(to Guy de MAUPASSANT) - Paul BOURGETBiblio.com
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188847463Paris: Alphonse Lemerre 1888. Fine. Alphonse Lemerre Paris 1888 12 x 19 cm relié First edition on ordinary paper with no mention of large paper copies. Occasional light spotting a small angular lack to half-title. Elegant pastiche marbled paper Bradel binding by Thomas Boichot brown morocco title label covers preserved. Handsome autograph inscription signed by the author: ""A Guy de Maupassant son ami For Guy de Maupassant his friend."" Alphonse Lemerre unknown
19038348New York. M. Walter Dunne. 1903. Attractively bound in 3/4 gilt ruled grain morocco and marbled boards. Gilt tooled spine compartments with elaborate fleural motifs. Gilt titles. Marbled endsheets. t.e.g. 8vo 6" x 9". The Flaubert Edition which is Limited to 500 numbered sets of which this is number 334. Illustrated with illuminated chromolithographic Limitation and Title page and further by tissue-guarded duotone plates after original drawings by eminent French and American artists. A splendid opus of France's most masterfull story teller. This limited edition set was the first complete collection of the authors work to be published in English. Quite scarce. Spines and covers mildly sunned. Covers spines and hinges occasionally rubbed and mildly chipped. Mild chipping to two headpieces. Volume 4 presents an obvious repair at front hinge which has somewhat darkened that area covers well attatched. A Very Good clean attractive set. M. Walter Dunne. hardcover
19038348New York. M. Walter Dunne. 1903. Attractively bound in 3/4 gilt ruled grain morocco and marbled boards. Gilt tooled spine compartments with elaborate fleural motifs. Gilt titles. Marbled endsheets. t.e.g. 8vo 6" x 9". The Flaubert Edition which is Limited to 500 numbered sets of which this is number 334. Illustrated with illuminated chromolithographic Limitation and Title page and further by tissue-guarded duotone plates after original drawings by eminent French and American artists. A splendid opus of France's most masterfull story teller. This limited edition set was the first complete collection of the authors work to be published in English. Quite scarce. Spines and covers mildly sunned. Covers spines and hinges occasionally rubbed and mildly chipped. Mild chipping to two headpieces. Volume 4 presents an obvious repair at front hinge which has somewhat darkened that area covers well attatched. A Very Good clean attractive set. M. Walter Dunne. hardcover books
1947000742Lausanne: Andre Gonin 1947. Limited/Numbered. . Unsewn. Near Fine. Roger Ferrero. Unsewn in original publisher's quarter vellum chemise and slipcase 21 x 28 cm. Limited 1/325 copies illustrated with 11 original etchings by Roger Ferrero. Signed by both artist and editor. This copy being a SPECIAL EDITION number IV of XXV copies printed for the editor and collaborateurs and not for sale with an extra suite of the plates on Chine paper and an inserted pen & watercolour DRAWING signed not reproduced in the book. This unique ASSOCIATION copy is INSCRIBED by the artist Ferrero to Monsieur Pierre Huguenin. The book is printed on Velin du Marais pur fil paper 157 pp. text in French. A clean and bright copy in a lightly soiled slipcase Size: Quarto <br/> <br/> Andre Gonin unknown
188847463Alphonse Lemerre | Paris 1888 | 12 x 19 cm | relié
21704S.l.n.d. La Nouvelle Revue, 1880-1881. Trois volumes in-8 tomés 7, 8 & 9 et comptant un peu moins de 900 pages chacun. Demi-chagrin noir de l'époque, dos à nerfs, titre au dos: La Nouvelle Revue. Parfait état.
1889141291889 P., Paul Ollendorff, éditeur, 1889, 1 vol. in-12 (188 x 122 mm) reliure de lépoque œ chagrin bleu marine à coins, dos à 5 nerfs, auteur, titre et date en pied dorés, double filet doré bordant les plats, tête dorée, couvertures non conservées, de (2) ff. (faux-titre et titre) - 353 pp.Faux-titre et dernier feuillet blanc brunis, cachet humide « Maurice Faure, avocat à la Cour dappel de Paris » en haut de la page de faux-titre répété en haut de la première page de texte, bel exemplaire par ailleurs.
18991659Paris, aux dépens d'un ami des livres, Imprimerie Lemercier, 1899. 1 vol. in-8, (25,5 x 17,5 cm) ; [1] f., XXXI pp. En feuilles, sous couverture de papier à reflets argentés. Chemise cartonnée à dos toilé vert et lacets verts, plats couverts d'un papier imprimé d'un décor floral et premier plat imprimé. Bel exemplaire dans sa condition d'origine.
