Orientalisme — marelibri

L'Inde sans les Anglais.

Hardback in-12, 458 pp., reliure demi-veau marbre, dos a nerfs, titre dore, tete doree, couverture conservee. Très bel exemplaire, reliure tres solide. [TX-17]

Pique-Puces · BELFORT, FR45,00 €

s.a..MareMagnum

The Lankavatara Sutra. A Mahayana text. Translated for the first time from the original Sanskrit.

In 8°, tutta tela con sovraccoperta editoriale, pp. L, 295, (5), con tavole più volte ripiegate ; esemplare molto buono, lievissime fioriture ai risguardi. (XB5/B) 710021658 (XB5/B)

Libreria Il Muro di Tessa · Milano, IT45,00 €

Tucci GiuseppeMareMagnum

(Viaggi in Asia - Nepal - Orientalismo) In 8° grande, brossura editoriale illustrata a colori, sovraccoperta in acetato con titoli in rosso al piatto anteriore, pp. XII,137,(7), con una tavola a colori fuori testo, 85 ill. fotografiche virate in azzurro e seppia su tavole f. t. , una carta geografica ripiegata in b/n f. t. . Cronaca della spedizione in Nepal occidentale del 1952 promossa dall'Istituto per il Medio ed Estremo Oriente. Le fotografie sono del capitano medico della Marina Italiana Concetto Guttuso e di Francesca Bonardi. Piccola mancanza al piatto posteriore della sovraccoperta in acetato, per altro esemplare fresco e ben conservato.

Antichità Barberia Sas · Bologna, IT45,00 €

ALAIN QUELLA-VILLEGER, BRUNO VERCIER / ENIS BATUR.MareMagnum

Dessinateur Pierre Loti: Une oeuvre au long cours. Loti, de Turquie.= Ressam Pierre Loti: Uzun bir yolculuk. Loti'yi Türkiye'den görmek.

New New English Original bdg. Dust wrapper. Large 4to. (31 x 31 cm). In French and Turkish. 301, [3] p., color and b/w ills. Dessinateur Pierre Loti: Une oeuvre au long cours. Loti, de Turquie.= Ressam Pierre Loti: Uzun bir yolculuk. Loti'yi Türkiye'den görmek. Le romancier à succès Pierre Loti (1850-1923) a occulté le dessinateur. Sous son véritable nom de Julien Viaud, comme reporter et pour le plaisir, il avait pourtant composé, au fil de ses campagnes de jeune officier de marine, une remarquable ¿uvre graphique, ethnographique aussi. La voici pour la première fois réunie. Plus de cinq cents dessins, accompagnés des gravures qui en furent tirées et de textes de l¿écrivain, forment un singulier carnet de voyages autour du monde, vers les lointains de cet artiste polymorphe et raffiné : Terre de Feu, île de Pâques, Tahiti, Brésil, Amérique du Nord, Sénégal, Maghreb, Adriatique, Indochine, Japon, mais aussi Bretagne et Saintonge natale, sans oublier son cher « Stamboul ». Du simple croquis à l¿aquarelle aboutie, le trait, sûr et inspiré, fait surgir un foisonnement de portraits et d¿événements, d¿étonnements et de fantaisies, de visions. Le monde de l¿un des derniers romantiques. Alain Quella-Villéger et Bruno Vercier sont les deux spécialistes de Pierre Loti et de son oeuvre, auxquels ils ont consacré de nombreux ouvrages, ensemble ou séparément (voir la bibliographie, p. 291). Ils ont notamment entrepris de conserve la publication au long cours du Journal de Loti (t. 1, 2006 ; t. 2, 2008, Paris, Les Indes savantes). Alain Quella-Villéger, natif de Rochefort, comme Pierre Loti, agrégé d¿histoire et docteur ès-lettres en histoire contemporaine, est le biographe de Pierre Loti, de Claude Farrère et de René Caillié. Il est, en outre, co-auteur d¿une dizaine d¿anthologies aux éditions Omnibus (dont Istanbul, Rêves de Bosphore, 2001), directeur et fondateur de la revue Les Carnets de l¿exotisme (1990-2006), à la suite de la Revue Pierre Loti (1980-1988), et auteur de plusieurs autres ouvrages, dont deux romans. Aux éditions Bleu autour, il a préfacé la réédition de Suprêmes visions d¿Orient (2006, 2010), le dernier ouvrage de Pierre Loti. Bruno Vercier, docteur ès-lettres et universitaire, spécialiste de l¿autobiographie et du journal intime, est co-auteur de plusieurs ouvrages sur la littérature française contemporaine (aux éditions Bordas). Il a signé l¿appareil critique de nombreuses rééditions de textes de Pierre Loti, ainsi que de Raymond Radiguet et Charles-Louis Philippe (aux éditions Flammarion et Gallimard). Il préside l¿Association pour laMaison de Pierre Loti. Enis Batur, qui vit à Istanbul et séjourne régulièrement à Paris, est l¿une des figures centrales de la littérature turque depuis vingt-cinq ans. Romancier, essayiste et poète, il est l¿auteur d¿une centaine d¿ouvrages, souvent traduits dans de nombreuses langues étrangères. En France, ses ouvrages paraissent chez Actes Sud (La Pomme, roman, 2004 ; Amer savoir, récit, 2002 ; D¿autres chemins, récit, 2008) et chez Bleu autour (D¿une bibliothèque l¿autre, 2008 ; Ottomanes, Autochromes de Jules Gervais-Courtellemont, en collaboration, 2006), où il a également préfacé trois recueils, deux de poèmes (Va jusqu¿où tu pourras, OrhanVeli, 2009 ; J¿ai vu la mer, anthologie, 2010), l¿autre de nouvelles (Le Samovar, Sait Faik Abasiyanik, 2010).

