166 résultats
188685015Paris: Librairie académique Perrin & Cie 1886. Fine. Librairie académique Perrin & Cie Paris 1886 12 x 19 cm broché First edition of the French translation established by Louis-Nicolas Ménard no mention is made of deluxe copies. Interior foxing and to the covers a small tear in the left margin of the second cover. Librairie académique Perrin & Cie unknown
188685015Librairie académique Perrin & Cie | Paris 1886 | 12 x 19 cm | broché
1879R200004291ALFRED MAME ET FILS. 1879. In-12. Cartonnage d'éditeurs. Etat d'usage, Couv. convenable, Dos abîmé, Intérieur frais. 141 pages, frontispice.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
189720168paris Charles Masson et Henry Piazza 1897 1 in-folio Paris, imprimerie Champenois, Charles Masson et Henri Piazza, N°1Mai1897, in-folio (41x31cm), en feuilles sous chemise verte illustrée en papier fort, couverture illustrée par Mucha.
189773907Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe issue on the verso some foxing. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft at once is more suited than any other to receive a fine impression. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189773906Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original color lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed in colors on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
187118771s. l. Paris: Extrait de La Revue des deux mondes 1871. Fine. Extrait de La Revue des deux mondes s. l. Paris 1871 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
1880860A13Paris: Vve A Morel et Cie 1880-2. Cloth. Near Fine. 9.5" by 6.5". Cl Sauvageot. Three volumes from Rene Menard's exploration of live in ancient times in the original French. Three volumes of four each complete in itself. Concerned with ancient history. The first edition. In the original French. Rebound in uniform cloth complete with half titles.Text by Rene Menard. With numerous illustrations in text by Cl Sauvageot after ancient monuments.Volume I concerned with the people of antiquity; Volume II with families in antiquity; Volume III with labour in antiquity. Rebound in uniform full cloth new endpapers. Externally lovely. Internally firmly bound. Pages clean with age toning and browning as usual with the type of paper used. Near Fine Vve A Morel et Cie hardcover
189773906Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mai 1897) | 33 x 24.50 cm | une feuille
189773907Imprimerie Champenois pour CH. Masson H. Piazza | Paris (Mai 1897) | 33 x 24.50 cm | une feuille
1884R260124895J. ROUAM / BIBLIOTHEQUE POPULAIRE DES ECOLES DE DESSIN. 1884. In-16. Broché. Etat d'usage, Couv. légèrement passée, Dos abîmé, Intérieur frais. 82 pages. Premier plat illustré en noir et blanc. Nombreuses illustration en noir et blanc dans et hors texte. Dos fendu.. . . . Classification Dewey : 740-Dessin, arts décoratifs et mineurs
1875100140319'imprimerie générale 1875 in4. 1875. Cartonné.
187118771Extrait de La Revue des deux mondes | s. l. [Paris] 1871 | 15.50 x 25 cm | agrafé
1884RO20148530BIBLIOTHEQUES POPULAIRES DES ECOLES DE DESSIN. 1884. In-18. Cartonnage d'éditeurs. Etat d'usage, Couv. défraîchie, Dos satisfaisant, Intérieur acceptable. 71 pages. Nombreuses illustrations en noires et blancs dans texte.. . . . Classification Dewey : 700-LES ARTS
1884RO20148531BIBLIOTHEQUES POPULAIRES DES ECOLES DE DESSIN. 1884. In-18. Cartonnage d'éditeurs. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 74 pages. Nombreuses illustrations en noires et blancs dans texte.. . . . Classification Dewey : 700-LES ARTS
18803298Librairie Ch. Delagrave 1880 2e édition - Ouvrage orné de 823 gravures dont 32 tirées hors texte - 908 pages Bon état général - Exemplaire restauré 2 289 g
188115728Paris, Librairie Ch. Delagrave 1881, fort in-4 (18x27cm), demi-reliure de l'époque, 1003p. Rares rousseurs. Bon état.
1885R260125997JULES ROUAM / LIBRAIRIE DE L'ART. 1885. In-12. Broché. Etat d'usage, Livré sans Couverture, Dos fané, Intérieur frais. 86 pages. Nombreuses illustrations en noir et blanc dans et hors texte. Manques au dos. Manque le premier plat.. . . . Classification Dewey : 720-Architecture
1878R200017065CH. DELAGRAVE. 1878. In-12. Relié plein cuir. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 722 pages.. . . . Classification Dewey : 800-LITTERATURE (BELLES-LETTRES)
18711606230985xbvkLondon, Oates and Company, 1871. 106 pages. - No binding, paperstrip at spine; 8vo.(ca. 17 x 11,5 cm).
18681032111868 A Paris, Librairie Germer Baillière - 1868 - 1 vol in-12 - Demi basanne brun foncé (dos décoloré), 4 nerfs, titre, auteur et fleurons en doré - 576 pages
1836025452Nismes Chez l'éditeur, Août 1836 1836 un volume in-8°, 143 pp., broché, couverture imprimée jaune et titrée en noir. (couvertures légèrement salies, présence de rares et pâles rousseurs sinon intérieur frais). Avec 16 planches hors texte (dont un frontispice, un plan dépliant, 4 lithographies dépliantes et 10 vues). Cachet sur le faux titre et sur la couverture inférieure ( " cabinet d'antiquités PERROT "). Bel exemplaire.
1832R300269827Chez la Veuve Gaude. 1832. In-8. Broché. A relier, Couv. légèrement passée, Dos abîmé, Quelques rousseurs. 410 pages. Signature de P.L. Baragnon Père en fin d'ouvrage. Livre désolidarisé.. . . . Classification Dewey : 840.08-XIX ème siècle
1849R300295385Cahiers de la quinzaine. 1849. In-12. Broché. Etat d'usage, Couv. convenable, Dos plié, Papier jauni. 284 pages. 1er plat légèrement déchiré.. . . . Classification Dewey : 840.08-XIX ème siècle
1865R320178418Charpentier. 1865. In-12. Broché. Etat passable, 1er plat abîmé, Dos abîmé, Quelques rousseurs. 356 pages - plats salis - déchirure sur le 1er plat - coiffes abîmées.. . . . Classification Dewey : 100-PHILOSOPHIE ET DISCIPLINES CONNEXES
