340 résultats
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 252 p. Contents: A la recherche d?un exotisme turc Chapitre I. Le voyage raconté : panorama chronologique Chapitre II. La place de l?Orient dans la littérature ?exotique?.1. La culture orientale et l?Occident 2. L?Orient et la littérature occidentale a) L?Orient contrée à conquérir b) L?Orient contrée à découvrir c) L?Orient contrée d?introspection Chapitre III. La Turquie comme lieu de l?exotisme dans la littérature française 1. Le concept de ?turquerie? a) L?attirance culturelle b) L?attirance sociale c) L?attirance politique 2. L?exotisme religieux a) Chateaubriand : une nouvelle croisade au XIXe siècle b) Un islamophile excessif : Lamartine c) Un islamophobe grécophile : Victor Hugo 3. Le parti pris des écrivains français a) Une turcophobie manifeste b) Une turcophilie enthousiaste I. la passion pour la Turquie elle-même II. la passion pour la société turque III. la passion pour l?Islam II : L'image de l'Orient turc dans la littérature française : les grandes orientations esthétiques Chapitre IV. Caractéristiques du récit 1. Caractéristiques génériques a) Les poèmes. b) Les récits de voyages et autres "témoignages". c) Les romans. 2. L?entité narrative. 3. Les grands procédés stylistiques a) La description. b) La digression subjective. c) La comparaison. Chapitre V. Le traitement des lieux. 1. L'approche de l'espace urbain. a) Le paysage urbain. b) Les lieux publics. c) Les lieux privés. 2. Un monde de sensations a) Les formes b) Les couleurs. c) Les odeurs et les goûts. d) Le bruit et la musique. 3. Itinéraire d?une quête spirituelle. a) La personnification de la ville. b) Vers une sacralisation de l?espace urbain c) Vers l?extase du visiteur Chapitre VI. Le traitement des personnages 1. Description physique 2. Description morale : le ?caractère? turc a) le caractère sentimental turc b) l?amour de la nature chez les Turcs c) la tolérance religieuse des Turcs d) les autres caractéristiques turques 3. L?image de la femme III : L?image politique de la Turquie dans les écrits français Chapitre VII. Le regard des écrivains français sur la politique orientale de la France 1. La politique religieuse 2. La politique colonisatrice 3. La politique économique Chapitre VIII. Les écrivains français face à la politique turque 1. Le regard porté sur l?histoire turque a) Structure étatique de l?Empire ottoman b) Affaiblissement de l?Empire ottoman c). La question des minorités 1. les Arméniens 2. les Grecs a) l?antiquité de la Grèce contemporaine b) le Christianisme dans la politique extérieure 2. La Turquie contemporaine et la littérature française Conclusion BIBLIOGRAPHIE. L'image de l'Orient Turc dans la litterature Française: Les idées, les stéréotypes et les stratégies.
ESEMPLARE PERFETTO, LIEVISSIMI SEGNI DEL TEMPO. Catalogo della Mostra tenuta a Roma nel 1961. Informazioni bibliografiche Titolo: Mostra di Gibon Sengai: (Maestro Zen, sec. XVIII-XIX, monaco buddhista giapponese) Autori: Daisetz Teitaro Suzuki, Sengai Collaboratore: Istituto italiano per il Medio ed Estremo Oriente Editore: Roma: Lorenzo del Turco, 1961 Lunghezza: 45 pagine, [12] c. di tav. : ill. ; 21 cm Note: In testa al front.: Istituto italiano per il Medio ed Estremo Oriente, Roma Presentazione di: A. Giuganino Allestimento della mostra dell'architetto Manabu Tajima Soggetti: Arte contemporanea giapponese, Sengai, Gibon, Esposizioni, Roma, 1961, PITTURA, ASIA, Buddismo, setta Rinzai, Zen, Giappone, L'Universo, praina, Illuminazione, Luce, Satori, Karuna, Rivelazione, Monaci, Monte Fuji, Maestri zen, Amida, Libri rari, Collezione, Cataloghi, Vintage, Collezionismo, Orientalismo, Monaci, Dipinti, Buddhismo, Ottocento, Contemporary Japanese Art, Exhibitions, Rome, The Universe, Praise, Lighting, Light, Revelation, Monks, Mount Fuji, Rare Books, Collection, Catalogs, Vintage, Collectibles, Orientalism, Paintings, Buddhism, Spiritualità, Meditazione, Purezza, Spirituality, Meditation, Purity
