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2024__0192899635Oxford Univ Pr 2024. Hardcover. New. 7th edition. 736 pages. 9.84x7.01x1.77 inches. Oxford Univ Pr hardcover
2023Adhya-9788770229579T&F/RIVER PUBLISHERS 2023. Hardcover. New. T&F/RIVER PUBLISHERS hardcover
2023Adhya-9788770229579T&F/RIVER PUBLISHERS 2023. Hardcover. New. T&F/RIVER PUBLISHERS hardcover
1991x-0750301155Inst of Physics Pub Inc 1991. Hardcover. New. 1st edition. 316 pages. 9.75x6.50x1.00 inches. Inst of Physics Pub Inc hardcover
2017x-1138505803Taylor & Francis 2017. Hardcover. New. 400 pages. 10.00x7.01x1.62 inches. Taylor & Francis hardcover
18981211-nnew. unknown
18981211like new. unknown
1997x-0750706155Falmer Pr 1997. Hardcover. New. 1st edition. 191 pages. 9.75x6.50x0.50 inches. Falmer Pr hardcover
190329542<p>Bureau of National Literature and Art 1903. VG/. This set is from 1903. All volumes have foxing on bottom and fore edges of pages. Volumes 1 and 2 have wear at spine ends see pictures and others have minor rubbing. No dust jackets as issued.</p> Bureau of National Literature and Art hardcover
19021337994Philadelphia PA: J.B. Lippincott & Co 1902. First Thus. Hardcover. Octavo 20 vols.; VG; three-quarter bindings of brown morocco boards in light brown cloth; spines with raised bands and gilt lettering and design; mild shelf wear and soiling; upper edges gilt; marbled end papers; previous owner's inscription at first free end paper verso; pages clean; shelved above China A-F. 1337994. Shelved Dupont Bookstore. J.B. Lippincott & Co hardcover books
177711940à Amsterdam: S. n. 1777. Fine. S. n. à Amsterdam 1777 16.50 x 9.50 cm relié New edition. Translated by Abbé Prévost with his introduction. Full marbled glazed calf binding spine with raised bands decorated. One tear to joint at headcap. ""Richardson était l'inventeur de la tragédie bourgeoise . Il a inventé ce roman où l'art consiste à négliger tous les préceptes de l'art où l'accumulation de détails étrangers à l'action où la répétition des mêmes scènes et des mêmes sentiments produisent plus d'effet que la précision le goût la justesse et l'ordre n'en ont jamais produit"" Richardson was the inventor of bourgeois tragedy . He invented this novel where art consists in neglecting all the precepts of art where the accumulation of details foreign to the action where the repetition of the same scenes and the same sentiments produce more effect than precision taste accuracy and order have ever produced. AUGUSTIN FILON Histoire de la littérature anglaise : depuis ses origines jusqu'à nos jours Paris Hachette 1883. Abbé Prévost did not content himself with translating Richardson's novel he arranged and reworked it; not liking the ending he probably rewrote it and it is this version that circulated throughout Europe and made Richardson's reputation while the original comprised 28 volumes that Prévost reduced to 8 systematically cutting the verbosity and characteristic prolixity of Richardson. NB: This work is available at the bookshop on request within 48 hours. S. n. hardcover
1997139690Stockholm: Sveriges Television SVT 1997. Three vintage color still photographs showing Ingmar Bergman on the set of his 1997 Swedish television movie which also screened at the 1998 Cannes Film Festival as part of the Un Certain Regard section. <br/><br/>Two patients at a mental hospital attempt to make and market a film. <br/><br/>8.75 x 5.75 inches. Fine. Sveriges Television [SVT] unknown books
1970152422New York: Arthur Langer Productions 1970. Draft script for an unproduced musical circa 1970. Annotation in manuscript ink on the title page noting copy No. 18.<br /> <br /> From the estate of actress Monique van Vooren. Book and lyrics written by Julian Barry screenwriter and playwright perhaps best known for his Academy Award nominated script for Bob Fosse's 1974 film "Lenny." Music written by Claibe Richardson whose most notable Broadway theatre score was for the briefly run 1971 musical adaptation of Truman Capote's 1951 novel "The Glass Harp" a production that has since developed a devoted cult following.<br /> <br /> Boston University's Howard Gotlieb Archival Research Center in their "Inventory of the Julian Barry Collection #950" records two much shorter drafts of "Escadrille" a first draft dated 7/15/66 42 pages and a second draft dated 12/31/66 63 pages. In July 1971 Arthur Langer whose production company produced the script attempted to form a partnership unsuccessfully for the purpose of producing the musical.<br /> <br /> A young Harford student travels to France in the early days of World War I to join La Fayette Escadrille flying fighters against the German forces.<br /> <br /> Teal titled wrappers. Title page present with credits for Words by: Julian Barry and Music by Claibe Richardson. 143 leaves with last page of text numbered 2-47. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with creasing and some closed tears at extremities and an inch and half tear at spine bound with two gold brads. Arthur Langer Productions unknown
