Delbos, Alain,Biblio.com
41 166 résultats
5322160like new. unknown
83353aafParis, Bordas, 1996, in-4to, env. 700 p. par volume, reliures en simili-cuir originales. Bel état.
118439Paris, Maeght Editeur 1977, 260x195mm, 41pages, en feuille, couverture rempliée, chemise rigide toile et étui en toile. Un des 120 exemplaires sur papier vélin d’Arches, illustrés de 4 lithographies signées par Bazaine, numéroté n.° 53 / 120, constituant l’édition originale. Signés au colophon par l’auteur et l’artiste. Achevé d’imprimer le 17 mai 1977, sur les presses de Arte Adrien Maeght pour les lithographies et de Robert Blanchet pour la typographie. Très bel exemplaire.
101949Amsterdam, & se trouve à Paris, Rue et Hotel Serpente 1783, 193x120mm, reliures demi-veau de l’époque, pièce de titre et de tomaison, fleurons et guirlandes dorés. Ex Libris gravé Charles Edouard Lardy. Bon état.
118441Paris, Maeght Editeur 1977, 260x195mm, en feuille, (22 feuillets chiffrés), couverture rempliée, chemise rigide toile et étui en toile. Un des 120 exemplaires sur papier vélin d’Arches comprenant quatre eaux-fortes de Kermarrec, les trois premières étant signées, numéroté n.° 47 / 120, constituant l’édition originale. Signé au colophon par l’auteur. Achevé d’imprimer le 10 octobre 1977 sur les presses de Robert Blanchet, typogrape et de Jane Lambilliotte pour les gravures. Très bel exemplaire.
1980150594N.p.: N.p. 1980. Seven vintage matte-finish borderless reference photographs from the 1980 French hardcore film.<br /> <br /> A man injured in a brawl with his lover's husband is taken to an erotic clinic. <br /> <br /> 5 x 7 inches. Near Fine. <br /> <br /> Bier 318. N.p. unknown
1980150594N.p.: N.p. 1980. Collection of seven vintage matte-finish borderless reference photographs from the 1980 French hardcore film.<br/><br/>A man injured in a brawl with his lover's husband is taken to an erotic clinic. <br/><br/>5 x 7 inches. Near Fine. <br/><br/>Bier p. 187. N.p. unknown books
1969169582Paris: Gamma 1969. Vintage oversize borderless reference photograph from the 1969 film showing Romy Schneider and Alain Delon swimming together on the set. Gamma stamp crediting photographer J.P. Bonnotte on the verso along with layout annotations in manuscript pencil.<br /> <br /> A searing psychologically complex erotic thriller set in the dead of summer at a villa on the Côte d'Azur. A couple's holiday is unexpectedly interrupted by the arrival of the wife's ex-lover and his beautiful teenage daughter-with violent consequences. Co-written by noted screenwriter Jean-Claude Carriere who penned some of Luis Buñuel's finest work. <br /> <br /> Shot on location at Côte d'Azur and Saint-Tropez France.<br /> <br /> 12 x 8 inches. Near Fine.<br /> <br /> Criterion Collection 1088. Grant France. Gamma unknown
1981155773N.p.: N.p. 1981. Collection of eleven vintage borderless matte-finish reference photographs from the 1981 French hardcore film. <br /> <br /> Noted French adult film director Alain Payet worked under a variety of pseudonyms including John Pardaillan John and Frederick Brasil Amor James Gardner and Alain Garnier. Payet was best known for his boundary-pushing casting practices in films such as "Les Aventures érotiques de Lili pute" and "Les Gourmandes du sexe" and often worked with amateur actors throughout his career.<br /> <br /> 7 x 5 inches. Near Fine. <br /> <br /> Bier p. 795. N.p. unknown
1961159807N.p.: N.p. 1961. Vintage borderless reference photograph of director Alain Resnais and actress Delphine Seyrig on the set of the 1961 French film. Stamp specific to the film's French release on the verso along with two "Photofest" stamps. <br /> alexander<br /> <br /> An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. <br /> <br /> Shot on location in Germany and France. <br /> <br /> 7 x 9.25 inches with a wide bottom margin. Near Fine. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1961168495N.p.: N.p. 1961. Two vintage borderless reference photographs from the 1961 French film one showing director Alain Resnais talking with Delphine Seyrig and Giorgio Albertazzi the other showing Resnais talking with Seyrig alone. Provenance stamps and annotations in manuscript ink on the versos.<br /> <br /> An enigmatic dreamlike film about an unnamed man and woman who meet at a party where he insists they have met before and she that they haven't. <br /> <br /> Shot on location in Germany and France. <br /> <br /> 7 x 9.5 inches. About Near Fine with faint toning on the edges. <br /> <br /> Criterion Collection 478. Ebert I. Godard Histoires du cinema. Rosenbaum 1000. Schrader 25. Vogel Film as Subversive Art. N.p. unknown
