218 935 résultats
Napoli, Musca, 1720 & 1721. 4to. Bound together in one contemporary full vellum bindingwith old, faded title in ink to spine. A vertical crack to the spine, but binding fine and tight. A bit of wear to extremities. A bit soiled, but all in all good and completeley unrestored. Some quires quite browned and some quires with brownspotting. Book-plate to inside of front board (LA Law Library) and contemporary owner's signature to title-page (De Marinis). Some contemporary underlinings and marginal pointers to the first leaves. First title printed in red and black. (4), 195, (1) pp. + (4), 260 pp.
174854277Geneve, Barrillot (sic!) & Fils, [1748]. 4to. Two lovely contemporary uniform full calf bindings with richly gilt spines, gilt title- and tome-labels and single gilt line-borders to boards. Edges of boards blindtooled. Very neatly restored at hinges and corners, barely noticeable. 19th century book-plate (""FAMA"") to inside if front boards. Old handwritten notes in ink to front free end-papers. Some leaves evenly browned, as usual. Vol. I with contemporary owner's inscription ""B. Heiman/ 1756/ S. st."" to verso of title-page. Light inkspotting to half-title and occasional light brownspotting. Vol. II with very small owner's name to verso of front free end-paper: ""Mr. Gustavo Horta"" and with a worm tract. The worm tract is mostly very small and only in the very top corner of the upper blank margin or as a tiny hole in the inner blank margin towards the hinge. From pp. 493 to 544, the worm tract is larger, but still situated in the blank margin (outer) and far from affecting text at any point. With both half-titles, preface (vol. 1), and tables of contents. No errata at the end of volume one, and no folded map. Woodcut printer's devices to title-pages. (8), XXIV, 522"" (4), XVI, 564 pp.
184358875Zürich & Winterthur, Literarischen Comptoirs, 1843. 8vo. Bound in one nice later half calf binding in contemporary style with gilt title and blindstamped ornamentation to spine. Faded inscription of ""Eigenthus des Literar. Museum"" to both title-pages and last leaf of bot volumes. Stamps of the same Litarary Museum to volume 1, at both title-page, last leaf and a few leaves inbetween. Neat pencil annotations to a few leaves of volume 1. Neatly washed and with a few tiny closed tears to second gathering. A small spot to lower blank margin of pp. 195-8 of vol. 1. Contents generally clean and crisp. All in all a evry nice copy. IV, 320 + IV, 288 pp. [Marx' paper: Vol. I, pp. 56-88].
Geneve, Barrillot (sic!) & Fils, [1748]. 4to. Two lovely contemporary uniform full calf bindings with richly gilt spines, gilt title- and tome-labels and single gilt line-borders to boards. Edges of boards blindtooled. Very neatly restored at hinges and corners, barely noticeable. 19th century book-plate (""FAMA"") to inside if front boards. Old handwritten notes in ink to front free end-papers. Some leaves evenly browned, as usual. Vol. I with contemporary owner's inscription ""B. Heiman/ 1756/ S. st."" to verso of title-page. Light inkspotting to half-title and occasional light brownspotting. Vol. II with very small owner's name to verso of front free end-paper: ""Mr. Gustavo Horta"" and with a worm tract. The worm tract is mostly very small and only in the very top corner of the upper blank margin or as a tiny hole in the inner blank margin towards the hinge. From pp. 493 to 544, the worm tract is larger, but still situated in the blank margin (outer) and far from affecting text at any point. With both half-titles, preface (vol. 1), and tables of contents. No errata at the end of volume one, and no folded map. Woodcut printer's devices to title-pages. (8), XXIV, 522" " (4), XVI, 564 pp.
Zürich & Winterthur, Literarischen Comptoirs, 1843. 8vo. Bound in one nice later half calf binding in contemporary style with gilt title and blindstamped ornamentation to spine. Faded inscription of ""Eigenthus des Literar. Museum"" to both title-pages and last leaf of bot volumes. Stamps of the same Litarary Museum to volume 1, at both title-page, last leaf and a few leaves inbetween. Neat pencil annotations to a few leaves of volume 1. Neatly washed and with a few tiny closed tears to second gathering. A small spot to lower blank margin of pp. 195-8 of vol. 1. Contents generally clean and crisp. All in all a evry nice copy. IV, 320 + IV, 288 pp. [Marx' paper: Vol. I, pp. 56-88].
27972Straßburg, [Georg Husner], 1484. 255 nn. Bll. (d. l. w.). Gotische Type, 2 Spp., 46 Zln. Durchgehend rubriziert. Mit rot und orange eingemalter Titelbordüre, großer mehrfarbig eingemalter Initiale "S" mit in den Rand auslaufendem Blüten- und Rankenwerk zu Textbeginn, hübscher Einfassung des Kolophons in rot und zahlreichen rot oder blau eingemalten Initialen, teils mit in den Rand auslaufendem Federwerk. Blindgepr. Schweinslederband der Zeit über Holzdeckeln auf 4 Doppelbünden mit 2 Metallschließen (fehlen die Beschläge). Hs. Rückenschildchen. Folio (224:318 mm).