1970152422New York: Arthur Langer Productions 1970. Draft script for an unproduced musical circa 1970. Annotation in holograh marker of copy number "18" on title page.<br/><br/>From the estate of actress Monique van Vooren. Book and lyrics written by Julian Barry screenwriter and playwright perhaps best known for his Academy Award nominated script for Bob Fosse's 1974 film "Lenny." Music written by Claibe Richardson whose most notable Broadway theatre score was for the briefly run 1971 musical adaptation of Truman Capote's 1951 novel "The Glass Harp" a production that has since developed a devoted cult following.<br/><br/>Boston University's Howard Gotlieb Archival Research Center in their "Inventory of the Julian Barry Collection #950" records two much shorter drafts of "Escadrille" a first draft dated 7/15/66 42 pages and a second draft dated 12/31/66 63 pages. In July 1971 Arthur Langer whose production company produced the script attempted to form a partnership unsuccessfully for the purpose of producing the musical.<br/><br/>A young Harford student Devon MacDonald travels to France in the early days of World War I to join La Fayette Escadrille flying fighters against the German forces.<br/><br/>Teal titled wrappers. Title page present with credits for Words by: Julian Barry and Music by Claibe Richardson. 143 leaves with last page of text numbered 2-47. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with creasing and some closed tears at extremities and an inch and half tear at spine bound with two gold brads. Arthur Langer Productions unknown books
192751520Annapolis MD: U.S. Naval Institute 1927. Third Edition. fair to good. 691 illus. figures tables index photos pasted inside fr bd & flyleaf ink notes inside fr bd & flyleaf bd & spine edges worn. The First Edition of this manual was published in 1920 and the Second Edition in 1922. Topics covered include football baseball crew track swimming wrestling lacrosse fencing gymnastics tennis leadership posture athletics and physical training. Pasted inside the boards are photographs of Midshipman F. E. Fleck who went on to a successful Naval career. When the Japanese attacked Pearl Harbor 7 December 1941 the USS Henley was moored in Bast Loch with battle stations manned a green sailor having sounded General Quarters instead of Quarters for Muster. This fortunate mistake gave the Henley under the command of Lieutenant Francis E. Fleck Jr. the opportunity to fire the first destroyer shots asthe initial wave of enemy planes swooped in. The Henley's gunners shot downone dive bomber with her.50 cal. guns and shared credit for another. Commanded by a junior lieutenant--both her commanding officer and executiveofficer were ashore when the attack began--the Henley dropped depth chargeson a sonar contact possibly a midget submarine outside the harbor and continued to blaze away at the enemy with her guns. Fleck with the rank ofCaptain later commanded the USS Salamonie an oiler in the mid-1950's. A graduate of the U.S. Naval Academy class of 1934 he retired with the flagrank of Rear Admiral. His decorations included the Naval Commendation Medal a Presidential Unit Citation a Bronze Star during the WWII invasion of Italy and a Silver Star during the WWII invasion of France. He died of cancer in 1990 in Waynesboro Pennsylvania. U.S. Naval Institute hardcover
1936171231101Whittet & Shepperson 1936-01-01. Unknown Binding. Good. Signed by the author Eudora Richardson and Geline Bowman who wrote the foreword Whittet & Shepperson unknown
1838396170London : C.J. Richardson 1838. 1st edition. Hardcover. Very good copy in the original quarter aniline calf over gilt-blocked ribbed-cloth boards. Spine bands and panel edges rubbed and bumped as with age. Internally bright and clean. Remains quite well-preserved overall. Physical description; 8 p. 13 leaves of plates : ill. plans ; 56 cm. Subjects; Architecture Domestic. Historic buildings England. London : C.J. Richardson hardcover
1966164848Vermont: Sharp Offset Printing Inc 1966. First Edition; First Printing. Hardcover. Very Good in a Very Good dust jacket.; Signed by Frederick Nelson Blount on title page.; Signed by Author. Sharp Offset Printing Inc hardcover
177797157P., Les Libraires Associés, 1777, 14 tomes en 7 vol. in-12, 21 gravures hors texte, reliures plein veau fauve marbré, dos à nerfs ornés de caissons dorés, pièces de titre maroquin bordeaux (titre) et vert (tomaison), coupes filetées, tranches marbrées, qqs coiffes sup. lég. abîmées (rel. de l'époque), bon état. Traduction de l'abbé Prévost d'Exiles
176698092Amsterdam, s.n., 1766, 8 vol. in-12, (4)-xii-175,(4)-208,(4)-196,(4)-180,(4)-196,(4)-229,(4)-192 et (4)-254 pp, reliures plein veau fauve marbré, dos lisses ornés de caissons dorés, coupes filetées, tranches rouges (rel. de l'époque), bon état. Bon exemplaire joliment relié.
