Elisabeth GROSSLivre Rare Book
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47675Elisabeth Gross (1907-1966).Portrait signé au fusain d'un touareg. TBE.Cadre doré d'époque. Dimensions: Haut: 62 cm hors cadre; et 47 de large. Avec le cadre: 77 cm de hauteur ;61 de large.
New English Paperback. Demy 8vo. (21 x 14 cm). In English. 512 p. Political representation of minorities in Greece and Turkey: Nationalism, reciprocity and Europeanization. What influences the political representation of minorities? Does a non-core group pursue a certain pattern of collective political behavior, or does it have the ability to alter it through struggle with other groups by calculating the existing opportunities and restrictions? This book addresses these important questions by focusing on the history of political representation of the Muslim-Turkish minority in Greece and the Greek-Orthodox minority in Turkey, two communities whose rights are linked to each other via the "reciprocity principle" written in the Lausanne Treaty, signed by two countries that have long-lasting conflicts. Drawing on presentation of related political history, systematic coding of parliamentary debates and works, minority and mainstream newspapers, and elite interviews, the author analyzes and explains ignored linkages between institutions, bilateral relations between Greece and Turkey, and the role of external factors that enable or constrain minority communities access to political life. This study which adopts a historical institutionalism approach and, by integrating theory of both comparative politics and international relations, shows how the minority groups political participation and the effectiveness of their representation has been determined by the triangle of the two states choice of nationalism, reciprocity and Europeanization policies, mainly argues that internal factors such as groups capability for competition and institutional features of the political system in the host-state mostly override states bilateral relations with the kin-state and international factors. As a result, for the Greek and Turkish case, the host-states generally pursue the policy of state-controlled involvement of their minorities in the political life, where the existence of the threatening kin-state and minority groups strong demographic features lead to avoidance of full assimilation and exclusion from political representation.
1989100144468Bardi Editore 1989 in8. 1989. Broché.
1915100144785J. C. Hinrichs'sche Buchhandlung 1915 in8. 1915. Broché.
Fine French Original bdg. HC. 4to. In French and Turkish. 168 p., ills. Pierre Loti et les silhouettes de Hassan: Portraits avant La II. Constitution.= Pierre Loti ve Hasan silüetleri: II. Mesrutiyet öncesi portreler. The novelist Julien Viaud, famous for his nickname Pierre Loti, is a traveling maritime officer. At the end of the 19th century and the beginning of the 20th century, he makes seven trips to Istanbul. In 1903, at the age of 53, Pierre Loti takes over Le Vautour, the first station ship to the French Embassy in Istanbul, during his fifth trip to Turkey. In the same period, Hasan signed cartoons start to circulate in Istanbul.The person who is hiding under Hasan is actually Robert de Guiroye, a naval officer. This person was then assigned to the auxiliary ship "La Mouette" (Seagull) under the command of Pierre Loti. It is thought that this officer made drawings on this ship in the evening after having spent a long time in important social clubs such as Cercle d'Orient, Pera Palas Ballroom, Tepebasi Theater. Who is actually Hasan / Who is the real Hasan? The answer to this problem is in the exhibition and detailed catalog. Let's see if they can help bring Hasan's identity to light. The "Pierre Loti and Hasan Silhouettes" exhibition is made up of documents obtained as a result of years of research by numerous collections and valuable collector Sayen Erol Makzume, who has vast knowledge of Hasan's lithographs in the early 20th century. The exhibition contains texts, cartoons and in-depth information, and sheds light on the transition period of Turkey after the Second Constitutional Monarchy.
1966167201966 un volume, broché in-douze (paperback in-12)(17,6 x 12,8 cm), couverture marron-clair (veinée façon bois) imprimée en noir (cover printed), toutes tranches non rognées (all edges no smooth), orné d'une gravure in-texte en noir, 240 pages, 1966 Brains-sur-Allonnes Ohsawa-Europe Editeur,
This is a fine softcover copy with no wear at all. Completely clean inside and out. This is a sale catalog for an auction held in Paris on October 21, 2013. Text in French. The sale consisted of mostly 19th century orientalist photographs. 98 lots in the sale. All lots illustrated in color. Prices realized sheets included. 11" high X 8" wide, 95 pages. This book will be securely packed and shipped with tracking.
