340 résultats
(Fiabe orientali - Medioevo islamico - Orientalismo) Due volumi in 8°, legature in piena tela editoriale con sovraccoperte e custodia rigida illustrate a colori, tagli di testa colorati, nastrini segnalibro, pp. XXXI,(1),1324 ; 1275, con complessive 16 tavole a colori fuori testo. Collana ''I Millenni''. Ottimo stato di conservazione.
2 volumi in 8°, tutta tela con sovraccoperta editoriale illustrata entro cofanetto editoriale illustrato; con illustrazioni n.t. b/n, ottimo esemplare. KF7 KF7
Paris, Rmn, 2011. Fort in-4 carré relié plein cartonnage illustré de 311 pages illustrées de nombreuses reproductions. Très bon état
Trois nouvelles chinoises traduites pour la première fois. Paris, E Dentu éditeur, 1889. In-12 broché de VIII + 247 pages + table. Peu courant.
New New English Original bdg. Dust wrapper. 4to. (31 x 23 cm). Edition in English. 307, [1] p., color ills. From Orientalism to contemporary Turkish painting. Translated into English by Valerie Needham. Preface by Ara Altun.
New English Paperback. 4to. (28 x 24 cm). In English and Turkish. 229 p., color and b/w ills. The logbook of the Ottoman navy: Ships, legends, sailors.= Osmanli donanmasinin seyir defteri: Gemiler, efsaneler, denizciler. Ottoman Principality was introduced to the dark sea of the Middle Ages early in the 14 th century. The battles with the Venetians and the Genoese, conquests in Rumelia, and the establishment of the first shipyards all occurred during this period. As the conquest of Istanbul marked the end of the period of transition from Principality to Empire, the foundations of a strong navy that would unite the Mediterranean and the Black Sea over a political geography were laid. The power of the corsairs diminished by the end of the Renaissance; Barbaros Hayreddîn Pasha personified the golden age of Ottoman sea power. The discovery of the New World had instigated a revolution in the maritime world. Traditional Venetian galleys gave way to Spanish galleons and manpower was replaced by wind power. The Ottoman navy assumed a pioneering role in the process of modernization that extended from the 18 th to the 20 th century. Naval education in the Western sense, the implementation of new technologies and the organization of a modern fleet were all consequences of this period. Advancing from the galley to the battlecruiser, Ottoman sea power had the final say in the affairs of the Empire. "The Logbook of the Ottoman Navy: Ships, Legends, Sailors" exhibition intertwines three distinct, yet integrated mythologies of the sea. The imprint of the ships in Ottoman seafaring history, the battles they were engaged in and the heroes who became legendary in these battles assume their places on the stage of civilization in all their historic magnitude. At the center of the construct lies the extraordinary adventure of the transition from traditional to modern seafaring methods. The quest for power, the demolished thrones and man's identification of his fate with the sea is perhaps the oldest story behind this adventure. The cornerstones of a long history that extends from the legacy of a 16 th century Ottoman galley to the battlecruiser, Yavuz, is brought to light through the memories of seamen.
Very Good English In contemporary bdg. Roy. 8vo. (24 x 17 cm). In English and Persian.[4], 96 p., 2 b/w plts. Falakî-i Shirwânî: His times, life, and works. "The Falaki par excellence, Falaki-i Shirwani, was, with Abu'l Ala and Khaqani, a court-panegyrist of the SHirwanshah, Minuchihr II. Taqiu'd Din Kashi writes in 985 A.H. Similarly, the Ahsanu't-tawarikh.". First and Only Edition.
New German Original cloth bdg. In publisher's special box. 4to. (29 x 25 cm). In German. 176 p., ills. Yildiz Sarayi fotograf koleksiyonu üzerinden Osmanli-Almanya iliskileri. Ottoman-German relations with photographs from the Yildiz Palace Photography Collection. Die osmanisch-deutschen Beziehungen im Lichte der Yildiz palast Fotografie-Kollektion.
