2 159 résultats
136291391X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1362913928.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1015868533.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1161202439.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1168488788.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1168472024.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1168610168.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1168625823.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1168486475.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1016447930.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1016680163.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1018465383.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1018460527.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1161202404.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1161202412.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1904199013Roma: Danesi Editore 1904. First Edition Number 262 of 300 printed. Paperback. Fair Original covers are present but detached and heavily damaged; spine strip is peeling and chipped at both ends; textblock edges are toned/scuffed/smudged; some bottom right-hand corners of pages are dog-eared; some top-right page corners are crimped and smudged; interior is clean with occasional smudging; textblock appears solid. Original vellum wraps; 38 pp.; 3 facsimiles clxxx leaves; color illustrations facsimiles. Text in Italian. Scarce item. Foreward by Domenico Ciampoli. This is copy 262 of 300 printed. Danesi Editore paperback
190427847Roma: Danesi Editore 1904. First Edition. Hardcover. Edition limited to 300 numbered copies this being #281. Published to celebrate the 6th Centenary of the birth of Francesco Petrarca. 38 clxxx pp. Contemporary full brown polished calf sides ruled in blind spine with five raised bands ruled in blind and gilt lettering gauffered edges gold decorated endpapers. With twenty-seven miniatures eight plates and three facsimiles. Foreword by Domenico Ciampoli. With a gift inscription of Italian writer and poet Giorgio Vigolo to famous Italian director screenwriter and playwright Giorgio Prosperi on the flyleaf. Apparently the illustrations here included which were taken from different sources generated quite a bit of confusion among scholars in the following years. A few light scuffs to extremities else a bright near fine copy. In the Italian language. ; Quarto. Danesi Editore hardcover
3563232237.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1553048658Venice: Gabriel Giolito 1553. Third Edition. Hardcover Full Leather. Very Good Condition. 19th century full leather rubbing at edges and hinges binding quite sound endpapers refreshed. Slight scattered foxing; browning to bottom of title and first few leaves in the preliminaries and final leaf two small temoin at end of book; an attractive copy with 6 woodcuts in the Trionfi and a full page map of Valclusa. 52 667 1. Printer's mark on verso of final page. <br /> <br /> Giolito published similar editions of Petrarch with commentary by Gesualdo first was 1533 and Vellutell first was 1538 in the 1540s and 50s with the same map and engravings. Adams P820 Mortimer 375 for the 1543 Vellutello ed. Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 048658. Gabriel Giolito hardcover
116371Venice Gio. Antonio Bertano 1584. 4to. 12 213 3 ll. Title within wood-cut frame and with 6 wood cut illustrations in the text. Foxing in the margins. Contemporary soft vellum later spine label and later end papers traces of removed ties. Old owner’s signature on the title page by I. Hagdorff. USTC 847907. EDIT16: CNCE 32899. Fine later edition of Petrarca’s work with the commentaries by the poet and scholar Alessandro Vellutello born 1473 first published in 1525. The wood-cut illustration are after the edition printed by Giolito in Venice 1547. Several editions were published during the 16th century. hardcover