1410Couverture rigide Amsterdam, chez Herman Uytwerf, 1728. 3 tomes en 2 volumes in-8 (19 x 12,5 cm), reliure plein veau marbré, dos à 5 nerfs orné de fleurons dorés, pièce de titre rouge, filet d'encadrement sur les plats, filet doré sur les coupes, tranches marbrées, quelques nerfs frottés, quelques frottements marginaux sur les plats, premier plat du second volume insolé en tête, signet du second volume détaché. Volume 1 : (un essai sur la théorie de la peinture) 28 pages non chiffrées (contenant pages de titre, préface et tables), 216 pages, 3 feuillets dépliants ; (un essai sur l'art de critiquer, un discours sur la science d'un connaisseur) 4 pages non chiffrées (pages de titre), 238 pages ; Volume 2 : 6 pages non chiffrées (incluant la page de titre avec vignette gravée), LXXII pages, (description de divers fameux desseins, bas-reliefs, &c, qui se trouvent en Italie), 753 pages, brunissures sur les 100 premières pages de cette partie, bandeaux, culs de lampe. Cet ouvrage réunit les écrits théoriques de Jonathan Richardson (1667-1745), et de son fils Jonathan Richardson (1694-1771) publiés à Londres de 1715 à 1725. Notre édition, la version traduite en français par Antoine Rutgers et Lambert Ten Kate, fut publiée à Amsterdam en 1728 et supervisée par Richardson. Ces écrits esthétiques sont les premiers du genre publiés, en Angleterre, avant Hogarth (Analyse de la beauté - 1753) et les Discours de Reynolds (1769-1792). Ils participent à la formation du goût pour la peinture, au moment du passage d'une peinture décorative à une peinture expressive qui prend en compte la subjectivité du spectateur. Ils traitent du statut de l'artiste et de la fonction de l'art, bien avant la formation de la Royal Academy en 1768. Ces essais, à valeur éducative, visaient un public nouveau issu des classes moyennes, en quête d'identité culturelle et apparu dans l'Angleterre des Lumières avec l'avènement de la nouvelle monarchie parlementaire. Bon exemplaire de cette édition originale de la traduction française.
2024x-1032105976Routledge 2024. Hardcover. New. 424 pages. 9.69x6.88x9.61 inches. Routledge hardcover
74748New York NY: The Lamb Publishing Company no date circa 1902. Strange Tales LIMITED EDITION SET. Complete in 10 volumes. Octavo 21 x 15 x 35cm. With eight half-tone plates to each volume including a frontispiece as well as numerous vignette illustrations. Number 102 from a limited edition of 1000 copies. Publisher's red cloth with printed paper title labels to spines. Top edges gilt; others untrimmed. Illustrated bookplate of Ella C. Smith to front pastedown of each volume otherwise internally clean. Light general wear to cloth with a little toning to spines. Very good. New York, NY: The Lamb Publishing Company, no date [circa 1902] unknown
179015580London: Thomas Richardson & Sons 1790. 585 by 326mm. 23 by 12.75 inches. Manuscript plan ink with wash colour manuscript inscription to verso minor dust soiling to corners tear to upper portion of map skilfully repaired. This elusive plan of Queens Leaze in Berkshire is an example of one of the many surveys conducted in the eighteenth century in order to record the extent and use of crown lands. King George III had a passion for geography amassing a personal collection of over 50000 maps which are now in the keeping of the British Library. Under his reign the mapping industry saw great progression in the instruments and principles used by cartographers giving rise to more accurate geographical representations as expertly exhibited by the Ordnance Survey which began the year after this plan was produced. There is evidence that the surveyor of Queens Leaze Thomas Richardson had previously worked on the king's cartographical projects with his plan of Richmond completed "under the direction of Peter Burrell Esq. His Majesty's Surveyor General". The Manor of Bray identified as the land to the right of this plan was one of the original hundreds of Berkshire recorded in the Domesday book where the land is said to have been worth 18 hides. It remained property of the crown until 1821 when it was sold at auction for £6800 and divided into 16 smaller plots. On the left side of the plan the estate of the wonderfully-named Peniston Portlock Powney MP is shown. The Powney family owned Ives Place here the "Manor of Ives" during the eighteenth century but it had previously passed through many hands and played host to a variety of residents including Anne of Cleaves. Separating the Manor of Bray and the Manor of Ives is Queens Leaze a long and narrow tract of ground surrounded by a broad deep ditch although neither this plan nor any written record suggests how the land was used. Kerry does note that the fees levied on the local parishoners contributed towards the maintenance of the Church in Bray but there is no evidence of either church or parishoners on the plan. These simple surveys were used to keep track of the crown lands and the manuscript title to the verso suggests that at some point it may have been compiled into a collection along with other such plans. Kerry 'The History and Antiquities of the Hundred of Bray in the County of Berks' 1861; Thorne 'POWNEY Peniston Portlock' The History of Parliament: the House of Commons 1790-1820 1986. Th[omas] Richardson & Sons, unknown
348796Print Winter 2016. LIMITED EDITION IN ORIGINAL BOX WITH MANY ENCLOSURES POSTCARDS PINS ETC lg quarto illus light card wrappers sm red lettering to spine unpaginated illus/photos Near FINE sl warped sl bruising to spine extrems in original presentation box VG moderate to heavy bruising & tearing Print Winter 2016 unknown