559921Librairie Ollendorff Paris 1901 Grand in-8 ( 265 X 170 mm ) de 188 pages, demi-maroquin bronze à coins, dos lisse orné en long de fleurons dorés, tête dorée, couverture illustrée ( en couleurs au premier plat et en noir au second ) et dos conservés ( Reliure signée de DURVAND ). Edition originale et premier tirage des illustrations de GEO-DUPUIS, comprenant 68 dessins en noir ( sauf la couverture qui est en couleurs ) gravés sur bois par LEMOINE. Tirage sur grand papier limité à 125 exemplaires réimposés in-8 sous couverture jaune, dont 25 sur papier vélin, 30 sur papier du Japon et 70 sur papier de Chine. Celui-ci 1 des 25 sur papier vélin ( papier le plus rare ) enrichi hors-justification d'une suite des illustrations sur papier de Chine. Très bel exemplaire.
18907481Paris, Paul Ollendorff, 1890. In-12 (180 x 116 mm). Maroquin rouge, double filet doré encadrant les plats, dos à nerfs orné, titre, auteur, lieu et date en pied dorés, décor doré sur les chasses, non rogné, tête dorée, couvertures conservées , petit accroc à un nerfs (reliure début XXe).
1888127181888 Paris, Marpon et Flammarion, s. d. (1888), rel. d'ép. demi-chagrin vert, dos à nerfs orné de fleurons à froid, initiales A.U.T. en pied, bel ex., couvert. ill. cons., bel ex.
163829Catania Italy: Orizzonti bibliofilia italiana 1993. 54/90 LiV/XC. Hardcover. VG. The whole contained in a portfolio of loose signatures. The whole is contained in a green gilt embossed cloth portfolio with three cloth ties. Within there are loose signatures. The first contains the Title-page The there is a folded signature containing three hand-printed signed original color prints by Fabio Nicola Grasso numbered and signed in pencil. These are followed by a series of signatures beginning with page 11 and moving forward through the end at page 66 followed by a colophon sheet. Contains 38 colored serigraphs within the text by Aldo Turiano as well as the works by Grasso. <br /> A translation of part of the printers statement is: ".In the construction of this book Mario Grosso has used the most sought after and effective silk-screen effects to best represent the expressiveness of the artists. In the course of so much work Elsa Sormani Marie Luce de Vautibault Michèle Campagne Concetta Centamore Claudia Di Giacomo and in the concrete and essential form Mario and Lina Garraffo were close to us without whom this book would have seen no light. <br /> Hand-rolled by Mario Grosso Emma Cacciola and Fabio Nicola Grosso this book was entirely made at the OBI office in Catania and finished printing on 23 November 1993. This book has 68 numbered pages and three original off-text compositions Fabio Nicola Grosso signed by the author. At the end of the run all the plates have been destroyed so that this edition will no longer be available as justified below:<br /> <br /> n. 90 specimens with Arabic numeration; <br /> n. 90 specimens with Roman numeration; <br /> 7 specimens marked in alphabetical letters as mandatory copies; <br /> n.13 specimens in proof of printing out of trade reserved for collaborators." Orizzonti bibliofilia italiana hardcover
1993163829Catania Italy: Orizzonti bibliofilia italiana 1993. 54/90 LiV/XC. Hardcover. VG. The whole contained in a portfolio of loose signatures. The whole is contained in a green gilt embossed cloth portfolio with three cloth ties. Within there are loose signatures. The first contains the Title-page The there is a folded signature containing three hand-printed signed original color prints by Fabio Nicola Grasso numbered and signed in pencil. These are followed by a series of signatures beginning with page 11 and moving forward through the end at page 66 followed by a colophon sheet. Contains 38 colored serigraphs within the text by Aldo Turiano as well as the works by Grasso. A translation of part of the printers statement is: ".In the construction of this book Mario Grosso has used the most sought after and effective silk-screen effects to best represent the expressiveness of the artists. In the course of so much work Elsa Sormani Marie Luce de Vautibault Michèle Campagne Concetta Centamore Claudia Di Giacomo and in the concrete and essential form Mario and Lina Garraffo were close to us without whom this book would have seen no light. Hand-rolled by Mario Grosso Emma Cacciola and Fabio Nicola Grosso this book was entirely made at the OBI office in Catania and finished printing on 23 November 1993. This book has 68 numbered pages and three original off-text compositions Fabio Nicola Grosso signed by the author. At the end of the run all the plates have been destroyed so that this edition will no longer be available as justified below: n. 90 specimens with Arabic numeration; n. 90 specimens with Roman numeration; 7 specimens marked in alphabetical letters as mandatory copies; n.13 specimens in proof of printing out of trade reserved for collaborators." Orizzonti bibliofilia italiana hardcover books