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR46,36 €

Edited by CANAN USTAOGLU.MareMagnum

Istanbul within the language of brushes.= Firçalarin diliyle Istanbul.

New New English Original bdg. Dust wrapper. 4to. (30 x 25 cm). In English and Turkish. 198, [4] p., 1 folding page of panoramic painting of Istanbul. Istanbul within the language of brushes.= Firçalarin diliyle Istanbul.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR46,36 €

Edited by SELMIN KANGAL.MareMagnum

Onbin yillik Iran medeniyeti, ikibin yillik ortak miras. [Exhibition catalogue]. Topkapi Sarayi Müzesi, Has Ahirlar, 2 Aralik 2009 - 5 Subat 2010.

New English Paperback. 4to. (29 x 24 cm). Edition in Turkish. 335 p., color ills. Turkish edition of this exhibition catalogue of "Ten thousand years of Iranian civilization, two thousand years of common heritage. [Exhibition catalogue]. Topkapi Palace Museum, Imperial Stables, December 2, 2009 - February 5, 2010." "The exhibition featured nearly 300 artifacts from Topkapi Palace Museum and National Museum of Iran as well as collections from Istanbul Archeology Museum, Sadberk Hanim Museum and the Military Museum of Istanbul. Within the scope of this exhibition, Turkey-Iran relations were assessed with references to political, economic and cultural contexts. This exhibition revealed collections pertaining to Iranian civilization which were not exhibited in Turkey ever before.".

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR46,36 €

METIN ARDITI et alli.MareMagnum

Turqueries regards croisés entre l'Orient et l'Occident: Colloqque International, 12-14 Mai 2016.

