Guy de MAUPASSANTBiblio.com
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189775528Paris: Armand Magnier 1897. Fine. Armand Magnier Paris 1897 16.50 x 25.50 cm relié First separate edition and first illustrated edition of this famous short story which first appeared in Les soirées de Médan in 1880. The illustration contains 58 compositions by François Thévenot engraved on wood by A. Romagnol a frontispiece portrait 7 plates and 47 in-text compositions. Limited to 300 numbered copies one of 40 copies on handmade laid paper additionally containing a separate suite on China paper of the illustrations and a triple suite of the plates 2 of which on China paper. The portrait of Maupassant is also printed in 3 states 2 of which on China paper. Contemporary half tawny marbled calf binding with corners signed at the top of the first endpaper Baillot. Spine with 4 raised bands decorated with romantic tools roulette at foot fillets. Gilt title. Top edge gilt. Covers and spine preserved. The tissue guards reduced in size compared to the leaves have created on the laid paper an occasionally browned border. Apart from this minor flaw a very fresh copy. Surface wear along the upper joint the leather being exposed without glaze. 3 small chips on the spine and along the lower joint due to surface wear the glaze having disappeared in these spots. Perfect freshness of the paper. Fine copy. Armand Magnier hardcover
1907220471907. Literature Art Chertkov Vladimir et al. 1907 represents one of the most visually forceful Tolstoyan critiques of militarism produced in the decade before World War I and reflects the transnational pacifist networks surrounding Leo Tolstoy during his final years. Edited by Tolstoy's close associate Vladimir Chertkov and illustrated by Czech artist Emile Holarek the volume integrates literary excerpts from Tolstoy Guy de Maupassant Charles Mackay and others with allegorical and documentary imagery condemning war religious nationalism and state violence. It supports research in peace movements Christian anarchism visual propaganda prewar European dissent and radical religious publishing.<br /> <br /> Chertkov Vladimir and Holarek Emile. War. Christchurch Hants: The Free Age Press 1907. First edition. Illustrated red wrappers. Folio. A stark and visceral anti-war publication composed of allegorical and documentary drawings by Czech artist Emile Holarek interwoven with selections from the writings of Leo Tolstoy Guy de Maupassant Charles Mackay and others. Edited by Tolstoy's disciple and English publisher Vladimir Chertkov this rare example of early twentieth-century pacifist propaganda was part of a broader Tolstoyan publishing initiative launched in exile. The book is accompanied by a loosely inserted handbill letter of endorsement from Tolstoy dated 24 December 1900 praising The Free Age Press's accessibility to working-class readers and emphasizing the moral necessity of copyright-free literature.<br /> <br /> Through uncompromising graphic allegory and scathing textual commentary War presents the horrors of militarism the spiritual hypocrisy of religious nationalism and the corrupt symbiosis between church and state. Holarek's etchings expose the machinery of violence in both sweeping and intimate terms-from the image of a demonic figure herding anonymous soldiers into the jaws of a beast titled The Victims of Moloch to scenes of devastated civilian families The Mobilization of the Reservists and emaciated corpses After the Battle. These are juxtaposed with images of societal sanctification of war The Commander's Reward The Christian Army critiques of militarized science Science for Science's Sake and depictions of unequal moral accountability The Murderer of Many vs. The Ordinary Murderer. One image entitled Christians portrays Jesus turning away as crusaders kings and soldiers offer their weapons in his name. The result is an indictment of nationalism cloaked in divine justification and a fervent call for Christian anarchism and pacifism reflecting the radical ideals that animated Tolstoy's final decades. Poems by Isabella Fyvie Mayo and Charles Mackay further elevate the volume's literary and emotional impact.<br /> <br /> Heavy chipping and closed tears along page edges and corners affecting margins but not illustrations or text. A 5" closed tear to the first leaf and partial separation of text block from wrappers. General soiling and toning throughout. Most pages disbound. With printed red wrappers intact but fragile featuring Holarek's signature illustration of Moloch. Includes rare laid-in printed letter from Tolstoy praising the press's mission. Overall a good only copy of a scarce politically urgent Tolstoyan production that remains one of the most graphic critiques of early twentieth-century Christian militarism in visual print. unknown
