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1934COLLECTI007623INEW YORK NY: RANDOM HOUSE. VG/VG. PUB 1934. FIRST EDITION. BOOK IS VERY NICE WITHOUT ANY MARKS TO THE BINDING OR THE TEXT BUTWITH THE SPINE LIGHTLY TANNED. D.J. IS LIGHTLY WORN AT THE CORNERS CHIPWORN AT THE SPINE CORNERS SHALLOW CHIPS TO THE SPINE HEEL SLIGHTLYAFFECTING THE PUBLISHER'S NAME SPINE PANEL IS SOILED/TANED WITH A FEWEDGE TEARS AND IS NOT PRICE-CLIPPED. A VERY NICE COPY. THIS COPY ALSOINCLUDES THE RARE POSTER WHICH MEASURES 22" X 16" PRESENTED WITH THECOMPLIMENTS OF RANDOM HOUSE AND TITLED "HOW TO ENJOY JAMES JOYCE'SULYSSES". Keywords: IRISH LITERATURE NOVEL INVISIBLE ABCDEF. RANDOM HOUSE unknown
1929TT_1929_494<p>Tales Told of Shem and Shaun by James Joyce. Black Sun Press Paris: 1929. Copy No. 494 of 500 numbered copies. A fine volume in a Very Good original slipcase.</p><p>Printed in letterpress in red and black on cream-white Holland Van Gelder Zonen laid paper. Text hand-set in the Caslon typeface. Foolscap quarto 21 x 16.5 cm. top edge trimmed. White paper covers with folding top and side flaps. Presented in the original gold foil-covered slipcase alternate slipcases incorporating green and red suede paper were also used. With a Preface by C.K. Ogden and a portrait of the author by Constantin Brâncuși printed in photogravure with tissue overlay. A Fine clean and tight volume in a later protective wrapper housed in a very good original gold foil-covered slipcase. Minor discoloration to extreme head and tail of cover as shown in photos. Slipcase base is slightly unhinged at fore-edge; top edge shows a 2cm cello tape repair as shown in photos. Tales Told of Shem and Shaun was the second finepress book to be published containing fragments of Joyce's 'Work in Progress' toward 'Finnegans Wake'. The Black Sun Press edition contains three fables entitled "The Mookse and the Gripes" "The Muddest Thick That Was Ever Heard Dump" and "The Ondt and the Gracehoper" which would appear in revised form ten years later in three distinct 'books' of 'Finnegans Wake'. This first edition was issued in three limitations: 100 copies on Japanese Vellum signed by the author; 500 copies on Holland Van Gelder Zonen and 50 copies Hors Commerce. Slocum and Cahoon A36. Pagination: pp. 1–2 blank; p. 3 copyright; p. 4 blank; pp. 5–6 blank; p. 7 half-title; p. 8 blank; p. 9 title-page; p. 10 blank; p. 11 Contents; pp. 12–13 blank; p. 14 portrait with tissue guard; pp. I–XV Preface; p. 16 blank; pp. 1–16 text of THE MOOKSE AND THE GRIPES; pp. 17–43 text of THE MUDDEST THICK THAT WAS EVER HEARD DUMP; p. 44 blank; pp. 45–55 text of THE ONDT AND THE GRACEHOPER; p. 56 blank; p. 57 colophon number of copy stamped; pp. 58–64 blank pp. 61–64 folded under rear wrapper. Harry and Caresse Crosby's Black Sun Press was an exemplary Parisian fine press publishing house which brought together a community of diverse artists to produce deluxe editions capturing the modernist scene in the late twenties and thirties. Originally founded as Éditions Narcisse and a vehicle to print their own works by mid-1928 The Black Sun Press had become a vital channel between artists and writers and a select group of readers and collectors who appreciated finely bound hand-set books. Working in Rue Cardinale with Master Printer Roger Lescaret the press issued limited editions of the first unexpurgated editions of D.H. Lawrence's 'Sun' and 'The Escaped Cock' Kay Boyle's 'Short Stories' Archibald MacLeish's 'Einstein' Eugene Jolas's 'Secession in Astropolis' a volume of 'Les Liaisons Dangereuses' and Hart Crane's 'The Bridge' among other works. After Harry Crosby's death in 1929 Caresse continued the work of Black Sun Press issuing editions of Joyce's 'Collected Poems' 1936 and works by Proust Faulkner Hemingway Crevel Eluard and Ernst Bukowski and Olson.</p> The Black Sun Press paperback
