Petrarca, Francesco,Biblio.com
2 159 résultats
26525184like new. unknown
1992413346Baltimore : Johns Hopkins University Press 1992. First Edition. Hardcover. Fine cloth copies in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. Physical description; 2 vol. xxi 701 p. ; 24 cm. Notes; Translation of: Rerum senilium libri I-XVIII. Includes bibliographical references and index. Contents; vol. 1. Books I-IX -- vol. 2. Books X-XVIII. Subjects; Petrarca Francesco 1304-1374 ; Correspondence. Authors Italian To 1500 ; Correspondence. Poets Italian To 1500 ; Correspondence. Humanists Italy. Baltimore : Johns Hopkins University Press hardcover
2008Q-1599100053Italica Press 2008-09-29. Paperback. New. In shrink wrap. Looks like an interesting title! Italica Press paperback
20054397Tübingen: Narr, 2005. 337 S., gebundene Ausgabe.
2004Q-0674011546Harvard University Press 2004-02-17. Hardcover. New. In shrink wrap. Looks like an interesting title! Harvard University Press hardcover
21177184like new. unknown
196657921ABZürich Arcade-Presse. 1966. 27,5x19 cm. 63 S., 4 Bl. Mit 9 ganzseitigen farbigen Originalholschnitten. Lose in Originalbroschurdecke, Originalhalbpergamentband und Pappschuber.
15697aafFiesole (Firenze), Poligrafia Fiesolana, 1837, gr. in-8°, XXIV + 320 p., quelques taches et rousseurs, quelques soulignés au crayon, ex libris ms. ancien ‘C.F. Trachsel - Lausanne 1899’, sobre reliure en demi-percaline bordeaux à coins, titre doré, tranches jaspées, assez bon exemplaire.
19234201Paris, Chez l’impr. Léon Pichon, 1923. In-4 broché de 137-[6] pages, couverture à rabats.
1906H449Paris: Imprimerie Berthaud Freres 1906. Hardcover. Very Good. Folio published 1906. Hardcover folio chemise loosely housing 20pp introduction and 97 black and white collotype plates reproducing the manuscript. Pages a little tanned else very good in original chemise the paper lining of which is showing some rubbing. Imprimerie Berthaud Freres hardcover
in-4, pp. 73, bross. edit. Con una tav. al fine raff. la lapide tombale di Guido Scetten che fu col Petrarca a Montpellier. [136-7]
1999Q-0192839519Oxford University Press 1999-08-05. Paperback. New. New. In shrink wrap. Looks like an interesting title! Oxford University Press paperback
1974000012778New Haven: Yale University Press 1974. First Yale University Press edition. Hardcover. Very near Fine/very near Fine. 8vo. 8 ix-xvii 2 2-252 pp. Green cloth with gold lettering on the spine. With a few full-page illustrations by Deane Keller. Translated and annotated in English by Thomas G. Bergin. Just a touch of sunning to the spine panel of the jacket. Yale University Press hardcover
3787311998.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
336856112X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2008Q-1599100010Italica Press 2008-09-29. Paperback. New. In shrink wrap. Looks like an interesting title! Italica Press paperback
S4-C370-OXJEAteli�� Editorial. New. Ateli�� Editorial unknown
1951985N10Milan: Riccardo Ricciardi 1951-1955. Cloth. Near Fine/Very Good Indeed. 9" by 6". None. Two fascinating volumes covering the work of Francesco Petrarca 'The Father of Humanism'. Two fascinating volumes covering the work of influential Italian writer Francesco Petrarca volumes 6 and 7 in the Riccardo Ricciardi series La Letturatura Italiana Storia E Testi directed by Raffaele Mattioli Pietro Pancrazi and Alfredo Schaffiani.In the publisher's original cloth in the original dust wrappers and brown paper slipcases. Volume 6 dust wrapper is clipped while volume 7 dust wrapper is unclipped.Petrarca's fourteenth century writings inspired countless of thinkers and helped kickstart the Renaissance in Europe. Volume 6 contains his influential poetry that forged the international phenomenon of Petrarchism. Volume 7 focuses on his prose which made him regarded by many as 'The Father of Humanism' to this day.Volume 6: 'Rime. Trifoni E Poesie Latine' edited by F. Neri G. Martellotti E Bianchiand N. Sapegno. Published in 1951.Volume 7: 'Prose' edited by Pier Giorgio Ricci E. Carrara and E. Bianchi. Published in 1955. In the publisher's original cloth in the original dust wrappers and slipcases. Externally in excellent condition with very minor bumping to board extremities. Dust wrappers are very smart with minimal signs of shelf wear to extremities. Slight sunning and the very faint spot to wrapper spines. Spotting to top and spine of volume 7 slip case. Slight spotting to top of volume 6 slipcase. Occasional mark and minor shelf wear to cases with creases to volume 6 slip case. End papers are bright and clean. Internally firmly bound. Pages are bright and clean. Near Fine Riccardo Ricciardi hardcover