Fine French Original bdg. HC. 4to. In French and Turkish. 168 p., ills. Pierre Loti et les silhouettes de Hassan: Portraits avant La II. Constitution.= Pierre Loti ve Hasan silüetleri: II. Mesrutiyet öncesi portreler. The novelist Julien Viaud, famous for his nickname Pierre Loti, is a traveling maritime officer. At the end of the 19th century and the beginning of the 20th century, he makes seven trips to Istanbul. In 1903, at the age of 53, Pierre Loti takes over Le Vautour, the first station ship to the French Embassy in Istanbul, during his fifth trip to Turkey. In the same period, Hasan signed cartoons start to circulate in Istanbul.The person who is hiding under Hasan is actually Robert de Guiroye, a naval officer. This person was then assigned to the auxiliary ship "La Mouette" (Seagull) under the command of Pierre Loti. It is thought that this officer made drawings on this ship in the evening after having spent a long time in important social clubs such as Cercle d'Orient, Pera Palas Ballroom, Tepebasi Theater. Who is actually Hasan / Who is the real Hasan? The answer to this problem is in the exhibition and detailed catalog. Let's see if they can help bring Hasan's identity to light. The "Pierre Loti and Hasan Silhouettes" exhibition is made up of documents obtained as a result of years of research by numerous collections and valuable collector Sayen Erol Makzume, who has vast knowledge of Hasan's lithographs in the early 20th century. The exhibition contains texts, cartoons and in-depth information, and sheds light on the transition period of Turkey after the Second Constitutional Monarchy.
Fine English Paperback. Roy. 8vo. (24 x 17 cm). In English and Japanese. 787, 144, 91 p. (Toyo Bunko) Bibliography Islamic and Middle Eastern studies in Japan, 1868-1988, 1992. [With] Index & Directory of Asian historical studies in Japan.
(Medio Oriente - Storia - Archeologia - Orientalismo - Persia - Iraq - Iran - Mesopotamia) Due volumi in 8°, legatura coeva in mezza pergamena, al dorso ricca decorazione impressa in oro e tassello in pelle rossa con titoli dorati, carta marmorizzata policroma e dentelle in oro ai piatti, tagli marmorizzati, pp. complessive 1028, con 113 figure nel testo, 23 tavole a piena e doppia pagina, tra cui una carta geografica della Babilonia (dalla "Nouvelle carte générale des provinces asiatiques de l'empire ottomane" di Kiepert, 1884) e due illustrazioni in cromolitografia fuori testo. Volumi solidi e ben conservati con ex libris applicato ai risguardi anteriori.
In-8, broché, couverture imprimée, 23 p. Édition originale. Précoce plaidoyer pour le renforcement de la colonisation que l'auteur tente d'envisager sous une forme "moderne". Il réfute les affirmations d'un rapport selon lequel les indigènes auraient été dépouillés de leurs biens et traite largement des conditions de collaboration avec ces populations. L'auteur Paul-Ambroise Volland, dit "Baron Volland" était intendant militaire de l'Algérie et délégué des colons d'Alger. (Tailliart, 2579). Bel exemplaire, à l'état de parution.
(Orientalismo - Etnologia - Antropologia - Asia - Oriente) Due volumi in 8° grande (27x19,5), legatura coeva in mezza pelle color testa di moro con punte, dorso a 5 nervi con filetti e titoli dorati, carta marmorizzata ai piatti e alle guardie, tagli di testa in colore rosso, pp. (8),591,(9) ; (8),583,(9) con complessive 675 illustrazioni nel testo, molte a piena pagina e 14 (su 18) tavole in cromolitografia a doppia pagina fuori testo. Collana ''Popoli del mondo. Usi e costumi''. Indice delle materie, Vol. I : ''Caratteri generali della civiltà asiatica. I popoli della Siria, della Mesopotamia e dell'Arabia. Gli abitanti della Siria. Gli abitanti della Mesopotamia. Gli Arabi dell'Arabia. Leggende e superstizioni arabe, bibliche e cristiane. I Curdi. Gli Armeni. I Persiani. I Caucasici. I Turchi. I Turcomanni. I Kirghisi. Gli Indiani. I Parsi. I Singalesi.''. Vol. II : ''I Mongoli propriamente detti. I Tibetani. I Bhutanesi e Buthia ed i Lepcha (Lepcia). I Birmani. I Malesi delle Molucche e Giavanesi. I Giavanesi. Gli abitanti di Sumatra. Gli abitanti di Nias. Borneo. Gli abitanti delle Filippine. I popoli dell'Indocina: Siamesi. Gli Annamiti. I Tonchinesi. I popoli della Cina. Le cinque veglie dell'oppio. I Formosani. I Coreani. I Giapponesi. I Siberiani''. Alcune circoscritte tracce di ossidazione all'interno, peraltro volumi solidi e ben conservati.