ORD-4163Extrait de la Galerie Contemporaine. s.d. (vers 1880). In-f°(262 x 347mm) de 6ff. comprenant 1 première page de texte avec portrait photo collé (87 x 123mm) par MULNIER dans un cadre, 5 pages de texte de Edouard DRUMONT, 6 dessins dont 1 à pleine page et 2 grandes photoglypties (185 x 238mm) et (217 x 167mm) de GOUPIL collées sur carton des peintures de FROMENTIN Chasse au lion et Arabes en prière. On note aussi un texte de George SAND en fac-similé sur FROMENTIN. Bon exemplaire.
ORD-2520Extrait de la Galerie Contemporaine. s.d. (vers 1880). In-f°(262 x 347mm) de 3ff. comprenant 1 page de titre avec portrait photo collé (86 x 119mm) au centre d'un cadre allégorique, 2 pages de texte d'Edouard DRUMONT, une gravure pleine page et une grande photo (220 x 176mm)de GOUPIL collée sur carton du tableau de Benjamin CONSTANT Janissaire et eunuque. Bon exemplaire.
138177aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 2010, gr. in-8vo, IX + 232 p., illustrated, hellblauer Original-Pappband, / orig. hardcover.
138214aafFribourg : Acad. Press / Göttingen : Vandenhoeck & Ruprecht, 1995, gr. in-8vo, VII + 219 S., rosa Original-Pappband, / orig. hardcover. Neuwertig.
New English Paperback. Roy. 8vo. (24 x 17 cm). In English and Persian. 117 p. Persian language learning. "This book gives you the basic words and phrases you need to speak English to A1 level. It also gives you some important information about how to use these words and phrases correctly in daily life. Vocabulary is offered with pictures. In this book, you will learn how to communicate in a very basic way. This book will teach you how to ask for things yo want, how to ask for permission, how to ask for information, how to say where places are, and much more. You will learn what to say in everyday social situations, how to give directions to places in your city, and how to talk about what you like doing in your spare time. You will also learn how to respond politely. The language in the book is carefully graded to allow it to be used easily and understandbly. We hope you will be able to practise the dialogues in this book with your classmates or friends. When you have finished, you may want to create new, similar dialogues of your own. There is a strong functional element in this book. There are also many useful words and sentences for students to practise. The ideal way is to begin by doing choral repetition but no matter what way you choose to use the book, it can help your success in learning English.".
DISPONIBILITÀ GARANTITA AL 99%; SPEDIZIONE ENTRO 12 ORE DALL'ORDINE. RIMANENZA DI MAGAZZINO PARI AL NUOVO. MAI SFOGLIATO, LIEVISSIMI SEGNI DEL TEMPO. In questo volume sono raccolti alcuni dei saggi dedicati da questo studioso tra i massimi esperti della storia dell'arte medievale dei nostri tempi, al cruciale tema dell'arte medievale europea e alle sue radici nel mondo a oriente del Mediterraneo: a Bisanzio, in Siria e in Persia, regioni a loro volta profondamente intercorrelate nella dinamica degli eventi artistici. L'autore analizza in dettaglio e nello stesso tempo dilata panoramicamente la sua ricerca su oggetti d'arte di particolare rilievo per la dimostrazione di questo assunto: per esempio la cassetta eburnea di Troyes o la brocca smaltata di St. Maurice d'Agaune, dove l'apporto delle civiltà persiana, islamica, bizantina si fondono in una forma artistica carica anche