Poe, Edgar AllanBiblio.com
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201435964Lakewood CO: Centipede Press 2014. First edition. A fine copy in a fine dust jacket.Note: heavy volume extra postage may be required. 35964. Octavo cloth. 500 copies printed. Collection of the author's best works including "Ligeia" "The Fall of the House of Usher" and "The Narrative of Arthur Gordon Pym." Includes a bibliography. Centipede Press unknown
1935000021462<p>Philadelphia: J. B. Lippincott Co. no date circa 1935. first American edition. hardcover. Near fine. Rackham Arthur. Illustrated by Arthur Rackham. Twenty-five stories. Small quarto approc. 7 3/4" wide by 10" tall red cloth covers with gilt titles and image of a skeleton with a rapier on top cover gilt titles and macabre face on spine. Top edge tinted red. 317 1 pages. Includes twelve full color plates plus 17 illustrations in line. Skeleton design on endpapers. Covers are not rubbed gilt is bright tiny bit of wear at two bottom corners. No dust jacket. Horror Detective Fantasy. 092717E <br /><br /></p> J. B. Lippincott Co. hardcover
189213148New York: Thomas Y. Crowell Co 1892. Hardcover. Small octavo 3/4 cream cloth with floral pictoral paper over boards gilt design to covers and spine titles to spine gilt. A beautiful vitnage binding of Poe's poems. Pages with light toning contemporary gift inscription to front endpaper touch of foxing to cream cloth along spine else a very bright and excellent copy. Thomas Y. Crowell Co hardcover
20128631Loket Czech Republic: Jan & Jarmila Sobota 2012. Limited Edition. Hardcover. Fine in Fine Archival Box. Limited Edition. Hardcover. These two pieces from "Poems and Essays" by Poe and printed in the original type designed by V. Preissig and illustrated by Alois Bílek. Signed "Jah and Jarmila Sobota" Tight bright and unmarred. Sculptured binding in gray and dark blue parchment leather headbands triple board box binding sewn on three tapes black and white ink lettering sculpted "S" at front board grey sleeve slipcase in marbled paper and leather. Approx. 3x3. 65pp. The edition is limited to 20 numbered and signed copies. Jan & Jarmila Sobota hardcover
193580913New York:: Tudor Publishing Co. 1935. Second edition. publisher's black cloth with applied illustration on the front panel in the publisher's two-part box illustrated in color. A few slight marks to the glossiness of the cloth and a 1/16 x 1/2" shallow chip to the top corner of the applied illustration on the front panel. The two-part box is intact but lightly foxed and rubbed at joints. Folio. Illustrated in color and black and white by Harry Clarke. Tudor Publishing Co., hardcover
elala4529New York: Tudor Publishing Co. 1933. 4to. pp. 412 1. with half-title. 8 tipped-in colour plates 24 b/w plates & numerous text illus. original cloth with mounted illus. on upper cover cloth bit spotted New York: Tudor Publishing Co., 1933 hardcover
188511640Chicago and New York: Belford Clarke & Company 1885. Octavo 8 x 5.5" green decorative cloth 169 pp. A lovely antique decorative copy of stories by Poe including The Tell-Tale Heart. An attractive copy with toning to pages slight wear to corners and edges. Belford, Clarke & Company hardcover
191230410New York: Hodder & Stoughton 1912. 1st edition US. Hardcover. Fine. Dulac Edmund. 1st ptg. 4to full tan cloth with blind-stamped paisley and bell gilt decoration on front cover to match the endpaper design. 28 tissue-guarded color plates and decorated endpapers by Edmund Dulac. Hughey 29c. Spine darkened else fine. Hodder & Stoughton hardcover
lit 2SOCIETY OF ENGLISH AND FRENCH LITERATURE Book. Very Good. Hardcover. Condition: very good. Limited. Edited by James A. Harrison Frontispiece in each volume & many other illustrations lettered tissue guards. tan cloth with label missing volume seven. SOCIETY OF ENGLISH AND FRENCH LITERATURE Hardcover
201512048Loket Czech Republic: Sobota 2015. Limited Edition. Hardcover. Fine in Fine Chest. Limited Edition. Hardcover. Tight bright and unmarred. Black leather tri-board binding in black leather with red leather onlay front board embossed as front of house inner front board has red 'peaked' roofline and exposes a shadowed shrieking monster dark pastepaer endpages; dropspine archiaval box leather spine and onlays black paper boards red cloth edges. np. Numbered limited edition of 13. Signed by the artist. Sobota hardcover
20158922Loket Czech Republic: Sobota 2015. Limited Edition. Hardcover. Fine in Fine Chest. Limited Edition. Hardcover. Tight bright and unmarred. Dark navy leather boards complex structure with 'window'ed effect on inner fold of board leather binding strap blue ink lettering marbled endpages; matching archiaval box. np. Numbered limited edition of 13. Signed by the artist. Laid in pamplet. Sobota hardcover