Original boards. 8vo, 240 pages, 19cm. SUBJECTS: Chronology. Egyptian language -- Writing, Hieroglyphic.. Some wear to outer boards, otherwise Good Condition. (AC-2-8)
(Viaggi - Asia - Orientalismo - India - Kashmir - Induismo - Buddismo - Tibet - Lamaismo) In 8°, brossura editoriale con sovraccoperta illustrata in camicia, custodia editoriale in cartoncino, pp. XV,(1),360, con 80 immagini fotografiche in bianco e nero su tavole fuori testo, compreso il ritratto dell'autrice in antiporta con velina di protezione, conservata la scheda bibliografica Mondadori. Prefazione di Filippo De Filippi. Taglio davanti e di piede in barbe. Ottimo stato di conservazione, perfetto.
New English Paperback. Pbo. 4to. (30 x 23 cm). In English and Turkish. 149 p., color ills. Contents: Orientalism in the 19th century and Turkey; Günsel Renda.; The Ottoman Court and sultanic portraiture; Erol Makzume.; Orientalist painters in the 19th century Ottoman Empire; Gulsen Sevinç Kaya. The painting purchased from Goupil's Art Gallery for the Dolmabahce Palace; Catalogue. Orientalists at the Ottoman Palace. = Osmanli Sarayi'nda oryantalistler. [Exhibition catalogue]. Dolmabahçe Palace Art Gallery; July 7 - September 10, 2006.
In-8, demi-percaline chagrinée, 28 p., petite auréole claire en marge de quelques feuillets. Édition originale de ce rapport prononcé en séance le 15 mai 1843, résultat d'une enquête réalisée par une commission de l'Assemblée. A l'occasion d'une demande de crédits exceptionnels, le député de la Côte d'Or fait un historique de la conquête de l'Algérie depuis 1830, présente les doctrines en présence et évalue les progrès de la colonisation sur le terrain. (Manque à Tailliart et à Gay).
Very Good English Original bdg. with new spine. Roy. 8vo. (23 x 15 cm). In English. [xxviii], 507 p., 1 folded engraved color plate of Sebastopol from the sea, 12 numerous folded plans and maps. First Edition. Third volume. The invasion of the Crimea: Its origin, and an account of its progress down to the death of Lord Raglan. Vol. III. Kinglake was an English travel writer and historian. He was born near Taunton, Somerset, and educated at Eton College and Trinity College, Cambridge. He was called to the Bar in 1837, and built up a thriving legal practice, which, in 1856, he abandoned to devote himself to literature and public life. His first literary venture was Eothen; or Traces of travel brought home from the East (London: J. Ollivier, 1844), a very popular work of Eastern travel, apparently first published anonymously, in which he described a journey he made about ten years earlier in Syria, Palestine and Egypt, together with his Eton contemporary Lord Pollington. Elliot Warburton said it evoked "the East itself in vital actual reality" and it was instantly successful. However, his magnum opus was THE INVASION OF THE CRIMEA: Its Origin, and an Account of its Progress down to the Death of Lord Raglan, in 8 volumes, published from 1863 to 1887 by Blackwood, Edinburgh, one of the most effective works of its class. The History, which Geoff Bocca describes as a book "by which no intelligent man can fail immediately to be fascinated, no matter to what page he might open it" has been accused of being too favourable to Lord Raglan and unduly hostile to Napoleon III for whom the author had an extreme aversion. The town of Kinglake in Victoria, Australia, and the adjacent national park are named after him. A Whig, Kinglake was elected at the 1857 general election as one of the two Members of Parliament (MP) for Bridgwater, having unsuccessfully contested the seat in 1852. He was returned at next two general elections, but the result of the 1868 general election in Bridgwater was voided on petition on 26 February 1869. No by-election was held, and after a Royal Commission found that there had been extensive corruption, the town was disenfranchised in 1870.