2009DADAX1104807432Kessinger Publishing 2009-07-17. hardcover. New. 6.00x0.75x9.00. Buy with confidence. Excellent Customer Service & Return policy. Kessinger Publishing hardcover
16-6295Vinegia Appresso Gabriel Giolito de Ferrari1545. 4to13.4 x 19cm.; later boards rebacked old ownership inscriptions title-page cropped a few headlines shaved occasional soiling damp-staining towards rear .Witht he map: Descrittione del sito di Valcusa.Adams P810; OCLC Number / Unique Identifier: 28777736:Contents:Sonetti e canzoni.Notes:Signatures: A-2C⸠²Dâ´Woodcuts: elaborate architectural title page featuring cherubs classical figures atop pedestals and printer's device; Giolito's device on verso of last leaf phoenix facing left towards blazing sun standing amidst flames atop a winged orb with printer's initials "GGF;" banner with motto "Semper eadem"; large head-piece on leaf 3 of first sequence featuring portraits of Laura and Petrarch adorning the side of Giolito's flaming urn device surmounted with phoenix and banner bearing printer's motto "Semper eadem"; large white historiated and smaller ornamental initials. Text illustrated with a full-page pictorial map on recto of leaf A8 with title "Descrittione del sito di Valclusa"; text of "I trionfi" illustrated with six woodcuts one at the head of each "trionfi"--Amore Castità Morte Fama Tempo and Divinità "Soggetto de' Triomphi del poeta": leaves 153v-197rPoetry printed in italic type; surrounded on two sides with commentary by Alessandro Vellutello printed in small roman typeIncludes index Vinegia, Appresso Gabriel Giolito de Ferrari,1545 hardcover
51-4754In Vinegia: Per Pavolo Gherardo Comin da Trino in fine 1550. 12mo. 10 x 15cm. 2 374 20pp. . Nineteenth qtr. vellum and marbled boards; light foxing;OCLC Number: 4333086Notes: Printer's device on t.p. and last leaf.On t.p. verso: Sonetti et canzoni di messer Francesco Petrarca in vita di Madonna Laura.Colophon: In Vinegia per Comin da Trino di Monferrato.The ed. by Alunno was originally published in Venice 1539. This later ed. appeared in 2 parts of which this is pt. 1. Cf. B. Gambi. Serie dei testi di lingua. No. 718. In Vinegia: Per Pavolo Gherardo (Comin da Trino, in fine), 1550 hardcover
1708JC001<p><strong>Et diligentemente corretto.</strong> In Venetia apresso Nicolò Beuilacqua. 1570.</p>_x000d_<p>In 12º 109 x 6 cm com 357 aliás 346 13 págs.</p>_x000d_<p>A colação apresenta um erro tipográfico na numeração entre as páginas 182 e 193.</p>_x000d_<p>Encadernação da época em pergaminho flexível com o título e o nome do autor manuscritos na lombada.</p>_x000d_<p>Edição em miniatura ilustrada com emblemática tendo uma vinheta na folha de rosto xilogravura alegórica com o mote «Superanda omnes fortuna» gravura com Petrarca e Laura no verso da folha de rosto tarjas decorativas xilográficas no início dos capítulos e capitulares decorativas no início do texto dos mesmos.</p>_x000d_<p>Apresenta 6 vinhetas alegóricas historiadas com 'emblemata' no início de cada capítulo na última parte da obra pág. 267 em diante representando respectivamente o Triunfo do Amor pág. 267 o Triunfo da Castidade pág. 289 o Triunfo da Morte pág.296 o Triunfo da Fama pág.309 o Triunfo do Tempo pág. 322 e o Triunfo da Divindade pág.328.</p>_x000d_<p>Exemplar com leves vestígios de tinta e humidade no exterior do corte das folhas e com breves sublinhados e anotações marginais da época no texto e no cólofon. De resto exemplar belo e bem preservado.