340 résultats
In 8°, legatura editoriale in piena tela verde con titoli in bianco al dorso, sovrac. illustrata a colori (Hsu Pei-hung "Due galline"), impaginazione di Albe Steiner, protezione in acetato, custodia in cartoncino avorio con titoli e disegno in nero, pp. 334,(2), con 112 tavole fuori testo di cui 32 a colori. Titolo originale : "La Chine et son art", traduzione dal francese di Rossana Rossanda. Collana "I fatti e le idee", n. 11. Volume fresco e ben conservato.
2 volumi in 8°, tutta tela con sovraccoperta editoriale illustrata entro cofanetto editoriale illustrato; con illustrazioni n.t. b/n, ottimo esemplare. KF7 KF7
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. PRIMA EDIZIONE, LIEVI SEGNI DEL TEMPO, SENZA SOVRACCOPERTA. BUONE SE NON OTTIME CONDIZIONI GENERALI. Quando Vasco da Gama doppiò il Capo di Buona Speranza e approdò in India, si aprì una fase storica nuova, caratterizzata dalla conquista europea dei ricchi mercati asiatici. Il ciclo, che passa attraverso il colonialismo e le rivalità tra le grandi potenze, si conclude a metà del '900, con il ritiro delle forze britanniche dall'India. Panikkar ‹pà-›, Kavalam Madhava. - Diplomatico e storico indiano (Alleppey, Travancore, 1895 - Misore 1963); prof. all'univ. musulmana di Aligarh (1919), direttore del Hindustan Times (1925), ministro dell'Educazione del Bikaner (1939-43), primo ministro del Bikaner (1943-48), P. divenne ambasciatore in Cina (1948-51), e in seguito al Cairo e a Parigi. L'opera storiografica di P. è basata su una radicale rivendicazione della cultura e della civiltà del Terzo Mondo contro ogni eurocentrismo. Opere principali: History of India (1956); Asia and western dominance (1956; trad. it. 1958); The problems of new states (1958). Informazioni bibliografiche Titolo: Storia della dominazione europea in Asia: dal Cinquecento ai nostri giorni Titolo originale: Asia and Western dominance Collana: Volume 59 di Biblioteca di cultura storica Autore: Kavalam Madhava Panikkar Traduzione di: Vittorio Radicati di Marmorito Editore: Torino: Giulio Einaudi, 1958 Lunghezza: 543 pagine; [14] carte di tav., [3] c. ripieg.: ill.; 24 cm Soggetti: Storia moderna, Orientalismo, Storiografia, Colonialismo, Imperialismo, Europa, Sec. 16.-20., Estremo Oriente, Relazioni internazionali, Politica estera, Conquiste, Economia, History, Espansione, Cina, Giappone, Impero, India, Oceano indiano, Gran Bretagna, Isole, Siam, Birmania, Russia, Rivoluzione bolscevica, Guerra civile, Prima guerra mondiale, Potenze, Missioni, Cristianesimo, Indonesia, Influenze culturali, Scambi commerciali, Viceré, Esploratori, Navigatori, Viaggiatori, Lahore, Gran Mogol, Filippine, Molucche, Nanchino, Nagasaki, Inglesi, Olandesi, Nazionalismi, Indipendenza, Boxer, Vasco da Gama, Survey, China, Japan, Hinduism, Confucianism, missionaries, modern monopoly, movement, Muslim, Ming, Empire, Christian, Civilization, Jesuits, Trade, Shanghai, Taiping Rebellion, Manchuria, France, Portugal, British, Calicut, Calcutta, East India Company
(Medio Oriente - Storia - Archeologia - Orientalismo - Persia - Iraq - Iran - Mesopotamia) Due volumi in 8°, legatura coeva in mezza pergamena, al dorso ricca decorazione impressa in oro e tassello in pelle rossa con titoli dorati, carta marmorizzata policroma e dentelle in oro ai piatti, tagli marmorizzati, pp. complessive 1028, con 113 figure nel testo, 23 tavole a piena e doppia pagina, tra cui una carta geografica della Babilonia (dalla "Nouvelle carte générale des provinces asiatiques de l'empire ottomane" di Kiepert, 1884) e due illustrazioni in cromolitografia fuori testo. Volumi solidi e ben conservati con ex libris applicato ai risguardi anteriori.