192624099Paris: Shakespeare and Company 1926. The first printing of Ulysses to have the type entirely reset work accomplished with Joyce’s participation the 8th printing overall and one of the key Shakespeare and Company printings very early and desirable. Small 4to in a handsome contemporary binding of three-quarter dark-blue morocco over blue cloth boards the spine divided by bands ruled in gilt one compartment lettered in gilt. The original blue wrappers printed in white as issued by Shakespeare and Company in Paris are bound in at the front and back. 6 735 pp. A very desirable copy in contemporary binding the paper still quite fresh and all very sturdy and sound. A handsome book with only light evidence of age. ONE OF THE KEY PRINTINGS BY SYLVIA BEACH’S SHAKESPEARE AND COMPANY OF THIS LANDMARK OF 20th CENTURY LITERATURE. It is the first reprinting of the work to use entirely reset type. The work was accomplished with Joyce’s participation. The copy is bound as is often found on printings of the period in a simple style designed to draw little attention to itself due the controversy of the text within. In all a highly collectable copy.<br> ULYSSES can be viewed as the pinnacle of the Modernist movement and its impact on all subsequent western literature is unmistakable. Such writers as Virginia Woolf John Dos Passos William Faulkner Samuel Beckett Malcolm Lowry and Anthony Burgess have all paid tribute consciously or unconsciously to Joyce's influence. Burgess as well pronounced it the greatest single work in the English literature of the century and he was not alone in that opinion. At the beginning of the present century the Modern Library placed ULYSSES in the number one spot on their 100 best books of the 20th century list. Shakespeare and Company hardcover
1939075 - 479 - 805<p><em>First impression of Joyce's final novel in the original dust jacket</em></p><p><strong>Publisher and Year</strong>: London: Faber and Faber Limited 1939</p><p><strong>Edition</strong>: First edition first impression trade issue. The publisher produced 3400 sets of sheets but bound only 2450 of them and destroyed the remaining 950. Original first-issue dust jacket retaining the price of 25s net on the bottom of the front flap. Released simultaneously with the signed limited edition Faber and Faber and the first American edition New York: The Viking Press. Slocum & Cahoon A47</p><p><strong>Condition and Description</strong>: Quarto burgundy cloth stamped in blind and gilt yellow topstain edges uncut 628 pp. Clean cloth with trace handling marks only. Secure hinges and binding. Remains of pencil note to the front free endpaper. Tanning to the first and final blank leaves as usual owing to the acidity of the endpapers. Mild vertical crease to the preliminary leaves up until p. 7 and then a shorter crease to about p. 17. The notoriously fragile dust jacket has some nicks short tears and small chips to the extremities and spine ends; and two larger areas of loss to the rear panel. Preserved in an archival mylar cover. - <em>"riverrun past Eve and Adam's"</em></p><p><em>Finnegans Wake</em> is James Joyce's final novel the culmination of seventeen years of experimentation that carried modernism to its outer limit. Conceived as a single night's dream encompassing all of human history it transforms the lives of a Dublin publican his wife and their children into an endlessly recursive myth of fall and renewal. Written in a polyglot language that fuses English with fragments from dozens of tongues the book compresses folklore theology and gossip into a dense musical weave that dissolves the boundaries between story song and history. Emerging after Ulysses as both its sequel and inversion <em>Finnegans Wake</em> rejected the realist novel entirely recasting fiction as a linguistic symphony meant to be heard as much as read. Its publication in 1939 divided critics and bewildered readers yet it soon became one of the central monuments of twentieth-century literature studied for its innovations in language structure and sound. Once dismissed as unreadable it has since shaped the methods of Beckett Burgess and Pynchon and remains unmatched in its ambition to encompass the whole of human speech within a single book.</p><p>Inventory ID: 075 - 479 - 805</p> Faber and Faber Limited
