982 résultats
192430628Paris Ambroise Vollard 1924 In-4, maroquin jansniste havane, dos sans nerfs portant le nom de l'auteur et le titre de l'ouvrage en grandes capitales pousses or; larges encadrements intrieurs orns d'un filet dor, doublures et gardes de soie moire havane, tte dore, non rogn, couverture illustre. Etui (Jeanne Huck).55 eaux-fortes originales de Pierre Bonnard, dont 14 hors-texte. Tirage limit 370 exemplaires numrots. Un des 30 premiers exemplaires sur japon ancien, seuls comporter deux preuves de chaque hors-texte, l'une sur japon ancien, l'autre sur vlin d'Arches.
19241630881924. BONNARD Pierre. Dingo. By Octave Mirbeau. 194 4 pp. Illustrated with 55 original etchings by Pierre Bonnard or which 14 are full-page PLUS an additional suite of the 14 full-page etchings on Arches. Folio loose as issued in the original illustrated wrappers in the original half velum clamshell box. Paris: Ambroise Vollard Editeur 1924. In contrast with some of his other books the etchings Bonnard drew for Dingo show a marked playfulness which are at variance with the somewhat imposing format of the book. Dingo is in notable contrast to the smaller Histoires Naturelles by Jules Renard for which Bonnard also provided not too dissimilar illustrations. Dingo is one of five books which Bonnard illustrated for Ambroise Vollard. Clamshell box with some wear cover with a repaired tear along the joint overall a nice clean copy. No. 13 of 30 copies on Japon ancien with an additional suite from a total edition of 350. Bouvet Bonnard the Complete Graphic Work Nos. 90. Johnson Ambroise Vollard Editeur No. 169. Ives Pierre Bonnard: The Graphic Art No. 103. unknown books
29598Paris Fasquelle 1900. 1 vol. 165 x 255 mm de 1 f. 4 et 519 p. Maroquin brun dos à nerfs orné de filets à froid tranches dorées sur témoins filets à froid sur les coupes contreplat à encadrement orné d'un jeu de sept filets couverture conservées reliure signée de Marius Michel. . Édition originale. Un des 20 premiers exemplaires réimposés sur chine n° 18. . Le Journal est dédié à Jules Huret qui avait publié dans son Enquête sur l'évolution littéraire 1891 le récit d'une conversation qu'il avait eu avec Octave Mirbeau quelque temps avant la publication en feuilleton. Dix ans plus tard l'écrivain lui offrira un exemplaire sur chine du roman publié « un violent réquisitoire contre les maux dont souffre la société moderne qui unit la satire des moeurs familiales à une assez trouble sensualité » Dictionnaire des OEuvres III 854. Une première version du Journal d'une femme de chambre avait paru en feuilleton dans L'Écho de Paris du 20 octobre 1891 au 26 avril 1892. Une deuxième version fortement remaniée reparaît dans la Revue blanche au cours de l'hiver 1899-1900 ; c'est à partir d'elle que sera établie l'édition en volume chez Charpentier-Fasquelle en juillet 1900. Quatre adaptations en ont été faites au cinéma - dont celle célèbre de Bunuel et plusieurs dizaines d'adaptations au théâtre en France et à l'étranger. Signalons qu'il existe quelques exemplaires imprimés sur papier jonquille au moins deux exemplaire Pierre Bergé sans provenance et exemplaire Sicklès-Heilbronn pour Jean Richepin. Mirbeau possédait pour lui et son épouse des exemplaires sur chine. Suivent ensuite 30 exemplaires sur japon puis 200 sur Arches tous réimposés. De la bibliothèque Raoul Simonson avec ex-libris. Très bel exemplaire. Paris, Fasquelle, 1900. 1 vol. (165 x 255 mm) de 1 f., [4] et 519 p. Maroquin brun, dos à nerfs orné de filets à froid, tranc unknown
190029598Un des 20 premiers réimposés sur chine. Reliure signée de Marius Michel Paris, Fasquelle, 1900. 1 vol. (165 x 255 mm) de 1 f., [4] et 519 p. Maroquin brun, dos à nerfs orné de filets à froid, tranches dorées sur témoins, filets à froid sur les coupes, contreplat à encadrement orné d'un jeu de sept filets, couverture conservées (reliure signée de Marius Michel). Édition originale. Un des 20 premiers exemplaires réimposés sur chine (n° 18).
