Joyce, JamesBiblio.com
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19391409564New York: The Viking Press 1939. First American Edition First Printing. Hardcover. Octavo 628 pages. In Very Good condition with a Good dust jacket. Spin blue and red with white lettering. Dust jacket protected with a mylar covering price uncut: "$5.00." Tearing and chipping along edges of dust jacket with most significant material loss at head of spine. Small hole on spine. Heavy soiling to dust jacket. Bound in publisher's black cloth boards. General shelf wear. Fading to dye on top edge of textblock. Light soiling and foxing to edges of textblock. Light discoloration to endpapers. Shelved in Case 2. 1409564. Shelved Dupont Bookstore. The Viking Press hardcover
19271346050Paris: Shakespeare and Company 1927. First Edition. Hardcover. Octavo unpaginated. In Very Good minus condition with Very Good protective folder. Bound in quarter blue cloth binding with boards covered in decorative paper. Folder spine with orange lettering. Volume in age-toned paper as usual. Some shelf wear and soiling including a small stain to rear board; spine crumbled. Pages clean. CX Consignment. Shelved in Case 0. 1346050. Shelved Dupont Bookstore. Shakespeare and Company hardcover
1927140939462London: Shakespeare and Company 1927. First Edition. Very Good. First edition first printing. Bound in publisher's original pale green paper-covered boards lettered in dark green. Very Good with rubbing and wear to spine toning and light soiling to covers. A nice copy. Shakespeare and Company unknown
194513955Buenos Aires: Santiago Rueda - Editor 1945 First trade edition in the Spanish language first Argentine and first South American edition one of 2200 copies on papel Polar. Original golden brown cloth with spine stamped in black and gilt. Octavo. A little light spotting to covers. A very good copy of a scarce book. In very lightly chipped dust jacket with several short tears. Santiago Rueda - Editor, hardcover
1946315756New York: Random House 1946. hardcover. fine. 768 pages evenly toned as usual. Thick 8vo rebound in full red morocco with black leather spine labels. New York: Random House 1946. Reprint. A fine copy in a handsome binding.<br/> <br/> Random House unknown
193412475New York: Random House 1934. First American Edition Second Edition. Hardcover. Very Good- in Good DJ. First American Edition Second Edition. Hardcover. DJ designed by Ernst Reichl and shows Reichl's name at bottom right corner. Noted flaws notwithstanding a presentable copy of the first "legal" publication of this 20th century classic. Bookseller ticket on rear inside boards. Gift inscription on ffep to former owner. Bound by the Modern Library H.Wolff. Light shelf/edge wear spine shows even toning wrapping around to front and rear boards near hinges spotting at front board gutter darkening toned text block else tight bright and unmarred. DJ shows toning at spine moderate chipping at head and heel front and back shows even toning circular stain on cover else clean and bright. 8vo. 768pp. Beige cloth beveled boards black and red ink lettering printed advertisement on rear dj. Random House hardcover
19304447029<p>20.5cm by 16cm 735pp edges of the boards and sides of spine worn leather tips and spine 5 raised bands gilt tile ex-libris bookplate of Donald Gordon Munroe inside front cover paper darkened with age mostly around the edges light creases first few pages unmarked.</p> Shakespeare and Company hardcover
1868554278Bridgeton N.J.: Joyce Photographer 1868. Unbound. Fair. Carte d'visite. Albumen image with watercolor highlights provided by hand to the stockings belts shirts and caps. 2.5" x 3.75" on slightly larger thick card mount. Image of two seated baseball players; one with the letters "BS" on the bib front of his shirt; the other with an Old English "C" on his. Uncaptioned. Photographer name and address on verso. Only fair condition with the albumen image badly faded and the players' faces visible only with effort. Of most interest are the very early uniforms likely the carte is post-Civil War because of lack of a Civil War-era tax stamp; but almost certainly pre-1870. Joyce, Photographer unknown
197120009NY: Jill Krementz 1971. 1971. 8" x 11" approx black and white photograph of Joyce Carol Oates taken in London on 12/12/1971. One of the more haunting photographic portraits of Oates. With Jill Krementz studio stamps rear of the archival mounting. SIGNED lightly in blue ink by Oates on the bottom of the front of the white matting. This is a fine photograph as matted and framed by the studio. Signed by Authors. 1st Edition. No Binding. As New. NY: Jill Krementz, 1971. unknown
1964299107New York: Vanguard 1964. First. hardcover. fine/near fine. 8vo cloth d.w. New York: Vanguard 1964. First Edition.<br/><br/> A fine copy of her second book and first novel autographed by her on the title page.<br/><br/> Vanguard unknown books
1963009060New York: Vanguard Press 1963. Book. Fine. Cloth. SIGNED BY AUTHOR. First Edition. 8vo - over 7¾" - 9¾" tall. SIGNED BY AUTHOR at title page. Fine in a very Near Fine dust jacket 2 small holes fore edge of front flap at fold. small paper loss at ends of same fold. Her first book uncommon in lovely condition. Vanguard Press Hardcover