159055265Ferrara, Benedetto Mamarello, 1590. Small 8vo. Later half vellum with gilt title-label to spine. Marbbled paper over boards. A faint damp stain to the last few leaves, otherwise a nice and clean copy. Old ownership-signature to last leaf. Bookplate to inside of front board. Large woodcut device to title-page. Woodcut initials and headpieces at beginning. (8), 170, (5) pp.
Ferrara, Benedetto Mamarello, 1590. Small 8vo. Later half vellum with gilt title-label to spine. Marbbled paper over boards. A faint damp stain to the last few leaves, otherwise a nice and clean copy. Old ownership-signature to last leaf. Bookplate to inside of front board. Large woodcut device to title-page. Woodcut initials and headpieces at beginning. (8), 170, (5) pp.
Bologna: Benedictus Hectoris, 1497. 4to. Early limp vellum (around 1600-1650) with handwritten title to spine. A very fine and clean copy, internally as well as externally. Nice crisp, clean, and fresh pages, with only very light occasional minor brownspotting. A small tear to the last page, not repaired, and no loss. The colouring of the initials has gone through on some versos, but there is no obscuring of text. Handwritten ex libris to the first page (Collegii Parisiensis Societatis, 1688), an early handwritten note to pasted-down front end-paper, as well as a shelf mark, a printed late nineteenth-century Italian bookseller's description and the small book-label of William Le Queux. Handcoloured blue and red initials, and other capitals touched in yellow. 72 leaves. A lovely copy of a beautiful and charming book. FROM THE LIBRARY OF WILLIAM LE QUEUX. ""William Le Queux was a famous journalist, writer and celebrated novelist, a master of the spy genre, and a vociferous critic of Britain's weak military defences before the First World War, known at the time and for the next twenty years as ""The Great War"".He is acknowledged as the principal precursor of that famous spy story author of the second half of the twentieth century, namely Ian Fleming.""See:Schill, ""Gianfrancesco Pico della Mirandola und die Entdeckung Amerikas"", 1929" " Popkin: ""The History of Scepticism. From Savonarola to Bayle"", 2003" " Schmitt: ""Gianfrancesco Pico della Mirandola (1469-1533) and his critique of Aristotle"", 1967" " Copenhaver & Schmitt: ""Renaissance Philosophy"", 1992" " Garin: Italian Humanism"", 1965.
168160092Oxford, E Theatro Sheldoniano, 1681. Folio. Nice contemporary full calf with five raised bands and single gilt line-decorations to spine. Gilt title-label and gilt lettering to spine. Double blindstamped borders to boards. All edges of boards gilt. A bit of wear to hinges and capitals, but overall very nice. Internally very clean and fresh with only minimal, light occasional browning. With the book-plate of Gaddesden Library to inside of front board. Engraved device to title-page. (14), 312"" (4), 88 pp.
Oxford, E Theatro Sheldoniano, 1681. Folio. Nice contemporary full calf with five raised bands and single gilt line-decorations to spine. Gilt title-label and gilt lettering to spine. Double blindstamped borders to boards. All edges of boards gilt. A bit of wear to hinges and capitals, but overall very nice. Internally very clean and fresh with only minimal, light occasional browning. With the book-plate of Gaddesden Library to inside of front board. Engraved device to title-page. (14), 312" " (4), 88 pp.