1966141085N.p.: Europa Film 1966. Vintage pressbook for the 1966 film. In the wake of the Spanish Civil War a communist exile continues his anti-Franco activities from his new Paris home. The film follows his disillusionment with the revolution and its questionable tactics. Nominated for an Academy Award for Best Screenplay. <br/><br/>Two pages saddle stapled 10 x 12 inches. Near Fine with a small holograph graphite notation to the recto. Europa Film unknown books
1970152357N.p.: N.p. 1970. Collection of three vintage borderless reference photographs from the 1970 French film. With provenance stamps to the verso and one with the stamp of Editions de Minuit publishing house. <br/><br/>A group of French students experience a variety of unusual and erotic experiences after sampling a mysterious Dutch man's hallucinogenic "fear powder." <br/><br/>Shot on location in Tunisia and Slovakia. <br/><br/>Two photographs 9.25 x 7 inches one photograph 9.5 x 7 inches. Generally Very Good plus lightly edgeworn. N.p. unknown books
1971WRCLIT57601Kentfield CA: The Allen Press 1971. Quarto. Decorated boards. Illustrations. Fine. One of 140 copies set and printed by hand in Univers and Garamond types on Wookey Hole handmade paper. Illustrated with drawings by Michéle Forgeois and with an introduction by Francis Carmody. The translation is by Richard Howard. ALLEN PRESS BIBLIOGRAPHY 36. The Allen Press hardcover books
1945WB17759Paris: Correa 1945. First Edition. Paperback. Near Fine. Original wrappers. Inscribed to Somerset Maugham by the author in the year of publication. One of a handful of copies printed H.C. <br/><br/> Correa paperback books
19917762Rodez: Editions du Rouergue 1991. Quarto x cm. 315 2 pages. Index. Illustrated from photographs by Willy Bplanalp recipe photographs & Alain Willaume countryside photographs. FIRST EDITION. Michel Bras' iconic first cookbook covering his cuisine of the Midi-Pyrenees from his restaurant in Laguiole and with images of the surrounding countryside. There is a section on regional wines as well as one on local edible plants with color drawings illustrating flowers. Bras 1946-present was an early promoter of the foraging movement wandering the Midi-Pyrenees in search of herbs and edible plants to use in his Nouvelle Cuisine. In publisher's gray cloth titled in silver; original dust jacket. Neat ownership signature of an esteemed collector to free front endpaper otherwise fine. Editions du Rouergue hardcover books
198637103Oakville Ontario: Mosaic Press 1986. First edition. Hardcover. g. Folio. 496 4 476 2pp. Original illustrated dust-jacket over black cloth with gold lettering on spine and front cover. A two-volume monograph on the art and life of Mihail Chemiakin through 1985. Volume 1 describes the artist's early years in Leningrad St. Petersburg his artistic theories and early drawings still lifes illustrations and portraits along with photographs of the "happenings" in Chemiakin's studio and on the streets of Leningrad; his forced departure for France and his life and work there. Volume 2 is dedicated to Chemiakin's series of "Transformations" - reinterpretations of existing art works or artifacts; and to his first five years in the United States where he continued to experiment with new techniques and themes creating series of works in pastel on black paper and large textured paintings. Throughout the two volumes Chemiakin comments extensively on his own work and on the work of his contemporaries both Russian and European. This set is profusely illustrated with 980 color and 405 b/w illustrations. Dust-jackets creased with sporadic closed tears along edges. Shelf wear. DJ in overall fair to good bindings and interior in good condition. Mosaic Press hardcover
16-4767Saint Paul de Vence: August 17 1984. 7 silver prints. plus a contact sheet. 17 x 13 cm. All Ssgned and 1 dated 1.4.85 verso. Includes Chagall's son David McNeil his grandson Piet Meyer his granddaughter Bella Meyer and various dignitaries. Alain Cinquini:L'Est Républicain - 04 nov. 2012 : Tout commence quand il tombe sur Yves Montand Paul Newman et leurs femmes respectives. « Je suis allé leur demander pour faire une photo. Newman n’a pas voulu. Simone Signoret m’a dit que c’était bien d’avoir demandé… Montand a compris que je serai là à la sortie du restaurant et a quasiment organisé une séance en montrant la montagne à Paul Newman. ».Alain Cinquini a sa première photo de stars. Qu’il n’exploite pas durant plusieurs jours. C’est sur les conseils d’un copain qu’il prend enfin contact avec l’agence Gamma. Le début d’une belle carrière.En un quart de siècle Alain Cinquini prendra entre 80.000 et 100.000 clichés de stars parmi les plus grandes devenant l’un des photographes indépendants incontournables du sud de la France et de Monaco. Il entretiendra des relations privilégiées avec des vedettes du cinéma et des artistes comme Armand ou César entre autres. Bref un parcours exemplaire au cours duquel il ne volera jamais une image et ne violera jamais l’intimité de ses « clients ». Tout l’inverse des paparazzis au sens où on l’entend aujourd’hui : « J’ai une façon de travailler dans le respect des personnes sans doute parce que j’ai été élevé ainsi. Certains de mes collègues se demandaient parfois comment j’arrivais à avoir certaines photos. C’était simplement parce que j’étais bien vu que je faisais mon boulot correctement. Et avec correction… Avoir une bonne réputation dans ce milieu-là ça compte ça ouvre des portes. Expertise by: David ZERBIB : 24 Av. du Prado 13006 Marseille France; Paul BENARROCHE 8 boulevard Alphonse Daudet 13960 SAUSSET les PINS06 10 25 64 93 Saint Paul de Vence: August 17, 1984 unknown
