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1977114971Paris: Le Collet de Buffle 1977. Inscribed to Francis Bacon First and limited edition number 312 of 530 copies. Presentation copy to Francis Bacon inscribed by the author and signed by the artist on the title page: "Pour Francis Bacon en espérant qu'un jour très prochain nous travaillions à quelque chose de moins abstrait sur son uvre avec l'admiration et l'amitié de Michel Couturier R. Groborne" title page. In 1975 Bacon gave Couturier a lengthy interview which was broadcast that same year on French national radio. Octavo. Black and white etchings by Robert Groborne. Original white wrappers. With dust jacket. Faint dampstaining to bottom edges of wrappers. An excellent copy in jacket with light vertical mark to front panel. unknown
104405Arthur L. Humphries. London. 1911. Arthur L. Humphries. 1911. First edition thus. Small square 12mo. 14.5 x 12cm. Extra ornately illustrated title. Very handsomely bound by Hatchards of Piccadilly in full blue crushed morocco gilt. Top edge of pages gilt. Boards slightly marked upper joint rubbed spind sunned. A very clean and fresh copy no inscriptions. hardcover
19298129London 1929. Folding map 42.5 x 71 cm printed in colours laid on linen as issued a couple of trivial rust spots from staples folding into stiff blue paper wraps a little rubbed with street index tipped in. Map paperback
52100London: G. W. Bacon & Co. Ltd. 30 Museum Street 1948. Map dimensions 38 x 67 cm overall dimensions 42 x 71 cm. Folding plan of the City on a scale of 12 inches to the mile. The plan shows the extents from Farringdon down to Southwark and Aldgate across to Aldwych. The whole backed on linen folding into original brown printed card wrapper with Underground map printed on verso 16 pp. Index booklet to inner cover A serial number y/8 appears next to the copyright at the bottom left margin presumably 1948. Certainly a post war issue as it highlights "Blitzed City Areas" Cf. Boyle 445. London: G. W. Bacon & Co. Ltd., 30 Museum Street [1948] unknown
43274London: G. W. Bacon & Co. Ltd. 30 Museum Street 1948. Map dimensions 38 x 67 cm overall dimensions 42 x 71 cm. Folding plan of the City on a scale of 12 inches to the mile. The plan shows the extents from Farringdon down to Southwark and Aldgate across to Aldwych. The whole backed on linen folding into original brown printed card wrapper with Underground map printed on verso 16 pp. Index booklet to inner cover A fine copy. A serial number y/8 appears next to the copyright at the bottom left margin presumably 1948. Certainly a post war issue as it highlights "Blitzed City Areas" Cf. Boyle 445. London: G. W. Bacon & Co. Ltd., 30 Museum Street [1948] unknown
38267London: G. W. Bacon & Co. Ltd. Norwich Street Fetter Lane EC4. c. 1931. Map dimensions 92 x 132 cm excluding table to right margin overall dimensions 100 x 149 cm. Large folding map of London and the surrounding regions covering the extents from Hoddesdon down to Reigate and Canvey Island across to Windsor. Bright original colour marking out the counties boroughs districts and parishes. The map divided into three mile squares numbered and lettered at the borders the grid references corresponding to a large index of local authorities found at the right margin. Printed over four conjoined sheets the whole divided into 28 sections and mounted on linen. Folds into orginal dark green cloth slipcase gilt lettered to the upper board. Marbled paper to folded end sections on linen verso. The slipcase slightly worn at extremities one of the lower joints cracked at the upper edge. The map in excellent condition. The Northern Line extension from Clapham Common to Morden opened 1926 is marked on the map. Park Royal & Twyford Abbey Station on the District now Piccadilly Line is also shown the station was closed in mid 1931. Stations along the eastern extent of the District Line between Barking and Upminster re-opened 1932 such as Upney and Becontree are not shown. London: G. W. Bacon & Co. Ltd. Norwich Street, Fetter Lane, EC4. [c. 1931] hardcover
191952295New York: George H. Doran. Very Good- with no dust jacket. 1919. First US Edition. Hardback. Two volume hardback set bound in publisher's original green cloth gilt lettering tarnished both vols. split at head of spine; Pages lightly age-toned rough-cut edges slight offsetting on endpapers appears as though some uncut pages have been separated manually causing some tears to page edges includes 78 B&W plates 16 illustrations/plans in text and 2 large fold-out maps; Binding tight. The Dover Patrol was a Royal Navy command of the First World War primarily tasked with preventing German supply submarines from entering the English Channel en route to the Atlantic Ocean.; 6 x 8.75"; 370 346 pages . George H. Doran hardcover