Very Good English Paperback. 4to. (28 x 20 cm). In English, French, and Turkish. [6], 530, [2] p., color and b/w plates, 1 folded map. Studies on pre-Islamic Turkish art.= Islamiyetten önceki Türk sanati hakkinda arastirmalar. Türk kültürü el kitabi. Vol. II, Ch. I a. Edited by Emel Esin, Halil Inalcik, Oktay Aslanapa. First and Only Edition.
(Storia - Orientalismo - Islam - Islamismo - Orientalisti ungheresi) Due volumi in 8°, legatura posteriore in piena tela gialla, al dorso tassello in pelle color indaco con titoli e filetti in oro, conservati i piatti anteriori delle brossure originali, pp. 408,(2) con 16 illustrazioni in bianco e nero su tavole fuori testo ; 378,(2) con 20 illustrazioni in bianco e nero su tavole fuori testo.Traduzione di Filippo Faber dall'edizione originale ungherese "Allah Akbar. Im banne des Islams" , Budapest, 1936. Ristampa della prima edizione italiana del 1938. In entrambi i volumi timbretto di legatoria al foglio di guardia anteriore e due ex libris xilografici al verso della copertina in brossura. Ottimo stato di conservazione.
Fine English Paperback., Fine., 21 x 14 cm., 253, [4] p., "Sultan'in sarayi; Avrupalilarin Dogu fantezileri.=[The Sultan's Court].", Alain Gorsrichard, Aykiri Yayinlari, Ist., 2004.
New English Paperback. Pbo. 4to. (28 x 24 cm). 196 p. In Turkish and English. B/w and color ills. "Pera Museum in collaboration with the Amsterdam Museum is organizing an exhibition exploring the commencement of four hundred years of fruitful cooperation between Turkey and the Netherlands. It was on 14 March 1612 during the ruling of the Ottoman Empire that the first Ambassador of Dutch Republic, Cornelis Haga, arrived in Constantinople. The year 2012 marks the four hundredth year of this diplomatic relations. In collaboration with several other leading partners, including the Rijksmuseum in Amsterdam, Nationaal Archief in The Hague and Museum Boijmans van Beuningen in Rotterdam, the exhibition aims to spread knowledge about historical and contemporary links between Amsterdam and Istanbul. The exhibition explores the historical and contemporary relations between two world cities and through these cities, implicitly also the two countries. 'Pioneers' and 'image (-forming)' are among the prominent themes. The exhibition is not intended as a complete survey of four centuries of diplomatic ties, but rather provides an attractive insight into the historical ties between Amsterdam and Istanbul, from 1612 to the present day. The exhibition is historical and social in approach, yet it also features important art works as well. A key section of the exhibition is a reconstruction of the Levantse Handel (Levant Trade) chamber that was based in the Town Hall (Palace on Dam Square) from the early 17th to early 19th century. A detailed inventory exists of the paintings and charts that were displayed on the walls of this powerful commercial office in Amsterdam. Many of these items, including an extensive series of portraits by Vanmour, from the collection of Amsterdam's Rijksmuseum will also be exhibited".
Original boards. 8vo, 240 pages, 19cm. SUBJECTS: Chronology. Egyptian language -- Writing, Hieroglyphic.. Some wear to outer boards, otherwise Good Condition. (AC-2-8)
1 op- leg. in bross. ed- formato in 16°-37 pagine intonse + una tav ripiegata f.t.-completo ed in buono stato di conservazione- estratto dal Bessarione, rivista di studi Orientali
In 8°, tutta tela con sovraccoperta editoriale illustrata (modeste tracce d'uso), pp. 79, (1) con illustrazioni n.t. b/n e col. in tavv. f.t.; testo in lingua inglese, nel complesso buon esemplare. (stu IK02/03) . (spedizione standard SEMPRE tracciata con raccomandata - piego di libri, eventuale FATTURA da richiedere all'ordine) (stu IK02/03)(91970)
in-8 etroit, 177 pages, reliure decoree de l'editeur, jaquette rhodoid. Bel exemplaire. [MI-18]
New English Paperback. 4to. (29 x 24 cm). Edition in English. 335 p., color ills. Ten thousand years of Iranian civilization, two thousand years of common heritage. [Exhibition catalogue]. Topkapi Palace Museum, Imperial Stables, December 2, 2009 - February 5, 2010. "The exhibition featured nearly 300 artifacts from Topkapi Palace Museum and National Museum of Iran as well as collections from Istanbul Archeology Museum, Sadberk Hanim Museum and the Military Museum of Istanbul. Within the scope of this exhibition, Turkey-Iran relations were assessed with references to political, economic and cultural contexts. This exhibition revealed collections pertaining to Iranian civilization which were not exhibited in Turkey ever before.".