192628281Paris: Javal Et Bourdeaux. Very Good with no dust jacket. 1926. First Edition. Paperback. French Language; We fit archival quality clear acrylic covers for additional protection whenever possible. ; 4to 11" - 13" tall; 88 plates in two states pages; LOBEL-RICHE ALMERY. DE MAUPASSANT GUY. La Maison Tellier. Illustre par Lobel-Riche. Paris: Javal et Bourdeaux 1926. First Edition with these illustrations Hors de Commerce copy separate from limited edition of 375 copies. Small 4to light green printed wraps text in loose signatures as issued 12 full-page and 3 smaller engraved reproductions of occasionally erotic drawings by Lobel-Riche extra loose set of the engraved illustrations printed in sepia with small remarque illustrations in margins plus one additional plate not called for in the book and single sheet of green paper with four 4 original pencil sketches by Lobel-Riche several heightened in red pencil signed at bottom right by the artist. Wraps sun-browned at spine minor wear at edges original glassine over wrapper chipped and torn at edges with early owner's hand-lettered title in ink at spine torn and partly lacking text quite good slight aging text and plates very clean sheet with original illustrations with some aging at edges offsetting to protective paper folder. The edition consisted of 75 copies on Japon Ancien with the plates in four or five states and 300 copies on Velin d'Arches with plates in two or three states; there were also 42 additional lettered or Roman-numbered copies on Japon Imperial or Arches. This copy is an Hors de Commerce copy similar to the 200 copies on Arches with plates in two states with the addition of the sheet with original drawings; the limitation leaf cites no other issue which also included an original drawing although there probably were some. One set is with and one without additional small drawings in the lower margin. A number of additional graphics are available. . Javal Et Bourdeaux paperback
18807861CBParis, G. Charpentier, 1880. 8°. (3) Bl., 209 S., (2) Bl. Neuer Pappband (Orig.-Umschlag miteingebunden).
18807861CB1880. Paris G. Charpentier 1880. 8°. 3 Bl. 209 S. 2 Bl. Neuer Pappband Orig.-Umschlag miteingebunden. Erste Ausgabe. Mit handschr. Widmung vom Autor an Anatole Fontaine de Rambouillet. Das Papier durchgehend stärker stockfleckig. Die Ränder unbeschnitten. unknown
132589aafLausanne, Gonin, 1972, in-8°, 71 p. illustrées de 25 compositions dessinées et peintes à la main par Jean-Pierre Rémon, (aquarelles) (+1 p. non chiffrée), tirage de 52 ex. dont 12 ex. sur Japon nacré + 12 ex. h.-c, de I à XII et 28 ex. sur vélin de Rives, num. de 1 à 28, notre ex. N° 13, signé par l’artiste et les éditeurs, en feuilles dans une chemise avec le titre impr. en bleu, reliure d.-parchemin, étui bordé.
190946963Paris L. Carteret 1909 In-8, demi-maroquin havane coins, plats de papier marbr, dos sans nerfs orn de fers et filets dors; doublures et gardes de papier peigne, tte dore, non rogn, couverture illustre en couleurs (Flammarion Vaillant).Ravissante dition de cette nouvelle tire des Contes de la Bcasse, illustre par Henriot de 47 compositions graves en couleurs, dont une sur la couverture, une vignette de titre et 45 in-texte. Tirage limit 325 exemplaires numrots. Un des 300 exemplaires sur papier du Japon.
195333319Paris Socit Normande du 1953 In-4, en feuilles, couverture imprime (embotage de l'diteur).Edition illustre par Michel Ciry de 33 eaux-fortes originales, dont un frontispice et 4 hors-texte. Tirage unique limit 140 exemplaires numrots sur vlin de Rives. Exemplaire enrichi du menu illustr du dner de la socit.
