340 résultats
New English Paperback. Pbo. 4to. (29 x 21 cm). In English and Turkish. 208 p., color ills. "An Orientalist painter who lived almost half a century in Istanbul up to his death, Leonardo de Mango is described by the art commentator Thalasso as, a painter through whom the East spoke. De Mango was born on 19 February 1843, the eldest child of a large family in the town of Bisceglie near Bari in Italy, where he honed his native talent for drawing up to the age of nineteen. In 1862, under the patronage of an aristocratic family of Bari, he entered the Academy of Fine Arts of Naples and studied there for eight years under Filippo Palizzi and of Domenico Morelli. Morelli was also a painter who treated exotic orientalist themes. During this period de Mango also worked with Saverio Altamura, Bernardo Celentano, Raffaele d'Auria, Federico Maldarelli, Raffaele Postiglione and Giuseppe Mancinelli. In 1883 De Mango settled in Istanbul during the reign of Sultan Abdul Hamid II, where he is known to have set up, and taught for some time at, the oil painting department of the School of Fine Arts. Forced to leave Istanbul briefly in 1911 during the Tripolitanian War, the artist returned to the city following the Treaty of Ouchy on 15 October 1912. De Mango was among the artists who, at the initiative of Alexander Vallaury, a teacher in the architecture department of the School of Fine Arts, and Regis Delbeuf, manager of the Istanbul daily Le Stamboul, organized the first painting and sculpture exhibition at Beyoglu in 1901, dubbed the 'Pera Exhibitions in the Passage Oriental', an arcade owned by the French merchant Bourdon. With 27 works, De Mango was the most well represented artist in the exhibition, as he was again in the 1920 exhibition when he was one of 36 artists, participating with 33 of his own paintings. De Mango also had 16 paintings in the last of the Pera exhibitions, which was held in 1903. He painted in the open air and in his workshop at Beyoglu, reflecting the daily life of the different districts of Istanbul until his death in 1930.". Contents: Erol Makzume "The 75th anniversary of the death of an orientalist painter from Pera, Leonardo de Mango"; Roberta Ferrazza "Leonardo de Mango and the Italian community in Istanbul"; Bianca Consiglio "Portrait Painter Leonardo de Mango"; Piero Consiglio - Giacinto La Notte "Leonardo de Mango stages in a life divided between East and West"; Catalogue.
in-4 (25 x 32 cm), 181 pages, correspondance, index, reliure pleine toile Edit., jaquette illustree.— Tirage à 3000 exemplaires numerotes. Accrocs a la partie sup. de la jaquette sin. bel exemplaire. [VU-8] Toutes les œuvres référencées, dessins, peintures, gravures, sont reproduites en noir ou en couleurs.
Fine English Paperback. Pbo. Roy. 8vo. (23 x 116 cm). In Turkish. 313, [7] p. Color and b/w ills. Librairie de Pera. Old people and places.= Eski yerler, eski insanlar. [Auction catalogue].
Fine English Paperback. Pbo. Roy. 8vo. In Turkish. 139, [7] p. Color and b/w ills. Librairie de Pera. Paintings, drawings, ceramics and art prints from Turkish and Orientalist artists.= Türk ve Oryantalist sanatçilardan resimler, desenler, seramikler ve özgün baskilar. [Auction catalogue].
Parma, Franco Maria Ricci, 1971, 8vo legatura editoriale in tutta seta nera con titoli dorati e un’illustrazione su cartoncino applicata alla copertina, sovraccoperta illustrata, cofanetto leggero in cartoncino nero, pp. 208 (Morgana, 2). Presentazione di Roland Barthes. Opera stampata su carta Fabriano e tirata in 2000 esemplari numerati (la ns. copia la n. 459). Lievi tracce d’uso alla sovraccoperta, ma ottimo stato di conservazione.
in-12, 317 pages, relie demi-toile bleue à coins, pièce de titre, couv. conservEe. Bel exemplaire. [FL-11]
104 pages, un portrait photo de Pierre Loti en lieutenant de vaisseau (1881) en frontispice, 16 planches en sepia et une planche en couleurs hors texte, reliure demi-maroquin à coins, dos lisse, titre et fleuron dorés. Très bel exemplaire. [P-26] 5 fascicules reliés en un volume in-4°.
Hardback in-12, 458 pp., reliure demi-veau marbre, dos a nerfs, titre dore, tete doree, couverture conservee. Très bel exemplaire, reliure tres solide. [TX-17]
in-12, 369 pages, relie demi-toile bleue à coins, pièce de titre, couv. conservEe. Bel exemplaire. [CL-8]
in-8, 347 pages, broche, couverture illustree rempliée.— 1 des 1000 exemplaires s./vélin Allura. Très bel exemplaire, très frais (manque la page de titre). [TX-14] Tres belles illustrations pleine page en couleurs.
in-8°, 245 pages, broche, couverture illustree plastifiee. Bel exemplaire [CA32-4] Avec, in fine, des Extraits inédits du journal intime de Loti.
in-12, 268 pages, relie demi-toile bleue à coins, pièce de titre, couv. conservEe. Bel exemplaire. [FL-11]
in-12, 317 pages, relie demi-toile bleue à coins, pièce de titre, couv. conservEe. Bel exemplaire. [FL-11]
Fine Turkish Paperback. Demy 8vo. (21 x 14 cm). In Turkish. 181 p. A study on Islamisc mysticism and sufism in the early Islamic period. Louis Massignon was a Catholic scholar of Islam and a pioneer of Catholic-Muslim mutual understanding. He was an influential figure in the twentieth century with regard to the Catholic church's relationship with Islam.
cm 30x30; illustrato. Questo libro consiste in un tributo a quella che è stata definita la più mortale arma bianca della storia. Un tempo fredda clinica arma d' attacco, la spada giapponese occupa attualmente un luogo metafisico nella immaginazione popolare. Un genuino oggetto di culto nel più moderno senso della parola, fino a trasformarsi in una suggestiva icona dell' arte e della cultura orientali...Con centinaia di splendide fotografie inedite di lame, montature e accessori tutte rigorosamente a colori.
