41 résultats
188685015Paris: Librairie académique Perrin & Cie 1886. Fine. Librairie académique Perrin & Cie Paris 1886 12 x 19 cm broché First edition of the French translation established by Louis-Nicolas Ménard no mention is made of deluxe copies. Interior foxing and to the covers a small tear in the left margin of the second cover. Librairie académique Perrin & Cie unknown
189773907Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe issue on the verso some foxing. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft at once is more suited than any other to receive a fine impression. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189773906Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original color lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed in colors on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
187118771s. l. Paris: Extrait de La Revue des deux mondes 1871. Fine. Extrait de La Revue des deux mondes s. l. Paris 1871 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
1880860A13Paris: Vve A Morel et Cie 1880-2. Cloth. Near Fine. 9.5" by 6.5". Cl Sauvageot. Three volumes from Rene Menard's exploration of live in ancient times in the original French. Three volumes of four each complete in itself. Concerned with ancient history. The first edition. In the original French. Rebound in uniform cloth complete with half titles.Text by Rene Menard. With numerous illustrations in text by Cl Sauvageot after ancient monuments.Volume I concerned with the people of antiquity; Volume II with families in antiquity; Volume III with labour in antiquity. Rebound in uniform full cloth new endpapers. Externally lovely. Internally firmly bound. Pages clean with age toning and browning as usual with the type of paper used. Near Fine Vve A Morel et Cie hardcover
18711606230985xbvkLondon, Oates and Company, 1871. 106 pages. - No binding, paperstrip at spine; 8vo.(ca. 17 x 11,5 cm).
1873025062Tours: Alfred Mame et fils editeurs 1873. 3rd Edition . Half-Leather. Good/No DJ as Issued. Tight crisp binding and text majority of which is clean and bright it is precisely the gravures and the few pages before and after that are foxed endpapers too see photos. Leather spine strip in excellent state consisting of 5 raised bands with gilt fleurs de lys and title/author. Marbled boards have a few scuff marks on faces and rubbed through on edges. Handles well. 175 x 27 cm relié 345 pages Reliure demi-cuir chagrin bleu quelques gravures hors texte. <br/> <br/> Alfred Mame et fils, editeurs hardcover
183870587Paris: Firmin-Didot frères 1838. 8vo pp. xvi 315 3; woodcut vignette on title page woodcut tail-pieces 17 hand-colored lithographs signed: Ar. Rivera; publisher's elaborate blind-tooled red paneled calf double gilt rule borders on covers smooth gilt-decorated spine gilt-lettered direct a.e.g.; spine slightly sunned but generally a very good sound and clean copy printed on pink paper. Neither OCLC nor Mills mention the pink paper. Mills College Check List 1231; Riedel-Horatiana A-303. OCLC locates 11 copies only Yale Berkeley and Northwestern in the U.S. Mills adds Newark Public. Firmin-Didot frères unknown
187643015London: Seeley Jackson and Halliday 1876. very good. folio. 38cm 40p. with 12 engraved plates tissue guards original green decorated cloth re backed with original spine label replaced edges rubbed occasional foxing internal private library stamp on the title and bookplate. Artists are Bouguereau Jules Breton Pierre Billet Hebert Bonnat Gerome Rosa Bonheur Alphonse Legros Charles Jacque Corot Veyrassat and Gustave Boulanger. Seeley, Jackson, and Halliday unknown
187671936<p> 1- 40 pages contains 12 black and white plates as well as biographical notes on the artists represented. Artists include: Breton Bouguereau Billet Hebert Rosa Bonheur Bonnat Gerome Boulanger Legros Corot Veyrassat and Jacque</p> Published by Seeley, Jackson and Halliday hardcover
188158397200 pages with 13 engraved plates and 224 text illustrations text in French Published by Librairie De L'Art hardcover
1876173780Paris: Librairie De L'Art/Charles Delagrave 1876. Hardcover. VG. Marbled and 3/4 burgundy leather boards with gilt spine lettering marbled end papers. 558 pp. 52 unnumbered pages of plates. Illustrations. Text in French. Librairie De L'Art/Charles Delagrave hardcover
1878002096Paris: Librairie De Delgrave 1878. Lightly foxed; half-inch tear in front joint; a few gatherings sprung but still firmly attached. First Edition. Later Cloth. About Very Good. Librairie De Delgrave Hardcover
18801803050002Paris : Delagrave 1880-01-01. Hardcover. Good. Second edition. 908 pp illustrated. Later tan buckram cloth leather spine label. Moderate soiling to boards. Owners stamps to endpapers and title page. Clean pages. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Paris : Delagrave hardcover
188067772Paris: A. Morel 1880-1883. 4 vols. Original publishers wrappers untrimmed edges still unopened; 25x16 cm. Richly illustrated. Text in French. - slightly browned some stains/ spots/ foxing throughout Although very good see pictures ¶ Contents: 1: Les peuples dans l'antiquité. viii622 pp. 2: La famille dans l'antiquité. iv572 pp. 3: Le travail dans l'antiquité. iv608 pp. 4: Les institutions dans l'antiquité. iv676 pp. A. Morel unknown