New French Paperback. Roy. 8vo. (24 x 17 cm). In French. 238 p., ills. Les Turqueries ou autrement dit le thème turc a joué un grand rôle dans la littérature et les arts (la peinture, la musique, le ballet, les objets décoratifs etc...) en France. Si les croisades ont mis en contact l'Orient musulman et l'Occident chrétien, la prise de Constantinople et la montée en puissance de l'Empire ottoman ont fait des Turcs ottomans le principal représentant de l'Orient en Occident. Pour les écrivains français le thème turc représentait l'altérité par excellence. Peu importait la véracité de l'image, la fiction française s'était emparée du Turc. Georges de Scudéry relate l'histoire du célèbre Ibrahim, vizir du sultan Soliman le magnifique dans Ibrahim ou l'illustre Bassa. Le grand Racine, si respectueux des règles classiques, ose contourner la tradition des sujets antiques en prétendant que "l'éloignement des pays répare en quelque sorte la trop grande proximité des temps" et crée sa tragédie intitulée Bajazet d'après le prince ottoman du même nom. A ne pas confondre avec le héros de l'opéra de Vivaldi, un autre Bajazet, le sultan vaincu par Tamerlan. Bien avant Molière, Rotrou fait parler ses personnages en turc dans sa pièce intitulée La Sour. Molière reprendra ce procédé avec le succès que l'on connaît dans Le Bourgeois gentilhomme qui est la turquerie par excellence du 17ème siècle et qui combine non seulement des personnages turcs mais aussi la musique de Lully directement inspirée des sonorités turques, sans parler des costumes et des pas de danse à la turque. Ainsi, la mode est lancée par Molière pour se moquer des Turcs. D'autre part, grâce à la Bibliothèque orientale d'Herbelot l'érudition passe également par les Turqueries. Au 18ème siècle le thème turc se mêle de critique et de philosophie. Voltaire rapporte les paroles du vieux Turc d'Istanbul, il faut cultiver son jardin, sans cesser de condamner le fanatisme musulman. Les Turqueries se mêlent également de littérature licencieuse voire érotique. Au 19ème siècle les Turqueries se fondent dans l'Orientalisme et prennent des accents politiques. Peut-on dire que de nos jours la tradition des Turqueries continue, après avoir subi certes une certaine transformation ? Peut-on considérer La Pasión turca d'Antonio Gala ou Le Turquetto de Metin Arditi comme des turqueries contemporaines ?

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR46,36 €

TÜLÂY DURAN.MareMagnum

Portraits of Ottoman Empire's sultans.= Padisah portreleri.

Fine English Original creme bdg. 4to. (32 x 23 cm). In English and Turkish. 317, [1] p., color and b/w ills. Portraits of Ottoman Empire's sultans.= Padisah portreleri. OTTOMANIA Ottoman Sultans Turkish art of painting History of art Portrait Orientalism.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR46,36 €

GÉZA DE FRANCOVICHMareMagnum

PERSIA, SIRIA, BISANZIO E IL MEDIOEVO ARTISTICO EUROPEO

DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. RIMANENZA DI MAGAZZINO PARI AL NUOVO. MAI SFOGLIATO, LIEVISSIMI SEGNI DEL TEMPO. In questo volume sono raccolti alcuni dei saggi dedicati da questo studioso tra i massimi esperti della storia dell'arte medievale dei nostri tempi, al cruciale tema dell'arte medievale europea e alle sue radici nel mondo a oriente del Mediterraneo: a Bisanzio, in Siria e in Persia, regioni a loro volta profondamente intercorrelate nella dinamica degli eventi artistici. L'autore analizza in dettaglio e nello stesso tempo dilata panoramicamente la sua ricerca su oggetti d'arte di particolare rilievo per la dimostrazione di questo assunto: per esempio la cassetta eburnea di Troyes o la brocca smaltata di St. Maurice d'Agaune, dove l'apporto delle civiltà persiana, islamica, bizantina si fondono in una forma artistica carica anche di precisi messaggi simbolici o, comunque, in un'espressione di altissimo livello qualitativo. Nel suo saggio sull'arte siriaca, l'autore ha tracciato un pionieristico disegno del ruolo svolto da questa civiltà figurativa tanto sul mondo bizantino strettamente inteso, quanto soprattutto sul Medioevo europeo. A questo saggio si richiama l'ultimo di quelli qui raccolti dove l'autore traccia una preziosa sintesi dell'apporto siriaco al mondo medievale. Essenziale apertura alla comprensione della civiltà medievale, ancor oggi troppo disinvoltamente incompresa all'ombra di pregiudiziali impostazioni critiche misurate sulla gloria della successiva pittura e arte toscana fra 200 e 300, questi testi segnano una tappa fondamentale della ricerca storico-artistica sul Medioevo figurativo europeo e, nel contempo, italiano. Integrazione essenziale del volume è l'apparato illustrativo, ricco di oltre 200 tavole con più di 300 fotografie, che costituiscono un'eccezionale visualizzazione dei fenomeni artistici presi in esame e di tutte le loro implicazioni storiche. Descrizione bibliografica Titolo: Persia, Siria e Bisanzio nel Medioevo artistico europeo Autore: Géza De Francovich Curatore: Valentino Pace Editore: Napoli: Liguori, 1984 Lunghezza: 208 pagine; 22 cm; illustrato ISBN: 8820711672, 9788820711672 Collana: Volume 25 di Nuovo Medioevo, Biblioteca Soggetti: Movimenti e stili artistici, Arte bizantina e medievale dal 500 d.C., arte medievale europea, Bisanzio, Influssi, Oriente, Orientalismo, Occidente, Costantinopoli-Ravenna-Roma, Relazioni internazionali, Cultura, Persia sasanide, Est, Asia, Impero romano, Islam, Storia antica, Archeologia, Siria, Syria, Nicea, Costantinopoli, Pittura, Mosaici, Arte miniatoria, Troyes, Budapest, Saint-Maurice, Bema, Regalità, Macedonia, Cassetta eburnea, Corona, Costantino IX, Monomonaco, Brocca d'oro, Reperti archeologici, Tesori, Agaune, Tessuti, Iconoclastia, Fotografie, Bibliografia, Arte sasanide, achemenide, Ravennate, Palatium di Teodorico, Frigia, Scultura