</p>_x000d_<p>Rara edição em miniatura ilustrada com emblemática publicada no ano de 1570 verificando-se a existência no Museu Britânico de uma cópia on line Refª 240C72. No entanto quando comparada com a nossa a paginação e impressão a partir da página 320 exclusive são diferentes da nossa cópia. A partir desta página e até ao cólofon inclusive a referida cópia do Museu Britânico tem idêntico arranjo gráfico mas com numeração diferente e também diferentes vinhetas e capitulares que não pertencem à colação antecedente.</p>_x000d_<p>O nosso exemplar estará mais correcto na colação na impressão e na ilustração xilográfica.</p>_x000d_<p>Tal como noutras edições também esta edição contém a vida do poeta e o retrato de Petrarca e da Madona Laura em xilogravura e o cancioneiro «Em vida de Laura». Na segunda parte - «Na morte de Laura» - os triunfos canção e sonetos do autor assim como poesias de outros autores. Inclui ainda um discurso de Petrarca sobre a qualidade do amor. O índice encontra-se nas páginas finais não numeradas.</p>_x000d_<p>Notas sobre as edições:</p>_x000d_<p>Brunet não menciona esta edição. A primeira edição impressa de Petrarca foi publicada com o título Soneti Canzoni et Triomphi. Venetiis Vindelinus de Spira 1470. vide Brunet Vol IV 534.</p>_x000d_<p>Brunet menciona as seguintes edições na mesma época sendo anteriores a esta as edições de Veneza 'Il Petrarca di nuovo ristampato e diligentemente correcto'. Venegia Vicenzo Valgrizi 1558. Outra reimpressão de Valgrizi com os mesmos caracteres e no mesmo formato em 1559. Posteriores a esta edição a de Venetia appresso Domenico Nicolini 1572 e também a de 1573 vide Brunet Vol. IV 554.</p>_x000d_<p>Outras referências bibliográficas retiradas de OPAC SBN - Istituto centrale per il catalogo unico respeitantes a esta edição: Hortis 123 Pesante 1974 n. 1803; Sh. t. it. 505; Fowler p. 108.</p>_x000d_<p> </p>_x000d_<p>Nota sobre as bibliotecas nas quais se encontra esta edição num total de 11 cópias.</p>_x000d_<p>Em Itália existem apenas 5 exemplares:</p>_x000d_<p>Biblioteca civica Romolo Spezioli - Fermo - AP0012 SIPFM</p>_x000d_<p>Biblioteca comunale centrale - Milano MI0162 LO101</p>_x000d_<p>Biblioteca Civica di Padova PD0090 PUV55</p>_x000d_<p>Biblioteca civica Attilio Hortis - Trieste - TS0013 TSABC</p>_x000d_<p>Istituzione pubblica culturale Biblioteca civica Bertoliana - Vicenza -VI0096 VIABE</p>_x000d_<p>Em outros países:</p>_x000d_<p>Trinity College Cambridge G.25.58</p>_x000d_<p>British Library 11422.aa.14.</p>_x000d_<p>British Museum on line Ref. 240C72</p>_x000d_<p>Biblioteca Nacional de Espanha Madrid R/21368</p>_x000d_<p>Mèdiathèque Municipal d'Orleans Rès. D 13165</p>_x000d_<p>Biblioteca Publica del Estado Palma de Mallorca Espanha 11.690</p>_x000d_<p> </p>_x000d_<p>Notas sobre o impressor Niccolò Bevilacqua:</p>_x000d_<p>Nicolaus Bevilaqua ou Nicolaus Tridentinus foi um tipógrafo activo em Veneza de 1554 a 1572 e em Turim 1572 a 1573 nascido no segundo decénio de 1500.</p>_x000d_<p>Aprendeu a sua arte na tipografia e no atelier de Paulo Manuzio em Veneza. Desconhece-se quando abriu a sua tipografia. no entanto em 1549 tinha actividade em Santa Marina tendo ficado com a prensa e respectivos caracteres de Francesco Marcolini quando este cessou a sua actividade.</p>_x000d_<p>Em 1568 por insistência de Paulo Manuzio então director da Stamperia del Popolo Romano foi para Roma colaborar na preparação do novo breviário requerido pelo Papa Pio V mas não chegou a um acordo.</p>_x000d_<p>Trabalhou em colaboração com Francesco de Franceschi Gaspare Bindoni O Velho e Damiano Zenaro. Em 1572 transferiu-se para Turim chamado pelo Duque Emanuel Filiberto para instalar uma tipografia ducal.</p>_x000d_<p>No final de 1573 em Turim constitui-se a Compagnia della Stampa da qual faziam parte além de Bevilacqua o mesmo Emanuel Filiberto e Giovani Domenico Tarino. Em Maio de 1573 a nova tipografia iniciou a actividade mas Bevilacqua morreu em Agosto desse mesmo ano. Algumas edições de 1574 ainda foram publicadas com o seu nome.