192415929London: Jonathan Cape Ltd 1924. First Edition Thus. Hardcover. Near Fine/Very Good. Near Fine in a Very Good dust jacket unclipped 7s. 6d. net generally rubbed and soiled some chips at the edges. Black cloth with gilt lettering on the spine. Square and firmly bound sparsely foxed at the edges toned at the endpapers clean otherwise. The first Cape edition of Joyce's classic novel of Stephen Dedalus. Jonathan Cape Ltd hardcover
1990140941417Multiple places: Various 1990. An archive related to bullfighting from the estate of American bullfighting scholar Tony Brand 1936-2017 consisting of his original photos vintage publicity stills from bullfighting movies screenplays a pre-publication manuscript of a book by an American bullfighter ephemera bullfighting scarves and an interview with a famous American bullfighter on cassette. Besides his work on films assistant directing City Slickers Mitchell and Fat Boys vehicle Disorderlies screenwriting bullfighting and flamenco guitar-playing Brand was also an authority on Ernest Hemingway. His enthusiasm for bullfighting carries over in this multifaceted archive.<br /> <br /> <p>Original Photos:<br /> <br /> <br>Approximately 220 original b/w photos in various sizes by Brand with the bullfighters identified including Antonio Barea Paco Bautista Antonio Millan Paco Camino Guillermo Carvajal Pedro Benjumea getting gored in Madrid in 1970 in a series of photos Juan Calero Agapito Sanchez Vincente Yanguez Santana "El Chano" and many more; generally appear to be the late '60s early '1970s. Eight unidentified misc photos of various dimensions with few pieces of ephemera from bullfights. A few smaller photos have red squares drawn around main action some signed by Brand. Lots of action in these photos. Also two 1960s photos of Brand himself in the practice ring doing cape work with a cow.<br /> <br /> <p>Hollywood Publicity Photos:<br /> <br /> <br>11 vintage Hollywood publicity photos all but one in glass frames. Includes Rodolfo Valentino in Blood and Sand 1922 Ricardo Montalban in the 1947 film Fiesta Mario Moreno in Around the World in 80 Days with David Niven Anthony Quinn in The Magnificent Matador Laurel and Hardy in The Bullfighters. Plus a framed photo of Brand with flamenco musicians in Cape Town South Africa in 1964.<br /> <br /> <p>Screenplays:<br /> <br /> <br>1. Brand Tony. The Final Verdict. Original Screenplay. Stated "First Draft. April 1 1978." Bound in generic black leather. Tony Brand's own copy with some minor corrections in pencil and red ink. Printed on rectos only. Title 1 1-23 2-85 88-98 98a 98b 99-114 pp. Very Good. A screenplay for a bio-pic about then-imprisoned South African leader Nelson Mandela. We could find no evidence that this work was ever filmed.<br /> <br /> <br>2. Brand Tony. The Final Verdict The Trial of Nelson Mandela. Brass brad bound in plain light blue wraps. Stated "First Draft." Undated with Brand's notation "written in 1968." Title 1 1-71 73-137 pp. Very Good; front wrap semi-detached. Title handwritten on spine.<br /> <br /> <br>3. McMahon Mary Katherine; Joyce Irvine. Torera. Topanga: Capstone Pictures Limited 1995. Revised May 10 1995. Brass brad bound with plain red wraps title handwritten on front wrap and spine. Title Dedication 107 pp. Near Fine. Tony Brand's copy of a screenplay about a female bullfighter or "torera" which was apparently never made.<br /> <br /> <p>Bullfighting Book Manuscript:<br /> <br /> <br>Cunningham Patrick. The Rain in Spain later A River of Lions. Los Angeles: The Peter Fleming Agency nd. Manuscript. 332 pp. but missing p. 63. Unbound 8.5" x 11" sheets. Tony Brand's copy with his penciled notes on title sheet. Light edge wear heavier on last page which has several closed tears. A fictionalized account of the author's experiences; he was one of the few Americans to fight bulls in Spain. It would be published in 1991 as A River of Lions.<br /> <br /> <p>Interview on Cassette:<br /> <br /> <br>Brand Tony. Interview with bullfighter John Fulton March 15 1994 in Mexico. 90 minute cassette. Audio quality unknown not played.<br /> <br /> <p>Bullfighting scarves:<br /> <br /> <br>"Tardes de Toros" souvenir silk bullfighting scarf. Undated ca. 1960s. Unworn. With another vintage bullfighting scarf c. 1950s with a Mexican and American flag border gently used. [Various] unknown books