Studio bibliografico Maglione Maria Luisa · Napoli, IT46,99 €

Forworded by Agnieszka Morawinska.MareMagnum

Orientalism in Polish art.= Polonya sanatinda Oryantalizm. [Exhibition catalogue]. 24 October 2014 - 18 January 2015, Pera Museum.

New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 360 p., color and b/w ills. The exhibition highlights the orientalist trend in Polish painting, as well as drawings and graphic arts. The works in the exhibition cover a wide period from the 17th to the early 19th centuries. Among others, the exhibition includes drawings by Christian Kamsetzer of his Turkish travels, as well as oriental scenes by artists like Zmurko and Brandt. The artworks exemplify topics related to the Ottoman world, and to a lesser extent, the Near East and North African regions. One section of the exhibition is dedicated to Stanislaw Chlebowski, the court artist of Sultan Abdülaziz. Works by other artists who had visited Turkey, among them Jan Matejko, Waclaw Pawliszak, Jan Ciaglinski, and Jacek Malczewski, are also included. Selected from the collections of Polish institutions ranging from the National Museums in Warsaw, Kraków, Poznan, and Wroclaw, the University Library in Warsaw, to Lazienki Palace Museum, the exhibition brings together approximately 190 works. The apogee of Orientalism, which refers to a cultural current in Europe centred on an interest in the cultures of the East manifesting itself in art, architecture, music, literature, and the theatre, arrived in the 19th century, when a distinct Orientalist current sprang forth from academic painting, inspired first and foremost by the cultures of the Islamic countries of the Middle East and North Africa, as well as of Moorish Spain. In the specific case of Poland, interest in the Orient goes back to medieval times; a natural result of her geographic location, which rendered Poland particularly susceptible to influences from the East. To a large extent, this period in Polish history was defined by successive wars with the Ottomans, and it left an indelible trace in culture. A variety of equestrian types, generic skirmishes and great historic battles were depicted many times by various skilled artists, as well as Oriental characters, landscapes, and genre scenes -first and foremost of the harem. The latter subject matter, popular among audiences, was often taken up by painters who had never been to the East themselves. Exhibition catalogue presents works by the artists among them Jan Matejko, Waclaw Pawliszak, Jan Ciaglinski, Jacek Malczewski, and especially Stanislaw Chlebowski, the court artist of Sultan Abdülaziz, are included, and also sheds light on the artistic influences of Poland's cultural interaction with the East, different from the Western Orientalist approach, through history, diplomacy, battles and travellers.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR48,22 €

COLLECTIFMareMagnum

Les songes et leur interprétation. Egypte ancienne, Babylone, Israël, Canaan, Peuples Altaïques, Hittites, Cambodge, Persans, Kurdes, Japon, Inde, Islam, Chine

Editions du Seuil, 1959. In-8 carré broché de 331 pages non coupées. Exemplaire de S.P. Collection Sources Orientales. Très bon état

Artgil · Rodez, FR50,00 €

DELAPORTE (Louis)MareMagnum

Les peuples de l'Orient méditerranéen. I- Le Proche-Orient asiatique. II- L'Egypte. Avant-propos de S. Charléty.

