RIMBAUD Arthur.Livre Rare Book
6 236 résultats
18868903Paris, Publications de la Vogue, 1886 In-8 (223 x 137 mm), 103 pp. Maroquin janséniste rouge, dos à nerfs, auteur, titre et date en pied dorés, sextuple filet doré sur les chasses, tranches dorées, couvertures conservées, étui bordé (Huser).
184087829s.d. (21 janvier 1840) | 21.20 x 26.70 cm | un feuillet sous cadre
187332488Avec billet autographe de Verlaine sur Rimbaud Bruxelles, Alliance typographique (M.-J. Poot et Compagnie), 1873. 1 vol. (120 x 180 mm) de 53 p. dont la couverture et [17] pages non imprimées : 3-4, 13-14, 18-20, 27-28, 37-38, 42-44, 47-48 et 50. Broché, sous coffret (Devauchelle). Édition originale. Seul volume de poèmes publié du vivant de Rimbaud, et unique livre qu’il ait lui-même supervisé. Très bel exemplaire enrichi d’un billet autographe signé de Paul Verlaine, relatif à son sonnet « À Arthur Rimbaud » qu’il vient tout juste de rédiger et que la revue La Plume publiera moins de quinze jours plus tard : « Reçu de Vanier éditeur la somme de cinq cents francs — Sonnet sur la mort de Rimbaud, Paris, 30 janvier 93, P. Verlaine ».
186929393La première anthologie de peintres de l'histoire du livre illustré : un des douze exemplaires sur chine. Reliure d'époque par Émile Carayon. Paris, Alphonse Lemerre, 1869 (20 décembre 1868). 1 vol. (275 x 355 mm) de 3 f., [84] p. et [2] f. (table et d'achevé d'imprimer). Bradel de demi-maroquin bleu nuit à coins, dos à nerfs orné de petits fers doré, absolument non rogné, couverture de simili parchemin imprimée conservée (reliure signée de Émile Carayon). Édition originale. Tirage à 350 exemplaires non numérotés. Hors commerce, il a été tiré 20 exemplaires sur Whatman, 12 sur Chine et 4 sur parchemin. Un des 12 exemplaires sur papier de Chine.
185332316Exemplaire Stirling, avec l'épreuve n° 1 du plus petit portrait gravé d'Hugo Bruxelles, Henri Samuel et Cie, éditeurs, [(novembre)] 1853. 1 vol. (95 x 145 mm) de 407 p. Maroquin vert-empire, plats ornés à la Du Seuil avec double filet d'en cadrement et motifs floraux aux angles, plaque d'acier gravé de forme octogonale incrustée au centre du premier plat, dos à nerfs orné de caissons d'encadrement, filets dorés et à froid, fleurons dorés, titre doré, date en pied et mention « édition princeps», tête dorée, filet sur les coupes, large dentelle intérieure, contrelats et gardes de soie à motifs empire (reliure fin XIXe). Véritable et première édition originale des Châtiments. Elle fut tirée à 2 000 exemplaires, dont un grand nombre fut détruit. Précieux exemplaire ayant appartenu à Julien Stirling, grand hugolien et hugolâtre de la fin du XIXe siècle et du début du XXe. Il comporte l'épreuve n° 1 du plus petit portrait gravé de Victor Hugo, particulièrement adapté au format des Châtiments, ainsi que son cuivre original, monté sur le premier plat de la reliure.
1869389491869 In-12 (184 x 118 mm), demi-maroquin havane à coins, dos janséniste à 5 nerfs, auteur et titre dorés, daté en pied, couvertures conservées, tête dorée, protégé sous étui bordé du même maroquin (reliure signée Semet et Plumelle), 332, (2) pages. Paris et Bruxelles, chez tous les libraires [Lacroix-Verboeckhoven, 1869 pour le texte]; Typ. de E. Wittmann, 1874 [faux-titre et titre].
188217862Le premier livre de l'auteur, comportant un tendre envoi à sa mère Paris, Lemerre, [mai] 1882. 1 vol. (125 x 185 mm) de 2 et [1] f., 153 p. et 1 f. Broché, sous emboîtage (Goy et Vilaine). Édition originale. Frontispice en héliogravure de Gustave Moreau, «La jeune fille Thrace portant la tête d'Orphée». Un des 25 premiers exemplaires imprimés sur papier de Hollande, celui-ci non justifié. Envoi signé : «à toi, ma très douce et patiente mère, à toi à laquelle est échue cette croix lourde entre toutes d'avoir pour fils un être insupportable entre tous, fou pour les uns, idiot pour les autres, fantasque pour tous... puisqu'on veut bien m'appeler poète... ces vers sont encore plus tes enfants que les miens, puisque tu es leur aïeule, à toi donc le premier enfant de ton sang et du mien et puissé-je un jour à venir te faire oublier tous les mauvais mois et les dures années que t'ont fait et ma cervelle fantasque et les cruels instincts de tout être qui écrit. Ton Jean Paul. Juin 82 ».