194455458New York: Harcourt Brace and Company 1944. First printing. Near fine in a very good plus jacket. Inscribed first edition association copy of this effort to unpuzzle Joyce's famously inscrutable masterpiece - signed to the famed Jungian analyst Erlo Van Waveren. Erlo Van Waveren practiced psychotherapy in New York with his wife Ann for more than four decades. Both studied with Carl Jung and were regular attendees at the Jung Institute. Campbell himself was famously influenced by Jung and edited an edition of his work an influence heavily reflected in this Campbell's first book which investigates Joyce's "monomyth" an idea deeply indebted to the renowned psychologist's idea of the "collective unconscious." The van Waverans were also instrumental in the establishment of the Bollingen Series which published Campbell's most important work THE HERO WITH A THOUSAND FACES. It was Elro and Ann who introduced Paul and Amy Mellon benefactors of the series to Jung after whose Bollingen Tower the series was named and whose work served as its driving influence. A warm and significant association. 8'' x 5.25''. Original green cloth boards. Original price-clipped yellow printed dust jacket. 2 xiv 366 2 pages. Inscribed by Jung on the front endpaper: "For / Erlo Van Waveren / unconscious and all / from / Joseph Campbell." Jacket with touches of sunning edgewear. Couple of faint spots of soll. Spine and front panel mildly sunned. Book has slight lean. Overall bright and sound. Harcourt, Brace and Company unknown
28167New York: Library Fellows of the Whitney Museum of American Art 1989. Minor chipping to gold clasps else fine. Limited Edition. Folio. One of 140 copies. Volume 7 in the Whitney Artists and Writers Series; SIGNED by both Oates and Gober to colophon. Two volumes of text from Joyce Carol Oates reproduced in facsimile manuscript by Robert Gober who also supplies illustrated lithographic endpapers. Bound in white leather with diary-style gilt clasps enclosed in publisher's lavender silk box; it was Gober's idea to place the two volumes side-by-side referencing the identical twins in Oates' short story. New York: Library Fellows of the Whitney Museum of American Art unknown
1939140938001London: Faber and Faber 1939. First Edition. Near Fine/Very Good. First edition first printing. Bound in publisher's red cloth with spine stamped in gilt. Near Fine with previous owner bookplate to front free end paper offsetting to prelims; pages toned and with foxing to prelims and terminals. In a Very Good dust jacket with publisher's price intact; edge-worn with chips tears and several tape repairs made to the reverse side. One of an edition of 3400 copies of which 950 copies in sheets were destroyed. Faber and Faber unknown books
1939140937376New York: The Viking Press 1939. First Edition. Fine/Near Fine. First edition first printing. Publisher's black cloth binding lettered in gilt. Fine with fading to topstain near spine in a Near Fine unclipped dust jacket with several tiny edge-tears and very light soiling. A striking copy of a book and jacket typically found in much lesser condition. The Viking Press unknown books
1911112884The Baker & Taylor Company 1911. hardcover. Very Good. 0x0x0. Kilmer inscribed to previous owner signed and dated December 11 1911 1911 Baker & Taylor first edition in chipped original glassine jacket. Also inscribed by anthropologist Edward J. Obrien. Former owner's book plate to front paste down. B32 Please email for photos. The Baker & Taylor Company hardcover