2 volumes in-12, brochés (petits accrocs à la couv.), XXXV, 361 p. et XLIV, 640 p. Bibliographie. Index. Bon exemplaire.

Librairie Hatchuel · Paris, FR50,00 €

LOTI, Pierre.MareMagnum

Les Desenchantees. Roman des.harems turcs contemporains.- Illustrations de D. Charles FOUQUERAY.

in-8, 347 pages, broche, couverture illustree rempliée.— 1 des 1000 exemplaires s./vélin Allura. Très bel exemplaire, très frais (manque la page de titre). [TX-14] Tres belles illustrations pleine page en couleurs.

Pique-Puces · BELFORT, FR50,00 €

MAGOTTI SergioMareMagnum

NIPPONTO. The soul of the Samurai. The evolution, art and techniquesof the most efficient hand weapon in history

cm 30x30; illustrato. Questo libro consiste in un tributo a quella che è stata definita la più mortale arma bianca della storia. Un tempo fredda clinica arma d' attacco, la spada giapponese occupa attualmente un luogo metafisico nella immaginazione popolare. Un genuino oggetto di culto nel più moderno senso della parola, fino a trasformarsi in una suggestiva icona dell' arte e della cultura orientali...Con centinaia di splendide fotografie inedite di lame, montature e accessori tutte rigorosamente a colori.

Pleiades Società Cooperativa · Siena, IT50,00 €

MULLER F. MAXMareMagnum

The six systems of indian philosophy.

In 8°, tutta tela editoriale (alcune piccole abrasioni), pp. XXXII, 618, più 32 di catalogo editoriale; buon esemplare,lievi fioriture. Z D 5/B

Libreria Il Muro di Tessa · Milano, IT50,00 €

PRATAPADITYA PAL - DIPAK CHANDRA BHATTACHARYYA.MareMagnum

The astral divinities of Nepal.

In 8°, tutta tela con sovraccoperta editoriale, pp. (10), 82, con 18 tavole illustrate f.t. b/n; buon esemplare, lieve timbretto al foglio di guardia anteriore. (ZD4/A) (ZD4/A)

Libreria Il Muro di Tessa · Milano, IT50,00 €

VANDERVORST (Joseph)MareMagnum

Israël et l'ancien Orient.

Grand in-8, demi-basane chagrinée, couverture conservée, xvi p., (1) f. blanc, 424 p., 9 planches hors texte. Édition originale. Très bon exemplaire.

Librairie Hatchuel · Paris, FR50,00 €

BAHATTIN ÖZTUNCAY, SINAN KUNERALP, GUILLAUME DOIZY, K. MEHMET KENTEL.MareMagnum

Youssouf Bey: The charged portraits of fin-de-siecle Pera. Ömer M. Koç Collection.

New English Paperback. 4to. (27 x 22 cm). In English. 120 p., ills. Youssouf Bey: The charged portraits of fin-de-siecle Pera. Ömer M. Koç Collection. Youssouf Bey: The Charged Portraits of Fin-de-Siécle Pera is a two-volume special publication (Vehbi Koc Foundation, Istanbul, 2016) that accompanied ANAMED's exhibition "The Characters of Yusuf Franko: An Ottoman Bureaucrat's Caricatures"(26 January - 01 June 2017). The edited book of articles from this special edition has been recently republished by ANAMED and, thus, is available to a larger audience. Yusuf Franko Kusa Bey (1856-1933), a high-ranking bureaucrat in fin-de-siècle Ottoman imperial administration, was also a talented caricaturist. Because of his duties in the Ottoman Foreign Ministry, and spending most of his life in Istanbul, he was both a member and an observer of high-society social circles in Pera [Beyoglu]. Ambassadors, ministers, diplomats, famous opera singers, painters, Pashas and Efendis, Madames and Monsieurs, were part of this social milieu, and most of them became eternally recorded through the 'types and charges' in Yusuf Franko's caricature album. Including images of himself, he charged his subject materials, the people in his social network, with their particular qualities and transformed their portraits into witty caricatures that reflected contemporary scenes of social life and political debates in Pera. While the articles in this book analyze the majority of Yusuf Bey's caricatures from diverse perspectives (his family history and biography, the history of contemporary European caricature art and politics, and the social and spatial context in which he drew his caricatures), the appendix gives brief information about each caricature plate in the original album. These extraordinary caricatures are published for the first time in their entirety since they were discovered in an antique rug dealer's shop in Istanbul in 1957.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR50,07 €

CHEWON KIM / WON-YONG KIMMareMagnum

Corée, 2000 ans de création artistique.