19692481New York: A Helen and Kurt Wolff Book/ Harcourt Brace & World Inc 1969. Quarter cloth paper boards. Very Good. FIRST US EDITION SIGNED BY AUTHOR with TLS & hand-written postcard. 8vo. Quarter green cloth spine lettered and decorated in black and green grey boards with black-stamped decoration to upper board. Green top edge mostly faded. Pushing to spine ends bands of sunning to board edges dint to bottom edge. Signed by Bryher to ffep with "Best wishes from" else clean and tight. Two-page folded TLS and hand-written postcard featuring puffins laid in. In Paul Bacon's original illustrated dust jacket: spine gently darkened gently toned and soiled edges creased closed tear to rear panel. Still a lovely tight copy of Bryher's final novel. Unusual especially signed and with a TLS and hand-written postcard. Seemingly Mr J H Fall's copy the addressee of both the TLS and postcard. On Villa Kenwin-headed paper and written shortly after its publication Bryher discusses her novel advising Fall that "You never need feel you have to like the book." The letter also covered her liking of Akenside the change in approach to the T.L.S. and that she'd take In Aleppo Once "if it seems at all interesting". Dated three years later the postcard briefly outlines the novelist's travel plans: from a "wonderful week in the Scillies" she returned to London and then on to Kenwin: even in her seventies the novelist continued to travel. Bryher had deep emotional ties to both Switzerland the location of her Bauhaus-style home Villa Kenwin and the Isles of Scilly where she owned a daffodil farm and from which she had borrowed her adopted name. Perhaps indicating a note of formality both documents are signed "Winifred Bryher". Bryher and H.D. had long used Bumpus for sourcing books: perhaps Fall was a bookseller A Helen and Kurt Wolff Book/ Harcourt, Brace & World, Inc hardcover
228883 and 7 September 1866. Both from 60 Lincolns Inn Fields London. Both in good condition lightly aged with thin strip from mount adhering and crease lines from folding. Two excellent long letters in Spedding's neat and close hand full of content regarding the relationship between Victorian author publisher and reader. The topic is Spedding's preparation for the publication of his pamphlet 'Publishers and Authors' London: J. R. Smith 1867. Both letters addressed to 'My dear Mervivale'. ONE: 3 September 1866. 4pp 18mo. On a bifolium. A 'communication from America . about 3 months since' has put into his head an old paper of his 'gathering dust in a drawer' regarding 'the complaints of the buyer and reader against the publisher and bookseller for the many inconveniences to which they put him without sufficient reason by the conditions under which they supply him with the books he wants'. Speeding has been informed by 'Donne' that Merivale has 'studied and preserved your publishing accounts in which case you may be able to supply me with a fact or two in illustration' for a second paper he is writing. He describes the history of the paper: 'About 4 years ago the contemplation of Longmans' proceedings suggested to me some remarks upon the subject of publishing generally - which I offered to Froude i.e. J. A. Froude as editor of Fraser's Magazine under the title "Proposals for a better understanding between book-publishers and book-buyers by one who buys books to read." But he felt it his duty to shew it first to old Parker; the Cambridge bookseller J. W. Parker who interposed an emphatic veto. And Tom Hughes tried it afterwards with Macmillan with no better success.' He proceeds to discuss 'the "half-profits" bargain which I had understood to be the one usually offered here to untried authors' and 'the "Royalty" system' 'which was new to me'. Having heard that the Fortnightly Review was 'not under domination of any publisher' he has sent his second paper to the editor G. H. Lewes George Eliot's husband who 'though he agrees with me and wants the question to be agitated does not feel justified in exposing other people's property to the damage which he thinks it would cause - through the hostility which it would certainly excite in the general body of publishers'. Spedding proposes to print the two papers himself 'in a handsome little volume fit to lie on a drawing-room table and to circulate it as widely as I can perhaps with the title "Forbidden Questions - concerning Publishers Authors booksellers purchasers and readers."' He ends by discussing a suggestion from Lewes on how to strengthen his case. TWO: 8pp 18mo. On two bifoliums. He begins by explaining that the time 'was never less convenient . for paying visits' as he is 'preparing for a migration'. He explains at length the problems he faces in this regard with reference to his family before turning to Merivale's accounts and a