Sartori, EmilAntiquariat.de
17 086 résultats
1907904581BG[Wien]:, [1907]. -. Blattmaß: 33,5 x 28 cm. Plattenmaß: 25,5 x 24 cm.
1953904013BG[Paris], [1953]. Blattmaß: 26,5 x 22 cm. Bildmaß: 18,5 x 14,5 cm.
1953904287BG[Paris], [1953]. Blattmaß: 28 x 22,5 cm. Bildmaß: 14 x 15 cm cm.
19924078B(Tokio), Gakken, 1992. Gross-Folio (45 x 31,5 x 7 cm); Tafeln: 41 x 28,5 cm. 61 Tafeln, davon 49 in Farbdruck, mit Reproduktionen der erotischen Holzschnitte, jede Farbtafel im Schutzumschlag; des Weiteren ein Textband, in Leinen gebunden, mit 12 S. Einführung in Englisch und mit 78 S. japanischem Text mit zahlreichen farbigen Abbildungen. Tafeln und Textband zusammen in zweifarbiger (hellgelb / hellgrün) Original-Leinen-Kassette, Vorderdeckel illustriert mit der gold-silbern geprägten Silhouette einer innigen Hand-Fuß-Berührung und mit einem dunkelbraunem bis zum Rücken gezogenem Titelschild (japanisch), innen vierfarbig kaschiert. Im Orig.-Schutzkarton mit schwarzem Titelschild (japanisch). Die 61 Tafeln in 5 japanisch betitelten Büttenfoldern zu je 12 Tafeln und 1 x mit 13 Tafeln.
1926AMO-2219Chas Laborde ? Suite complète en noir des 15 eaux-fortes pour illustrer les Chansons érotiques de Béranger (1926). Rare. Pierre-Jean BÉRANGER. Illustrations libres de VIROT [peut-être CHAS-LABORDE ?]. [SUITE COMPLÈTE DE 15 EAUX-FORTES ÉROTIQUES POUR LES CHANSONS ÉROTIQUES de P.-J. de Béranger, ornées de quatorze planches gravées à l'eau-forte et coloriées.]. [Aux dépens d'un amateur, 1923 [i.e. avril 1926]. Format des feuillets : 22,5 x 16,5 cm - gravure : 15 x 13 cm env. Papier vélin de cuve Montgolfier Annonay. Cette suite en noir provient de l'édition clandestine pour les bibliophiles vendue sous le manteau et dont le tirage était limité à 260 exemplaires. Le détail du tirage est de 5 exemplaires sur Japon impérial, 250 exemplaires sur vélin blanc de Montgolfier et 5 exemplaires de collaborateurs hors commerce. Dans l'exemplaire sur Japon que nous avons eu en mains les gravures étaient tirées en couleurs. Cette suite de 15 eaux-fortes en noir provient du tirage à 250 exemplaires sur vélin blanc de Montgolfier. Le prospectus de cette édition (que nous avons déjà eu en mains) nous apprend que la date imprimée (1923) est erronée et que l'ouvrage n'est en réalité sorti des presses, au plus tôt, qu'en avril 1926. Ces illustrations sont de Virot (non signées - nous avons eu un dessin original signé de ce pseudonyme dans un autre exemplaire du même ouvrage). On y sent néanmoins le style de Chas Laborde même si les bibliographes ne s'accordent pas sur cette attribution. Pia, dans sa bibliographie "Les livres de l'Enfer" ne donne pas le nom de l'illustrateur qu'il ne semble pas avoir découvert, pas plus que Dutel d'ailleurs (1193). Luc Monod, dans son "Manuel de l'amateur de livres illustrés modernes" (t.1, p. 214), attribue ces dessins à Chas Laborde. Il s'agirait du seul ouvrage résolument érotique illustré par cet artiste. Bel ensemble de la suite complète en noir.
19834043BJapan, 1983. 4°. 62 nn. S., davon eine doppelt gefaltet mit Farbfotografien, 8 nn. S. Text mit einigen s/w-Fotos und 2 Bll. blindgeprägtes feines Reispapier, jeweils mit Tat und s/w-Fotografie. Orig.-Broschur mit farb. illustr. Orig.-Umschlag.
10743Ao.J. 4 Titel. Taschenbücher. Übliche Gebrauchsspuren, ein Band stärker.
196611949ABLondon, The New English Library/Olympia Press, 1966. 8°, 192 S., grüner OBrosch., ger.berieben, remainder-mark; insges. schönes Expl.
