qu'il ''est difficile de s'en procurer des exemplaires bien conservÂŽs de marges et dont les feuillets n'aient pas de teinte rousse''. ''La plus recherchÂŽe des ÂŽditions anciennes''. in QuÂŽrard. Celle-ci recÂle en pages de titre des fleurons dissemblables. ''Le nom de Marot est la premiÂre ÂŽpoque vraiment remarquable dans lÕhistoire de notre poÂŽsie bien plus par le talent qui lui est particulier que par les progrÂs quÕil fit faire ˆ notre versification. Ce talent est infiniment supÂŽrieur ˆ tout ce qui lÕa prÂŽcÂŽdÂŽ et mÂme ˆ tout ce qui lÕa suivi jusquՈ Malherbe. La nature lui avait donnÂŽ ce quÕon nÕacquiert pointÊ: elle lÕavait douÂŽ de gr‰ce. Son style a vraiment du charme et ce charme tient ˆ une na•vetÂŽ de tournure et dÕexpression qui se joint ˆ la dÂŽlicatesse des idÂŽes et des sentimentsÊ: personne nÕa mieux connu que lui mÂme de nos jours le ton qui convient ˆ lՎpigramme soit celle que nous appelons ainsi proprement soit celle qui a pris depuis le nom de madrigal en sÕappliquant ˆ lÕamour et ˆ la galanterie. Personne nÕa mieux connu le rythme du vers ˆ cinq pieds et le vrai ton du genre ÂŽpistolaire ˆ qui cette espÂce de vers sied si bien.'' ''PoÂte variÂŽ ClÂŽment Marot participe encore de la tradition mÂŽdiÂŽvale. Son ÕÃuvre est trÂs abondante et ÇÊlՎlÂŽgant badinageÊÈ auquel Boileau lÕassocie dans son Art PoÂŽtique nÕest quÕun aspect. On remarque en lisant ses ÃŽuvres comme le poÂte a ÂŽvoluÂŽ de la discipline des RhÂŽtoriqueurs vers un art trÂs personnel qui le rapproche de lÕhumanisme.'' Graesse IV trÂŽsor de livres rares et prÂŽcieux p. 411 - Brunet III Manuel du libraire et de l'amateur de livres 1458 - QuÂŽrard V La France littÂŽraire p. 555. Angles parfois ÂŽmoussÂŽs Reliures prÂŽsentant par ailleurs quelques lÂŽgÂres altÂŽrations. Quelques feuillets trÂs lÂŽgÂrement oxydÂŽs. TrÂs rares rousseurs dans les corps d'ouvrage. Petite dÂŽchirure en marge d'un feuillet. Du reste belle condition. b42961 unknown
ria9782012696884_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1458A La Haie: chez Adrian Moetjens 1714. Hardcover. Good. Duodecimo. Two volumes. xiv 712 15pp. Continuously paginated. A12-Z12 Aa12-Gg12 Hh4. Contemporary calf repaired. Spines gilt. With the supralibros of the Camperdown Library on the upper covers. With the portrait frontispiece of Marot in volume I. From the Camperdown Library with the supralibros of the library on the upper covers. <br/> <br/> A La Haie: chez Adrian Moetjens, 1714. hardcover
9359379Chez Jean Schemit. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. In good all round condition. No dust jacket. Large 8vo. Brown leather half binding with red and black marbled boards. Raised bands gilt lettering and gilt borders on backstrip. Some shelf-wear. Marbled end papers Frontispeice with tissue guard. Decoratively illustrated title page. Marginal pencil markings on a few pages only. Untrimmed and secure. French. No publication date. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1550grams ISBN: Chez Jean Schemit hardcover
2012DADAX2012696880Hachette Livre - BNF 2012-05-01. paperback. New. 6.14x1.73x9.21. Buy with confidence. Excellent Customer Service & Return policy. Hachette Livre - BNF paperback
0282795057.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012696880.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
042861437X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1596156261Niort: Thomas Portau 1596. First Niort edition the first to include the poems of Marot's son. Eighteenth century full calf maroon morocco spine label spine decoratively stamped in gilt dentelles all edges stained red wide comb marbled end papers green ribbon marker. General moderate to heavy wear front joint cracked but still holding tide mark to bottom corner text block and pages trimmed close on upper edge but not obscuring any text several unobtrusive patches to pages still very good. Overall a square and serviceable copy. Black and white engraved frontis. Sixteenmo in 8s. 16 548; 1-148 4 149-248 32 tables. 4.5" x 3" EVERYONE HAS THEIR OWN QUIRKS AND I HAVE MINE FOR MY MAROT<br /> <br /> Sometimes history leaves a physical mark and this collection of Clément Marot's poems is a prime example. Full of handwritten French script marginalia this copy offers insight into the eighteenth-century historiography of Marot as the former owner bound fourteen pages of handwritten notes in the rear detailing the various editions of Les Ouvres with a biographical excerpt from Jean-Pierre Niceron's History of Illustrious Men 1727 and left meticulous annotations throughout. Well-versed in Marot the owner also included exhortations from Marot's contemporaries binding Joachim Du Bellay's lesser-known epitaph and an excerpt from Rabelais' Gargantua and His Son Pantagruel before the title page proclaiming over Marot's verse "Everyone has their own quirks / And I have mine for my Marot."<br /> <br /> And the praise is deserved. Marot 1496-1544 the court poet for King Francis I was one of the great poets of the French Renaissance and shook up medieval poetic form by infusing it with Latin symbolism and structure primarily informed by the time he spent in Italy in exile for his Reformation ties. Les Ouvres was first published in the 1540s and well-known provincial printer Thomas Portau took up Marot's publication mantel in 1596. He included the poems Thomas Mallard had added to the collection in his important publication earlier that year as well as poems by Marot's son. Its publication in Niort serves as a prime example of provincial book printing during the French Renaissance as local booksellers began printing their own editions of popular works as cheaper alternatives to transporting Parisian editions spreading court life and establishing a source of pride through the region. Portau would go on to publish multiple editions of Marot's Psalms translations with the French courtier's works marking the high points of his career. <br /> <br /> This edition and the touches left on it from the eighteenth-century craft a renowned version of Marot in his historical context surrounded by the poems of his son notes on hundreds of years of editions of his poetry and fellow poets admiring his work.<br /> <br /> Davies 2.355 & 365 for 1548 and Mallard's 1596 editions; Mortier 366 for 1549 edition. Thomas Portau unknown
0282641580.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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1017938849.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1271579383.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012696856.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2012696872.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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1178865754.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1178864383.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
117886345X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1104649780.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1165918218.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
172314642Paris: Antoine Urbain Coustelier. Fine. 1723. Hardcover. Bound in full red leather aeg all edges gilt. Covers a bit darkened but pretty good for most of 300 years. Owner's name on the fep. ; 16mo 6" - 7" tall; 264 pages . Antoine Urbain Coustelier hardcover