In 8°, brossura editoriale illustrata, pp. 231, (1); copia molto buona. (ZB8/A) (ZB8/A)
New English Paperback. Pbo. 4to. (27 x 24 cm). In English. 311 p., color ills. Museum, and showed how the Ottoman-European relationships and political events has reflected in Arts, a theme common with the previously held exhibition entitled From the Medicis to the Savoias, Ottoman Splendour in Florentine Collections. Along with being a rich art collection for the museums, the large number of portraits where the foreigners pose in Turkish costumes in their homeland after fighting with the Turks, showing how "Fear from the Turks" converted into a fascination, and the goods from the Ottomans that are either gained from wars, received as presents or bought, and the important role that they played in the European social life have always been interesting subjects for historians and other social researchers. In the exhibition, 92 oil paintings, landscapes and engravings, coming from different Museums in Central Europe (especially Slovenia) and private collections from England and Turkey, were displayed. The exhibition was made possible with the contributions of Credit Suisse. Contents: Vasko Simoniti, On the 'Turqueries'; Ales Arih, Foreword; Nazan Ölçer, Foreword; Hans-Ulrich Doering, Foreword; Christoph K. Neumann - Petr Stepanek, Ottoman-Habsburg relations in the 17th century; Stefan Yerasimos, Styrian dragomans in Istanbul; Gunsel Renda, The Ottoman Empire and Europe in the 17th century: Changing images; EdvilijoGardina, Alla Turca': The Tarsia Family of Koper in service for la Serenissima; Maximilian Grothaus "At the crossing of Orient and Occident: The Turquerie of Ptuj"; Polana Vidmar, Courage, power, beauty and luxury: The Vurberk gallery of 17th century paintings; Catalogue; Bibliography.
in-8°, III-1098 pages, photographies h.t., broché Bon état. [FL-1] Avec des textes inédits.
New English Paperback. Pbo. 4to. (28 x 24 cm). 196 p. In Turkish and English. B/w and color ills. "Pera Museum in collaboration with the Amsterdam Museum is organizing an exhibition exploring the commencement of four hundred years of fruitful cooperation between Turkey and the Netherlands. It was on 14 March 1612 during the ruling of the Ottoman Empire that the first Ambassador of Dutch Republic, Cornelis Haga, arrived in Constantinople. The year 2012 marks the four hundredth year of this diplomatic relations. In collaboration with several other leading partners, including the Rijksmuseum in Amsterdam, Nationaal Archief in The Hague and Museum Boijmans van Beuningen in Rotterdam, the exhibition aims to spread knowledge about historical and contemporary links between Amsterdam and Istanbul. The exhibition explores the historical and contemporary relations between two world cities and through these cities, implicitly also the two countries. 'Pioneers' and 'image (-forming)' are among the prominent themes. The exhibition is not intended as a complete survey of four centuries of diplomatic ties, but rather provides an attractive insight into the historical ties between Amsterdam and Istanbul, from 1612 to the present day. The exhibition is historical and social in approach, yet it also features important art works as well. A key section of the exhibition is a reconstruction of the Levantse Handel (Levant Trade) chamber that was based in the Town Hall (Palace on Dam Square) from the early 17th to early 19th century. A detailed inventory exists of the paintings and charts that were displayed on the walls of this powerful commercial office in Amsterdam. Many of these items, including an extensive series of portraits by Vanmour, from the collection of Amsterdam's Rijksmuseum will also be exhibited".
New French Paperback. Pbo. 4to. (29 x 24 cm). In French and Turkish. 103, [3] p., color and b/w ills. Le palais de France a Istanbul: Un demi-millenaire d'alliance entre la Turquie et la France.= Istanbul'da bir Fransiz Sarayi: Fransa ile Türkiye arasinda 500 yillik ittifak. Preface: François Dopffer. Traduction: Yigit Bener.
Fine Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 181 p. A study on Islamisc mysticism and sufism in the early Islamic period. Louis Massignon was a Catholic scholar of Islam and a pioneer of Catholic-Muslim mutual understanding. He was an influential figure in the twentieth century with regard to the Catholic church's relationship with Islam.
New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
In 16°, tutta tela editoriale illustrata, pp. 147, (1); buon esemplare. (ZB5/A) (ZB5/A)
97pp., brochure originale, 25cm., bon état, dans la collection "Irénikon", R31965
in-12°, 464 pages, reliure plein simili, dos lisse, titre manuscrit. Bel exemplaire [FEN]
196, [4] pp.; 28 cm. Leg. nuova in tela, cop. originale applicata al piatto ant. Carta legg. ingiallita. Intonso
In 8°, tutta tela con brossura editoriale illustrata, pp. 349, (1); esemplare molto buono. (ZE3/A) (ZE3/A)
In 16°, brossura editoriale, pp. 125, (3), modeste mancanze al dorso per il resto buon esemplare. (ZB5/A) (spedizione standard SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine) (ZB5/A)
(Tibet - Lamaismo - Orientalismo- Louise Eugène Alexandrine Marie David) In 8° (cm 20x13,5), legatura in mezza pergamena chiara con al dorso filetti in oro e tassello in pelle marrone con titolo dorato, carta marmorizzata ai piatti, pp. 244,(4), con 36 illustrazioni fotografiche in b/n su tavole fuori testo. Volume solido e ben conservato.
(Buddismo - Tibet - Orientalismo - Louise Eugène Alexandrine Marie David) In 16° grande (cm 18,5x12,5), legatura in mezza pergamena chiara con al dorso filetti in oro e tassello in pelle marrone con titolo dorato, carta marmorizzata ai piatti, pp. III,(1),257,(3). Volume solido e ben conservato.
In 16°, brossura editoriale, pp. VI, 171, (5); esemplare molto buono. (XB4/B) (XB4/B)
In 16°, brossura editoriale illustrata, pp. 127, (5), con tavole fotografiche f.t. virate in seppia; buon esemplare, lieve mancanza al piede del dorso e strappetto alla testa del dorso. (ZC1/A) (ZC1/A)
In 8°, brossura editoriale, pp. (2), 218, (4), con tavole illustrate f.t. b/n; buon esemplare, lievissime fioriture alla sola brossura e ai fogli contigui alla brossura. (ZC4/A) (ZC4/A)
in-12, 268 pages, relie demi-toile bleue à coins, pièce de titre, couv. conservEe. Bel exemplaire. [FL-11]
(Cina - Storia - Orientalismo) In 8°, legatura editoriale in piena tela gialla, titoli e filetti in nero al dorso, titoli entro doppia cornice in nero al piatto anteriore, sovraccoperta a due colori, pp. X,(4),305,(1), con 5 mappe ripiegate fuori testo. Piccola etichetta di libreria : "The Oriental Book Store Tientsin" applicata al contropiatto posteriore. Alcune mende ai bordi della sovraccoperta, per altro volume fresco e ben conservato.
Fine English Paperback. Pbo. Roy. 8vo. (23 x 116 cm). In Turkish. 313, [7] p. Color and b/w ills. Librairie de Pera. Old people and places.= Eski yerler, eski insanlar. [Auction catalogue].
Fine English Paperback. Pbo. Roy. 8vo. In Turkish. 139, [7] p. Color and b/w ills. Librairie de Pera. Paintings, drawings, ceramics and art prints from Turkish and Orientalist artists.= Türk ve Oryantalist sanatçilardan resimler, desenler, seramikler ve özgün baskilar. [Auction catalogue].
New English Paperback. Pbo. 4to. (26 x 22 cm). In English and Turkish. 128 p., color ills. This side of The Aegean from a westerner's brush.= Batilinin firçasindan Ege'nin bu yakasi. [Exhibition catalogue].