1945D7489likely Germany 1945. Paperback. Very Good. Heavy cardstock leaves oblong 325 x 250 mm bound with thin blue rope tassled along spine; pp. 54 with text handwritten in black ink in German and English with original illustrations in ink or ink and gouache both in text and full-page. Created from 32 leaves some of them glued together along the edges creating a new page when the author/illustrator wanted to change her lay-out text or illustration -- these have since become detached offering an interesting look at the author's creative process. Binding broken and leaves loose but in excellent condition suitable for display. The artwork is extraordinary -- showing cute little chicks as their adventure takes them from fields full of flowers to lakes brimming with colorful fish. It tells a story of 3 little chicks who find a mysterious blue egg which they are told not to play with but they do and learn some valuable lessons from the consequences. Though little is known about the author she appears in a tiny b/w photograph on the ultimate full-page illustration. More of her unrelated artwork is laid-in at rear including pastels of trees floral arrangements in gouache -- lovely suitable for framing. <br/><br/> paperback books
51-2639Murphys California: 1960s-1980s. About 60 letterpress flyers and other ephemera and metal type.Quyle started printing in the 1950s when he and his wife Joyce needed labels to put on items for sale in their Murphys shop. He acquired a simple hand press and set to work quickly realizing that the work activity was going to become a hobby that would morph into a passion.His press made in 1825 was for a time the oldest iron press in the United States until an acquaintance of Quyle’s found one that was one year older. Between the two printers and their presses hand-press scholars were able to solve what had been a mystery: The bar that pulls the press was attached to one side in 1825 and on the other side a year earlier so now it is known when that change was made.In addition to the Columbian Quyle had 27 other hand presses in storage. He is a member of the Moxon Chappel a group of printers who meet to share printing projects. Quyle has been a member for 35 years and said the group consists of amateurs and professionals who have held meetings all over the United States and in Egypt and Mexico. Murphys, California: 1960s-1980s unknown
1928140944930New York: Alfred A. Knopf 1928. Signed by Robert Joyce Tasker on the half title upon his release from prison with the inscription "A new 'First Day' -- for those who know my career- a title with double meaning:- signed with sentiments rising but the situation well in hand. Robert Joyce Tasker at San Francisco!! Dec. 10 1929." <p>An earlier handwritten note from Tasker while incarcerated is pasted onto the facing page. On pink paper it reads "You might paste this in your copy of Grimhaven-- Mr Eugene Plunkett -- signed Robert Joyce Tasker April 26th -1929- San Quentin Calif." Four newspaper articles about Tasker are pasted in at front with the former owner's explanations and notes written ink next to them. <p>Second printing of the first edition. iv 241 3 pp. Bound in publisher's green cloth with gilt stamping. A Good only copy lacking jacket. Spine worn and frayed along ends glued down to spine offsetting from clippings. Former owner's bookplate on paste down San Francisco bookseller's ticket on rear paste down. <p>A rare fan's copy of a popular memoir of life at San Quentin which the author was able to parlay into a successful screenwriting career. After relocating to Mexico City in 1942 he committed suicide by eating sleeping pills. A very unusual copy for being signed once while in prison once out. Alfred A. Knopf unknown
1922318662London: Longmans Green and Co 1922. First Edition Second impression. Frontispiece 28 photographs on 10 leaves 197pp. 1 vols. 8vo. Bound in three-quarter bound in tan calf green marbled boards blind and gilt tooling on spine red onlay spine label turn-ins. Binding by J Fellowes 2002 binder's label. Small tear on title page faint foxing. Near fine. First Edition Second impression. Frontispiece 28 photographs on 10 leaves 197pp. 1 vols. 8vo. Joyce Wethered 1901-1997 was the leading British women's golfer of the interwar period. She won the British Ladies Amateur four times 1922 1924 1925 1929 and the English Ladies' champion for five years 1920-1924.<br/><br/>Wethered's brother Roger 1899-1983 won the Amateur Championship in 1923 and later won the President's Putter five times. Longmans, Green and Co unknown books
19781395292Amsterdam Netherlands: NICO ISRAEL 1978. First Edition Second Printing. Hardcover. Tall quarto 255 pages. In Very Good condition with Very Good minus condition dust jacket. Spine is beige with black lettering. Dust jacket has mild soiling and staining along head of front cover an open chip along the front head joint small tears along tail edges and corners and a 1 in. closed tear along the rear head edge. Boards fully bound in charcoal cloth with mild shelving wear along spine head. Mild bending wear along tail fore corner of front free endpaper. Contains a letter from Adrian Wilson Author to William Gardiner signed in his hand bound with adhesive to the front free endpaper verso. Between the front endpapers are two letters of correspondence between Wilson and Gardiner: a carbon copy of Gardiner's letter to Wilson and Wilson's reply written entirely in his hand. Shelved in Rm. A. The Nuremberg Chronicle also known as the "Liber Chronicarum" "is after the Gutenberg Bible probably the most celebrated of early printed books. It is a compendium of history geography and the wonders of the world as viewed from medieval Nuremberg with some 1800 illustrations provided by the multiple use for different subjects of 645 beautiful woodblocks." n.b. quote from "The Nuremberg Chronicle Designs" by Adrian Wilson printed for The Roxburghe Club of San Francisco and the Zamorano Club of Los Angeles 1969.