( Utopie - Anticipation Sociale ) - Emile ZolaLivre Rare Book
6 560 résultats
190930578Paris, Bibliothèque-Charpentier 1899. Fort in-12 relié de 751 pages au format 19 x 4,5 x 12,5 cm. Sobre et élégante reliure demi toile rouge bleue avec plats en papier marbré. Dos rond avec pièce de titre et fleuron doré. Couvertures conservées. Infimes frottis aux coins. Intérieur frais, malgré un papier jaunissant. Premier volume du cyle " Les Quatre Évangiles ", qui est le dernier cycle romanesque conçu par Emile Zola de 1898 à sa mort en 1902. Il est inachevé puisque seuls les trois premiers romans de la série, Fécondité, Travail et Vérité ont été publiés. Justice, le dernier projet du romancier, n'a été qu'ébauché etinterrompue par la mort accidentelle de l'auteur en 1902. ll s'agit d'un roman d'un nouveau genre pour Emile Zola, puisque c'est une œuvre d'anticipation, construite sur la volonté générale de progrès social et sur les évolutions industrielles de la fin du XIXe siècle. Zola y expose ses thèses natalistes. Le roman est basé sur une opposition stricte et rigoureuse entre le couple Froment et leur douze enfants, incarnant le bonheur, et ceux qui se limitent volontairement à une petite progéniture, voire ceux qui la refusent totalement, s'exposant à la déchéance sociale et les malheurs de la vie. problèmes décrits par des passages mélodramatiques, mettant en scène la dénatalité, l'abandon des enfants et leur traitement par l'Assistance publique, la contraception, l'avortement, l'infanticide. Edition originale en très bel état général.
c5198Paris, S.F.E.L.T.,1937; petit in-8° broché, couverture blanche imprimée en bleu; 122pp.,1f.nch.;2 plans à pleine page. Infimes accrocs à la couverture, avec très petit arrachage au dos.Très bon état intérieur.
11626Paris, Eugène Fasquelle - Humanité - Vérité, 1897. Plaquette in-8 broché (couverture défraîchie, détachée de l'ouvrage=. 13 pp.
LFA-126726976Une brochure de 68 pages, format 210 x 134 mm, réservée aux souscripteurs du "Cercle du Livre Précieux", s.d., bon état
1963Pl51210,5 cm X 17,5 cm, 338 pp, reliure d'éditeur cuir. Très grand nombre d'illustrations photographiques N&B. Signets.
190291912Paris: Eugène Fasquelle 1902. Fine. Eugène Fasquelle Paris 1902 16.7 x 26 cm Broché First edition printed in a small number on Dutch paper. Spine and covers lightly sunned small tears to the spine final endpapers browned. Speeches by M. Chaumié Anatole France and Abel Hermant. Autograph inscription signed by Eugène Fasquelle to Marcel Batilliat whose name he misspelled: ""à M. Marcel Batillat."" The Symbolist novelist Marcel Batilliat was a close friend of Émile Zola and campaigned to preserve the memory of the author of the Rougon-Macquart cycle. Eugène Fasquelle unknown
193244553Paris: Editions du Trianon 1932. Fine. Editions du Trianon Paris 1932 11.50 x 17.50 cm broché First edition one of 800 numbered copies on Auvergne paper. Autograph inscription signed by André Thérive to Emile Mireaux "". qui a gardé sûrement le goût des canulars"" "". who surely retained his taste for hoaxes"". Spine and first cover uniformly faded as usual second cover marginally faded handsome interior condition. Editions du Trianon unknown
188788816Paris: Au cabaret Le Chat noir 1887. Fine. Au cabaret Le Chat noir Paris 3 septembre 1887 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This four-page issue features a comic strip by Louis-Christian known as Döes: ""La bonne galette"". Includes literary contributions by Francisque Sarcey on ""La Terre"" by Emile Zola Charles Cros ""Psaume CCCCXXXIV"" Alfred Béjot ""Épitre à Allais"" Georges Auriol ""Malabar"" among others. One tear with loss and some light staining to the margins of the covers. Le Chat Noir was a weekly review founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name and to serve as its chronicle. It featured the texts recited during performances and constitutes an important literary and artistic record of late 19th-century bohemian life and the unique vibrancy of Paris during that era. Au cabaret Le Chat noir unknown
189621947Paris & Bruxelles Brussels: SeghersA. Manceaux 1896. Fine. Seghers A. Manceaux Paris & Bruxelles Brussels 1896 16.50 x 25.50 cm broché First edition of which no deluxe copies are mentioned. Spine split one joint cracked at head and foot otherwise a rare and handsome copy. SeghersA. Manceaux unknown
187072935Paris: Ernest Ladrey 1870. Fine. Ernest Ladrey Paris 1870 6.50 x 10.50 cm une photographie Very rare original albumen photograph in carte-de-visite format mounted on yellow cardboard with red border. Manuscript annotation on verso. The address at Passage des Princes on the back of the photograph indicates that the photograph was taken before 1875. Handsome copy of this photograph of the writer with his lorgnette and beard. Ernest Ladrey unknown