discussion - with hypothetical examples - of 'the amount of profit which the publisher has a right to expect' again with relation to the 'royalty' and 'half-profit' systems. He does not express an opinion his desire being to bring the matter 'into the light'. He cites a case in which 'the author had a right to be warned' and remarks: 'I gather from what you say that if you had known as much when you made your first bargaimn as you do now you would have proceded differently.' He concludes in the hope that 'a few specimens would serve to put authors on their guard and warn them to prefer a form of agreement which does not leave room for deception: which is manifestly practicable: and though it would leave with the richer party the divine right of having the best of the bargain would nevertheless make the poorer less helpless and better aware of what he is about'. 3 and 7 September 1866. Both from 60 Lincolns Inn Fields [London]. unknown
2015x-1472579941Bloomsbury USA Academic 2015. Hardcover. New. 222 pages. 9.25x6.25x0.75 inches. Bloomsbury USA Academic hardcover
2004DADAX1405114347Wiley-Blackwell 21/04/2004. 1. hardcover. New. 6.49x0.90x9.64. Buy with confidence. Excellent Customer Service & Return policy. Wiley-Blackwell hardcover
1837228In -8 reliure de plein chagrin brun. Dos richement orné de fers romantiques dorés, Encadrements et motifs en angles des plats estampés à froid avec au centre motif doré sur le premier plat aux initiales D. M. , second plat au même ornement et couronne dorés. Reliure dorée sur les trois tranches. 4ff. -216 p. 26 gravures hors –texte sur papier fort dont plusieurs « Marines » , page de titre illustrée. Ed. Belloye, Desme et Cie et Librairie Delloye , Paris, 1837.
2019BN170224WHITE RIVER PR 2019. 2019. Softcover. The Bacon House at Desert Mountain: An Homage to Early Modernism <br/><br/>The Bacon House at Desert Mountain: An Homage to Early Modernism Robert J. Bacon WHITE RIVER PR paperback
440242M. Jones. Hardcover. Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. The Works Of Francis Bacon Baron Verulam Viscount St. Alban And Lord High Chancellor Of England.A New Edition.London: Printed For M. Jones.1818We have here nine of a possible twelve volumes of this new edition of The Works Of Francis Bacon. Their titles are as follows:Volume The Second - Containing Miscellaneous Writings In Philosophy Morality and Religion Vol IVolume The Fourth - Containing Novum Organum Scientiarum Vol IVolume The Fif M. Jones. hardcover
5539365-nnew. unknown
20189780999432457-2025Pixel Titles 2018. Hardcover. New/New. <p><strong>Author:</strong> Beth Bacon Jason Grube Corianton Hale</p><p><strong>Publisher:</strong> Pixel Titles</p><p><strong>Binding:</strong> Hardcover</p><p><strong>ISBN:</strong> 9780999432457</p><p><strong>Release Date:</strong> 2018</p><p><strong>Number Of Pages:</strong> 148</p><p><strong>Details:</strong> Most bad books are happy hanging out at rummage sales. Not this bad book. Its goal is to be featured in its library's Banned Books List. Problem is no one seems to notice. until the book teams up with its boisterous readers. Together the book and its readers shout sing and wiggle their way into the attention of a local librarian. Will the book see its cover on the library wall. or will it end up in the recycling bin Full of bold colorful graphics and laugh-out-loud humor The Worst Book Ever is another high-lo book for reluctant readers by Beth Bacon. Uses meta-storytelling and interactivity to get kids laughing dancing shouting--and reading. Ideal for read-alouds story time as well as independent reading for children who are beginning to intermediate reluctant readers. Like Beth Bacon's other books I Hate Reading The Book No One Wants To Read and Blank Space this book helps make reading fun.</p> Pixel Titles hardcover
1766500045662London: T Osborne J Worrall and Co; A Millar; H Woodfall et al 1766. First Thus. . Hardcover. Poor. Folio. Volume 5 only L-Z. A reading copy only. Spine has only litle remains of leather and bands covers scuffed with very little remaining of marbling to boards.Boards detached ex Chester Law Library 544pp index. Earlier than the editions in The British Library <br/> <br/> T Osborne, J Worrall and Co; A Millar; H Woodfall et al hardcover
19072127London: Arthur L. Humphreys 1907. First edition thus. First edition thus. 12mo. Attractive full brown crushed morocco binding by Harcourt Bindery signed in pallet front dentelle with gilt border designs on covers and spine gilt dentelles. Slight wear to margins of spine else near fine. <br/><br/> Arthur L. Humphreys unknown books