1923020736Los Angeles: E. A. Brininstool 1923. Book. Very Good. Original Wraps. 15 pages illustrations original wraps limited to 250 copies this copy noted as "gift copy." The front cover has an inscription "To D W Greenburg with my compliments AB. Ostrander." On the copyright page is another inscription "To Maj. A.B. Ostrander with regards of E.A. Brininstool Feb 29/24." Greenberg wrote a book on the history of Wyoming. Ostrander was a major in the army and wrote several books about his experiences in the Civil War and time on the Plains. Originally published in 1919 in the Wide Word Magazine. Laid in is the cover of the mailing envelope from Ostrander to Greenberg dated 1925. Six-Guns 1743 "Three illustrations and a letter was added to the second edition." Howes 430. E. A. Brininstool paperback
191397828452436781913, L'édition d'art H. Piazza, in-4 pleine toile beige de 96 pages, titrage doré sur dos, 28 hors-textes en couleurs contrecollés, texte encadré. Traduction de l'anglais par J. Serruys et illustré par Edmond Dulac. Cet ouvrage est particulier de par sa rareté premièrement et surtout car il s agit probablement d'un exemplaire d'essai, ou en tout cas un exemplaire hors commerce. Il est en tout point identique à l'original sur papier du Japon limité à 400 exemplaires sauf sur quelques détails faisant toute la différence: le papier utilisé est du papier plus épais, du vélin de cuve teinté; le tirage est [...] | Etat : In-4 toilé (auréoles sur dos et marques sur plats), feuilles jaunies, légère déchirure sur page de garde. mais en BE général. (Ref.: G10578)
192820118AB1928. Fourth Edition of the 1919 publication. London / Bombay / Sydney George G. Harrap & Co. 1928. 4°. 21.5 cm wide x 27.7 cm high. 381 pages with all the stunning colour-plates and black-and-white-plates in place but page 15/16 and the relevant illustration cleanly detached. Hardcover with restored original dustjacket / Original full cloth-binding with gilt lettering/illustrated spine. Top edge gilt. A stunning absolutely unusually firm and clean binding nearly with no flaws very unusual for the original 1928-edition. Tight and clean example of one of the most beautiful macabre art nouveau-publications. All illustrations by Harry Clarke in excellent condition. The restored dustjacket in protective Mylar. When we speak of "restored" we mean in this case parts of the original dustjacket's spine and frontcover were pasted on black paper in style of the time. The absolutely best example of this work we ever handled despite the detached layer of pages. Provenance: From the library of British Art Collectors Sir Alan Rae Smith & his wife Mabel. With their beautiful bookplate to the front pastedown. Harry Clarke March 17 18891931 was an Irish stained glass artist and book illustrator. Born in Dublin he was a leading figure in the Irish Arts and Crafts Movement. The son of a craftsman Joshua Clarke Clarke the younger was exposed to art and in particular Art Nouveau at an early age. He went to school in Belvedere College in Dublin. By his late teens he was studying stained glass at the Dublin Art School. While there his The Consecration of St. Mel Bishop of Longford by St. Patrick won the gold medal for stained glass work in the 1910 Board of Education National Competition. Completing his education in his main field Clarke travelled to London where he sought employment as a book illustrator. Picked up by London publisher Harrap he started with two commissions which were never completed: Samuel Taylor Coleridge's The Rime of the Ancient Mariner his work on which was destroyed during the 1916 Easter Rising and an illustrated edition of Alexander Pope's The Rape of the Lock. Difficulties with these projects made Hans Christian Andersen's Fairy Tales by Hans Christian Andersen his first printed work however in 1916a title that included 16 colour plates and more than 24 monotone illustrations. This was closely followed by an illustrations for an edition of Edgar Allan Poe's Tales of Mystery and Imagination: the first version of that title was restricted to monotone illustrations while a second iteration with 8 colour plates and more than 24 monotone images was published in 1923. The latter of these made his reputation as a book illustrator this was during the golden age of gift-book illustration in the first quarter of the twentieth century: Clarke's work can be compared to that of Aubrey Beardsley Kay Nielsen