190073358Londres London: London Stereoscopic Company 1900. Fine. London Stereoscopic Company Londres London 1900 10.70 x 16.60 cm une photographie au format carte cabinet Handsome original photographic portrait of Emile Zola in cabinet card format period print on albumen paper mounted on cardboard from the London Stereoscopic Company and taken by an unidentified photographer. The writer poses there rosette of the Legion of Honor at his buttonhole. Condemned for defamation after the publication of his famous ""J'Accuse!"" on the front page of L'Aurore and to escape prison Zola secretly fled to London on July 18 1898. On July 26 1898 the Legion of Honor was withdrawn from him. A snub to this France that did not understand him this ""rosette"" photograph was most likely taken after his removal from the order of the Legion of Honor. Exceptional state of conservation. London Stereoscopic Company unknown
189822226Paris: La Revue Blanche 1898. Fine. La Revue Blanche Paris 1er Mars 1898 17.50 x 26 cm broché First edition presented under double cream wrappers one of the rare copies on Holland paper from a very small print run whose number is not specified the only deluxe copies. Contributions by G. Kahn J. de Mitty J.P. Jacobsen on the plague in Bergamo tribute from the Revue Blanche to Emile Zola for the condemnation he faced in the verdict of February 23 1898 regarding the Dreyfus affair. Minor marginal worming without consequence to the covers of the double wrappers handsome copy. Rare. La Revue Blanche unknown
188720546Paris: Extrait de La Revue des deux mondes 1887. Fine. Extrait de La Revue des deux mondes Paris 1887 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
190014035Paris: Imp. A. Eyméoud 1900. Fine. Imp. A. Eyméoud Paris s. d. circa 1900 11 x 16.50 cm agrafé First edition. Three small marginal lacks to the slightly faded front cover handsome interior condition. Rare. Imp. A. Eyméoud unknown
190016528Paris: Imp. A. Eyméoud 1900. Fine. Imp. A. Eyméoud Paris s. d. circa 1900 11 x 17 cm agrafé First edition. A good copy. Imp. A. Eyméoud unknown
197987588Paris: Denoël 1979. Fine. Denoël Paris 1979 21.50 x 27.50 cm reliure de l'éditeur The first edition of which there were no deluxe copies. Work illustrated with 480 documents selected and presented by François Emile-Zola and Massin. Handsome copy despite light foxing to edges. Publisher's full red cloth binding smooth spine complete with illustrated dust jacket. Autograph inscription signed by Massin with a small drawing of an eye to the Immortal Pierre-Jean Rémy nom de plume of Jean-Pierre Angremy: ""Pour Jean-Pierre Angremy qui a l'oeil avec l'amitié fidèle Massin."" ""For Jean-Pierre Angremy who has the eye with faithful friendship Massin."" with the manuscript signature of François Emile-Zola. Denoël hardcover
187590869Ernest Leroux | Paris 1875 (1879) | 12.2 x 11.8 cm | Broché
187590869Paris: Ernest Leroux 1875. Fine. Ernest Leroux Paris 1875 1879 12.2 x 11.8 cm Broché Second edition the dedication to Pierre Laffitte is dated 1879. A study of madness from a positivist perspective based on the work of Auguste Comte. The dedicatee Pierre Laffitte was the editor of the review ""Le Positivisme"". Spine cracked with small losses occasional foxing and a horizontal crease at the foot of the upper cover small marginal tears on the cover firts cover reattached. With a fine signed presentation inscription from Emile François Eugène Sémérie to Émile Zola on the half-title: ""A Mr. Émile Zola. Sémérie d'Aix"" the final word underlined. The close connections between positivism and naturalism the literary doctrine developed in the 1860s1880s are well known: positivist philosophy the observation of reality and the primacy of experience influenced naturalist writers in their concern to depict reality with strict objectivity. Zola made an essential contribution to the movement with his study ""Roman expérimental"" 1880. Ernest Leroux unknown
1988LFA-126724727N° 156 - Avril-mai 1988 : Revue de l'ex Caisse Nationale des Monuments Historiques. 120 pages, format 270 x 210 mm, illustrée, brochée
Zola Predosa, 2002, 8vo quadrato (cm. 22 x 22) punto metallico con copertina illustrata a colori, pp. 46 riccamente illustrate da fotografie a colori. Stato di nuovo.
1980103051980 Paris, Fasquelle, 1980; in-8°, broché couverture jaune pâle illustrée et imprimée en noir au 1er plat, titre en noir au dos; 320pp.
1993103061993 Paris, Grasset-Fasquelle, 1993; in-8°, broché couverture jaune illustrée et imprimée en noir au 1er plat, titre en noir au dos; 340pp.
Bologna, 1848, lugllo 10, Tip. alla Volpe, bando di cm. 30 x 42, Stato Pontificio. Provincia di Bologna. Comune di Zola Predosa.
Bologna, 1842, luglio 27, Governo Pontificio. Provincia di Bologna. Il Priore della Comune di Zola Predosa, Gio. Calzolari. Di cm. 21,5 x 31. A firma Negroni.