Very Good English Original bdg. with new spine. Roy. 8vo. (23 x 15 cm). In English. [xviii], 482, [24] p., 1 folded sketch map frontispiece. First Edition. Sixth volume. The invasion of the Crimea: Its origin, and an account of its progress down to the death of Lord Raglan. Vol. VI. Kinglake was an English travel writer and historian. He was born near Taunton, Somerset, and educated at Eton College and Trinity College, Cambridge. He was called to the Bar in 1837, and built up a thriving legal practice, which, in 1856, he abandoned to devote himself to literature and public life. His first literary venture was Eothen; or Traces of travel brought home from the East (London: J. Ollivier, 1844), a very popular work of Eastern travel, apparently first published anonymously, in which he described a journey he made about ten years earlier in Syria, Palestine and Egypt, together with his Eton contemporary Lord Pollington. Elliot Warburton said it evoked "the East itself in vital actual reality" and it was instantly successful. However, his magnum opus was THE INVASION OF THE CRIMEA: Its Origin, and an Account of its Progress down to the Death of Lord Raglan, in 8 volumes, published from 1863 to 1887 by Blackwood, Edinburgh, one of the most effective works of its class. The History, which Geoff Bocca describes as a book "by which no intelligent man can fail immediately to be fascinated, no matter to what page he might open it" has been accused of being too favourable to Lord Raglan and unduly hostile to Napoleon III for whom the author had an extreme aversion. The town of Kinglake in Victoria, Australia, and the adjacent national park are named after him. A Whig, Kinglake was elected at the 1857 general election as one of the two Members of Parliament (MP) for Bridgwater, having unsuccessfully contested the seat in 1852. He was returned at next two general elections, but the result of the 1868 general election in Bridgwater was voided on petition on 26 February 1869. No by-election was held, and after a Royal Commission found that there had been extensive corruption, the town was disenfranchised in 1870.
Very Good Very Good English Original cloth bdg. Dusst wrapper. Folio. (32 x 24 cm). Edition in English. 251 p., b/w and color ills. An eyewitness of the Tulip Era: Jean-Baptiste Vanmour. Edited by Melis H. Seyhun, Arzu Karamani Pekin. An eyewitness of one the most interesting periods in Ottoman history is a Western artist: Jean-Baptiste Vanmour. Today, as part of the collection of Rijksmuseum Amsterdam, nearly sixty paintings of the artist depict the Ottoman world in a realistic style: Sultans, grand viziers, prominent imperial officials, daily life scenes from Istanbul, an ambassador´s audience with the Sultan and other significant events such as the Patrona Halil Rebellion. An eyewitness of Tulip Era: Jean Baptiste Vanmour, sheds light to the works of this unique painter and documents one of the most significant periods in Ottoman civilization and culture through the perspectives of four renowned art histroians.
Very Good English Original gold-tones albumen photograph from 'Holy Land pictures', London, 1870. Oblong folio. (30,5 x 38 cm); photographic image size: 15x20 cm. Descriptive text in English ( Baalbec, and the Lebanon range. This city may possibly have been built by King Solomon. "And Solomon built Balalath (Baalbek) and Tadmor in the wilderness (Palmyra)", I Kings ix, 18.). Frank Mason Good, born 1839 in Deal, Kent, began his photographic career as an assistant to photographer Francis Frith. Good is known to have been active during the 1860s and 1870s. He lived most of his life at Phoenix Green, Hartley Wintney, (and died there on 28th June 1928) but had studios in London and Brighton. In 1870 he married Margaretta Teape at St Mark, Goodman's Fields. Following Margaretta's death (on 29th December 1904) he married his second wife, Jessie Emily Waghorn, in 1906, at Hartley Wintney. He is best known for his stereographic photographs of the Near East, and it was Frith who sponsored Good's first trip there. Other geographic locations captured by Good include Spain, Greece, and the Isle of Wight. Frank Mason Good is best known for his series of views of the Middle East taken on four separate tours of the area in the 1860s and 1870s. He first traveled to Egypt as an assistant to Francis Frith in late 1857. He joined the Photographic Society in 1864, and in 1880 served as a judge of its annual exhibition. He lived at Hartley Wintney, Winchfield, Hampshire.