200450419N.p: Alain Ducasse 2004. Hardcover. Very good/Very good. N.p: Alain Ducasse 2004. Inscribed and signed by the author. Copious full color illustrations. 1079 pp. Hardcover. Thick heavy folio. Burgundy cloth. There are no noticeable flaws in the book; the dust wrapper has a small crease at the foot of the spine. A lovely gift-worthy copy. Very good/Very good. Insurance required to ship this item. Alain Ducasse hardcover books
19723117112PAIS: Editions Seghers. Very Good with no dust jacket. 1972. First Edition; First Printing. Softcover. Editions Seghers paperback
16-5932Rome: circa 1950s. 21 x 25 cm. Signatures and musical notations on right hadn side. On left hand side the names written by the likely recipient Rome: circa 1950s. unknown
1969149633Paris: Fox Europa 1969. Vintage borderless reference photograph from the 1969 French film showing director Henri Verneuil actor Alain Delon and other members of the cast and crew on a constructed set used for the airplane flight sequence in the film. With two provenance stamps on the verso.<br/><br/>Based on the 1967 novel by Auguste Le Breton about a small Mafia family planning to steal a collection of diamonds while being pursued by a police commissioner. <br/><br/>Set and shot on location in Rome New York and Paris.<br/><br/>9 x 6.5 inches. Very Good plus lightly creased throughout.<br/><br/>Grant US. Lee The Heist Film. Fox Europa unknown books
1972149967N.p.: N.p. 1972. Four borderless reference photographs one oversize of Jean-Pierre Melville Catherine Deneuve Alain Delon and Richard Crenna on the set of and on location for the 1972 film.<br/><br/>A police detective played by Delon in a switch from his usual criminal roles in Melville pictures is on the trail of a gang of thieves unaware that they are led by a friend. Melville's final film. <br/><br/>Shot on location in Paris and Bordeaux France.<br/><br/>Oversize photo 11.5 x 8.25 inches. Other photos variously from 9 x 7 inches to 10.5 x 7.25 inches. Near Fine. <br/><br/>Grant France. Selby France. Spicer France. N.p. unknown books
1819216619London : printed for Thomas McLean; John Bumpus; W. H. Reid; John Brumby; and Priestley and Weale 1819. 1st Edition in this form. Hardback. Finely bound in the original full gilt-blocked aniline calf. Professionally rebacked. Very impressively finished. Spine compartments uniformly tooled. Panel edges slightly dulled and rubbed as with age. Internally pages are very clean and bright with some scattered marginal dust marks. Remains particularly well-preserved overall. Provenance: From the library of Joseph Maynard with his armorial bookplate to front pastedown. Further scans images etc. and additional bibliographical material available on request. ; 8vo 8"" - 9"" tall; 0 pages; Physical description: 3 v. : colour plates ; 22 cm. Genre: French literature -- Translations into English. Notes: Plates dated 1 July 1819. This edition probably intended to outdo Mawman's of the same year in which the plates are dated 1 January. London : printed for Thomas McLean; John Bumpus; W. H. Reid; John Brumby; and Priestley and Weale hardcover
192794853New York: Harper & Brothers 1927. 1st ed. Hardcover. Very Good. Aaron Douglas. 7 photos including frontis 8 full-page illustrations by Aaron Douglas who also did some smalll designs that appear at the beginning of each play 430p. Old rebind in red leather with five faux hubs on backstrip and the addition of rather active marbled endpapers. 22 cm. Extremities rather rubbed including corners the faux hubs amd the edges all edges of backstrip. Former owner's name on first blank leaf. Contents somewhat browned throughout but otherwise sound and clean. This book has always seemed a bit less common than many of the other desirable titles from the Harlem Renaissance but that often seems to be the case for books with plays rather than fiction.Ten of the twenty plays are by African Americans including an early play "Sahdji" by Richard Bruce now remenbered as Richard Bruce Nugent.The other ten are by white authors such as Ridgely Torrence Eugene O'Neill and Paul Green. Harper & Brothers hardcover