22587Paris, Tresse, 1879. In-8, 16 pages. Edition originale du premier livre de Maupassant. Rousseurs, trace de pliure centrale. Broché avec sa couverture imprimée (salie), emboîtage moderne recouvert de tissu bleu, pièce de titre en veau noir.
FOS-1381Ollendorff Paris 1890. E.O. Un des 150 exemplaires sur Hollande, seul grand papier après 5 Japon. Reliure in-8 demi chagrin marron foncé, dos à 5 nerfs richement orné, tête dorée, couvertures conservées, frottements sur les plats et charnières légèrement marquées.
192052399Paris L. Carteret 1920 In-8, maroquin vert bouteille orn sur les plats d'un large encadrement de filets pousss or et froid, et de petites pices gomtriques accoles les unes aux autres, mosaques en maroquin violet, vert, rouge et gris; filets or sur les coupes; rappel du dcor sur le dos nerfs et les encadrements intrieurs; doublures et gardes de tabis rouge, doubles gardes de papier marbr, tranches dores sur brochure, couverture illustre. Etui (David).39 compositions de Maurice Leloir graves au burin et l'eau-forte par Lon Boisson (dont une sur la couverture et 38 in-texte) et 13 lettrines graves sur bois. Tirage limit 300 exemplaires numrots. Un des 80 premiers exemplaires sur japon ou vlin du Marais. Exemplaire sur vlin du Marais, accompagn d'une suite des illustrations. Dos insol.
alba1a5ebdffcf96200G. Maupassant Collection of Works, vol. 1-9, 12-16,20,21-26, Rosewood Editions. In Russian /G.Mopassan Sobranie sochineniy, tt.1-9, 12-16,20,21-26, izdaniya Shipovnik. Spb. 1909 . We have thousands of titles and often several copies of each title may be available. Please feel free to contact us for a detailed description of the copies available. SKUalba1a5ebdffcf96200.
196862908Paris : H. Piazza 1968-1973. 275x195mm. reliure d'diteur. cuir bordeaux dos faux-nerfs auteur titre et filets dors plats avec encadrement filets dors tranche suprieure dore sous embotage. Exemplaire numrot 1400/5000. Exemplaire l'tat de neuf. 27000 H. Piazza unknown
188913989Paris, Paul Ollendorff, 1889. In-12 de [6]-353-[3] pages, demi-maroquin bordeaux à coins, dos à 5 nerfs avec titre et date dorés, couvertures conservées.
194315424Lithographies originales de Grau Sala. 118 compositions.Édition tirée à 275 exemplaires. Celui-ci (N°50) 2ème papier après 20 exemplaires contenant 2 suites en noir et en couleurs. Un des 30, sur papier teinté, contenant une suite en noir des 118 illustrations avec remarques inédites, une aquarelle, et 4 planches inédites en noir.Paris, chez Porson - 1943-1945. 309 et 301 pp.Pages volantes sous couverture illustrée. 3 chemises individuelles illustrées, aux dos toile grise ornées en couleurs. Étui commun. Pas de rousseur. Parfait état. Bel exemplaire. Format in-4°(26x18).
18892091202133212449E.PlonNourrit et cie. 1889. Soft Cover. Fine. Number of books: 10 books in total E.Plon,Nourrit et cie. paperback
1374228Paris: Victor Havard, 1884 in-12, portrait frontispice gravé par P. Le Rat, viii-214 pages, fleurons et culs-de-lampe de Frédéric Regamey. Reliure janséniste plein chagrin vert, dos lisse, lég. frottée, couvertures et dos conservés (petit accroc au 1er plat de couverture), bel exemplaire. Tirage de tête, UN DES 10 EXEMPLAIRES SUR PAPIER DU JAPON numérotés, paraphés par l'éditeur. Ex-libris. Vicaire, V, p. 605. Contient Pp. 181-215 : Histoire du vieux temps, scène en vers... Théâtre-français, 19 février 1879.