199410717AParis, Alyscamps Press, Karl Orend Publishers, 1993-1994. 2 Bände. 8°. 1022 und 526 S. Orig.-Leinen mit Fronttitel.
17625478London: John Wilkie 1762. First edition. With title page of volume II erroneously dated MDCCXII as called for by ESTC. Contemporary half calf over marbled boards measuring 168 x 100mm and collating complete: 20 338; 12 324. A square copy with joints professionally renewed; some chipping to spine labels and gentle shelfwear to boards. Faint dampstaining to lower corner of contents in volume I and paper loss to upper corner of pages 203-204 affecting 9 lines each. Volume II overall clean with long archivally reinforced tear to pages 131-132 and paper loss to lower corner of pages 171-172 with no text loss in either case. An exceptionally scarce fantastical travel narrative with erotic content published by notorious Grub Street writer and demi-monde ally Samuel Derrick. ESTC locates only three copies at institutions BL Columbia and UCLA and of the three copies to appear in the modern auction record the most recent was in 1941. The present is the only example on the market. <br /> <br /> In a 1763 review in The Critical Review or Annals of Literature vol. 15 Samuel Derrick's Collection of Travels is derided as a book for "those who read merely for amusement and care not for turning up the huge collection of voyages traveled by Purchas Churchill Astley Harris &c" due to its "total neglect of dates total want of maps a strange perversion of names a general lack of precision or accuracy." These same reviewers make a dismissive nod to how "the adventures of captain John Smith savour strongly of romance" and suggest that the work "does not seem to have been intended so much for serious reading as for pleasing the imagination" but they fail to grasp just how much this is the case. No matter how deeply Samuel Derrick sought to portray himself as a participant in London's intelligentsia he was ultimately a Grub Street hack who "wrote to eat" and not from "any great artistic urge" Rubenhold. Having learned early on that "hacks and whores shared much common ground" Derrick became not only a "gentleman defender" and friend to several of London's demi-monde he also used their escapades as inspiration for his writing and his writing to promote their reputations and services.<br /> <br /> Such is the case with the present work designed for stoking the reader's fantasies and for lining the author and publisher's pockets. Among "the period's richest funds of data erotica and pornography permeated the culture.and the 18th century bookshop" Pettit and Spedding. Works operating under the thin guises of travel law medicine politics history or religion presented readers across genders with graphic depictions not only of cis-gendered and heterosexual encounters but even more often with scenes that cenered queer polyamorous and female pleasure. In the case of Collection of Travels Derrick used preexisting popular travel narratives as the backdrop for his main work: depicting sexual behaviors common within London's sex trade but setting them within exotic locales. Within volume I for example his explorers encounter "the prostitution of the women of Camul and their hospitable reception of strangers" "the common use of women" in Thebet rites of "marriages of the people of Servia" and the "wives and concubines" of Constantinople including how they are valued how virginity is tried and how they are punished. The second volume builds on this including such content as the "courtezans of Persia" the "women lewd" of Turkey and "the usage of their wives" in Algiers. Given his own appreciation for the power of the sex workers in his own life -- notably Lucy Cooper Kitty Fisher and Charlotte Hayes -- he also includes a section on "the authority of the women in this country" of the Congo. <br /> <br /> One of Derrick's few stand-alone multi-volume works to be published and a rarity in the collecting areas of erotic literature and travel fiction. <br /> <br /> ESTC T135777. Not in the Register of Erotic Books. John Wilkie unknown
1990021728Firenze Florence Italy: Glittering Images Edizioni D'essai 1990. Book. Near Fine. Soft cover. First Edition. Folio - over 12 - 15" tall. Large paperback perfect bound folio size volume bound in stiff white card covers with nude fetish scene on upper cover. 128 pages. Trilingual introductory essay by editors in Italian English and French. Illustrated throughout with captioned fetish drawings by Eugene "Gene" Bilbrew aka Eneg in English and Italian. First edition. Gene Bilbrew entered the world of fetish illustration in 1951 thus becoming "the first black career fetish artist in history." He was friends with Eric Stanton whom he met at illustrator's school and soon became a contributor to underground publishers Irving Klaw Edward Mishkin Stanley Malkin and the Sturman brothers. A well produced homage to one of the pioneers of fetish art. No previous ownership marks. A clean tight fresh and unmarked copy with sharp corners and straight undamaged spine. Near fine. An oversize book Priority and International orders will require additional postage and be charged at actual cost. . Glittering Images Edizioni D'essai Paperback
ill., ril. Più di 500 anni di storia della pornografia degli ausili sessuali, spiegati e riccamente illustrati. Una raccolta: scientifica, piccante, informativa o semplicemente soltanto osé. La pornografia del dildo in azione raccolta sotto forma di volume illustrato.
