21 585 résultats
198913275HEAT Whitney Musem 1989 first edition 2 volumes complete very fine in like cloth tray case. Bound in full leather and produced as clasp-locked hand-written diaries with illustrations by Robert Gober. Limited to 140 copies and SIGNED by both author and artist. A Fine Press item to be sure. Whitney Musem hardcover
31026AB1975. London and other places Penguin / Picador / Oxford University Press / etc. 1975 - 1997. Octavo. More than 2000 pages. Original Hardcover / Original Softcover. Very good condition with only minor signs of wear. The price of the collection includes free international shipping per UPS Express. paperback
192922621Paris: Black Sun Press 1929. First edition. Hardcover. Orig. printed stiff wrappers. Fine in original glassine nicked with some minor loss. Brancusi Constantin. 55 pages. 21 x 17 cm. Limited edition copy 325 of 500 on Holland Van Gelder Zonen. Preface by C.K. Ogden. Portrait of the author by C. Brancusi. Title printed in red and black: The three fragments are entitled; "The Mookse and the Gripes. The Muddest Thick That Was Ever Heard Dump. The Ondt and the Gracehoper." Binding by Andrea Kohler. The three fragments comprise pp. 152-159 282-304 and 414-419 respectively of "Finnegans Wake." The image by Brancusi is a graphic work. THE ARTIST & THE BOOK 1860-1960" notes: "A portrait as abstract as the author's text." This was one of the last books printed at the Black Sun Press. Crosby committed suicide in December 1929. Slocum and Cahoon A36. Kohler binding in fine red velvet and gold framed slipcase housed in fine black leather spine folding box lettered in red and black. Black Sun Press hardcover
1936192844London: John Lane The Bodley Head 1936. A man of genius makes no mistakes. His errors are volitional and are the portals of discovery First UK edition limited issue number 870 of 900 copies on japon vellum and bound in buckram from a total edition of 1000 copies. The Bodley Head Ulysses established the text for the succeeding 25 years. The famous legal judgement by John M. Woolsey lifting the ban in America on the publishing of the book is printed as an appendix together with the International Letter of Protest 1927 against Samuel Roth's piracy of Ulysses to which over 167 literary and intellectual figures put their names including Wyndham Lewis E. M. Forster Albert Einstein Ernest Hemingway W. B. Yeats D. H. Lawrence Virginia Woolf and T. S. Eliot. Ulysses was first published in Paris in 1922 by Shakespeare and Company. Large octavo. Original green buckram spine lettered in gilt Homeric bow device designed by Eric Gill on front cover in gilt top edge gilt others untrimmed. Ownership inscription on first blank. Spine sunned bumps to extremities. A very good copy. Slocum & Cahoon A23. hardcover
1929003849OOParis France: Black Sun Press 1929. First Edition. Very Fine. A very fine clean and tight copy in original glassine wrapper and slipcase. Copy is very clean and bright. Original glassine has no tears no chips. Copy number 161/500 copies comes in a custom clam shell box. Slip case is tight with rubbing to the edges. A very nice copy.<br /> Tossed in a worn copy at no cost Haveth Childers Every-Where. First Printing. Black Sun Press unknown
19341508062Random House 1934. 1st Edition. Hardcover. Fine/Very Good. First authorized US edition fine in a very good dust jacket first issue jacket with artist's name on front. Housed in a custom-made collector's slipcase. Random House hardcover books
1922253423London: Egoist 1922. First. hardcover. very good. Thick large 8vo original blue wrappers; front cover detached; spine & edges rubbed. London: Printed for the Egoist Press by John Rodker 1922. Limited Edition.<br/><br/> First English edition printed in Paris. Number 1516 of 2000 numbered copies of which 500 were reportedly destroyed by U.S. Customs. The Errata pages are present. Protected in an blue cloth clamshell case with black leather label.<br/><br/> Egoist unknown books