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. FONDO DI MAGAZZINO PARI AL NUOVO. LIEVISSIMI SEGNI DEL TEMPO. LIEVE USURA DELLA SOVRACCOPERTA. Raccolta di testi composti in varie lingue che hanno in comune il canone poetico stabilito intorno al I secolo dopo Cristo e continuamente ampliato, definito Kavya, raffinatissima forma di letteratura, con note interpretative che spiegano la teoria poetica indiana ed ill. con bellissime riprod. a colori di antiche miniature. Descrizione bibliografica Titolo: Tesori della lirica classica indiana Curatore: Giuliano Boccali, Siegfried Lienhard Editore: Torino: Unione Tipografico-Editrice Torinese, 1994 Lunghezza: 110 pagine; 24 cm; illustrato Collana: Strenna UTET Soggetti: Poesia lirica indiana, Critica letteraria, Letteratura, India, Orientalismo, Sec. 1.-17, Antologie, Poesia sanscrita, Antologia, Poesie indiane, Poetica, Raccolte, Sanscrito, Libri vintage, Indic poetry, History and criticism, Miniature painting, Pittura, Gioielli, Monili, Collezioni private, Scuole, Cultura, Bibliografia, Induismo, Buddhismo, Componimenti religiosi, Umoristici, Vita quotidiana, Paesaggi naturali, Amore, Erotismo, Friedrick Ruckert, Peter von Bohlen, Mistica, Upanisad, Ortodossia Hindu, Jainismo, Ramayana, Mahabharata, Amaruka, Bhartrhari, Magha, Siva, Elefante, Dharmakirti, Anonimo, Bihari Lal, Miniature, Scene, Caste, Indian lyric poetry, Literary Criticism, Literature, Orientalism, Anthologies, Sanskrit Poetry, Anthology, Indian Poems, Poetics, Collections, Sanskrit, Vintage Books, Painting, Jewelry, Private collections, Schools, Culture, Bibliography, Hinduism, Buddhism, Religious works, Humorous, Daily life, Natural landscapes, Love, Eroticism, Mysticism, Orthodoxy, Jainism, Elephant, Anonymous, Miniatures, Scenes
In 8°, brossura editoriale illustrata, pp. 199, (3); buon esemplare, modeste fioriture al taglio superiore. (XC5/B) (XC5/B)
New English Paperback. Pbo. Demy 8vo. (22 x 15 cm). In Turkish. 112 p. Many color ills. Tezgahtan tuvale. Onyedinci Yüzyil Hollanda ve Flaman resminde Osmanli halilari. Ottoman rugs and carpets in the 17th century Dutch and Flemish painting. TURKISH AND ISLAMIC ARTS Turkisg carpet Ottoman culture Orientalism Rug European history of art Painting art Dutch painting.
xxiv + 238pp.avec un frontispice en couleurs, dans la "Collection orientale tome XVI" 2e série tome II, 45cm., couv.cart. (dont le dos original manque - à restaurer, coins touchés), texte en français, intérieur en bel état, "imprimé pour l'exposition universelle de 1890", contient 2 ex-libris de Arthur Christian (Paris), [cet ouvrage est tome I contenant la traduction française, T.II.contenant le texte uigur en facsimile manque]
Fine English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
New English Paperback. Pbo. 4to. (30 x 24 cm). In English and Turkish. 67, [2] p., color and b/w ills. The Artist, The Sultan and his portrait: Mehmed the Conqueror according to Gentile Bellini.= Ressam, Sultan ve portresi: Gentile Bellini'ye göre Fatih Sultan Mehmet. [Exhition catalogue]. Edited by Münevver Eminoglu. Consultant: Günsel Renda. This exhibition consists of a single painting: the famous portrait that the Ottoman Sultan Mehmed the Conqueror had painted by the Italian artist Gentile Bellini about five hundred years ago and is now in the collection of the National Gallery of London. The painting is a magnificent souvenir of a brief 'golden age' in a reminder that, as early as the Renaissance and under the leadership of a strong and foresighted ruler, Ottoman society, which always looked wetward, hd the chance to grasp universal civilization.