</p>_x000d_<p> </p>_x000d_<p>O Autor</p>_x000d_<p>Francisco Petrarca 1304-1374 pesquisador e filólogo divulgador e escritor é tido como o "pai do Humanismo" no entanto a sua fama deve-se principalmente ao seu romanceiro e aos seus poemas redigidos em língua italiana. Petrarca é também considerado o inventor do soneto tipo de poema composto de 14 versos.</p>_x000d_<p>Pietro Bembo no século XVI criou o modelo para o italiano moderno com base no trabalho de Petrarca e também de Dante e Boccaccio.</p>_x000d_<p>Petrarca viajou frequentemente por toda a Europa na qualidade de embaixador. Gostava de escrever cartas sendo Boccaccio um dos seus amigos mais notáveis. Durante as suas viagens coleccionou manuscritos latinos antigos e foi um dos primeiros a redescobrir o conhecimento clássico de Roma e da Grécia Antiga.</p>_x000d_<p>Participou na primeira tradução latina da obra de Homero e em 1345 descobriu pessoalmente uma colecção inédita de cartas de Cícero.</p>_x000d_<p>Em 1367 Petrarca fixou-se em Pádua onde passou seus últimos anos em contemplação religiosa tendo vindo a falecer a 19 de julho de 1374 em Veneza.</p>_x000d_<p>Doou a sua notável Biblioteca de manuscritos à cidade de Veneza estando os mesmos actualmente integrados no núcleo da Biblioteca Marciana.</p>_x000d_<p> </p>_x000d_<p>EN In 12º 10.9 x 6 cm with 357 i.e. 346 13 pp.</p>_x000d_<p>Collation presents a typographic mistake in the numbering between pages 182 and 193.</p>_x000d_<p>Binding: Contemporary flexible parchment with handwritten title and name of the author on spine.</p>_x000d_<p>Miniature edition illustrated with symbols with a vignette on the title page allegoric woodcut with the motto «Superanda omnes fortuna» etching portraying Petrarca and Laura on the back of the title page; decorative woodcuts on top of the beginning of each chapter and decorative capital letters starting the text of the chapters .</p>_x000d_<p>There are six allegoric vignettes with 'emblemata' at the beginning of each chapter on the last part of the work after page 267 depicting the Triumph of Love pp. 267; the Triumph of Chastity pp.289; the Triumph of Death pp. 296; the Triumph of Fame pp. 309; the Triumph of Time pp. 322; and the Triumph of Deity pp. 328.</p>_x000d_<p>Copy with slight traces of paint and moisture in the outer edge of the leaves. Some contemporary underlines and marginal notes both in text and the colophon. Otherwise a beautiful and well preserved copy.</p>_x000d_<p>There is a copy in the British Museum on line ref. 240C72 which however has different pagination and printing from page 320 on from our copy. From the mentioned page on and ending on the colophon the British Museum"s copy has a similar graphic layout but with different page numbers different vignettes and decorative capital letters which do not match the previous collation.</p>_x000d_<p>Our copy will thus be more accurate in what concerns collation printing and woodcut illustration.</p>_x000d_<p>This edition like others includes the life of the poet the woodcut portrait of Petrarca and Laura and the songbook «In vita de Madona Laura». In the second part - 'In the death of Laura' - the triumphs song and sonnets of the author as well as poetry from other authors. It also includes a speech of Petrarca on the quality of love. The index occupies the unnumbered pages.</p>_x000d_<p> </p>_x000d_<p>Notes on the editions:</p>_x000d_<p>BRUNET:</p>_x000d_<p>Brunet does not mention this edition.</p>_x000d_<p>The first printed edition of Petrarca was published under the title Soneti Canzoni et Triomphi. Venetiis Vindelinus de Spira 1470. cf. Brunet Vol IV 534.