LCS-18379Précieux exemplaire, l’un des 30 imprimés sur papier du Japon. Paris, Charpentier et Fasquelle, 1900. Grand in-8 de (4) pp., 519 pp., (1) p., (1) f.bl. Conservé tel que paru, broché dans les couvertures d’origine à l’imitation d’un cahier d’écolier, non rogné. 253 x 162 mm.
190878181Paris: Fasquelle 1908. Fine. Fasquelle Paris 1908 19.50 x 25.50 cm relié De luxe edition illustrated with a hundred drawings by Pierre Bonnard scattered in the margins of the leaves one of 200 numbered copies on Arches vellum one print after 25 Japan. A beautiful copy. Binding in half brown calf spine decorated with double black fillets gilt date at the foot marbled paper boards marbled endpapers covers and spine preserved top edge gilt on the rough. Handwritten presentation signed by Pierre Bonnard to Xavier Roux: . à son compatriote dauphinois et ami. .to his Dauphiné compatriot and friend. enriched with a handwritten presentation signed by Octave Mirbeau to the same. Fasquelle hardcover
1900115616Paris Eugène Fasquelle 1900 1 vol. relié gr. in-8, demi-maroquin bordeaux à coins bordé d'un filet dorés, dos à nerfs soulignés d'un filet doré, double filet doré en encadrement des caissons ornés aux petits fers dorés, plats de papier caillouté, tête dorée, non rogné couvertures et dos conservés (E & A. Maylander), 519 pp. Édition originale de ce célèbre roman de la servitude, porté par la voix de la soubrette Célestine, qui dénonce les turpitudes de la bourgeoisie. L'ouvrage fut adapté plusieurs fois au théâtre et au cinéma, et notamment par Luis Bunuel en 1964. Un des 20 exemplaires de tête réimposés sur Chine (n°7), bien complet des couvertures avec le titre manuscrit sur papier de livre de compte. Parfaite reliure de Maylander.
1900115616Paris Eugène Fasquelle 1900 1 vol. relié gr. in-8, demi-maroquin bordeaux à coins bordé d'un filet dorés, dos à nerfs soulignés d'un filet doré, double filet doré en encadrement des caissons ornés aux petits fers dorés, plats de papier caillouté, tête dorée, non rogné couvertures et dos conservés (E & A. Maylander), 519 pp. Édition originale de ce célèbre roman de la servitude, porté par la voix de la soubrette Célestine, qui dénonce les turpitudes de la bourgeoisie. L'ouvrage fut adapté plusieurs fois au théâtre et au cinéma, et notamment par Luis Bunuel en 1964. Un des 20 exemplaires de tête réimposés sur Chine (n°7), bien complet des couvertures avec le titre manuscrit sur papier de livre de compte. Parfaite reliure de Maylander.
190878181Fasquelle | Paris 1908 | 19.50 x 25.50 cm | relié
192417731Paris 1924. Full leather. Near Fine. Pierre Bonnard. Octave Mirbeau's final novel first published in 1913 and here appearing originally with the Pierre Bonnard etchings in 1924 centered around his travels with his pet dog "Dingo". #284 of only 300 copies issued in this small limitation this copy one of 280 within the limitation "sur Verge d'Arches". BOUND IN A MAGNIFICENT FULL-LEATHER ART DECO BINDING VERY LIKELY BY THE MASTER FRENCH BOOKBINDER LEON GRUEL. ALSO INCLUDES PIERRE BONNARD'S 55 ORIGINAL ETCHINGS EXECUTED SPECIFICALLY FOR THIS EDITION AND BEAUTIFULLY COMPLEMENTING MIRBEAU'S TEXT. Folio top-edge gilt deckled fore and bottom edges. Solid very well-preserved and Near Fine. A bit of very light wear to the outer hinges otherwise clean as could be. A wonderful example of a lavish mid 20s Art Deco binding. <br/><br/> hardcover books
192539035Paris: La Connaissance 1925. Gio Colucci. In 1925 Giò Colucci executed fourteen etchings to illustrate Octave Mirbeau's "Le jardin des supplices" and the result was one of the greatest livres de peintre produced between the world wars. The etchings combine Japonisme eclecticism art nouveau surrealism and eroticism. They represent Colucci's greatest achievement as a printmaker. THIS IS A PROOF SET on Imperial Japanese paper of the fourteen etchings each hand-colored by the artist with gouache and gold leaf. In perfect condition. No other such sets on Japanese paper and handcolored by the artist are recorded so this set may be unique. <br/><br/> La Connaissance unknown