1916152253New York: B.W. Huebsch 1916. First American edition of Joyce’s classic stream-of-consciousness work his first novel. Octavo original publisher's blue cloth titles stamped in blind to the front panel. In very good condition. Housed in a custom hand-painted board slipcase in good condition. A Portrait of the Artist as a Young Man New York 1916; London 1917 is the first novel of James Joyce 1882-1941 and one of the foundational texts of literary modernism a semi-autobiographical Bildungsroman tracing the intellectual spiritual and artistic development of Stephen Dedalus from earliest childhood through his rejection of Irish Catholicism nationalism and family obligation and his determination to pursue his vocation as an artist in voluntary exile from everything that had formed him. Originally composed as the abandoned manuscript Stephen Hero beginning in 1904 the novel was radically reconceived and rewritten in the stream of consciousness technique that would define Joyce's mature style serialized in Harriet Shaw Weaver's literary journal The Egoist from February 1914 to September 1915 before appearing in book form with its American publication by B.W. Huebsch preceding the British Egoist Press edition. The epitome of the modernist Bildungsroman the novel was controversial from the moment of its publication with contemporary readers finding its treatment of the minutiae of daily life indecorous and its central character unappealing while Ezra Pound accurately predicted that the book would remain a permanent part of English literature and H.G. Wells praised its originality and courage in the New Republic. It was chosen by Modern Library as one of 100 greatest novels of the twentieth century. B.W. Huebsch hardcover
1929031079Paris: Black Sun Press 1929. Book. Illus. by Brancusi Constantin. Fine. Original Wraps. 1st Edition. 8vo - over 7¾ - 9¾" tall. Original white wraps printed in red and black. New glassine. Housed in original slipcase with On laid gilt. Edition limited to 500 numbered copies. This is #233. Frontis by Brancusi. 53 pp. A fine copy of a now scarce item. Black Sun Press Paperback
192921214Paris: La Maison Des Amis Des Livres 1929. Book. Near Fine. Leather. 1st Edition in French. 8vo. Gilt lettered modern brown morocco. Original paper spine bound in at rear. Housed in brown cardboard slipcase. Edition limited to 875 copies on alfa verge paper. This is number 49. Translated from the English by August Morel and Stuart Gilbert. Also reviewed by Valery Larbaud with the collaboration interference of James Joyce. Published by Adrienne Monnier the partner of Sylvia Beach who published the first edition of Ulysses in 1922. A very attractive copy. La Maison Des Amis Des Livres Hardcover
19341508062Random House 1934. 1st Edition. Hardcover. Fine/Very Good. First authorized US edition fine in a very good dust jacket first issue jacket with artist's name on front. Housed in a custom-made collector's slipcase. Random House hardcover
L3 box798 b3<p>Mathews' Chinese-English Dictionary Xin Hua2 Zi4 Dian3 Revised. This dictionary is combined and revised from Mathews' Chinese-English Dictionary and Xin Hua2 Zi4 Dian3. By Peter C. Huang Joyce M. Huang; Editors: Frank C. Huang Jean J. Huang Faye F. Huang. 2011 Taius Press. Hardcover 1470 pages. 1. This dictionary is combined and revised from Mathews' Chinese-English Dictionary and Xin Hua2 Zi4 Dian3. 2. The main character is in Chinese Traditional or Taiwan with simplified character adding counted stroke serial number phonetic alphabetic phonation and Pinyin into main character string. 3. Romanization is used in Mathews' Chinese-English Dictionary Robert H. Mathews and Pinyin is used in Xin Hua2 Zi4 Dian3; the former is revised into Pinyin for main character's phonation. 4. The reason of using Pinyin to replace Romanization is that the former uses more English alphabets to represent the phonetic alphabets. Hence its phonation is more accurate. 5. Almost the whole part of Mathews' Chinese-English Dictionary text is shifted into this dictionary. It collects Chinese characters and phrases along with English to the utmost and good for reference in translation reading and understanding. Xin Hua2 Zi4 Dian3 is in Pinyin and in Chinese-Chinese structure. They are referred and excerpted into this dictionary. Hence this dictionary covers all main characters from the said two dictionaries. 6. Used Pinyin is transliterated from Phonetic Alphabets the latter used for the phonation of Chinese traditional are the bases for Pinyin.</p> hardcover
197721550Paris Le Soleil Noir 1977 In-12, broch, couverture illustre. Embotage in-4 dont le premier plat ajour laisse voir travers un rhodod les gravures originales de Camacho (embotage de l'diteur).Edition originale, orne de 5 illustrations hors texte de Camacho. Tirage limit 1.899 exemplaires numrots. Un des 99 premiers exemplaires sur vlin d'Arches dans la srie Livre-objet, seuls tre placs dans un livre-tableau qui renferme 5 eaux-fortes originales sur vlin de Rives, justifies et signes par l'artiste.