2666Leningrad: Mysl’ 1927. 168 pp. 175 × 135 cm. In original illustrated wrappers. Spine and edges of covers restored otherwise very good and clean.<br /> <br /> First Russian edition of the work and early publication of James Joyce in the USSR. One of 5000 copies produced. Very rare in this condition.<br /> <br /> The book includes eleven of fifteen stories of Joyce’s collection. These selected stories from ‘Dublins’ became an early Soviet publication of the author skipping ahead only a fragment of “Ulysses†in 1925. Translation of ‘Dublins’ and writing of the foreword were undertaken by E. Fedotova. The full content of this work came out in the Soviet Union in 1937. Other writings by James Joyce began to be published in the late 1960s.<br /> The cover design was designed by Georgy Fitingof 1905—1975. He was born to an old Baltic noble family that lived in St. Petersburg and stayed there after the Revolution. Fitingof graduated from the All- Russian Academy of Arts in 1926. He studied at the workshop of Alfred Eberling. Fitingof is one of the founders of the Leningrad school of painting and is best known as a graphic artist watercolor painter postcard designer illustrator of children’s adventure books including works by J. Verne M. Twain G. Wells and others. In 1934 because of his family he was arrested and imprisoned. Although he was released in 1935 the artist came back to Leningrad a little later. He survived the whole siege of Leningrad and took part in an exhibition in 1942. This cover design is his early work he embarked on soon after the graduation from the Academy.<br /> In the Soviet Union Joyce had supporters and their opponents. Writer V. Vishnevsky had met Joyce in Paris in the 1930s and told him about Soviet publications. Joyce was pleasantly surprised. Vishnevsky also entered into polemics about Joyce and his significance with literary critic V. Kirshon. “You are behaving rudely. Try to read Joyce of three periods: 1912 1922 1932—1933 give an analysis and make a public assessment of the object that you find so disturbing and irritating. You’re talking fervently about classical inheritance. Obviously the inheritance suddenly ends in Chekhov and then. there is a general forbidden zone! There is a world humanity classes there is a struggle. There is art Chaplin Griffith Joyce Proust Barbusse Giraudoux Remarque Rolland Wells Tagore Kipling etc. It is complex there are continuous collisions and changes in itâ€.<br /> <br /> Copies located in Ohio University Harvard University of Buffalo Princeton. unknown
19393275New York: The Viking Press 1939. First American Edition. Joyce's last major work a challenging work of fiction significant for its experimental style and use of language. Fragments of the work first appeared in 1924 in the pages of literary journals Transition and Transatlantic Review; the UK and US editions were published simultaneously on May 4 1939. Slocum & Cahoon 48; Connolly 100. First Printing one of 6000 copies. Octavo 24.75cm; black cloth with titles stamped in gilt on spine; teal topstain; dustjacket; vi6282pp. A Fine copy with the topstain bright and unfaded. Dustjacket is unclipped priced $5.00 showing pinpoint wear to extremities and four tiny edge tears; very Near Fine entirely unfaded and unrestored. The Viking Press unknown
1939140937376New York: The Viking Press 1939. First Edition. Fine/Near Fine. First edition first printing. Publisher's black cloth binding lettered in gilt. Fine with fading to topstain near spine in a Near Fine unclipped dust jacket with several tiny edge-tears and very light soiling. A striking copy of a book and jacket typically found in much lesser condition. The Viking Press unknown
1934835111934. JOYCE James. The Mime of Mick Nick and the Maggies. A Fragment from Work in Progress. Orig. printed wrappers in publisher's slipcase. The Hague: The Servire Press 1934. Slocum and Cahoon A43. First edition first issue. Limited to 1000 copies this being no. 198. The cover image initial and tailpiece all designed by Joyce's daughter Lucia. Spine toned slipcase worn at top of spine else a very good unopened copy. unknown
192929209Paris: The Black Sun Press 1929. Faint offsetting to rear panel of white wrappers else near fine. With publisher's slipcase faced with gold foil; some rubbing with split to lower edge; better than very good. Limited Edition. Octavo. This copy numbered as 188 of 500; printed on Holland van Gelder Zonen paper. With Brancusi's etched abstract portrait of Joyce as frontispiece. The second book-length fragment from what would become Finnegan's Wake after Anna Livia Plurabelle 1928. Paris: The Black Sun Press unknown