1867582711 vol. fort in-8 reliure plein maroquin rouge, dos à 5 nerfs orné (au chiffre HSD surmonté d'une couronne de marquis et d'un hercule), toutes tranches dorées, chasses et coupes ornées, couvertures conservées, reliure signée de Trautz-Bauzonnet, Amyot, Paris, 1867, 2 ff., 496 pp. avec frontispice lithographié en couleurs, et 9 dessins originaux ou tirages d'essais du frontispice ou des couvertures
1 vol. fort in-8 reliure plein maroquin rouge, dos à 5 nerfs orné (au chiffre HSD surmonté d'une couronne de marquis et d'un hercule), toutes tranches dorées, chasses et coupes ornées, couvertures conservées, reliure signée de Trautz-Bauzonnet, Amyot, Paris, 1867, 2 ff., 496 pp. avec frontispice lithographié en couleurs, et 9 dessins originaux ou tirages d'essais du frontispice ou des couvertures Exemplaire unique de cet ouvrage très rare, dont Freud fut incapable de se proposer le moindre exemplaire, malgré tous ses efforts, comme il l'indique en note dans l'Interprétation des Rêves ! Un des 10 exemplaires sur grand papier ("sur papier espagnol" comme l'indique une note manuscrite de l'auteur dans un autre exemplaire), celui-ci manifestement celui de l'auteur (avec son chiffre couronné "HSD" répété en dos), contenant en sus : les deux couvertures (absentes du seul autre exemplaire répertorié du tirage sur grand papier), le croquis original de la couverture par Henri Alfred Darjou, un tirage de la couverture avant mise en couleur, un dessin original à la plume (étude pour le frontispice, dont un dessin non retenu), un tirage d'ébauche du frontispice, un tirage en noir du frontispice, trois tirages d'essais de mise en couleurs du frontispice, un tirage d'épreuve avant la lettre du second plat. Le sinologue Léon d'Hervey de Saint-Denys avait recueilli les rêves de 1946 de ses nuits, lesquels servirent de matière à cette étonnante étude, pionnière dans l'analyse des rêves d'un point de vue "moderne". L'ouvrage se conclut sur un appendice intitulé : "Un rêve après avoir pris du hatchich" (sic). Havelock Ellis ou André Breton évoquent la rareté de l'ouvrage (l'éditeur Amyot fit faillite peu de temps après sa publication). Bon état (petites fentes en mors en tête, signet usé presque coupé, petits frott. et petits accroc à un plat, très bel exemplaire par ailleurs). Unique copy of this scarce work, of which Freud was unable to offer himself the slightest copy, despite all his efforts, as he indicates in a note in his "Interpretation of Dreams" ! One of the 10 copies on large paper ("on Spanish paper" as indicated by a handwritten note from the author in another copy), this one obviously that of the author (with his number crowned "HSD" repeated on the back ), containing in addition: the two covers (absent from the only other listed copy of the print on large paper), an original sketch of the cover by Henri Alfred Darjou, a print of the cover before coloring, an original pen drawing (study for the frontispiece, including one drawing not retained), a drawing of a sketch of the frontispiece, a black print of the frontispiece, three prints of color trials of the frontispiece, a proof print before the letter of the second cover. The sinologist Léon d'Hervey de Saint-Denys had collected the dreams of 1946 from his nights, which served as material for this astonishing study, a pioneer in the analysis of dreams from a "modern" point of view. The work ends with an appendix entitled: "A dream after having taken hatchich" (sic). Havelock Ellis or André Breton evoke the rarity of the work (the publisher Amyot went bankrupt shortly after its publication). In a note in his "Traumdeutung", Freud evokes this work which he did not manage to obtain despite his efforts. : "[ ... ] ich mir trotz aller Bemühung nicht verschaffen konnte" ("d'Hervey, whose book I could not lay hands on in spite of all my efforts"). Français
151562325(Josse Bade & Guillaume de Marnef), (on colophon:) August 6, 1515. 8vo. Wonderfully bound in a mid-19th century full morocco binding with broad gilt ornamental borders to boards, raised bands and richly and exquisitely gilt spine. Broad inner gilt ornamental borders to baords and gilt decoration to edges of boards. All edges gilt. Hinges expertly restored.With the gilt leather bookplate of Edward Hailstone to inside of front board and with the engraved armorial bookplate of C.L.F. Robinson to front free end-paper. Old printed private library number to verso of front free end-paper. Early owner's name to title-page and early, neat handwritten notes to first couple of leaves. Ff. 67-68 with a clean cut tear to the middle, no loss. First couple of leaves a little darkened. Overall in excellent condition with clear and fresh imprints. Title-page printed in red and black, with half-page woodcut ullustration and with Marnef-device. 107, (1) ff. Illustrated throughout with 115 magnificent woodcuts (including the one of the title-page), most of them ca 1/3 page, two of them full-page.
152553741Venice, Octavianus Scotus, 1525. Small folio. Bound in a lovely 18th century full green morocco binding with richly gilt spine, triple gilt line-borders to boards, double gilt lines to edges of boards, and inner gilt dentelles. All edges gilt. A few leaves a little closely shaven. Title-page and final blank slightly dusty/browned and last few leaves with a faint small, marginal damp stain, far from affecting text - otherwise a remarkably fine, clean, and fesh copy with only very minor occasional brownspotting. A beautiful printing with beautiful woodcut initials to almost all leaves. Large woodcut printer's device to colophon. A truly lovely copy, housed in a custom-made full leather box with gilt title to spine. 139 ff.
Venice, Octavianus Scotus, 1525. Small folio. Bound in a lovely 18th century full green morocco binding with richly gilt spine, triple gilt line-borders to boards, double gilt lines to edges of boards, and inner gilt dentelles. All edges gilt. A few leaves a little closely shaven. Title-page and final blank slightly dusty/browned and last few leaves with a faint small, marginal damp stain, far from affecting text - otherwise a remarkably fine, clean, and fesh copy with only very minor occasional brownspotting. A beautiful printing with beautiful woodcut initials to almost all leaves. Large woodcut printer's device to colophon. A truly lovely copy, housed in a custom-made full leather box with gilt title to spine. 139 ff.