Very Good English Original gold-tones albumen photograph from 'Holy Land pictures', London, 1870. Oblong folio. (30,5 x 38 cm); photographic image size: 15x20 cm. Descriptive text in English. (Nazareth, from the East, with the Well of the Virgin. In this neighborhood, our Lord and Savior Jesus Christ spent nearly thirty years of his life: And over these "Sacred Acres" often roamed "Those blessed feet that once were nailed, for our advantage to the bitter cross.".). Frank Mason Good, born 1839 in Deal, Kent, began his photographic career as an assistant to photographer Francis Frith. Good is known to have been active during the 1860s and 1870s. He lived most of his life at Phoenix Green, Hartley Wintney, (and died there on 28th June 1928) but had studios in London and Brighton. In 1870 he married Margaretta Teape at St Mark, Goodman's Fields. Following Margaretta's death (on 29th December 1904) he married his second wife, Jessie Emily Waghorn, in 1906, at Hartley Wintney. He is best known for his stereographic photographs of the Near East, and it was Frith who sponsored Good's first trip there. Other geographic locations captured by Good include Spain, Greece, and the Isle of Wight. Frank Mason Good is best known for his series of views of the Middle East taken on four separate tours of the area in the 1860s and 1870s. He first traveled to Egypt as an assistant to Francis Frith in late 1857. He joined the Photographic Society in 1864, and in 1880 served as a judge of its annual exhibition. He lived at Hartley Wintney, Winchfield, Hampshire.
Very Good English Original gold-tones albumen photograph from 'Holy Land pictures', London, 1870. Oblong folio. (30,5 x 38 cm); photographic image size: 15x20 cm. Descriptive text in English. (Shechem (Nablus), between Ebal and Gerizim Shechem (Nablus), between Ebal and Cerizim: This was Abraham's first halting-place, Gen. xii. 6; Here Jacob settled and bought a piece of land, Gen, xxxiii, 19; Here Joshua assembled the people just before his death, Josh, xxiv; And here the ten tribes rebelled against Rehoboam, 1 Kings xii.). Frank Mason Good, born 1839 in Deal, Kent, began his photographic career as an assistant to photographer Francis Frith. Good is known to have been active during the 1860s and 1870s. He lived most of his life at Phoenix Green, Hartley Wintney, (and died there on 28th June 1928) but had studios in London and Brighton. In 1870 he married Margaretta Teape at St Mark, Goodman's Fields. Following Margaretta's death (on 29th December 1904) he married his second wife, Jessie Emily Waghorn, in 1906, at Hartley Wintney. He is best known for his stereographic photographs of the Near East, and it was Frith who sponsored Good's first trip there. Other geographic locations captured by Good include Spain, Greece, and the Isle of Wight. Frank Mason Good is best known for his series of views of the Middle East taken on four separate tours of the area in the 1860s and 1870s. He first traveled to Egypt as an assistant to Francis Frith in late 1857. He joined the Photographic Society in 1864, and in 1880 served as a judge of its annual exhibition. He lived at Hartley Wintney, Winchfield, Hampshire.
In-8, broché, couverture imprimée (lég. défr.), 21 p. Edition originale. L'auteur fait le point sur le projet de transformer le Sahara oriental en mer intérieure, par le creusement d'un canal avec la Méditerranée. E. Cosson était membre de l'Académie des sciences.
In 4°, brossura editoriale, pp. 495, (3), con 20 tavole illustrate f.t. b/n; buon esemplare, lievissima mancanza alla prima bianca. (ZD5/B) (ZD5/B)