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B9781166198589New. unknown
B9781166255473New. unknown
1809ST14310fLondon: J. Hatchard 1809. 210 x 133 mm. 8 1/4 x 5 1/4". xvi 291 pp.Translated by Louisa A. Marshall. <br/> Contemporary dark blue straight-grain morocco covers bordered with gilt rule flat spine with simple gilt rules and titling gilt-ruled turn-ins all edges gilt and WITH A FINE FORE-EDGE PAINTING OF A SCENIC RIVER VIEW FEATURING CHRIST CHURCH PRIORY in Hampshire. Front free endpaper with owner signature of E. A. Fetherston. Slight variation in color of boards half title with one inch trimmed away at head probably removing owner inscription leaves a shade less than bright occasional minor foxing or offsetting in the text bed but still an excellent copy the text clean and fresh the pleasant binding entirely sound and the lovely fore-edge painting very well preserved.<br/> <br/> The typically bucolic fore-edge scene here--boat in tranquil water stately building occupying center stage trees all around puffy clouds--stands out for the level of achievement in execution by the artist. The clouds are painted in a delicately applied range of shades so that they are very convincing; there is considerable architectural detail visible on the side of the church; and it seems as if one can almost see individual leaves in the trees. These features are all hallmarks of the work of the so-called "Dover Painter" the name given by Jeff Weber to the artist who produced very high quality painted fore edges in the 1920s and 1930s. He did work for the famous London bookseller Marks & Company for Dawson's Bookshop in Los Angeles and for J. W. Robinson Company the Los Angeles department store. Estelle Doheny 1875-1958 whose library comprised one of the great collections of the 20th century bought actively from Dawson's and Weber estimates that approximately half of the very considerable number of especially fine fore-edge paintings in the Doheny collection in Camarillo California were done by the Dover Painter. As the fore-edge painting here evokes a feeling of serenity so too does the content religious meditations by François Fénélon 1651-1715 priest writer and tutor to King Louis XIV's grandson for whom he composed his best-known work "The Adventures of Telemachus.". J. Hatchard unknown
1805AQ22195London: Printed and sold by Phillips and Fardon 1805. xii 215pp 1. Contemporary gilt-ruled sheep. Extremities heavily rubbed joints split. Near contemporary inked ownership inscription of Sarah Steevens to recto of FFEP else internally clean and crisp. A selection of devotional and moral writings by French Roman Catholic archbishop and theologian Francois de Salignac de La Mothe-Fenelon 1651-1715 first printed in 1797. . Second edition. 12mo. Printed and sold by Phillips and Fardon unknown
1104126451.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1104746972.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1166045579.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1104811197.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1165424312.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1809AQ17032London: Published by J. Hatchard 1809. xvi 291pp 1. With half-title and a list of subscribers. Contemporary speckled calf contrasting red morocco lettering-piece gilt. Rubbed slight splitting to joints occasional spotting ink gift inscription dated 1814 to head of title-page. The first edition of Louisa A. Marshall's translation of select devotional and moral writings by French Roman Catholic archbishop and theologian Francois de Salignac de La Mothe-Fenelon 1651-1715. Biographical details for Marshall are frustratingly minimal; this was seemingly her only printed work besides a translation of extracts from the works of Thomas A Kempis London 1812. . First edition. 8vo. Published by J. Hatchard unknown
0266716393.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364737484.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0666705763.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282023801.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0331794918.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1333171587.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2013556411.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1885105687Paris : Librairie des Bibliophiles Jouhaust 1885. 180x110mm. frontispice LXXXIII - lettrines bandeaux culs-de-lampe demi-chagrin ˆ coins dos ˆ nerfs titre auteur et tomaison dorÂŽs plats et garde papier marbrÂŽ tranche supÂŽrieure dorÂŽe couvertures conservÂŽes. Belle reliure. Impressions sur papier vergÂŽ. TrÂs bel exemplaire. 343 Librairie des Bibliophiles, Jouhaust unknown
1996Q-1557094276Applewood Books 1996-03-01. Paperback. New. In shrink wrap. Looks like an interesting title! Applewood Books paperback
0364695323.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0666722935.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0243225067.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0332066622.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1807253861807. A La Haye chez J. Rychoff Fils 1739. Un vol. au format in-12 163 x 103 mm de 2 ff. n.fol. et 189 pp. ; 2 ff. n.fol. 1 f. bl. et 136 pp. Reliure de l'ÂŽpoque de plein veau glacÂŽ et mouchetÂŽ havane plats jansÂŽnistes dos ˆ nerfs richement ornÂŽ de filets gras ˆ froid caissons d'encadrement dorÂŽs important dÂŽcor fleuronnÂŽ dorÂŽ semis d'ÂŽtoiles et de petits fleurons dorÂŽs piÂce de titre de maroquin vieux-rouge titre dorÂŽ palette dorÂŽe en queue roulette dorÂŽe sur les coupes tranches rouges. Exemplaire revÂtu d'une agrÂŽable reliure du temps. A la suite de l'Education des filles on trouve - avec page de titre sÂŽparÂŽe - Le TraitÂŽ des ÂŽtudes de Rollin. ''FÂŽnelon justifie son entreprise de rÂŽdiger un traitÂŽ sur LՃducation des filles par la remarque qui sert dÕincipit au texte selon laquelle Ç rien nÕest plus nÂŽgligÂŽ que lՎducation des filles È car on estime quÕ Ç il ne faut pas quÕelles soient savantes È mais Ç quÕelles sachent gouverner un jour leurs mÂŽnages et obÂŽir ˆ leurs maris sans raisonner È FÂŽnelon serait-il donc lui aussi ˆ lÕinstar dÕun Poullain de La Barre un ardent dÂŽfenseur de la cause fÂŽminine Ou bien renouerait-il malgrÂŽ lÕambition de son projet avec le prÂŽjugÂŽ dominant qui veut empÂcher les femmes au nom de leur faiblesse de leur frivolitÂŽ et de leur perversitÂŽ congÂŽnitales dÕaccÂŽder aux charges politiques les plus ÂŽlevÂŽes .'' Patricia Touboul in Revue d'histoire littÂŽraire de la France CIX p. 325. Angles et coiffe de tÂte ÂŽlimÂŽs. TrÂs lÂŽgÂres marques d'usage affectant par ailleurs la reliure. Du reste bonne condition. b42961 unknown