197736910Paris Le Soleil Noir 1977 In-12, broch, couverture illustre; embotage in-4 dont le premier plat ajour laisse voir travers un rhodod les gravures originales de Camacho (embotage de l'diteur).Edition originale, orne de 5 illustrations hors texte de Camacho. Tirage limit 1.899 exemplaires numrots. Exemplaire dartiste, identique aux 99 premiers exemplaires sur vlin d'Arches dans la srie "Livre-objet" qui se prsentent sous la forme d'un "livre-tableau" renfermant 5 eaux-fortes originales sur vlin de Rives, justifies et signes par l'artiste.
1966140604Los Angeles: Expanding Cinema 1966. Shooting final for the 1966 film. Copy belonging to actor Peter Haskell with his holograph annotations throughout and his shooting schedule laid in. <br/><br/>Mary Ellen Bute's final film and one of the only cinematic adaptations of James Joyce's masterfully complex work of fiction "Finnegans Wake." Shot over a two year period Bute was tasked with transforming Joyce's impenetrable prose without losing any of the work's surreal lyrical essence. The subsequent film maintains the original novel's oneiric style. Bute and her husband Ted Nemeth were longtime collaborators and Nemeth worked as both cinematographer and producer of the film. In 1965 it was honored at the Cannes Film Festival as Best Debut and remains Bute's sole feature length film. <br/><br/>Shot on location in New York City and Dublin. <br/><br/>Brown untitled wrappers. Title page present dated March 4 1963 and December 3 1962 noted as Shooting Final with credits for screenwriters Mary Ellen Bute Romana Javitz and T. J. Nemeth Jr and editor A.I.M.S. Street. 148 leaves with last page of text numbered 139. Mimeograph duplication with onionskin revision pages throughout. Pages Very Good plus wrapper Very Good plus. Some pages detaching and wrapper slightly cracked. Bound internally with prong binding. Expanding Cinema unknown books
1934333702New York: Random House 1934. First. hardcover. very good/good. Thick 8vo cream colored cloth lettered in red & black. d.w. N.Y.: Random House 1934. First Authorized American Edition.<br/> <br/> The first issue dust wrapper with "Reichl" on the front cover & the $3.50 price is lightly tanned & edge-chipped. Ownership name on end-paper. Laid in is the very rare folio sheet folded to pamphlet form entitled "How to Enjoy James Joyce's Ulysses" presented with the compliments of Random House to the original buyers of the book.<br/> <br/> Random House unknown
1934149451New York: Random House 1934. First American edition of Joyce’s masterpiece. Octavo bound in full morocco by the Harcourt Bindery with gilt titles and tooling to the spine in four compartments within raised bands double gilt ruling to the front and rear panels gilt signature of Joyce to the front panel gilt ruled inner dentelles stamp-signed by the Harcourt Bindery marbled endpapers all edges gilt. In fine condition. An exceptional presentation. "Within a month of the publication the first printing of Ulysses Shakespeare and Company Paris 1922 was practically sold out and within a year Joyce had become a well-known literary figure. Ulysses was explosive in its impact on the literary world… Then began the great game of smuggling the edition into countries where it was forbidden especially England and the United States. The contraband article was transported across the seas and national borders in all sorts of cunning ways" de Grazia 27. In this edition the text of Joyce's great work is preceded by a foreword synopsis of the District Court decision and letter from Joyce to his publisher Bennett Cerf all discussing the extraordinary controversy surrounding the book's publication. In 1929 an unauthorized American edition of the novel appeared a piracy of the legitimate ninth printing of Shakespeare and Company. "This Random House edition was set up from the text of a copy of that pirated edition incorporating most of its typographical errors and adding a few new ones" Slocum A21. The United States' ban on Ulysses was not lifted until December 6th 1933; one month later the first authorized American edition was delivered to the public. Joyce's "novel is universally hailed as the most influential work of modern times" Grolier Joyce 69. Named by Modern Library as one of the 100 greatest novels of the 20th century. Random House hardcover
190782992London: Elkin Mathews 1907. First. hardcover. near fine. Thin 12mo original green cloth gilt lettered on front cover & spine. London: Elkin Mathews 1907. First Edition. Third variant with the endpapers of thin wove paper. Joyce's first published book a collection of poems written in his early youth. Slocum & Cahoon A-3.<br/><br/> Elkin Mathews unknown books
192927928Cambridge: The Orthological Institute 1929. First pressing. 78 r.p.m shellac record album. Label printed in green text only with rubber-stamp "Made in England;" the same stamp appears on the unprinted plain brown cover which is rather worn. The record itself is in fine condition. One of only two published recordings of Joyce reading. Slocum and Cahoon p. 173. <br/><br/> The Orthological Institute unknown books