1706028145London: Printed by H. Clark for R. Chiswell 1706. Octavo. . hand-colored frontispiece and nine other hand colored plates pictorial title page in red and black xii 308 pages. In the middle of the 19th century there was a taste for humor with issues of Punch and in books by Lewis Carroll and Gilbert A Beckett which often had symbolical or allegorical overtones. The puns in this volume often bring a hidden delight along with the ten etched engravings by John Leech all of which are hand colored. Cicero Denouncing Cataline is issued as a frontispiece instead of at the end of the book. Bound in 3/4 red polished calf over marbled paper covered boards with matching endpapers all edges marbled raised bands with lettering gilt and compartments fully gilt decorated edges rubbed. A clean bright copy without foxing names or bookplates. Printed by H. Clark, for R. Chiswell unknown books
19072127London: Arthur L. Humphreys 1907. First edition thus. First edition thus. 12mo. Attractive full brown crushed moroco binding by Harcourt Bindery signed in pallet front dentelle with gilt border designs on covers and spine gilt dentelles. Slight wear to margins of spine else near fine. Arthur L. Humphreys unknown
198821025Gillette NJ: Heptangel Books 1988. First edition. Hardcover. Very good/very good. Thin octavo standard size. Slight wear to edges and corners of boards and dust jacket. Dust jacket has a few smudges. Boards and spine have some light spotting and scuffing. Slight siling to top edges fo text block. Interior near fine. 96 pages letterpress printed in rich thick Old English gothic font with red and blue capitals and index. This is a modern translation of De Nigromancia Concerning the Black Art a Latin manuscript falsely attributed to Bacon which appeared in the 16th c. The work is primarily concerned with summonings of wraiths demons and other hellish beings. <br/><br/> Heptangel Books hardcover
1935163757N.p.: N.p. 1935. Vintage studio still photograph from the 1936 film showing dozens of women piano players in two vertical rows. Dutch distributor label annotations in manuscript ink and provenance stamps on the versos.<br /> <br /> Two theatre investors lose the funds for their latest production in the stock market leading a former chorus girl to suggest they insure an elderly sickly stage producer for one million dollars in order to recoup their losses when he dies.<br /> <br /> Set in New York. <br /> <br /> 10 x 8 inches. Very Good plus with light creasing at the corners. N.p. unknown
1991293644Barbara Cash 1991. Numbered. Paper Back. Near Fine. No. 89 of 100 copies signed by the publisher on the limitation page. 12mo in teal wraps sewn binding text block on Hayle paper the wraps are St. Armand. The second leaf has an arrangement of dried pressed flowers. The book is As New. The lavender solander box has some light stains on the top board. Barbara Cash unknown
1953137487Universal City CA: Universal Pictures 1953. Revised final script for the 1953 film "The Great Sioux Uprising" seen here as "Sioux Uprising." <br/><br/>Though very loosely based on true events surrounding the two-year Red Cloud's War during which a Cheyenne Native American chief repeatedly attacked US forces in an effort to stem the flow of White settlers this film centers around a white man who attempts to help a Sioux tribe retrieve a large number of stolen horses white attempting to convince them to join up with the Union soldiers instead of the Confederates. Shot on location in Oregon with a cast partly comprised of local Native Americans. <br/><br/>Tan titled wrappers noted as REVISED FINAL SCREENPLAY on the front wrapper dated September 3 1952. Title page present with credits for screenwriters Levy and Gill. 138 leaves with last page of text numbered 125. Mimeograph duplication with pink and blue revision pages throughout dated 9/22/52 and 9/15/52. Pages Near Fine wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
1948147739Los Angeles: Twentieth Century-Fox 1948. Final Draft script for the 1948 film. <br/><br/>Based on Raphael Blau's unpublished story. Widow Abby Abbott Loretta Young and her teenage daughter Susan Betty Lynn support themselves on a trust fund started from her late husband. In order to get Susan the needed funds to pay for college tuition Abby must enroll as well to get a needed scholarship and both end up falling for English professor Richard Michaels Van Johnson.<br/><br/>Nominated for an Academy Award.<br/><br/>Shot on location at the University of Nevada-Reno.<br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 186 and production No. 241 dated July 15 1948. Distribution page present with receipt removed. Title page present dated July 15 1948 noted as Final Script with credits for screenwriters Mary Loos and Richard Sale. 153 leaves with last page of text numbered 151. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with creasing and closed tears at the outer edges bound internally with three gold brads. Twentieth Century-Fox unknown books