Saint-Ogan AlainLivre Rare Book
41 311 résultats
1966RO80238126Stock. 1966. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 208 pages de bandes-dessinées en couleurs. Jaquette en bon état.. Avec Jaquette. . . Classification Dewey : 843.061-Albums BD
1988I-203-084Futuropolis 1988. Hardcover. Good. Former library book. Refurbished library book. Ammareal gives back up to 15% of this item's net price to charity organizations. Futuropolis hardcover
BN324286Futuropolis. Hardcover. Zig et Puce volume 4 : 1933-1934 <br/><br/>Zig et Puce volume 4 : 1933-1934 Alain Saint-Ogan Futuropolis hardcover
2723420981.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2723421007.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2723427013.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
272342099X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
272341941X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2723418790.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2723418804.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1995140223064Glénat 1995-01-01. Hardcover. New. Glénat hardcover
1973qi2244Editions G. P. Rouge et Or Album cartonné 1973 In-4 (23,5 x 32 cm), album cartonné, 33 pages, photographies en couleurs, envoi des auteurs ; quelques petites traces et marques d'usage sur les plats, pelliculage un peu usé et brunissures à la charnière au premier plat, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1973R260196572Rouge et Or. 1973. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 35 pages augmentées de nombreuses photos en couleurs dans et hors texte;. . . . Classification Dewey : 840.091-XX ème siècle
1973RO70042929G.P Collection Rouge et Or. 1973. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 33 pages illustrées de très nombreuses photographies couleur. . . . Classification Dewey : 843.0692-Livres d'enfants
1999BN12917Müller Rüschlikon 1999. 1999. Hardcover. Confiture - süße Natur Momente des Glücks!Lassen Sie sich verführen von den Kreationen eines großen Meisters und den wunderschönen Fotografien!100 Rezepte - Klassiker wie Aprikosenconfiture und Quittenmarmelade weniger bekannte wie Schokoladenconfiture oder Apfelgelee mit Vanille und ganz außergewöhnliche wie Rosengelee und Confituren aus Zwiebeln Milch oder Gewürzen. Lassen Sie sich überraschen!Alain Furet führt Sie in seine Geheimnisse einDas Vorbereiten der Früchte das Einkochen mit Zucker sowie das Einfüllen und das Haltbarmachen. Jeder Schritt ist genau erklärt und mit Bildern unterstützt. So ist das sichere Gelingen beim Nachkochen garantiert."Schon bei den Namen "Kaktusfeigen-" und "Mandelmilch-Konfitüre" oder "Schokoladen-Gelee" läuft einem das Wasser im Mund zusammen." Frau im Spiegel 32/2000 vom 2. August 2000 <br/><br/>Confiture - süße Natur Momente des Glücks!Lassen Sie sich verführen von den Kreationen eines großen Meisters und den wunderschönen Fotografien!100 Rezepte - Klassiker wie Aprikosenconfiture und Quittenmarmelade weniger bekannte wie Schokoladenconfiture oder Apfelgelee mit Vanille und ganz außergewöhnliche wie Rosengelee und Confituren aus Zwiebeln Milch oder Gewürzen. Lassen Sie sich überraschen!Alain Furet führt Sie in seine Geheimnisse einDas Vorbereiten der Früchte das Einkochen mit Zucker sowie das Einfüllen und das Haltbarmachen. Jeder Schritt ist genau erklärt und mit Bildern unterstützt. So ist das sichere Gelingen beim Nachkochen garantiert."Schon bei den Namen "Kaktusfeigen-" und "Mandelmilch-Konfitüre" oder "Schokoladen-Gelee" läuft einem das Wasser im Mund zusammen." Frau im Spiegel 32/2000 vom 2. August 2000 Müller Rüschlikon hardcover
20045182Paris Editions SDE 2004 547 pages in-8. 2004. broché. 547 pages. In-8 broché (209x145 mm) 547 pages. Couverture en état correct avec des plissements notamment au dos. Intérieur propre avec des coins cornés. Poids : 780 gr
1978RO80015136HACHETTE REALITES. 1978. In-4. Cartonnage d'éditeurs. Très bon état, Couv. fraîche, Dos satisfaisant, Intérieur frais. 149 pages. Nombreuses photos en couleurs, hors-texte; et noir et blanc dans le texte. Quelques dessins en bordeaux et blanc. Reliure pleine toile grise, avec illustrations bordeaux sur le 1er plat de couverture.. Avec Jaquette. . . Classification Dewey : 960-Histoire générale de l'Afrique
1978kk1096Toile d'éditeur 1978 In-4°, toile d'éditeur de couleur beige sous jaquette illustrée en couleurs, 149 pp., importante iconographie in et pleine page ; à l'état neuf. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
197869193Hachette Réalités 1978 In-8 relié. 152 pages. Très bon état d’occasion.
1988112472Paris Perrin, coll. "Terres des femmes" 1988 1 vol. Broché in-8, broché, couverture illustrée, 277 pp., 16 planches hors-texte. En excellente condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1988112472Paris Perrin, coll. "Terres des femmes" 1988 1 vol. Broché in-8, broché, couverture illustrée, 277 pp., 16 planches hors-texte. En excellente condition. Exemplaire provenant de la bibliothèque d'Alain Resnais.
IXY-982Préfaces de René Le Bihan et Alain Vanier. Coll. «Penta», L’Harmattan, 2007, 87 p. + cahier central hors-texte 8 p. (reproductions couleurs de 8 œuvres d’Yves Tanguy), bibliographie. Broché. 13,5 x 21,5 cm.
73-2192St. Paul: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. St. Paul: Alain Cinquini, 1996 unknown
73-2011Cannes: Alain Cinquini 1997. 22x15 cm. Color photo. Very Good.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Cannes: Alain Cinquini, 1997 unknown
73-2914Monaco: Alain Cinquini 1998. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1998 unknown