and Edmund Dulac. It was followed by editions of The Years at the Spring containing 12 colour plates and more than 14 monotone images; Lettice D'O. Walters ed. 1920 Charles Perrault's Fairy Tales of Perrault and Goethe's Faust containing 8 colour plates and more than 70 monotone and duotone images New York: Hartsdale House1925. The last of these is perhaps his most famous work and prefigures the disturbing imagery of 1960s psychedelia. Two of his most sought-after titles include promotional booklets for Jameson Irish Whiskey: A History of a Great House 1924 and subsequent reprints and Elixir of Life 1925 which was written by Geofrey Warren. His final book was Selected Poems of Algernon Charles Swinburne which was published in 1928. In the meantime he had also been working hard in stained glass producing more than 130 windows he and his brother Walter having taken over his father's studio after his death in 1921. Wikipedia hardcover
19602091202133205285Tokyosogensha 1960. Soft Cover. Fine. Number of books: 29 books in total Tokyosogensha paperback
2014799ILakewood CO: Centipede Press 2014. 1st edition. Hardcover. like new/no dj as issued in Mylar cover. Almost Like New condition Edgar Allan Poe Library of Weird Fiction Centipede Press 2014 776 pages. This edition was limited to 500 copies. The book is almost like new. Ships from Hawaii with free Priority Mail upgrade. == <br /> <br /> Introduction by S. T. Joshi.<br /> Massive almost 800-pageedition of Poe’s best stories.<br /> Ribbon marker head and tail bands full black cloth binding.<br /> Embossed Edgar Allan Poe signature on front board.<br /> Gorgeous dustjacket in clear Mylar dustjacket. <br /> Photographs of Edgar Allan Poe.<br /> ===. Edgar Allan Poe 1809-1849 is a pioneering writer of weird fiction. His intense focus on the psychology of terror his mastery of both psychological and supernatural horror and his utilization of a dense frenetic and hypnotic prose style have made him not merely a master of the weird tale but the virtual founder of the short story.<br /> This volume contains all the major weird works of Poe from such early tales as "Metzengerstein" and "Berenice" to such masterworks as "Ligeia" and "The Fall of the House of Usher" to such late stories as "The Cask of Amontillado" and "Hop-Frog." Poe’s one novel The Narrative of Arthur Gordon Pym is included as is his landmark detective story "The Murders in the Rue Morgue" which features a considerable dose of physical horror. In addition many of Poe’s weird poems — "The City in the Sea" "The Raven" "Ulalume" "Annabel Lee" and others — are included. The most accurate and authoritative texts are used and the volume concludes with a bibliography of first apparances of all the items included.<br /> The volume is edited by S. T. Joshi a leading authority on weird fiction. Joshi is the author of The Weird Tale 1990The Modern Weird Tale 2001 and Unutterable Horror: A History of Supernatural Fiction 2012 and he has prepared editions of the work of H.P. Lovecraft Lord Dunsany Arthur Machen Ambrose Bierce and many other weird writers. Centipede Press hardcover
1929170781Paris: Émile-Paul Frères 1929. Signed limited edition out of series this copy printed on japon for Yves and Georges Normandy to whom the translator has inscribed the half-title: "À mes très cher amis Yves et Georges Normandy de tout cur Armand Godoy". The frontispiece is signed by Lydis a Paris-based artist acclaimed by the avant-garde who fled France as the Nazis closed in. Mariette Lydis 1887-1970 settled in Paris in 1926. She excelled in several mediums including painting draughtsmanship and printing and regularly combined techniques: in this case she paired etching with aquatint. Her artwork "often exuded a sense that her subjects are anxious or dreaming" Artnet making her an ideal candidate to provide a frontispiece for Poe's oblique and tormented poem. "Books were Lydis's most important medium many published during the Parisian years in which she produced her best and most enigmatic work" Croft & Jones p. 3. Cuban by birth the translator Armand Godoy 1880-1964 believed French was the language best suited to poetry. He composed many Symbolist poems in his second preferred language. The recipient of this copy Georges Ségaut alias Normandy 1882-1946 was a journalist writer and literary critic. In 1919 he married the dancer Germaine Aymos 1887-1930 who became famous following her 1907 performance at the Moulin Rouge in which she appeared on stage wearing only three shells. She was arrested for public indecency and met Normandy while he reported on her trial and defended her actions in the press. She changed her name to Yves following her marriage and began a new career as a journalist. The edition comprised 1501 numbered copies. Quarto pp. 32. Etched and aquatint frontispiece signed by Lydis title page printed in red and black. Uncut in original grey printed wrappers. With original glassine. Foot of spine splitting contents lightly foxed glassine wrapper chipped and creased at extremities: a very good copy. Justin Croft & Cult Jones Mariette Lydis: Dreams and Destiny 2023. unknown