</p>_x000d_<p>Brunet mentions the following editions of that time being the Venice editions previous to ours 'Il Petrarca di nuovo ristampato e diligentemente correcto': Venegia Vicenzo Valgrizi 1558; another Valgrizi print with the same characters and format in 1559. Those published after 1970 are: the Venetia appresso Domenico Nicolini puvblished in 1572 and also the 1573 edition cf. Brunet Vol. IV 554.</p>_x000d_<p> </p>_x000d_<p>OTHER BIBLIOGRAPHIC REFERENCES from OPAC SBN - Istituto centrale per il catalogo unico concerning the present edition: Hortis 123 Pesante 1974 n. 1803; Sh. t. it. 505; Fowler p. 108.</p>_x000d_<p> </p>_x000d_<p>Libraries having this edition in a total of 11 copies:</p>_x000d_<p>In Italy only 5 copies:</p>_x000d_<p>Biblioteca civica Romolo Spezioli - Fermo - AP0012 SIPFM</p>_x000d_<p>Biblioteca comunale centrale - Milano MI0162 LO101</p>_x000d_<p>Biblioteca Civica di Padova PD0090 PUV55</p>_x000d_<p>Biblioteca civica Attilio Hortis - Trieste - TS0013 TSABC</p>_x000d_<p>Istituzione pubblica culturale Biblioteca civica Bertoliana - Vicenza -VI0096 VIABE</p>_x000d_<p>In other countries:</p>_x000d_<p>Trinity College Cambridge G.25.58</p>_x000d_<p>British Library 11422.aa.14.</p>_x000d_<p>British Museum on line Ref. 240C72</p>_x000d_<p>Biblioteca Nacional de Espanha Madrid R/21368</p>_x000d_<p>Mèdiathèque Municipal d'Orleans Rès. D 13165</p>_x000d_<p>Biblioteca Publica del Estado Palma de Mallorca Espanha 11.690</p>_x000d_<p> </p>_x000d_<p>Notes on the editor Niccolò Bevilacqua:</p>_x000d_<p>Nicolaus Bevilaqua aka Nicolaus Tridentinus born on the second decade of the 16<sup>th</sup> century was a printer working between 1554 and 1572 in Venice and later in Turin between 1572 and 1573.</p>_x000d_<p>He learned his art with Paulo Manuzio in Venice. There are no registries of the date he opened his own printing shop however in 1549 he was working in Santa Marina keeping the press and characters of Francesco Marcolini when he retired.</p>_x000d_<p>In 1568 instigated by Paulo Manuzio who was at the time Director of the Stamperia del Popolo Romano we travelled to Rome to cooperate in the preparation of the new breviary requested by Pope Pius V but ended up not reaching an agreement.</p>_x000d_<p>He worked with Francesco de Franceschi Gaspare Bindoni The Old and Damiano Zenaro. In 1572 he travelled to Turin by request of the Duque Emanuel Filiberto to install a ducal print house.</p>_x000d_<p>By the end of 1573 in Turim the Compagnia della Stampa is founded by Bevilacqua himself Emanuel Filiberto and Giovani Domenico Tarino. In May 1573 the new print house started its work but Bevilacqua died in August of that same year. Some 1574 editions were still published with his name.</p>_x000d_<p> </p>_x000d_<p>The author</p>_x000d_<p>Francisco Petrarca 1304-1374 researcher and philologist promoter and writer is considered to be the Father of Humanism however his fame is mainly due to his Songbook and his poems written in Italian. Petrarca is also considered to be the inventor of the sonnet a type of poem with 14 lines.</p>_x000d_<p>Pietro Bembo in the 16th century based his model of modern Italian on the works of Petrarca and also Dantes and Boccaccios.</p>_x000d_<p>Petrarca travelled all around Europe as an ambassador. He liked to write letters having Bocaccio as one of his most notable friends. During his travels he collected old Latin manuscripts and was one of the first to rediscover the classic knowledge of Ancient Rome and Ancient Greece.</p>_x000d_<p>He cooperated on the first Latin translation of Homers works and in 1345 he discovered a unique manuscript with Ciceros letters.</p>_x000d_<p>In 1367 he settled in Padua where he spent his last years in religious contemplation. He died in Venice on June 19<sup>th</sup> 1374.</p>_x000d_<p>His notorious manuscript library was donated to the city of Venice and nowadays belongs to the Biblioteca Marciana.</p>_x000d_<p> </p> M-10-E-28 unknown