1881198195Paris France: Librairie Ch. Delagrave 1881. Hardcover. Poor texblock detached from boards; textblock split into two pieces; endpapers detached. back board nearly detached from spine. leather boards/corners scuffed rubbed & scratched. leather spine rubbed & scratched; bands have erosion; gilt remains vibrant. textblock pieces have backstrip/binding intact to spines; pgs 499-509 detached though held together as packet. brown half leather binding w/ marble blue paper; leather spine w/ five raised bands six gilt decorative compartments. 1005 pgs w/ bw illustrations maps & frontispiece. top edge gilt. Reading/rebinding copy only. Pages remain bright with minimal smudges marks etc and foxing. Librairie Ch. Delagrave hardcover
18263705871Nismes.: Aury. 1826. Hardcover. Good. 21 cm. VIII 100 p. 11 lam. Encuadernación en tapa dura artesanal en plena piel. Idioma frances. Par Mr. Menard. Alais J. Martin . Aury. hardcover
181917377NImes France: Chez Gaude Fils 1819. Nouvelle Edition. Wraps. Good . Charming early French history of the historic city of Nimes with 15 engravings including the world renowned "Maison Carree" the only completely preserved temple of the ancient world built around 16BC by Agrippa the original patron of the Pantheon in Rome. These folding plates of important Roman sites include: l'amphitheatre La Maison Carree Le Temple de Diane La Tour Magne La Fontaine La Statue d'Apollon Le Temple d'Isis et de Serapis le Temple d'Apollon Le Temple d'Auguste La Basilisque et le Temple de Plotine Le Capitole Les Thermes Les Spheristeres Le Champ de Mars les Statues Cariatides La Porte de France les Aigles Les Paves en Mosaique trouves a Nismes and Le Pont du Gard. <br /> <br /> Slim 8vo 59pp 15 plates. Contemporary paper wraps with the name of the printer inscribed on the verso of the front cover as well as "Lyon 21 Juin 1809 Leclerc" both in a contemporary hand as well as a few notes in the text on the verso of the Temple de Diane folding plate is written: "Laurier Amande dans le jardin de la fontaine ou est le temple de Diana". Covers rubbed and worn at extremes; internally very good. Chez Gaude Fils paperback
1838144585Nismes Chez L'Editeur Etc. 1838. Seventh Edition. Hardback. Fine copy in the original gilt-blocked cloth-backed marbled boards. Gilt cross-bands. Spine compartments uniformly tooled in gilt. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 150 pages; Physical desc. : vii 150p. Front. illus. part fold. 21cm. Subject: Nimes France -- Antiquities. Augmentee du resultat des fouilles faired depuis 1821 jusqu'a ce jour et d'un plan de la ville; ornee de gravures de tous les monumens par J. F. A. Perrot. Language: French. Nismes, Chez L'Editeur [Etc. ] hardcover
18774452Poitiers: Typographie de A. Dupré 1877. A lovely copy of this scarce first edition with a tipped in manuscript letter by the author. half leather binding with marbled boards. gilt titles to the spine. In excellent clean condition. Tipped in after the title page is a single page manuscript letter from Ménard to Gustave Saurin in a neat hand dated 1856. The pages of the book are clean and neat throughout. 283 pages. 230 by 150mm 9 by 6 inches. . Un bel exemplaire de cette première édition rare avec une lettre manuscrite de l'auteur. Reliure en demi-cuir avec des planches marbrées titres dorés au dos. En excellent état. Une lettre manuscrite d'une page de Ménard à Gustave Saurin datée de 1856 et écrite d'une main soignée est jointe à l'ouvrage après la page de titre. Les pages du livre sont propres et nettes. 283 pages. 230 x 150 mm 9 x 6 pouces. Typographie de A. Dupré hardcover
181922948A NISMES: Gaude fils 1819. 4º.- Rústica con cubiertas originales en papel marrón.- 59 páginas.- 15 láminas grabadas fuera de texto casi todas ellas plegadas. Ejemplar con todos los márgenes y barbas sin cortar. A pesar de que en la portada aparece que la obra esté ilustrada con 14 grabados éste ejemplar tiene 15. Brunet 24751 en nota Gaude fils unknown
1876173780Paris: Librairie De L'Art/Charles Delagrave 1876. Hardcover. VG. Marbled and 3/4 burgundy leather boards with gilt spine lettering marbled end papers. 558 pp. 52 unnumbered pages of plates. Illustrations. Text in French. Librairie De L'Art/Charles Delagrave hardcover books
1829HAY119111829. Nismes chez l'éditeur devant la Maison-Carrée et chez les concierges des monuments. broché couverture verte. Couverture défraîchie avec petit manque de papier en tête et en pied du dos sinon l'intérieur est en très bon état. in-8. illustré des gravures de tous les monuments et de celle des plus riches fragments par J.F.A. Perrot ; 12 gravures dont 8 dépliantes et un frontispice. unknown
1880245310Morel et cie 1880. Etat Correct tampons de bibliothèque intérieurs tachés de rousseurs légères sans gêne pour la lecture couverture défraîchies un peu marqué bonne tenue des reliures. in8. 1880. Relié. riche iconographie en noir et blanc Morel et cie unknown
187510189Paris: Hurtau 1875. Fine. Hurtau Paris 1875 16.50 x 25.50 cm broché The first edition published in a very small number of copies of this offprint from 'La critique philosophique' of which there were no deluxe copies. Copy in original wrappers. Rare. Hurtau unknown