19145681Signed by Artist. Publisher's original wraps boldly signed by Rodin on half-title. A clean copy without names bookplates or other distractions. Grand luxe edition limited to only 100 copies of which this is number 7. Includes the two oft-fugitive unpublished hors-texte plates one of which is in color. All shipments through USPS insured Priority Mail. Editions Artistique de l'Art et les Artistes paperback
19145681Signed by Artist. Publisher's original wraps boldly signed by Rodin on half-title. A clean copy without names bookplates or other distractions. Grand luxe edition limited to only 100 copies of which this is number 7. Includes the two oft-fugitive unpublished hors-texte plates one of which is in color. All shipments through USPS insured Priority Mail. Editions Artistique de l'Art et les Artistes paperback books
19300599041930. Original Art Works . No Binding. Fine/Slipcase. A Suite Of Illustrations Unbound Ten Groups Of 13-20 Loose Lithographs Wrapped And Sealed In Glassine Enclosed In A Slipcase. Printed In Color Or B/W No Publisher Or Date Indicated Anywhere Many Signed In The Plate By Early 20Th Century Illustrators Fine Paper 9" X 6 5/8". All Enclosed In A Simple Open Three-Panel Folder Paper With Cloth Edges With Morocco Label "Octave Mirbeau / Suite Des Hors-Textes" And In A Matching Cloth Slipcase With Gray Paper Sides And Cloth Edges. The Illustrators' Artistic Histories And Life Spans Indicate These Were Likely Done In 1920'S-1930'S For An Intended But Unpublished Limited Edition Of Octave Mirbeau's Works Possibly For A Nascent Firm That Failed In The Early 1930'S. One Set By Edy Legrand Is Clearly For "The Torture Garden" By Mirbeau The Other Sets For Nine Of His Other Books. Altogether Two Sets By Legrand One By Jean Launois 1898-1942 One By Berthold Mahn 1893-1975 Three Other Sets Signed But With Illegible Signature Other Sets Not Signed. <br/> <br/> unknown
1914174206Paris: Bernheim-Jeune Editeurs d'Art 1914. no 12 of 100 on Japon paper. Internally VG and externally VG with age toning and light soiling to covers 2" split beginning at base of front outer hinge. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a very solid copy. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown books
1914174202Paris: Bernheim-Jeune Editeurs d'Art 1914. no 38 of 100 on Japon paper. Internally VG soiling discoloration to covers but binding is very solid with very minor splitting at top and bottom of front outer hinge. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a solid copy with the exception of the cover discoloration. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown
1914174202Paris: Bernheim-Jeune Editeurs d'Art 1914. no 38 of 100 on Japon paper. Internally VG soiling discoloration to covers but binding is very solid with very minor splitting at top and bottom of front outer hinge. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a solid copy with the exception of the cover discoloration. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown books
1914190091Paris: Bernheim-Jeune Editeurs d'Art 1914. no 41 of 100 on Japon paper. Fair only Binding and spine are shot covers soiled. COntents clean but a bit age-toned. Etching is a strong impression. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a nice set of sheets needing rebinding. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown
1914174206Paris: Bernheim-Jeune Editeurs d'Art 1914. no 12 of 100 on Japon paper. Internally VG and externally VG with age toning and light soiling to covers 2" split beginning at base of front outer hinge. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 100 copies printed on large Japon paper. Scarce and a very solid copy. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown
51-5487Paris: Bernheim-Jeune. Edituers 1914. Original wraps. Folio. 28.5 x 39cm. Light foxing on first few pages affecting the margins of the Cézanne etching plate I. Crack along spine not visible from exterior.One of 600 numbered copies.68 pp; 59 plates. Text by Octave Mirbeau Theodore Duret Léon Werth and Frantz Jourdain. The frontispiece is an original etching by Paul Cézanne printed in sepia. Also illustrated with 6 original hors-texte lithographs by various artists 2 lithographs after Signac and Vallotton and copious heliogravures after Cézanne .Glassine tissue guards in place.The etching by Cézanne is Paysage a Auvers Entrée de Ferme Rue Saint-Remy Venturi 1161; Leymarie C5. It was created by Cézanne in 1873 but used only as this book's frontispiece. The six original lithographs are by Edouard VUILLARD Portrait de Cézanne Roger-Marx 51 Pierre BONNARD Baigneur Bouvet 82 Maurice DENIS Nature morte signed in the plate Cailler 135 Henri MATISSE Fruits et feuillages Duthuit 1 K.-X. ROUSSEL Bacchanale Salomon 27 and Aristide MAILLOL signed in the plate; Guérin 265.OCLC Number 458954797.Textes d'Octave MIRBEAU Bernheim Jeune éditeur Album comportant une eau-forte originale en brun de Cézanne des lithographies originales par Vuillard Bonnard Matisse Denis Roussel Maillol et Vallotton textes d'Octave Mirbeau Théodore Duret Léon Werth et Frantz Jourdain illustré de 59 planches Exemplaire numéroté 503/600 39 x 29 cm Paris: Bernheim-Jeune. Edituers, 1914. paperback
17874Paris, Javal et Bourdeaux, 1926. In-4, 309 pp., maroquin lie-de-vin de Gruel, plats estampés de filets dorés et à froid, dos à nerfs orné de même, encadrement intérieur de même peau orné de même, doublure et garde de soie moirée rose, tranches dorées, étui bordé, couverture conservée (légère insolation du dos, décharges).
1925216641Paris: La Connaissance 1925. Limited. paperback. near fine. Colucci Gio. Illustrated with 14 etchings colored in pochoir numerous culs-de-lampe letters and designs all by Colucci. A separate thin volume contains an extra suite of all plates and figures in b/w plus 4 in color. Thick 4to original printed wrappers with glassine; both volumes laid into the publisher's illustrated board folder edgeworn and neatly re-backed in brown cloth. Paris: La Connaissance 1925. From a total printing of 102 this is an hors commerce copy signed by Colucci and the editor. A very near fine copy in a very good repaired folder.<br/><br/> La Connaissance unknown books
1925216641Paris: La Connaissance 1925. Limited. paperback. near fine. Colucci Gio. Illustrated with 14 etchings colored in pochoir numerous culs-de-lampe letters and designs all by Colucci. A separate thin volume contains an extra suite of all plates and figures in b/w plus 4 in color. Thick 4to original printed wrappers with glassine; both volumes laid into the publisher's illustrated board folder edgeworn and neatly re-backed in brown cloth. Paris: La Connaissance 1925. From a total printing of 102 this is an hors commerce copy signed by Colucci and the editor. A very near fine copy in a very good repaired folder.<br/> <br/> La Connaissance unknown
1914190090Paris: Bernheim-Jeune Editeurs d'Art 1914. no 542 of 400 on regular paper. Internally VG and externally VG with age toning and light soiling to covers 2" split beginning at base of front outer hinge. Color lithographed covers 75 pages 59 leaves of plates including one etching by Cezanne and 6 original lithographs by Edouard Vuillard after a self-portrait by Cezanne Bonnard Maurice Denis Matisse K.X. Roussel Aristide Maillol and two reproductions of original drawings by Paul Signac Felix Valloton. Also includes 4 tipped-in color plates of works by Cezanne and 46 full-page plates in bw of works by Cezanne. There are additional small bw images or illustrations tipped-in at several places within the text. 15.25" x 11.5" x 1" letterpress tissue guards for the original artwork. Text is in French. Preface by Octave Mirbeau; sample of Cezanne's handwriting biographical texts and other writings. One of 400 copies printed on regular paper. Scarce and a clean copy internallybut the covers are very soiled and the whole is quite loose from the binding being deteriorated. An excellent candidate for rebinding. A total of 600 copies were printed: 100 on Japon; 100 on Arches and 400 on regular paper. Bernheim-Jeune, Editeurs d'Art unknown
1903CLL-72Paris, Bibliothèque-Charpentier, Eugène Fasquelle éditeur, 1903 In-8 (19,2 x 13,5cm) de (3)ff., 288pp. et (20)ff. ajoutés, soie janséniste bleu marine à la Bradel, dos orné d'un fleuron doré, double filet doré et date en pied, pièce de titre de basane brune, entièrement non rogné, couvertures conservées (Pierson).