In-4 carré, 288p. Comprend 24 planches en couleurs et 376 illustrations en noir. Glossaire et bibliographie en fin de volume. Manque la jaquette. sinon à l'état de neuf.

Librairie Le Cabinet D'Amateur · Neuchâtel, CH50,20 €

PERCHERON (Maurice)MareMagnum

La vie légendaire de Bouddha.

Gr. In-4, non paginé. Edition numérotée 1/1000 exemplaires sur papier offset sans bois. Illustré de 30 planches imprimées en 6 couleurs rehaussées d'or d' Adela•de Verneuil de Marval. En excellente condition.

Librairie Le Cabinet D'Amateur · Neuchâtel, CH50,20 €

BÜLENT ARI, LEVENT KIRVAL.MareMagnum

Four centuries of diplomatic and economic relations between Turkey & the Netherlands, (1612-2012). In memory of Cornelius Haga. [With a CD].

New English Paperback. Pbo. Roy. 8vo. (24 x 17 cm). Sealed. In English. 319, [5] p., color and b/w ills. Four centuries of diplomatic and economic relations between Turkey & the Netherlands, (1612-2012). In memory of Cornelius Haga. [With a CD]. This book (as well as the attached Istanbul Memoirs of the First Dutch Ambassador Cornelius Haga and the Ottoman Empire¿s official records and his Register Book about his activites in Istanbul) is a very timely contribution to the field, which once again illustrates the importance of studying the Ottoman history as world history. Halil Inalcik, Bilkent University. This book provides a fresh interpretation of the historical relations between these two important powers and also Turkey-Europe relations. In the foreword, Halil INALCIK, a prominent global historian, underlines the joint Ottoman-Dutch role in shaping the European and the World history. In the following chapter, Levent KIRVAL focuses on the history of the economic and political relations between Turkey and the European powers, and he particularly focuses on the economic and cultural interactions between the Turks and the Europeans. Subsequently, Bülent ARI, first gives brief information about the phases of Dutch revolt which started in 1567 against the Spanish oppression and then evaluates the political atmosphere of the period and the conflicts between the European states. Next, Mustafa GÜLEC evaluates the interpretations of various scholars concerning the early Ottoman-Dutch relations and gives an overall atmosphere of the commercial relations of individual entrepreneurs before the grant of Dutch capitulations. Followingly, Mehmet BULUT focuses on the commercial activities in the Mediterranean in the 17th and 18th century. Consequently, Mehmet TÜTÜNCÜ has an interesting chapter under the title "Grand Dutch Admiral Michiel Adriaenszoon de Ruyter¿s Mediterranean Expedition and the Peace Treaties He Concluded in 1662 with Ottoman Algeria". With CD entitled "Memoir and Register Book of Cornelis Haga First Dutch Ambassador in Istanbul".

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR51,00 €

ELENA FRANGAKIS-SYRETT.MareMagnum

The Port-city in the Ottoman Middle East at the age of Imperialism.