1650<p>The rare oxford library version in great condition.</p> Franklin library oxford library hardcover
184637477Philadelphia: George R. Graham & Co 1846. 2 volumes in 1 large 8vo; engraved frontispiece illustrations and 30 plates some colored; later three-quarter gilt-stamped red morocco over blind-tooled cloth some shelf wear; ex-Hill Library with usual markings; foxing. Edgar Allan Poe was the magazine's chief literary editor and these two volumes include 3 of his Marginalia and his "Philosophy of Composition". Also published here are works by Park Benjamin and Henry Longfellow. <br/><br/> George R. Graham & Co hardcover books
184637477Philadelphia: George R. Graham & Co 1846. 2 volumes in 1 large 8vo; engraved frontispiece illustrations and 30 plates some colored; later three-quarter gilt-stamped red morocco over blind-tooled cloth some shelf wear; ex-Hill Library with usual markings; foxing. Edgar Allan Poe was the magazine's chief literary editor and these two volumes include 3 of his Marginalia and his "Philosophy of Composition". Also published here are works by Park Benjamin and Henry Longfellow. George R. Graham & Co unknown
192123509Berlin 1921. Gesamtausgabe der Dichtungen und Erzählungen herausgegeben von Theodor Etzel 6 Bde. Ecken u. Kanten teilw.ber.u. best.insgesamt schönes Expl. 2.Aufl. Propyläen 8°. Hpgt. Literatur unknown
50679Paris La lampe d‘argile 1922. Gr.8° 47 S. 7 Orig.-Holzschnitte davon 2 Deckelillustr. Broschur Umschlag etwas angeschmutzt kleine Fehlstelle am Rücken sonst schönes Exemplar. Nr. 568 von 1000. «Tirée sur la Presse de Maurice Darantiere maistre imprimeur Dijonnois a mille exemplaires. . sept cent soixante-dix-huit sur papier d‘arches.» 010 Paris, La lampe d‘argile, 1922 unknown
1971236878London: Minerva Press 1971. Minerva reprint of the 1919 first illustrated edition. Publisher's full blue cloth decorated and titled in gilt top stain blue in Harry Clarke dust jacket £6.30. Very slight bow small spots of discoloration to lower boards and top edge overall fine very clean copy in very good offset spine-sunned and edge worn dust jacket with two short tears to spine shoulders in mylar cover. Illustrated by Harry Clarke in twenty-four full-page black-and-white illustrations. Large octavo. 381 3. 10.75" x 8.5" THE HORROR OF POE IN ART NOUVEAU<br /> <br /> First published with Harry Clarke's haunting Art Nouveau illustrations in 1919 this Minerva Press faithfully preserves Clarke's twenty-four striking monochrome plates alongside Poe's chilling narratives. Though not the Harrap first edition this handsome large-format volume offers an accessible and striking reissue of one of the finest collaborations in Gothic book design still commanding attention for evocative artwork and preservation of a landmark edition. Minerva Press unknown
19283466Paris: Editions Narcisse. Very Good in Good dust jacket. 1928. First Edition. Softcover. In glassine wraps limited to 300 copies of which this is # 195; Done for Harry and Caresse Crosby's Editions Narcisse in Paris ; 5 Illustrations are tipped in on silver paper. A long introduction by Symons. Glassine wrap is complete except for loss to head and heel of spine. 2 1/2 " crack at bottom of spine but not pulling apart ; 2 penciled numbers one inside front cover and one on front endpaper. ; Large 8vo 9" - 10" tall; 50 pages . Editions Narcisse paperback
1850017204NY: J. S. Redfield 1850. First Edition . Hardcover. Very Good/No Jacket. Very good in original green blindstamped cloth. Small rubbed areas with slight loss of cloth at spine ends. Front hinge is partially cracked and just slightly loose. Small owner's label at top left corner of front pastedown. The second front endpaper which is blank is missing the lower right corner. Pages 467 - 470 are misbound and extend slightly past the other page edges at top and foredge. A tight and clean copy of this volume which is volume three of a four volume set edited by Griswold Poe's literary executor in the year after Poe's death. Most of the material in this volume had never been published in book form. <br/> <br/> J. S. Redfield hardcover