195810252AParis, Oceanic Press, 1958. Kl.8°: 17,5 x 11 cm. 191 S. Broschur. [Series no. 6. Hier: Not numered]. Kearney, Paris Competitors of the Olympia Press, 39: "Steve Gertz writes: A most unusual rather unique book, and virtually the only erotica/porn/DB I've come across whose theme is transgenderism... The lead, a male, undergoes male-female surgery". Einband berieben. Schwach angestaubt. Randläsuren. Etwas verzogen.
195810212AParis, Oceanic Press, 1958. Kl.8°: 17,5 x 11 cm. 191 S. Broschur. Series no. 6. Kearney, Paris Competitors of the Olympia Press, 39: "Steve Gertz writes: A most unusual rather unique book, and virtually the only erotica/porn/DB I've come across whose theme is transgenderism... The lead, a male, undergoes male-female surgery". Einbände leicht berieben. Schwach angestaubt. Randläsuren. Etwas verzogen.
8vo., on laid paper, with 40 plates; original blue half morocco, blue cloth sides, back with four raised bands ruled in gilt, second compartment with blue leather label framed and lettered in gilt, gilt top, marbled endpapers, a near fine copy. EDITION LIMITED TO 675 NUMBERED COPIES (THIS COPY NO. 638). Nice copy of the Skilton reissue of Payne's classic study, first published in 1865.
27048401Japan n.d. ca 1830-40's. Three prints two from an erotic book each in 2 parts: 20.5 x 14; 3rd is 19 x 14 cm. and is probably a later work from about the Meiji period or 1880's. The first two are slightly discoloredthe last one is clean. . . . THREE ORIGINAL COLOR WOODBLOCK EROTIC PRINTS . . . The first two prints are from what is probably the same erotic book Shunpon both show a couple engaged in love-making. Each has text and comments of the lovers while engaged in love-making. . One pair of pages are re-backed the other not they are from about the 1830-40's. . The third item is newer and quite clean. It shows a couple under a Kimono while the man caresses her vagina. This is probably a Meiji work from about 1870-80's. Its quite clean and bright with good image. . All are tipped on to a hand-made Washi paper backing sheet which is 17 x 20 cm. . Good examples from the "Shunga" erotic woodblock prints genre. . . unknown
A new, unread book with a tight binding. 243 pages.
2006500209007Pocket Star 2006 384 pages 10 6x16 7x2 6cm. 2006. mass_market. 384 pages.
1982101881London, Macmillan 1982 Livre en anglais. In-4 relié 25 cm sur 19,7. 192 pages. Jaquette en bon état. Bon état d’occasion.
1890FF2442London:: William Reeves n.d. ca.1890. 1890. Head of title: Flagellation & the Flagellants. Small 8vo. xi 1 544 pp. Frontis. 20 illus. index. Modern full black calf and triangle-shaped red morocco onlays raised bands gilt stamping upper cover with gilt central "rod and birch" motif all edges gilt marbled endleaves hand bound by Martin Frost with his gilt-stamped monogram label on rear board. Red cloth thumb-hold slip-case. Fine. "THE ALLURE OF THE WHIP!" With a splendid fore-edge painting showing a pair of horse or carriage riders "riding" their partners back-sides prominently showing in the spirit of Thomas Rowlandson and in this case like Martin Frost who often displays a remarkable sense of humor and the exotic for artistry. Frost's signed book label mounted as a bookplate in front dated 2007. The artist is playing with us by making the trees into the shape of a phallus all of them!. Painting also signed "MF". Frost himself describes this as "A Rowlandesque road scene of travelers 'whipping up' themselves as well as their mounts!" / This is one of the early efforts of MF to bind and paint the book himself. William Reeves, n.d. [ca.1890]. hardcover
196010093ANew York, Crown, 1960]. 8°. 246 S. Leinen.
247p. 8vo. Original cloth. 985(N). EROS1
1981430Genève, Editions nomades, 1981. In-8 en feuilles, sous chemise Arches recouverte de Kaji-kami (mûrier) fait à la main, gravure rouge au dos, étui crème. Etui un brin poussiéreux, pour le reste en parfaite condition.
2002500192531J'ai lu 2002 11x1 2x17 6cm. 2002. Broché.
2015500206643Harlequin 2015 11x1x18cm. 2015. Broché.