1929208857Paris: The Black Sun Press 1929. Softcover. VG-. Glassine has some thumbnail sized chips along the spine and is a little toned. Otherwise clean. Etched abstract Brancusi portrait of Joyce. #291 of 500 on Holland Van Gelder Zonen. Large Octavo. Softcover. Cream wraps with red and black titles with glassine jacket. 4 preliminary leaves XV 1 55 pages 2 unnumbered leaves 1 unnumbered leaf of plates : illustration ; 22 cm. The Black Sun Press paperback
197715347JNew York: Garland 1977. First Edition. Two large volumes complete in slipcase. Inscribed on the first blank to the eminent publisher Peter du Sautoy Chairman of Faber & Faber by three of the editors. Publisher's quarter green cloth over blue cloth. Gilt lettering to spines. In blue cloth slipcase. Full facsimile edition of Joyce's holograph manuscript. Fresh and clean copies. Top of spines slightly bumped else fine minor marks to slipcase. A rare collectors set of a book printed in a quantity intended for research libraries. Garland hardcover
19342206068Random House 1934. first. hardcover. very good/good. First US edition as stated on copyright page. In first issue dust jacket "Reichl" on front bottom corner of dj. Book very good minor soiling to covers gutter cracked at title page some spots at foredge small water mark at corner of bottom edge and foredge. Dust jacket good front flap detached some pieces missing spine hinge to front has tear as well as rear flap at hinge. Random House unknown
191192792New York: The Baker & Taylor Company 1911. First edition first issue of Joyce Kilmer's first book of verse. Presentation copy inscribed by the author on the front free endpaper to fellow poet and literary critic Thomas Walsh "To Thomas Walsh With appreciation of his roast of this book and the sincere admiration of Joyce Kilmer June 20 1913 Brooklyn NY." A scholar of Latin American and Spanish literature Thomas Walsh published four books of poetry and wrote many short articles and reviews including several for the New York Times. With Walsh's bookplate to the pastedown. Octavo original cloth. In near fine condition. Housed in a custom half morocco and chemise box. A nice association and uncommon signed as Kilmer was killed in World War I. American poet Joyce Kilmer would later write of his first book of verse Summer of Love that ".some of the poems in it those inspired by genuine love are not things of which to be ashamed and you understanding would not be offended by the others." Kilmer gained immense popularity in 1913 with the publication of his best known poem Trees which was later published in book format the following year in a collection which also introduced the popular poem "The House With Nobody In It". The Baker & Taylor Company hardcover books
1916268174New York: Laurence J. Gomme 1916. First edition first issue. viii 79 1 pp. 1 vols. 12mo. Publisher's half brown cloth and boards. Near fine in orange pictorial dust-jacket with clown holding flaming circus hoop jacket toned at spine panel with some chipping to extremities of jacket. With obituary and other contemporary notices and poem pasted in to preliminaries and final leaf and with manuscript poem "Joyce Kilmer" by George Steele Seymour on half-title. First edition first issue. viii 79 1 pp. 1 vols. 12mo. With Kilmer ALS from the Front with Mention of His War Poem "Rogue Bouquet". With a fine Autograph Letter signed "Joyce Kilmer" to Miss Olson written from the front. Headquarters Co. 165th Infantry A.E.F. France n.d. but after Nov. 1917. 1-1/2 pages tipped in after title-page. <br/>"It was kind of you to send me the book of tickets and I am honored by thus becoming the guest of the Chicago Woman's Club . I'm more homesick for Chicago than for any other city in America you see Larchmont Manor isn't a city . I think you will like my poem 'Rogue Bouquet.' I am a sergeant now and never expect to go any higher. For to get a commission I'd be obliged to go to school away from the Regiment for some months and when school was over I'd be sent - whether or not I had gained a commission - not back to this Regiment but to some strange outfit. And I'd rather be a sergeant in the 69th than an officer in any other Regiment ." Kilmer was proud of his position in the "Fighting Sixty-ninth" though by his time known as the 165th Infantry and had requested permission to join its ranks. Kilmer was killed in action 30 July 1918 while scouting German machine-gun positions near the Ourcq River. BAL 11108 Laurence J. Gomme unknown books