1989290816New York: Whitney Museum 1989. Limited. hardcover. fine. Gober. 2 vols. bound in crushed white leather with diary-style gilt clasps and enclosed side by side in the publishers 4to lavender silk box. New York: Whitney Museum 1989. Limited Edition.<br/><br/> This beautifully conceived artist's book of a short story concerning a pair of twins was designed by Robert Gober along with the hand-written text & lithographed end-papers. One of 140 copies signed by Oates and Gober. As new in a very lightly stained box.<br/><br/> Whitney Museum unknown books
1989290816New York: Whitney Museum 1989. Limited. hardcover. fine. Gober. 2 vols. bound in crushed white leather with diary-style gilt clasps and enclosed side by side in the publishers 4to lavender silk box. New York: Whitney Museum 1989. Limited Edition.<br/> <br/> This beautifully conceived artist's book of a short story concerning a pair of twins was designed by Robert Gober along with the hand-written text & lithographed end-papers. One of 140 copies signed by Oates and Gober. As new in a very lightly stained box.<br/> <br/> Whitney Museum unknown
1939165289London: Faber & Faber 1939. Pp. iv628; med. 8vo; red cloth spine lettered and ruled in gilt; top edges yellow others uncut and partly unopened; price-clipped dust wrapper edges rubbed and chipped with large piece torn from top edge of front panel causing loss to first five letters of first word of title with a smaller piece torn from the back panel causing loss of one letter of title remains of early tape repairs to wrapper edges on reverse the backstrip slightly discoloured; book label of David Levine Sydney on upper pastedown a couple of marginal damp stains some foxing mainly to outer leaves and edges; Faber & Faber London 1939. First trade edition. Slocum & Cahoon A47; Connolly The Modern Movement 87. James Joyce's final work 950 copies of which still in sheet form were destroyed by the publishers. 'When one of the very greatest of modern authors completes a work to which he has devoted sixteen years of labour - and which hitherto described as Work in Progress has been more talked about and written about during the period of its composition than any previous work of English literature - then the publishers feel that they should waste no words in describing the book which would be the most important event of any season in which it appeared' wrapper blurb. Faber & Faber unknown
193918252London: Faber and Faber 1939. First Edition First Printing. Hardcover. Very Good bound in full marroon cloth with a Good dust jacket. A few chips and tears to jacket including one tear the full height of the jacket at spine; jacket presents well in new mylar sleeve. Toning to interior. Text is unmarked. Royal 8vo 9 3/4"h x 6 1/2"w. Uncommon First Edition in jacket. <br /> <br /> Finnegans Wake is groundbreaking work of modernist literature that challenges conventional narrative forms and explores the complexities of language history and the human psyche. he novel breaks down traditional linguistic structures creating a text that is both elusive and rich in meaning. The story is presented in a cyclical structure reflecting Joyce’s view of history as repetitive and fluid while its dream-like quality mirrors the erratic flow of consciousness. Drawing on a vast array of cultural literary and historical references Finnegans Wake engages with profound philosophical questions about the nature of language identity and reality. This intertextual and experimental novel defies simple interpretation inviting readers to explore its layers of meaning and challenging the boundaries of what a novel can achieve. A cornerstone of 20th-century literature Finnegans Wake has had a lasting influence on both literary theory and creative expression making it a pivotal work for those interested in the intersections of language philosophy and narrative innovation. Faber and Faber hardcover
193621246351936. London: John Lane the Bodley Head. 1936. Tall 8vo. Original green linen buckram lettered in gilt to spine Eric Gill's Homeric bow illustration in gilt to upper board top edge gilt other edges untrimmed; pp. xiii 3 765 3; cloth discoloured especially at extremities and stained spine sunned extremities and text block rubbed; light foxing internally but generally clean; a good copy.First UK edition no. 341 of 900 copies on japon vellum paper bound in linen buckram from a total edition of 1000.The Bodley Head edition of Ulysses the first published in the United Kingdom includes the first Joyce bibliography as well as appendices concerning the obscenity case that had kept the work from British printers. Unsurprisingly for a book with such a chequered publication history there are a number of typographical differences from earlier editions. Despite Joyce correcting the proofs while on holiday in Copenhagen in early 1936 several mistakes were later spotted. The bibliography by Peter Pertzoff had been submitted without further corrections or acknowledgment from Joyce. Pertzoff was apparently surprised to see it appear inaccuracies and all in this edition.The typography and design was overseen by Allen Lane and Joyce's representative Paul Leon. Eric Gill was commissioned to design the binding of this edition with its iconic Homeric bow on the upper board.Slocum & Cahoon A23. hardcover