1882AMO-4535Imprimé à Bruxelles pour l'auteur. 1882 (date sur la couverture et le titre). Achevé d'imprimer le 15 avril 1883 (colophon). 1 volume in-8 (23,8 x 15,3 cm) de 147-(1) pages. Reliure de l'époque plein maroquin caramel doublé maroquin vert tendre, dos à nerfs saillants, auteur, titre dorés, millésime doré en queue, tranches dorées sur témoins (toutes marges conservées), les deux plats de couverture ont été conservés (très bon état). Reliure signée Joly fils. Texte imprimé sur beau papier vergé teinté. Reliure parfaitement conservée. Intérieur très frais. Quelques légers empoussiérages dans les marges. IL A ÉTÉ TIRÉ DE CET OUVRAGE DEUX CENTS EXEMPLAIRES, EN DEUX SÉRIES, ET DOUZE EXEMPLAIRES SUR JAPON. CES VOLUMES, TOUS NUMÉROTÉS ET PARAPHÉS PAR L'AUTEUR, NE POURRONT ETRE VENDUS. CELUI-CI UN DES 200 EXEMPLAIRES DE LA DEUXIÈME TRANCHE "b" (b.65). EXEMPLAIRE SIGNÉ ET NUMEROTÉ PAR L'AUTEUR "EDMOND HARAUCOURT" COMME IL SE DOIT.
187969242Boston: Old South Fair Committee 1879. POETRY. The rare deluxe autograph edition published two years after the trade edition. Signed or inscribed by each of the six poets. Small octavo 7 1/8 x 5 3/4 inches; 180 x 147 mm. 2 35 1 blank pp. With a sheet signed by each of the authors inserted to face the beginning of their respective poem. With frontispiece historiated initials and engraved vignettes throughout. Publisher's original red-brown cloth binding bound in at the back.<br> <br> Beautifully bound by Grabau in full nineteenth-century brown morocco. Boards stamped in gilt with green and red morocco floral onlay. Spine lettered and stamped in gilt with red and green morocco onlay. Gilt board edges. Gilt dentelles. Tan watered silk endpapers. Top edge gilt. With previous owner's armorial bookplate on front free endpaper and inscription in old ink on front fly-leaf. Housed in a brown cloth slipcase. An about fine copy.<br> <br> Provenance: The bookplate in this copy is or Roy Arther Hunt. The inscription on the facing page reads "To Roy Arthur Hunt a descendant of Reverend Thomas Thacher the first Pastor of the Old South Church. Born in England May 1 1620. Installed as Pastor of Old South February 16 1670. Died in Boston October 15 1678."<br> <br> "The Old South Meeting House also known as the Old South Church Boston Mass. was built in 1729 as a Puritan meeting house. It was an assembly spot for prominent meetings from colonial times through the American revolution. The building was restored after the revolution and remained an active church until 1872. It was saved from demolition in 1877 when it was established as a museum. A volume was published to help raise funds for the preservation entitled Poems of the "Old South" Boston: William F. Gill & Co. 1877. It was published again in 1879 by the Old South Fair Committee. Both published versions include a note on verso of the title page: 'Published for the benefit of the Old South preservation fund.'" Harvard Houghton Library.<br> <br> It is estimated that less than 100 copies of this edition were produced and has been considered the rarest limited signed edition of nineteenth century American literature. "The book was first published in 1877 and features works that reflect the culture history and traditions of the American South during the antebellum period. The poems in this collection cover a wide range of themes including love nature patriotism slavery and the Civil War." Amazon.<br> <br> BAL 9134.<br> <br> HBS 69242.<br> <br> $4500. Old South Fair Committee unknown
1833GF325111833 35 pages en tout: 1 page in8 pour la lettre - 33 pages in8 + page de titre pour le manuscrit - bon état -
1885024848London: Longman's Green & Co 1885. First Edition 1st Printing. Hardcover. Near Fine. 6 1/2" Tall. 101 Pp. With Two Preliminary Blanks Adverts. Page Half-Title Three Final Blanks. Attractively Bound In Well Preserved 3/4 Dark Morocco Five Bands Gilt Title And Author Over Beautifully Marbled Paper Boards Matching Hand Marbled Endpapers. Top Edge Gilt Deckled Edges. First Printing First Issue One Of 1000 Copies With No Mention Of "Two Series" In List Of Books By Stevenson. No Names Or Marks Or Stains Or Other Damage Pages Clean And Just A Little Aged With One Very Small Foxing Spot. Gift Quality. Ex Collection Of Dorothy Gish But Not Marked As Such. <br/> <br/> Longman's Green & Co hardcover
18991181571899 Paris, Pour les Cent bibliophiles, 1899, 1 volume in-quarto de 205x275 mm environ, 423 pages , XXVII pages (Pièces condamnées), (3) ff. (carton),complet du frontispice et des 6 planches hors-texte, contient la note pour le relieur ainsi que le courrier d'expédition de la Société des Cent Bibliophiles reliés in-fine. Tirage à 115 exemplaires numérotés (n°66, nominatif). Reliure signée de Carayon, demi maroquin rouge à coins, plats marbrés, gardes marbrées, couvertures et dos d'origine, grainés, conservés. Des épidermures sur le cuir, quelques feuillets très légèrement salis en leur marge (poussière), de rares feuillets brunis en fin de volume néanmoins bon état, bel exemplaire.
1890bf4127Dessin original 1890 Crayon sur papier, environ 14,5 x 8,8 cm. Non signé, daté 'Café Procope, 13 9bre 90'. Sous un très joli cadre moderne, avec dorure et arabesques. Dessin publié (pl. XII) dans 'Verlaine' de Francis Carco. 'À en croire certains de ses amis intimes, en particulier le chansonnier et dessinateur Cazals, le café était pour Verlaine au moins autant un lieu social qu'une occasion de boire. Il ne s'empressait pas, racontent-ils, de vider les consommations lesquelles venaient d'être servies. