340 résultats
In 8°, tutta tela con sovraccoperta editoriale illustrata; lievissime fioriture ai tagli, per il resto esemplare molto buono. KF6 KF6
LE RAGIONI, LE TESI, I PROPOSITI DEL PROTAGONISTA SINORA MENO ASCOLTATO DEL TRAGICO CONFLITTO AABO-ISRAELIANO INTRODUZIONE DI GUIDO VALABREGA FELTRINELLI 1969, 231 PP. LIEVI SEGNI DEL TEMPO ALLA COPERTINA, PER IL RESTO PERFETTO, MAI SFOGLIATO.
LIEVI SEGNI DEL TEMPO ALLA COPERTINA; VOLUME MAI SFOGLIATO, OTTIME CONDIZIONI. I Dialoghi (caratteri tradizionali: 論語, caratteri semplificati: 论语 pinyin: Lún Yǔ), sono una raccolta di pensieri e di frammenti di dialoghi del pensatore e filosofo cinese Confucio e dei suoi discepoli. Il titolo cinese significa letteralmente "discussione sulle parole [di Confucio]". Talvolta, specialmente nei trattati più datati, l'opera è presentata come "Analecta di Confucio", sebbene la traduzione analecta sia sbagliata e fuorviante, poiché i Dialoghi non fanno affatto parte di tale stile letterario. Scritti durante il Periodo delle primavere e degli autunni e il Periodo dei regni combattenti (ca. 479 a.C. - 221 a.C.), i Dialoghi sono considerate tra le opere più rappresentative del pensiero confuciano, ed hanno tuttora una grande influenza sulla cultura cinese e dell'Asia orientale. Il capitolo 10, che contiene dettagli sulla vita quotidiana di Confucio, ha destato l'interesse di Voltaire e di Ezra Pound, che hanno sottolineato la dimensione umana del filosofo. Simon Leys, che ha recentemente tradotto i Dialoghi in inglese e in francese, ha affermato che l'opera costituisce il primo esempio di un libro che descrive la vita di un personaggio storico. Analogamente, Elias Canetti ha definito i Dialoghi come il più antico ritratto intellettuale e spirituale di un uomo (Das Gewissen der Worte, 1975). Informazioni bibliografiche Titolo: I dialoghi di Confucio Collana: Volume 21 di Universale letteraria Autore: Confucius Curatore: Alberto Castellani Editore: Firenze: Sansoni, 1990 Edizione: Ristampa Anastatica della prima edizione ISBN: 8838310742, 9788838310744 Lunghezza: XXXI, 196 pagine; 19 cm Titolo originale: Lun Yu Soggetti: Filosofia orientale, Asia, Cina, Corea, Giappone, Vietnam, Aforismi, Massime, Repertorio, Bibliografia, Religioni, Orientalismo, Pensiero Confuciano, Dialoghi, Opere, Religioni, Confucianesimo, Confucio CINQUE CLASSICI Libro dei mutamenti (Yìjīng) Classico dei versi (Shījīng) Classico dei documenti (Shūjīng) Libro dei riti (Lǐjì) Annali delle primavere e degli autunni (Chūnqiū o Línjīng) QUATTRO LIBRI Il grande studio (Dàxué) Il giusto mezzo (Zhōngyōng) Dialoghi (Lúnyǔ) Il Mencio (Mèngzĭ), Essay, writings, Philosophy, Fausto Tomassini, Cinese, Saggezza
Firenze, G. C. Sansoni, 1895, in-8, br., pp. 55. Minime mancanze al dorso. Firma d'appartenenza al frontespizio: C. Cordié. (Biblioteca Critica della Letteratura Italiana, diretta da F. Torraca, n. 5).
In-16° pp. 471 con annotazioni sulle ultime 3 pagine bianche. Bross. edit.
New German Paperback. Pbo. 4to. (29 x 24 cm). In German and Turkish. 144 p., color ills. Kunstausstellung von der Skizze zum Gemalde.= Eskizlerden tablolara Sultan Abdülaziz Resim Sergisi. [Exhibition catalogue]. Curated by Mehmet Lütfi Sen.
in-8°, 245 pages, broche, couverture illustree plastifiee. Bel exemplaire [CA32-4] Avec, in fine, des Extraits inédits du journal intime de Loti.
in-12, 317 pages, relie demi-toile bleue à coins, pièce de titre, couv. conservEe. Bel exemplaire. [FL-11]
Very Good English Rebound to modern cloth bdg. Cr. 8vo. (19 x 13 cm). In French. [ii], 23, [2] p. Bibliotheque de Rasid Efendi (Kayseri); Bibliotheque d'Aksehir (Aksehir); Bibliotheque privee de Halil Nuri Bey (Bor); Bibliotheque de Kara Vezir Mehmet Ps. (Gülsehri); Bibliotheque de Damat Ibrahim Ps. (Nevsehir); Bibliotheque Nationale (Nigde); Bibliotheque privee de Dr. M. Ali Bey (Nigde); Bibliotheque de Musee (Nigde); Bibliotheque privee de Hilmi Soydan (Nigde); Bibliotheque de Tahsin Aga (Ürgüp).
Very Good English Rebound to modern cloth bdg. Cr. 8vo. (19 x 13 cm). In French. [ii], 23, [2] p. Bibliotheque de Rasid Efendi (Kayseri); Bibliotheque d'Aksehir (Aksehir); Bibliotheque privee de Halil Nuri Bey (Bor); Bibliotheque de Kara Vezir Mehmet Ps. (Gülsehri); Bibliotheque de Damat Ibrahim Ps. (Nevsehir); Bibliotheque Nationale (Nigde); Bibliotheque privee de Dr. M. Ali Bey (Nigde); Bibliotheque de Musee (Nigde); Bibliotheque privee de Hilmi Soydan (Nigde); Bibliotheque de Tahsin Aga (Ürgüp).
Very Good English Rebound to modern cloth bdg. Cr. 8vo. (19 x 13 cm). In French. [ii], 37, [1] p. Bibliotheque de Musee (Konya); Bibliotheque de Yusuf Aga (Konya); Bibliotheque privee d'Izzet Koyunoglu (Konya). Une liste des manuscrits choisis parmi les bibliotheques de Konya. Publiee a l'occasion du XXII. Congres International des Orientalistes.
Fine English Paperback. Small 4to. (27 x 20 cm). In English. 54, [2] p., 53 numerous b/w plts., 46 numerous color plates. The people & places of Constantinople. Watercolours by Amadeo Count Preziosi, (1816-1882). It's prepared for the first exhibition on Count Amadeo Preziosi, (1816-1882) in Great Britain. "This is the first exhibition of the work of Amadeo Preziosi to be held in this ccountry. It does not cclaim to be definitive, but it centered on the Museum's substantial holdings and augmented by loans from collections in Great Britain. Preziosi's name is now little known except to specialists, but in the period 1840-70 he was by far the most reknowned artist in Constantinople. He was only retrieved from the critical neglect into which he had fallen in the 20th century by Rodney Searight who began to appreciate his importance while building up his unsurpassed collection of views of the Near and Middle East. Indeed, it is fitting that the exhibition honours not only Preziosi himself but also Rodney Searight, pioneer of the study of this field, whose collection the Museum is raising funds to acquire. It is hoped that the enthusiasm Preziosi's contemporaries felt foe his lively and colourful studies of a now vanished way of life will be appreciated by visitors to the exhibition". (From the Kaufmann's preface).
Very Good French Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In French. 30, [1] sayfa. La Turquie chez Chateaubriand et Lamartine. "L'Orient a toujours beaucoup attire les etrangers par le mystere qu'il renferme. Cependant les Croisades avaient mal dispose l'opinion occidentale a l'egard des Turcs.". (From introduction). TRAVEL Ottoman history Turkish image French - Turkish relations Diplomacy Memoirs Orientalism.
New English Paperback. Demy 8vo. (22 x 15 cm). In French and Turkish. Color and b/w ills. 84 p. Study of the painters and exhibitions of the Pera quarters. Peintres et expositions de Pera: 1845-1916.= Pera ressamlari-Pera sergileri. 1845-1916. [Exhibition catalogue]. Texts by Seza Sinanlar Uslu.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In English and Turkish. 254 p., b/w and color ills. Images of Üsküdar from the past. The five star book.= Geçmisten Üsküdar suretleri. Besibiryerde. Compiling the visual odyssey of our beloved borough of Üsküdar, spanning 500 years from the 1420s up until the 1950s, "The golden city" album aims at presenting the pertinent documents of the historical heritage that Üsküdar possesses. The paintings, etchings, photographs, postcards, and maps incorporated into the book all function to adequately and efficiently reflect and convety a semblance of the likeness of the past times pertaining to the "Eternal city" Üsküdar (Scutari) the our present day, and carry them forward to to posterity. Each page of this book-album ensures the remembrance of an exalted glory and an enduring magnificence of the bygone epochs, and, in a sense, successfully attempts to recreate the memory of a living metropolis. Each visual element and image featuring in the album attests to a diverse and rich accumulation, amassed over hundreds of years, as this impressive and exhilarating pictoral feast defines the magical and enchanted atmosphere of Üsküdar, standing out prominently as a "Dreamland" or the "City of fairy-tales and fantasies. (From introduction).
New English Paperback. Pbo. 4to. (29 x 24 cm). In English and Turkish. 64 p., color ills. [Painter's Istanbul].= Ressamlarin Istanbul'u. 18 Mart - 11 Nisan 2009. [Exhibition catalogue]. 1000 copies were printed.
New English Paperback. Pbo. Large 8vo. (23 x 22 cm). In English, Turkish and Russian. 216 p., color and b/w ills. A passion for the sea: The secret diary of Ivan Konstantinovich Aivazovsky.= Ask-i derya: Ayvazovski'nin gizli Istanbul güncesi.
New English Paperback. Demy 8vo. (22 x 15 cm). In English. 509 p. An Ottoman Saga is a passionate love story set against the background of the great Ottoman Empire in its years of decline and of Europe in turmoil - war, revolution, the birth pangs of nationalism and democracy, marked by the leaders and personalities who transformed the face of the nineteenth century and paved the way to the world wars of the twentieth century: Sultan Abdülmecid I, Emperor Napoléon III and Empress Eugénie, Cavour, Garibaldi, Emperor Franz-Joseph, Disraeli, the Rothschilds, Florence Nightingale, Kaiser Wilhelm II, Otto von Bismarck, Sultan Abdülhamid II, among others. Anchoring the multicultural city of Istanbul at the heart of her narrative, Lâtife Mardin transports the reader from the Crimean War to the magnificient capitals of Europe and intertwines East and West in a historical tale of romance and intrigue as Cynthia and Jonathan strive to be united against all odds.
As New English Paperback. Pbo. Mint. Roy. 8vo. (24 x 17 cm). 246, [8] p. Istanbul'un Yüzleri Dizisi: 100 voyagers of Istanbul. B/w and color ills. Istanbul'un 100 seyyahi.
New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). In Turkish. 368 p., b/w and color ills. A precious study on 'Turquerie' style as cultural and architectural axis (not limited to exotism) in specialty of especially kiosks, mosques and hamams. Turquerie ve temsil politikasi, 1728-1876.
New Turkish Paperback. Roy. 8vo (24 x 17 cm). In Turkish. 203 p., b/w ills. 500 copies were printed. Mimarlar Odasi tarihinden portreler: Nur Akin. Prepared by Fatma Öcal Al.
New English Paperback. Pbo. Demy 8vo. (21 x 15 cm). In French. 91, [1] p., b/w ills. Constantinople. Fin de siecle et la Mosquee verte a Brousse.
As New English Paperback. Pbo. Mint. 4to. (29 x 22 cm). In English. 169, [13] p. Color and b/w ills. The Turkish sale including works of art, miniatures and calligraphy, textiles, European and Turkish paintings. Soyheby's London. Friday 11 October 1996. [Auction catalogue].
Fine English Paperback. Small 4to. (28 x 15 cm). In Turkish. 26 p., b/w and color ills. 1873-1908 Pera ressamlari.
New English Paperback. Pbo. 4to. (27 x 23 cm). In English and Turkish. 160 p. Color and b/w ills. "Works by the Dutch painter Marius Bauer from the collections of important museums in America and Europe, especially of the Rijkmuseum in Amsterdam, are being presented to art lovers during the four-month exhibition. Bauer made several journeys through Turkey and was a great admirer of Turkish culture. With drawings, etchings, water colors, oil paintings and letters, the exhibition takes the visitor on Bauer's travels through Turkey. Bauer arrived for the first time in Istanbul by boat in 1888. He disembarked and was immediately captivated by the life, the culture and the industriousness that he encountered there. Narrow streets, markets, bazaars and intimate sightlines, full of people engaged in everyday activities: playing music, trading wares, or on their way to or from the mosque. Occasionally he would catch a glimpse of the Sultan and his retinue. It can be concluded, from the letters that Bauer wrote in Turkey to family and friends, that he undertook long walks every day with his sketchbook under his arm. This resulted in a large number of sketches and drawings that formed the starting point of a great quantity of work when he returned to the Netherlands. Speaking at the opening of the exhibition on May 15, Sabanci University Head of the Board of Trustees, Güler Sabanci said, 'Like all artists enchanted by the east, Bauer was a traveler. He undertook his first voyage, during which he would fall under the spell of the east, in 1888 when he was 21. He sailed to Ottoman Turkey, stopped at Izmir and then made his way to Istanbul. We are overjoyed to have opportunity to bring Bauer's works back to the country he could never forget.".