1784#BIBLIO-1183<p>Francesco Petrarca Tomo Primo. Parnaso italiano : ovvero Raccolta de' poeti classici italiani d'ogni genere d'ogni età d'ogni metro e del più scelto tra gli ottimi diligentemente riveduti sugli originali più accreditati e adornati di figure in rame.</p><p><em>Francesco Petrarca Petrarch Volume One. Italian Parnassus: or A Collection of Classical Italian Poets of Every Genre of Every Age of Every Meter and of the Most Selected Among the Best Diligently Revised from the Most Accredited Originals and Adorned with Copperplate Figures.</em><em></em> <br />Venezia MDCCLXXXIV. Presso Antonio Zatta E Figli. Venice 1784 published by Antonio Zatta and Sons. Hardback full marbled calf binding boards panelled and gilt-tooled with gilt decoration and bands to spine. Octavo/8vo measures around 4" x 6 3/8" x 1". Pagination: 6 367 7 pp. Contains copperplate illustrations. Scuffing to leather binding and rubbing at edges and on hinges with bumped and torn corners. Crease along spine that puts strain on textblock though still intact. Spine torn a little at head and tail with some loss. Some cracking to outer hinges with a little loss. Much rubbing and some loss to gilt detail on spine which has faded to some degree as a result. Title presumed to have been gilt but no longer present although faint outline of title stamping still barely visible. A little slackness to binding but reasonably firm though with cracking to textblock corresponding to aforementioned spine cracking. Green cloth ribbon marked detached from textblock. Page edges browned marked and scuffed especially to upper edges but reasonably clean to lower and fore-edges. Attractive marbled endpapers. A little staining to edges of pastedowns and endpapers. Inked names and one date of previous owner to recto of half-title page. Some toning to pages and scattered foxing and a little staining to upper margins with occasional other marking. Some minor pencil marking and occasional numbering in margins. See pictures for further information. About the author: <em>Francis Petrarch 20 July 1304 – 19 July 1374; Latin: Franciscus Petrarcha; modern Italian: Francesco Petrarca born Francesco di Petracco was a scholar from Arezzo and poet of the early Italian Renaissance as well as one of the earliest humanists. </em> <em>Petrarch's rediscovery of Cicero's letters is often credited with initiating the 14th-century Italian Renaissance and the founding of Renaissance humanism. In the 16th century Pietro Bembo created the model for the modern Italian language based on Petrarch's works as well as those of Giovanni Boccaccio and to a lesser extent Dante Alighieri. Petrarch was later endorsed as a model for Italian style by the Accademia della Crusca.</em> <em>Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. He is also known for being the first to develop the concept of the "Dark Ages". Source: Wiki</em></p> Antonio Zatta and Sons hardcover
3385132320.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1986Q-0929524497Bryn Mawr Commentaries Inc 1986-06-01. Plastic Comb. New. In shrink wrap. Looks like an interesting title! Bryn Mawr Commentaries, Inc unknown
Ritratto storico di Francesco Petrarca a cinque secoli dalla sua scomparsa. Volume curato dal professor Antonio Marsand. Tomo in ottime condizioni, leggere fioriture nelle prime pagine.
Ritratto storico di Francesco Petrarca a cinque secoli dalla sua scomparsa. Volume curato dal professor Antonio Marsand. Tomo in ottime condizioni, leggere fioriture nelle prime pagine.
Venezia, Domenico Tabacco, 1738. Due parti rilegate in un volume. (mm. 190). Cartonato rustico coevo. pp. 202, 1 c. b; 260, (4). Esemplare in barbe con solo lievissima gora marginale a qualche pagina. Con questi scritti l'autore entrava nella polemica in corso, e che diventerà ben presto feroce, tra il padre T. Ceva e il suddetto Schiavo, sostenendo le parti del primo e le valutazioni da lui espresse nella famosa Scelta di sonetti con varie critiche osservazioni e una dissertazione intorno al sonetto (Torino 1735), aspramente impugnata appunto dallo Schiavo nel Filalete. Nonostante tutto il suo classicismo, il D. veniva così ad appoggiare il "petrarchismo moderato" e aperto al rinnovamento del Ceva contro l'aristotelismo pedante, il principio di imitazione e l'eccellenza insuperabile del Petrarca duramente proclamati dallo Schiavo. Bibl: Mazzuchelli, vol. II, parte IV, pag. 2411, IV - Marsand, Biblioteca Petrarchesca, pag. 183 " Intrattiensi spessissimo l'autore in quest'opera a ragionare sulle poesie volgari del Petrarca, dando frequenti spiegazioni e dichiarazioni di alcuni passi " - Catalogo della raccolta di De Rossetti di Trieste, n. 227 - Vedova, biografia degli scrittori padovani, pag. 267, II " sono varii dialoghi in difesa del Petrarca considerato come poeta, e contro le accuse che gli vengono date sullo stile de suoi componimenti e sulle qualità del suo amore. Anzi può dirsi che in questi dialoghi si comprenda il comento (qualunque esso sia) dei più importanti passi del Canzoniere. " -
<p>23 cm, br. coeva di carta policroma, p. 30. al frontespizio, marca tipografica con una "lira". All'occhietto: Per le fauste illustri nozze del nobile signor Gio. Paolo Baglioni con la nobile contessa Elisa Giustinian Recanati. Assai raro</p>