191192792New York: The Baker & Taylor Company 1911. First edition first issue of Joyce Kilmer's first book of verse. Presentation copy inscribed by the author on the front free endpaper to fellow poet and literary critic Thomas Walsh "To Thomas Walsh With appreciation of his roast of this book and the sincere admiration of Joyce Kilmer June 20 1913 Brooklyn NY." A scholar of Latin American and Spanish literature Thomas Walsh published four books of poetry and wrote many short articles and reviews including several for the New York Times. With Walsh's bookplate to the pastedown. Octavo original cloth. In near fine condition. Housed in a custom half morocco and chemise box. A nice association and uncommon signed as Kilmer was killed in World War I. American poet Joyce Kilmer would later write of his first book of verse Summer of Love that ".some of the poems in it those inspired by genuine love are not things of which to be ashamed and you understanding would not be offended by the others." Kilmer gained immense popularity in 1913 with the publication of his best known poem Trees which was later published in book format the following year in a collection which also introduced the popular poem "The House With Nobody In It". The Baker & Taylor Company hardcover
1916268174New York: Laurence J. Gomme 1916. First edition first issue. viii 79 1 pp. 1 vols. 12mo. Publisher's half brown cloth and boards. Near fine in orange pictorial dust-jacket with clown holding flaming circus hoop jacket toned at spine panel with some chipping to extremities of jacket. With obituary and other contemporary notices and poem pasted in to preliminaries and final leaf and with manuscript poem "Joyce Kilmer" by George Steele Seymour on half-title. First edition first issue. viii 79 1 pp. 1 vols. 12mo. With a fine Autograph Letter signed "Joyce Kilmer" to Miss Olson written from the front. Headquarters Co. 165th Infantry A.E.F. France n.d. but after Nov. 1917. 1-1/2 pages tipped in after title-page. <br /> "It was kind of you to send me the book of tickets and I am honored by thus becoming the guest of the Chicago Woman's Club . I'm more homesick for Chicago than for any other city in America you see Larchmont Manor isn't a city . I think you will like my poem 'Rogue Bouquet.' I am a sergeant now and never expect to go any higher. For to get a commission I'd be obliged to go to school away from the Regiment for some months and when school was over I'd be sent - whether or not I had gained a commission - not back to this Regiment but to some strange outfit. And I'd rather be a sergeant in the 69th than an officer in any other Regiment ." Kilmer was proud of his position in the "Fighting Sixty-ninth" though by his time known as the 165th Infantry and had requested permission to join its ranks. Kilmer was killed in action 30 July 1918 while scouting German machine-gun positions near the Ourcq River. BAL 11108 Laurence J. Gomme unknown
1936JOYCEJAM001730John Lane The Bodley Head London. 1936. First edition printed in the U.K. Royal octavo. pp xvi 766. Green buckram covers with gilt bow device designed by Eric Gill on front. Top edge gilt.Out of a total edition of 1000 copies this is one of the 900 unsigned.Small stylish bookplate on front pastedown. Spine faded as usual. Very good indeed. No dustwrapper. John Lane The Bodley Head, London. hardcover
197370880Brunner/Mazel Publishers. Very Good. 1973. Hardcover. 0876300743 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Tight to the spine - 94 pages -- with a bonus offer-- . Brunner/Mazel, Publishers hardcover