di precisi messaggi simbolici o, comunque, in un'espressione di altissimo livello qualitativo. Nel suo saggio sull'arte siriaca, l'autore ha tracciato un pionieristico disegno del ruolo svolto da questa civiltà figurativa tanto sul mondo bizantino strettamente inteso, quanto soprattutto sul Medioevo europeo. A questo saggio si richiama l'ultimo di quelli qui raccolti dove l'autore traccia una preziosa sintesi dell'apporto siriaco al mondo medievale. Essenziale apertura alla comprensione della civiltà medievale, ancor oggi troppo disinvoltamente incompresa all'ombra di pregiudiziali impostazioni critiche misurate sulla gloria della successiva pittura e arte toscana fra 200 e 300, questi testi segnano una tappa fondamentale della ricerca storico-artistica sul Medioevo figurativo europeo e, nel contempo, italiano. Integrazione essenziale del volume è l'apparato illustrativo, ricco di oltre 200 tavole con più di 300 fotografie, che costituiscono un'eccezionale visualizzazione dei fenomeni artistici presi in esame e di tutte le loro implicazioni storiche. Descrizione bibliografica Titolo: Persia, Siria e Bisanzio nel Medioevo artistico europeo Autore: Géza De Francovich Curatore: Valentino Pace Editore: Napoli: Liguori, 1984 Lunghezza: 208 pagine; 22 cm; illustrato ISBN: 8820711672, 9788820711672 Collana: Volume 25 di Nuovo Medioevo, Biblioteca Soggetti: Movimenti e stili artistici, Arte bizantina e medievale dal 500 d.C., arte medievale europea, Bisanzio, Influssi, Oriente, Orientalismo, Occidente, Costantinopoli-Ravenna-Roma, Relazioni internazionali, Cultura, Persia sasanide, Est, Asia, Impero romano, Islam, Storia antica, Archeologia, Siria, Syria, Nicea, Costantinopoli, Pittura, Mosaici, Arte miniatoria, Troyes, Budapest, Saint-Maurice, Bema, Regalità, Macedonia, Cassetta eburnea, Corona, Costantino IX, Monomonaco, Brocca d'oro, Reperti archeologici, Tesori, Agaune, Tessuti, Iconoclastia, Fotografie, Bibliografia, Arte sasanide, achemenide, Ravennate, Palatium di Teodorico, Frigia, Scultura
Fine English Paperback. Small 4to. (28 x 15 cm). In Turkish. 26 p., b/w and color ills. 1873-1908 Pera ressamlari.
Paris, Nouveau Drouot, 6 décembre 1982, in-8, br., pp. 28. Con 13 ill., fra cui 3 tavv. a col. (Lewis-Brown, Moreau, Berchère...) e prezzi di stima.
198269555Editions Laconti, Bruxelles 1982 In-4 relié sous jaquette, 142 pp. Texte français et anglais. Illustrations couleurs. Jaquette défraichie sinon bon exemplaire.
1982WOC-2375Préface de Philippe Roberts-Jones. Belgique, Édition Laconti, Brussels and P. & V. Berko, Knokke-Zoute – Belgium, 1982. Grand in-4 (29x2x24,5cm) cartonnage jaune éditeur imprimé sous jaquette illustrée en couleurs, quelques restaurations sur la jaquette. 143pp.
New English Paperback. Demy 8vo. (22 x 15 cm). In French and Turkish. Color and b/w ills. 84 p. Study of the painters and exhibitions of the Pera quarters. Peintres et expositions de Pera: 1845-1916.= Pera ressamlari-Pera sergileri. 1845-1916. [Exhibition catalogue]. Texts by Seza Sinanlar Uslu.
In-16° pp. 189 con ill. n.t. Bross. edit. con tracce d'uso.
190129631Partitions sur l'Égypte Salabert 1901
192010610Quentin Suzanne 1920 approx.
192912766Partitions sur l'Afrique du nord,Partitions sur le Prénom Quentin Suzanne 1929 approx.
192429679Partitions sur l'Afrique du nord,Partitions illustrées QUELQUE PART AUTOUR DU GLOBE Salabert 1924
194917956Monis 1949