In 8°, tutta tela con sovraccoperta editoriale, pp. (10), 82, con 18 tavole illustrate f.t. b/n; buon esemplare, lieve timbretto al foglio di guardia anteriore. (ZD4/A) (ZD4/A)
In 8°, tutta tela con sovraccoperta editoriale illustrata, pp. 285, (3); esemplare molto buono, lievi bruniture ai soli risguardi. (ZB3/A) (La spedizione standard è SEMPRE tracciata con raccomandata - piego di libri, eventuale FATTURA da richiedere all'ordine) (ZB3/A)
New English Paperback. Roy. 8vo. (24 x 17 m). In English. [x], 221 p. The Great War and the tragedy of Anatolia: Turks and Armenians in the maelstrom of major powers.
In 8°, tutta tela con sovraccoperta editoriale, pp. LVI, 1220, lievissimo difetto al taglio per il resto buon esemplare. ZA10/A (spedizione standard SEMPRE tracciata con raccomandata-piego di libri, eventuale FATTURA da richiedere all'ordine) (ZA10/A)
Very Good English Original bdg. with new spine. Roy. 8vo. (23 x 15 cm). In English. [xxviii], 507 p., 1 folded engraved color plate of Sebastopol from the sea, 12 numerous folded plans and maps. First Edition. Third volume. The invasion of the Crimea: Its origin, and an account of its progress down to the death of Lord Raglan. Vol. III. Kinglake was an English travel writer and historian. He was born near Taunton, Somerset, and educated at Eton College and Trinity College, Cambridge. He was called to the Bar in 1837, and built up a thriving legal practice, which, in 1856, he abandoned to devote himself to literature and public life. His first literary venture was Eothen; or Traces of travel brought home from the East (London: J. Ollivier, 1844), a very popular work of Eastern travel, apparently first published anonymously, in which he described a journey he made about ten years earlier in Syria, Palestine and Egypt, together with his Eton contemporary Lord Pollington. Elliot Warburton said it evoked "the East itself in vital actual reality" and it was instantly successful. However, his magnum opus was THE INVASION OF THE CRIMEA: Its Origin, and an Account of its Progress down to the Death of Lord Raglan, in 8 volumes, published from 1863 to 1887 by Blackwood, Edinburgh, one of the most effective works of its class. The History, which Geoff Bocca describes as a book "by which no intelligent man can fail immediately to be fascinated, no matter to what page he might open it" has been accused of being too favourable to Lord Raglan and unduly hostile to Napoleon III for whom the author had an extreme aversion. The town of Kinglake in Victoria, Australia, and the adjacent national park are named after him. A Whig, Kinglake was elected at the 1857 general election as one of the two Members of Parliament (MP) for Bridgwater, having unsuccessfully contested the seat in 1852. He was returned at next two general elections, but the result of the 1868 general election in Bridgwater was voided on petition on 26 February 1869. No by-election was held, and after a Royal Commission found that there had been extensive corruption, the town was disenfranchised in 1870.
Very Good English Original bdg. with new spine. Roy. 8vo. (23 x 15 cm). In English. [xviii], 482, [24] p., 1 folded sketch map frontispiece. First Edition. Sixth volume. The invasion of the Crimea: Its origin, and an account of its progress down to the death of Lord Raglan. Vol. VI. Kinglake was an English travel writer and historian. He was born near Taunton, Somerset, and educated at Eton College and Trinity College, Cambridge. He was called to the Bar in 1837, and built up a thriving legal practice, which, in 1856, he abandoned to devote himself to literature and public life. His first literary venture was Eothen; or Traces of travel brought home from the East (London: J. Ollivier, 1844), a very popular work of Eastern travel, apparently first published anonymously, in which he described a journey he made about ten years earlier in Syria, Palestine and Egypt, together with his Eton contemporary Lord Pollington. Elliot Warburton said it evoked "the East itself in vital actual reality" and it was instantly successful. However, his magnum opus was THE INVASION OF THE CRIMEA: Its Origin, and an Account of its Progress down to the Death of Lord Raglan, in 8 volumes, published from 1863 to 1887 by Blackwood, Edinburgh, one of the most effective works of its class. The History, which Geoff Bocca describes as a book "by which no intelligent man can fail immediately to be fascinated, no matter to what page he might open it" has been accused of being too favourable to Lord Raglan and unduly hostile to Napoleon III for whom the author had an extreme aversion. The town of Kinglake in Victoria, Australia, and the adjacent national park are named after him. A Whig, Kinglake was elected at the 1857 general election as one of the two Members of Parliament (MP) for Bridgwater, having unsuccessfully contested the seat in 1852. He was returned at next two general elections, but the result of the 1868 general election in Bridgwater was voided on petition on 26 February 1869. No by-election was held, and after a Royal Commission found that there had been extensive corruption, the town was disenfranchised in 1870.