New English Paperback. Roy. 8vo. (24 x 17 cm). In English. 401 p., b/w ills. The Port-city in the Ottoman Middle East at the age of Imperialism. Acknowledgments Abbreviations Introduction SECTION I Economy: Trends & Developments 1. "ReImagining the World Economy: Market Connectivity and the Ottoman City in the Early Modern and Modern Era". Initially published as "Congruence of Economic Trends and Practices in the Creation of Izmir's Social Space: the City, the Market and the Individual during Mercantile Capitalism", in Alp Yücel Kaya, Ayse Sabuktay & Dilek Akyalçin Kaya, eds., Culture and Politics in the Mediterranean (Izmir Mediterranean Academy: Izmir, 2016), pp. 53-73. 2. "Market Networks and Ottoman-European Commerce, c. 1700-1825", in Ebru Boyar & Kate Fleet, eds., The Ottomans and Trade, special issue of Oriente Moderno, Vol. LXXXVI/1 (Rome, 2006), pp. 109-128. 3. "Commerce in the eastern Mediterranean from the Eighteenth to the Early Twentieth Centuries: the City-Port of Izmir and its Hinterland", International Journal of Maritime History, Vol. X, No. 2 (December 1998), pp. 125-154. 4. "Le développement d'un port méditerranéen d'importance interna-tionale: Smyrne (1700-1914)" Marie-Carmen Smyrnelis, ed., Smyrne, la ville oubliée? Mémoires d'un grand port ottoman (Éditions Autre-ment: Paris, 2006), pp. 21-49. 5. "The Port of Smyrna in the Nine-teenth Century," in Apostolos Vakalopoulos, Constantine Svolopoulos & Bela Kiraly, eds., War and Society in East Central Europe, Vol. XXIII (Institute for Balkan Studies: Thessaloniki, 1988), pp. 261 272. 6. "The Making of a Nineteenth-Century Ottoman Port: the Quay of Izmir", The Journal of Transport History, 3rd Series, Vol. 22/1 (March 2001), pp. 23-46. SECTION II Western Anatolia & The Aegean Islands 7. "The Western Anatolian Coast and the Aegean Islands in the Late Nineteenth and Early Twentieth Centuries: An Economic Survey," Proceedings of the First International Con-gress on the Hellenic Diaspora from Antiquity to Modern Times (Amsterdam, 1991), Vol. II, pp. 251-266. 8. "L'économie de l'Anatolie occidentale, 1908-1914", in Marcel Bazin, Salgur Kan-çal, Roland Perez & Jacques Thobie, eds., La Turquie entre trois mondes (Institut Français d'Études Anatoliennes: Istanbul & Paris, 1998), pp. 239-248. 9. "The Dynamics of Economic Development: Izmir and Western Anatolia, Late 19th/Early 20th Centuries", Kolokyum 19. Yüzyilda Mersin ve Akdeniz Dünaysi (T.C. Mersin Universitesi Yayinlari: Mersin, Turkey, 2002), pp. 65-72. SECTION III The Wider Region 10. "The Mediterranean Commercial World of the Eighteenth Century: Ottoman and Italian Ports", in Michela D'Angelo, Gelina Harlaftis & Carmel Vassalo, eds., Making Waves in the Mediterranean, (Instituto di Studi Storici: Messina, 2010), pp. 467-482. 11. "Greek Commercial practices and long-distance trade: Russia and the Ottoman Mediterranean in the 18th and early 19th cen-turies", in Olga Katsiardi-Hering, Athina Kolia-Demirtzaki & Kater-ina Gardica, eds., Russia and the Mediterranean (Herodotos Press: Athens, 2011), Vol. I, pp. 439-456. 12. "Patras", Review, Vol. XVI (Fall 1993), pp. 387-410. 13. "Monoculture in Nineteenth-Century Greece and the Port-City of Patras", Journal of the Hellenic Diaspora, Vol. 20/2 (1994), pp. 9-34. SECTION IV The Economic Actors 14. "The Greek Mercantile Community of Izmir in the First Half of the Nineteenth Century" in Daniel Panzac, ed., Les Villes dans l' Empire ottoman: Activités et Sociétés, Vol. I (CNRS: Paris, 1991), pp. 391-416. 15. "Ottoman-European Trade, Tax-Farming and the Implemen-tation of the 1838 Anglo-Turkish Convention". Initially published as "The Implementation of the 1838 Anglo-Turkish Convention on Iz-mir's Trade: European and Minority Merchants", New Perspectives on Turkey, Vol. 7 (Spring, 1992), pp. 91-112. 16. "Concurrence commer-ciale et financière entre les pays occidentaux à Izmir pendant le XIXe et début XXe siècles," in Jacques Thobie, Roland Perez & Salgur Kan-çal, eds., Enjeux et Ra

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR51,00 €

BELGIN DEMIRSAR ARLI.MareMagnum

Oryantalizmden çagdas Türk resmine.

Fine Fine Turkish Original bdg. Dust wrapper. 4to. (31 x 23 cm). In Turkish. 319 p., color and b/w ills. Oryantalizmden çagdas Türk resmine. A comprehensive study on history of Turkish painting and its orientalist origin.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR54,71 €