18907261Paris, Ollendorff, 1890. In-12 (142 x 192). 2 ff. n. ch., 233 pp., 1 p. bl., 1 f. n. ch. Broché, premier plat de couverture illustré, dos jauni, plats et gardes légèrement brunis, petite faiblesse au dos en pied.
1920007161Paris L. Carteret 1920 grand In-8 cuir Très bon
9834P., Charpentier, 1880. In 12 demi-chagrin à coins, dos à nerfs orné, couverture conservée, (reliure postérieure), 295 pp., (quelques rousseurs).
197939433Rouen: Société Normande des Amis du Livre 1979. Weisbuch. A stunning livre de peintre illustrated with 14 STRIKING ORIGINAL HORS-TEXTE DRYPOINTS BY WEISBUCH THE LAST OF WHICH IS SIGNED IN PENCIL BY THE ARTIST. Edition limited to 130 numbered copies beautifully printed on fine Rives wove paper this copy printed for Pierre de Ridder. Folio. Loose as issued in original wraps. Housed in the original cloth chemise and slipcase. FINE AND BRIGHT WITH NO DEFECTS. <br/><br/> Société Normande des Amis du Livre paperback
1952148551New York: The Limited Editions Club 1952. The Limited Editions Club limited edition of Guy de Maupassant's first full-length novel. Royal octavo bound in full modern morocco by Sangorski & Sutcliffe / Zaehnsdorf with gilt titles and tooling to the spine in six compartments within raised gilt bands gilt ruling and detailing to the front and rear panels all edges gilt gilt turn-ins and inner dentelles marbled endpapers frontispiece illustrated with hand-colored gravures. One of 1500 numbered copies this is number 511. In fine condition. Translated from the French by Marjorie Laurie. Introduction by Edmond Jones. Illustrated by Edy Legrand. Nineteenth century French author Henri René Albert Guy de Maupassant is remembered as a master of the short story form and as a representative of the Naturalist school who depicted human lives and destinies and social forces in disillusioned and often pessimistic terms. Maupassant was a protégé of Gustave Flaubert and his stories are characterized by economy of style and efficient seemingly effortless dénouements. A Woman’s Life Une Vie 1883 is a realist novel that traces the emotional and social decline of Jeanne a young aristocratic woman whose idealistic expectations of love and happiness are gradually eroded by betrayal disillusionment and the constraints of bourgeois society. Through its restrained narrative style and focus on the minutiae of domestic life the novel offers a critique of the romantic illusions imposed on women and the limited agency afforded to them within 19th-century French society. The Limited Editions Club unknown
1888888621888. DESPRES Jules. MAUPASSANT Guy de. LE ROSIER DE MADAME HUSSON. STIKEMAN binding. Paris: Maison Quantin 1888. Quarto. vi40pp. First edition. #56 of 1000 on Velin du Marais out of 1050 copies. With two etchings by E. Abot after Jules Despres. Each text page decorated with illustrations by Habert-Dys. Illustrated wrappers bound-in. Carteret calls it "rare edition originale et premier tirage tres cote en grand papier" rare first edition and first printing highly desirable on large paper. Carteret 1946 p. 271. Bound by Stikeman in half red crushed morocco over marbled boards. Spine intricately gilt in compartments. T.e.g. Minor toning and faint rubbing to hinges otherwise fine. unknown books
19301318853Paris: Editions Excelsior 1930. Limited Edition #141/302. Other. Large octavo 192 pages; VG; housed in matching red cardboard chemise and slipcase with gilt; chemise has tape repair; pages are loose in gatherings as issued; with 14 original etchings loose in rear 14 colored illustrations and colored headbands and vignettes; Limited edition of 302 numbered copies. One of 265 copies on vellum of Rives of which this is number 141; scarce; shelved case 11. 1318853. Shelved Dupont Bookstore. Editions Excelsior unknown books
1891CLL-608Paris, Ollendorff, 1891 In-12 de 1 f. bl., (3) ff., 208pp., demi-maroquin rouge à coins, dos à nerfs, tête dorée, non rogné, couverture et dos conservés (V. Champs).