189047462Paris: Calmann Lévy 1890. Fine. Calmann Lévy Paris 1890 12 x 18.50 cm relié First edition for which there is no mention of large paper copies. Bradel binding of paper boards dark blue morocco title label with gilt fillets covers preserved elegant binding by Thomas Boichot. Handsome autograph inscription from the author : ""A Guy de Maupassant son ami."" Calmann Lévy hardcover
189147460Paris: Paul Ollendorff 1891. Fine. Paul Ollendorff Paris 1891 12 x 18.50 cm relié First edition on ordinary paper. Bradel binding of paper boards black morocco title label upper cover conserved elegant pastiche binding by Thomas Boichot. Handsome autograph inscription from the author : ""A Guy de Maupassant amical souvenir."" Paul Ollendorff hardcover
83446Paris Louis Conard, Libraire-Editeur, 1908 - 1910, in-8 (14x21 cm), élégant demi-maroquin bleu-vert à coins, dos à 5 nerfs, caissons ornés de quadruples filets dorés en encadrement, titre et date à l'or, plats de papier marbré, tranche de tête dorée, . Initialement cette série devait être reliée par Canape, tel qu'indiqué sur la 4e de couverture, mais elle a été confiée au relieur suisse Auguste BERNASCONI (1879-1967), dont l'exécution est fidèle à la manière de l'atelier de Canape. Bernasconi travaillait a cette époque à son compte au 91, rue Seine à Paris, puis en association avec Goix, au 20 bis avenue Lowendal. "Spécialiste des reliures dites romantiques, son habilité professionnelle était unanimement reconnue par ses confrères et son atelier était fréquenté par de nombreux bibliophiles" (Dictionnaire des relieurs français, éd. Technorama). Dos légèrement éclairci. Couvertures conservées. Impression soignée sur papier vergé portant en filigrane le nom de l'auteur. Exemplaire du tirage courant. Il n'y a eu que 100 exemplaires numérotés sur grand papier. Signet. Portrait de l'auteur gravé par Jeanniot en frontispice du premier volume. 26 Volumes sur 29. Manquent 3 volumes : Au soleil / Sur l'eau / Le Horla. Très bel ensemble.
1891125421891 Paris, Ollendorff, 1891-1893, 2 titres reliés en 1 vol. in 12, rel. d'ép. demi chagrin vert, dos à nerfs orné de fleurons à froid, initiales A.U.T. en pied, bel ex.
23577Paris, G. Charpentier, 1880. In-12, faux titre avec au verso la justification, titre, 1 f. de préface, 295 pp. Imprimerie Emile Martinet. Demi-chagrin vert à coins, dos à nerfs cloisonné d'un triple filet doré, tête dorée, non rogné, couvertures et dos conservés (C. Honnelaître).
1889046694Paris: E. Plon Nourrit etc. 1889. First Edition. Hardcover Half Leather. Near Fine Condition. Jean-Francois Raffaelli. Half green morocco over marbled boards spine a bit sunned original wrappers bound in. Black and white and hand colored illustrations throughout and 10 heliogravure by Raffaelli - number 29 of 40 on Japan and with an additional folding etching a version of the frontis signed in pencil by Raffaelli tipped in before the frontis. A lovely production. Size: Quarto 4to. Illustrator: Jean-Francois Raffaelli. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 046694. E. Plon, Nourrit etc. hardcover
1889046694Paris: E. Plon Nourrit etc. 1889. First Edition. Hardcover Half Leather. Near Fine Condition. Jean-Francois Raffaelli. Half green morocco over marbled boards spine a bit sunned original wrappers bound in. Black and white and hand colored illustrations throughout and 10 heliogravure by Raffaelli - number 29 of 40 on Japan and with an additional folding etching a version of the frontis signed in pencil by Raffaelli tipped in before the frontis. A lovely production. Size: Quarto 4to. Illustrator: Jean-Francois Raffaelli. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 046694. E. Plon, Nourrit etc. hardcover books
8192Evanston IL: The Schori Press. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black and green faux leather boards gilt lettering and decorative elements rhinestone gem rosette on front cover aeg with 23k gold leaf marbled endpapers unattached colophon gilt black clamshell box. 65x55mm. np. Illus. b/w plates. 1 of 5 deluxe binds by John Lariviere. <br/><br/> The Schori Press hardcover books
1900CLL-702Paris, Ollendorff, 1900 In-12 de (2)ff., 346pp., broché, non coupé.
189047462Calmann Lévy | Paris 1890 | 12 x 18.50 cm | relié
189147460Paul Ollendorff | Paris 1891 | 12 x 18.50 cm | relié
200802464Paris, Armand Magnier éditeur (collection des dix), 1897 ; in-8, 110 pp., broché, couverture illustr, sous boitage. Compositions de FrançoisThévenot gravures sur bois de par A. Romagnol - rousseurs sur papier de garde principalement sinon très bon état - note ex conteint en outre un portrait de de suif en pied ht gravé sur bois et une page portant l'inscription "Boule de suif livre d'amateur" gravé dans le style "1900"(un des 160 exemplaires sur vélin le tirage est de 250 exemplaires (Monod 7870)mais sans signature ni numérotation joint deux dessins au crayon de François Thevenot en original.