In 4°, brossura editoriale, pp. 495, (3), con 20 tavole illustrate f.t. b/n; buon esemplare, lievissima mancanza alla prima bianca. (ZD5/B) (ZD5/B)
(Viaggi - Asia centrale - Tibet - Orientalisti italiani) In 8°, legatura editoriale in piena tela color amaranto con titoli in bianco impressi al piatto anteriore, sovraccoperta illustrata a colori, un ritratto dell'autore di Carlo Levi al risvolto posteriore, pp. XI,(5),278,(2), con una tavola in antiporta (cartine geografiche) e 60 tavole fuori testo con immagini fotografiche in bianco e nero ed a colori scattate da Fosco Maraini durante le spedizioni in Tibet nel 1937 e nel 1947 al seguito di Giuseppe Tucci. Presentazione di Bernard Berenson. Collana "All'Insegna dell'Orizzonte" (1). Seconda edizione, finita di stampare il 10 dicembre 1954 dalla Zincografica Fiorentina. Ottimo stato di conservazione.
In 8°, brossura con sovraccoperta editoriale illustrata, pp. 304, (6), con 60 tavole fotografiche illustrate f.t. b/n; buon esemplare, lievi fioriture al taglio superiore, lieve strappetto allasovraccoperta alla testa del dorso. (XC5/B) (XC5/B)
New New English Original bdg. Dust wrapper. 4to. (30 x 24 cm). In Turkish. [xv], [4], 342, [1] p., color and b/w ills. Istanbul karsilasmalari: Osmanlilar, oryantalistler ve 19. yüzyil görsel kültürü. [= Istanbul exchanges: Ottomans, orientalists, and Ninteenth-century visual culture]. Translated by Zeynep Rona.
In-8° (cm. 23,4), brossura editoriale azzurrina a stampa illustrata in nero con titolo in rosso e nero al dorso e al piatto anteriore (velina protettiva); pp. XX 397 [3] in barbe, in ottimo stato. Nuova edizione, arricchita da 42 tavole fuori testo con illustrazioni in nero in fine. Ottimo esemplare. (RB5)
New New English Original bdg. Dust wrapper. 4to. (31 x 22 cm). In Turkish. 3 volumes set: (1543 p.), color and b/w ills. Yüzyillar boyunca Üsküdar. 3 volumes set. A very heavy set. Extra shipping cost will be requested. History of Scutari from Byzantium to modern times.
Mm 120x200 Brossura editoriale di pp. 74, sovraccoperta figurata. Opera in buonissime condizioni. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
New English Paperback. Pbo. 4to. (29 x 25 cm). In Turkish. 31 p., fully color ills. Sehr-i Osmanli. Merab Calagonia Resim Sergisi. 19 Kasim - 05 Aralik 2014. [Exhibition catalogue].
New French Paperback. Roy. 8vo. (24 x 17 cm). In French. 238 p., ills. Les Turqueries ou autrement dit le thème turc a joué un grand rôle dans la littérature et les arts (la peinture, la musique, le ballet, les objets décoratifs etc...) en France. Si les croisades ont mis en contact l'Orient musulman et l'Occident chrétien, la prise de Constantinople et la montée en puissance de l'Empire ottoman ont fait des Turcs ottomans le principal représentant de l'Orient en Occident. Pour les écrivains français le thème turc représentait l'altérité par excellence. Peu importait la véracité de l'image, la fiction française s'était emparée du Turc. Georges de Scudéry relate l'histoire du célèbre Ibrahim, vizir du sultan Soliman le magnifique dans Ibrahim ou l'illustre Bassa. Le grand Racine, si respectueux des règles classiques, ose contourner la tradition des sujets antiques en prétendant que "l'éloignement des pays répare en quelque sorte la trop grande proximité des temps" et crée sa tragédie intitulée Bajazet d'après le prince ottoman du même nom. A ne pas confondre avec le héros de l'opéra de Vivaldi, un autre Bajazet, le sultan vaincu par Tamerlan. Bien avant Molière, Rotrou fait parler ses personnages en turc dans sa pièce intitulée La Sour. Molière reprendra ce procédé avec le succès que l'on connaît dans Le Bourgeois gentilhomme qui est la turquerie par excellence du 17ème siècle et qui combine non seulement des personnages turcs mais aussi la musique de Lully directement inspirée des sonorités turques, sans parler des costumes et des pas de danse à la turque. Ainsi, la mode est lancée par Molière pour se moquer des Turcs. D'autre part, grâce à la Bibliothèque orientale d'Herbelot l'érudition passe également par les Turqueries. Au 18ème siècle le thème turc se mêle de critique et de philosophie. Voltaire rapporte les paroles du vieux Turc d'Istanbul, il faut cultiver son jardin, sans cesser de condamner le fanatisme musulman. Les Turqueries se mêlent également de littérature licencieuse voire érotique. Au 19ème siècle les Turqueries se fondent dans l'Orientalisme et prennent des accents politiques. Peut-on dire que de nos jours la tradition des Turqueries continue, après avoir subi certes une certaine transformation ? Peut-on considérer La Pasión turca d'Antonio Gala ou Le Turquetto de Metin Arditi comme des turqueries contemporaines ?
In-8 carré, broché, couverture imprimée, 80 p., 59 planches photographiques hors texte. 59 planches photographiques hors texte. Bon exemplaire.