<br /> <br /> Wilson became renowned for his printing and book design work at his San Francisco printing operation The Press at Tuscany Valley throughout the 1960s and 70s. In 1967 he released influential title in the genre of Books on Books THE DESIGN OF BOOKS. Book making perforated the entirety of Wilson's life. With the help and interest of his wife Joyce Lancaster Wilson Wilson invested his attention in studying the entire production process of THE NUREMBERG CHRONICLE the first known book to include a rudimentary map of Europe a plethora of woodcuts and a history of the world beginning at creation. The book that came out of it Wilson's THE MAKING OF THE NUREMBERG CHRONICLE is an astute and thorough study on one of the earliest examples of exemplary book making. This particular copy includes correspondence between William Gardiner an English author and Adrian Wilson. 1395292. Special Collections. NICO ISRAEL hardcover
1983322264Austin: W. Thomas Taylor 1983. First edition one of 325 numbered copies. Frontispiece portrait after a photograph by Ansel Adams. Illustrations and tipped-in specimen leaves. Publisher's keepsake laid in. Folio. Publisher's quarter morocco and cloth. First edition one of 325 numbered copies. Frontispiece portrait after a photograph by Ansel Adams. Illustrations and tipped-in specimen leaves. Publisher's keepsake laid in. Folio. One of 325 numbered copies designed and printed by Wilson and associates at the Press in Tuscany Alley on Barcham Green handmade paper. Printing and publishing bibliography at its very best. W. Thomas Taylor unknown
899Austin: W. Thomas Taylor 1983. Limited edition of 325 copies. Pages 158 pp.Folio. 1/2 leather binding leather spine with cloth covered boards. Limited edition of 325 copies. Illustrated with samples of Wilson�s work. Extra leaf laid in a keepsake from the Associates of the Stanford University Libraries. In fine condition. Austin: W. Thomas Taylor 1983. hardcover
2018Adhya-9781337397070CENGAGE 2018. Paperback. New. CENGAGE paperback
2018Adhya-9781337397070CENGAGE 2018. Paperback. New. CENGAGE paperback
1989030142Amsterdam 1989 Brill, Rodopi Soft cover 1st Edition
1925TwoWorlds_1925-26<p>Complete set of the five issues of "Two Worlds" magazine in which five installments of James Joyce's "Work in Progress" appeared between September 1925 and September 1926. Overall a Very Good set of a rare and ephemeral publication.</p><p>Vols. 1-4 in the original black card slipcases; Vol. 5 in an mylar wrapper. Volumes 1-4 are in very good or better condition; Volume 5 in the larger format not issued in a slipcase has a clean and tight interior but a soiled cover with a crease to the lower front corner which has been backed with archival repair tissue on the verso. Slipcases for Vols. 2-4 very good with some rubbing; slipcase for Vol. 1 is lacking head piece. Please see photographs.</p><p>This is the first American publication of fragments of Finnegans Wake consisting of:<br />September 1925 pp. 45-54: FW I.5 pp.104-125;<br />December 1925 pp. 111-114: FW I.2 section 1 pp.30-34;<br />March 1926 pp. 347-360: FW I.8 pp.196-216;<br />June 1926 pp. 545-560: FW I.7 pp.169-195;<br />September 1926 pp. 35-40: FW II.4 pp.383-99.</p> Two Worlds: A Literary Quarterly Devoted to the Increase of the Gaiety of Nations paperback
1936CollPoems_BlackSun<p>First Edition. Copy #372 of 800 Numbered copies. Letterpress printed in navy italics on white wove paper with a frontispiece portrait of the author by Augustus John. Foolscap octavo. Bound in cream-white boards decoratively stamped in blue with blue satin place-marker issued in a glassine wrapper. A Near Fine volume in a Good original glassine wrapper. Wrapper is age-toned and chipped at head and tail with light tanning to the exposed portion of the spine. This copy belonged to the Arthur Conan Doyle scholar John Bennett Shaw and his bookplate is included but unattached.</p><p>A lovely example of James Joyce's collaboration with the small artisan presses at work in the 1920s and 30s.</p><p>The Black Sun Press was an exemplary Parisian fine press publishing house which brought together a community of diverse artists to produce deluxe hand-set editions capturing the modernist scene in the late twenties and thirties. Originally founded as Éditions Narcisse the Black Sun Press issued limited editions of the first unexpurgated editions of D.H. Lawrence's 'Sun' and 'The Escaped Cock' Kay Boyle's 'Short Stories' Archibald MacLeish's 'Einstein' Eugene Jolas's 'Secession in Astropolis' a volume of 'Les Liaisons Dangereuses' and Hart Crane's 'The Bridge' and James Joyce's 'Tales Told of Shem and Shaun' among other works.</p> Black Sun Press hardcover
2006x-0131441515Prentice Hall 2006. Paperback. New. 8th edition. 738 pages. 10.50x8.25x1.00 inches. Prentice Hall paperback
198742740HEYNE WILHELM 1987. 1. softcover. Deutsche Erstausgabe! HEYNE, WILHELM paperback