157560368Rome, 7. VII. 1575. Imperial oblong folio (735 x 570 mm). Latin manuscript on vellum. 1 p. With Gregory's lead bulla attached on a hemp cord.
166444606Venice, Paolo Baglioni, 1661-1664. 12mo. 4 vols. (40), 670 pp. (2) ff. (1 blank), 734, (34) pp., (2) ff. (1 blank), 792, (18) pp. 756, (24) pp. With a woodcut in the text of vol. 3, p. 193, and a full-page engraving on p. 361 of vol. 4 (both diagrammatic). Contemporary limp vellum with ms. spine titles; all edges of vol. 2 sprinkled in red.
157046892Napoli, Apud Iosephum Cacchium, 1570. 4to. Contemporary limp vellum with handwritten title to spine. Remains of old paper-labels to top and bottom of spine. Spine with loss of ab. 3x2 cm. of vellum to middle, not affecting the book block, which is sound and fine underneath. Some soiling to binding, but all in all fine and unrestored, albeit a bit loose. Some brownspotting to title-page (not heavy), otherwise just a bit of scattered brownspotting. All in all internally very nice and clean, and with good, wide margins. Old owner's name (Juliani Riccii) to front free end-paper and title-page, which also has his inventory number in neat hand: ""no/ 634""). Telesio's woodcut title-device (a beatiful naked woman, all alone, far from the troubles of the world, illuminated by the sun, surrounded by a border carrying the saying in Greek: ""mona moi fila"" - presumably depicting the goddess of Truth), and numerous lovely, illustrated woodcut initials throughout. 95 ff.
Napoli, Apud Iosephum Cacchium, 1570. 4to. Contemporary limp vellum with handwritten title to spine. Remains of old paper-labels to top and bottom of spine. Spine with loss of ab. 3x2 cm. of vellum to middle, not affecting the book block, which is sound and fine underneath. Some soiling to binding, but all in all fine and unrestored, albeit a bit loose. Some brownspotting to title-page (not heavy), otherwise just a bit of scattered brownspotting. All in all internally very nice and clean, and with good, wide margins. Old owner's name (Juliani Riccii) to front free end-paper and title-page, which also has his inventory number in neat hand: ""no/ 634""). Telesio's woodcut title-device (a beatiful naked woman, all alone, far from the troubles of the world, illuminated by the sun, surrounded by a border carrying the saying in Greek: ""mona moi fila"" - presumably depicting the goddess of Truth), and numerous lovely, illustrated woodcut initials throughout. 95 ff.
65209[Basel, Michael Wenssler, nicht nach 1474]. Fol. 52 nn. Bll. (34 Z., Got. Typ.). - Angeb. - Ders. De morali lepra. [Ebda., nicht nach 1475]. 68 nn. Bll. (34 Z., Got. Typ.), Roter Maroquin-Bd. d. 18. Jhds. a. 5 Bünden m. goldgepr. Deckelfileten, Rückenverg., 2 goldgepr. grünen Rückenschildern, Steh- u. Innenkantenverg. u. dreiseitigem Goldschnitt.
186960434N. p., [1869]. 8vo. French manuscript in brown ink on paper. (1), 180 ff.
19510001341951 Paris, Gallimard, 1951. In-12 (127 X 190 mm) maroquin noir entièrement décoré sur les plats d'une mosaïque de motifs géométriques en box bleu ciel, bleu azur, noir et blanc, dos lisse, auteur et titre dorés, tête dorée, couverture conservée, chemise à petits rabats, étui (Pierre-Lucien Martin, 1959).
187956003San Francisco, Wm M.Hinton & Co, 1879. 8vo. In the original full cloth binding with gilt lettering to spine and a bit of blindstamping to boeards. A bit of light spotting to front board, spine faded, and capitals worn. Hinges internally a bit weak, and a professional closed tear to cloth at spine, barely noticeable. All in all an excellent copy in this fragile original binding. Internally very nice and clean. With the bookplate of Grove L. Johnson to inside of front board. (4), 512 pp.
San Francisco, Wm M.Hinton & Co, 1879. 8vo. In the original full cloth binding with gilt lettering to spine and a bit of blindstamping to boeards. A bit of light spiotting to front board, spine faded, and capitals worn. Hinges internally a bit weak, and a professional closed tear to cloth at spine, barely noticeable. All in all an excellent copy in this fragile original binding. Internally very nice and clean. With the bookplate of Grove L. Johnson to inside of front board. (4), 512 pp.