1891189414Lucknow: Printed at the N. N. Sivapuri Press 1891. Siege of Lucknow from the most exposed post - an Indian Rebellion eyewitness account of extraordinary rarity First and only edition - signed by the author on the last page - of this detailed firsthand account of the defence of Lucknow written by Matthew Rutland Joyce 1828-1911 in Uncovenanted Service the lower echelons of the ICS in the Judicial Garrison. Only the second recorded copy the Oxford University copy apparently lacking the initial leaf with excerpted passages from Tennyson's "The Defence of Lucknow". Joyce prefaces his narrative by explaining that it was written "for the information of those of my relatives and friends who were battling for their lives in other parts of the country or who were too young to remember". With no pretensions to being a "faithful history" of the period it is "simply a chronicle of such occurrences within the Residency defences. as memory retained and can be interesting to none but those few active participants in the great struggle who yet survive" p. i. The story which follows is all the more fascinating for its personlalized focus naming many of the most familiar names but introducing a cast of lesser-known characters to the famous story further broadening and humanizing the standard narrative. Presented in diary form the text follows Joyce through the preparation of the defences his training with an antiquated Brown Bess for the volunteer infantry brushes with death from both fever and enemy fire to the final relief and evacuation of the Residency "There was some confusion and heartaches in the matter packing up our belongings for the orders were peremptory that nothing but things necessary were to be taken out; and it certainly went against the grain to leave behind cherished articles". Joyce is a lively and personable storyteller his recollections of "the eternal din of musketry" of the rebels'' profligate firing the privations of the diminishing rations and the imminent threat of death are recounted in vivd vernacular style and his tales are often self-deprecating. In recounting what was despite his many "narrow escapes" "first and only" wound he explains how he would not have alluded to it "had there not been so much of the ludicrous about it". During the assault on Phillips's Garden which was being menaced by a rebel battery Joyce crafts himself "a capital loop-hole embrasure fashion" out of "substantial bricks" on top of the mud-brick wall overlooking the position. The result being much admired. While on watch he spots movement at the gun and foolishly fires off a round in the hope of "staying their purpose for a moment of two" which of course registers the rebels' aim and the gun was "presently laid and discharged". Joyce dives behind the wall for cover the shot clips the masonry of the house behind the shock dislodging the topmost bricks of his loop-hole which fell on his "bowed head and laid it open causing all over and inside it a sensation such as I had never felt before" pp. 71-3. Joyce was on the staff of the Judicial Garrison the Judicial Commissioner's Kutchery or Court House post a very exposed position during the siege. He and his brother Richard Christopher who served with the volunteer cavalry "Radcliffe's Horse" covering the withdrawal from the debacle at Chinhut were in the Uncovenanted Service a perhaps under-represented group in the history of British India. Originally introduced to offer opportunities for Indians or Anglo-Indians to join the Indian Civil Service covering key but less specialized administrative roles at commensurately lower salaries and with thinner employment rights the service had already began to attract a wider constituency before the expansion of the post-Rebellion government. By the 1880s voices were being raised on their behalf in the parliament to secure a levelling up of the benefits for their vital contributions to the increasingly complex bureaucracy of the Raj. Joyce was born in Agra post-Rebellion he was for a time curator of the Lucknow Museum and the donor of a number of specimens to the natural history section he was buried in the Residency Cemetery Lucknow. Beyond this we have been unable to trace earlier family connections with India and unfortunately within the text he tells us little of his background. Small octavo pp. ii iv 119 1. Original printed covers pebble-grain cloth backstrip. Externally overall a little browned rubbed and soiled but no loss of text to the covers endpapers browned; text toned but cleaned and sound; overall a surprisingly well preserved copy very good. hardcover