41 308 résultats
117206Sans mention de date ou d'éditeur, 32 p., broché, environ 22x13cm, broché, couverture un peu salie, bordure de la dernière page fendillée, bon état pour le reste.
EPB7JBParis, imprimerie lΓÇÖëmancipatrice, [1915]. Une brochure de 32pp. ëdition originale sur papier dΓÇÖd., dont il nΓÇÖa pas t annonc de grand papier.
195571810Paris: Paul Hartmann 1955. Fine. Paul Hartmann Paris 1955 11.50 x 16 cm broché First edition one of 20 numbered copies on Rives vellum deluxe copy. Handsome copy. Paul Hartmann hardcover
191553868Paris: L'Emancipatrice 1915. Fine. L'Emancipatrice Paris 1915 13.50 x 21.50 cm agrafé First edition published in a small number of copies of which there were no deluxe copies. Handsome copy despite the covers being slightly and marginally sunned without consequence. L'Emancipatrice unknown
191553867Paris: L'Emancipatrice 1915. Fine. L'Emancipatrice Paris 1915 13.50 x 21.50 cm agrafé First edition for which there were no large paper copies. Autograph inscription from Alain to Jean Texcier. A good copy despite a small spot to foot of lower cover. L'Emancipatrice unknown
1963123587Paris Editions CIB 1963 1 vol. broché in-8, broché, 231 pp., photos en noir. Dos passé, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
1963123587Paris Editions CIB 1963 1 vol. broché in-8, broché, 231 pp., photos en noir. Dos passé, sinon en très bon état. Exemplaire provenant de la bibliothèque d'Alain Resnais.
500289379Cercle du bibliophile Sans date.
500289396Cercle du bibliophile Sans date.
71-8343Paris: Alain Paviot 1996. 4to. 95 pp. Hard Cover. Blue cloth with white printing. With Dust Jacket. Duotone plates throughout. Artists included are Constantin Brancusi Fox Talbot Eugene Atget Dora Maar Arthur Siegel Franz Roh Edouard Boubat Brassai Camille Corot and many others. Very Good minor shelf wear. Paris: Alain Paviot, 1996. hardcover
1996025587Alain Paviot Paris 1996. Book. Very Good. Cloth. 40 duotone illustrations. A bump to the lower right-hand corner with significant sunning to the spine and adjacent portions of the front and rear panels of the dustjacket cover. Else the binding is secure with a clean and unmarked interior. Text is in French. Catalogue of photographs all handsomely printed by a variety of artists including Constantin Brancusi Fox Talbot Eugene Atget Dora Maar Arthur Siegel Franz Roh Edouard Boubat Brassai Camille Corot and many others. Alain Paviot, Paris Hardcover
1997002321Paris: Alain Paviot 1997. 40 images full-page. First Edition. Cloth. Fine/Fine. 4to. Alain Paviot Hardcover
19971134971997 Editions Isabelle Boisgirard, Association Hernando Vines - 1997 - Fort in-4, cartonnage toilé noir avec titre noir sur le premier plat, sous jaquette illustrée en couleurs - 418 p. - Nombreuses illustrations en couleurs in-texte et hors-texte
2003853682003 Association Hernando Vines - 2003 - In-4, broché - 112 p. - Nombreuses reproductions des fusains et crayons gras de l'artiste, en N&B, pleines pages
2001853692001 Association Hernando Vines - 2001 - In-4, broché - 184 p. - Nombreuses reproductions des mines de plomb, fusains et crayons gras de l'artiste, en N&B, pleines pages
200113327Monographie avec de nombreuses reproductions des dessins de Hermando VINES.Paris, Association Hermando Vines - 2001 - 184 pages.Broché sous couverture illustrée. Tampon. Très bon état. Format in-4°(27x21).
1987106233Paris Editions du Valhermeil 1987 1 vol. relié in-4, cartonnage éditeur, jaquette illustrée, 223 pp., nombreuses reproductions en noir et en couleurs. Jaquette un peu jaunie et dépelliculée en bordure, sinon bonne condition.
1987106233Paris Editions du Valhermeil 1987 1 vol. relié in-4, cartonnage éditeur, jaquette illustrée, 223 pp., nombreuses reproductions en noir et en couleurs. Jaquette un peu jaunie et dépelliculée en bordure, sinon bonne condition.
053347Editions du Valhermeil 1987 in 4 (30x23) 1 volume reliure toilée verte de l'éditeur sous jaquette illustrée en couleurs, 223 pages, avec de nombreuses illustrations en noir et blanc, et en couleur. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
1987R240090266VALHERMEIL. 1987. In-4. Relié. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 223 pages - nombreuses illustrations en couleurs et en noir et blanc dans et hors texte - jaquette conservée, petit déchirure en tête sur le 1er plat .. Avec Jaquette. . . Classification Dewey : 750-La peinture et les peintres
2092902141000658Valhermeil N.A. Soft Cover. Fine. Size: A4 Valhermeil paperback
1987004406Paris: Valhermeil 1987. First Edition First Printing. Hardcover. Very Good /Very Good -. 223pp. including bibliographie choisie and repetoire des noms cites. illus. some color. 29 cm. 4to. Hardcover. Publisher's original green cloth over boards stamped in blue to spine. Book Condition: faint signs of handling else fine; interior unmarked and unmarred. Dust Jacket Condition: wear to the extremities including some peeling laminate and chipping with loss creases to both flaps. Additional title: Sur les chemins de Vincent van Gogh 20 mai-29 juillet 1890. May 20th to July 29 1890 at the area of France known as Auvers-sur-Oise was Van Gogh's explosive period of creative output that in the end produced over 70 paintings; including most of the paintings we think of when we think of him. <br/><br/> Valhermeil hardcover
73-2702Monaco: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1996 unknown
73-2701Monaco: Alain Cinquini 1996. 22x15 cm. Color photo. Very Good. Includes magazine clipping about Sandrine Kiberlain on back.Alain Cinquini 1941-2021 photographerL'Est Républicain - Nov. 04 2012: Article on Alain Cinquini It all started when he came across Yves Montand Paul Newman and their respective wives. "I went to ask them to take a picture. Newman didn't want to. Simone Signoret told me that it was good to have asked. Montand understood that I would be there at the exit of the restaurant and practically organized a session by showing the mountain to Paul Newman. .Alain Cinquini takes his first photo of stars; that he does not exhibit for several days. It was on the advice of a friend that he finally made contact with the Gamma agency. The beginning of a great career. In a quarter o a century Alain Cinquini will take between 80000 and 100000 shots of the greatest stars becoming one of the essential independent photographers in the south of France and Monaco. He will maintain privileged relations with stars cinema and artists like Armand or César among others. In short an exemplary career during which he will never steal an image and will never violate the privacy of his clients." Quite the opposite of the paparazzi as we understand it today: "I have a way of working with respect for people probably because I was brought up that way. Some of my colleagues sometimes wondered how I managed to get certain photos. It was simply because I was seen well that I was doing my job correctly. And with correction. Having a good reputation in this environment it counts it opens doors. Monaco: Alain Cinquini, 1996 unknown
214049623X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
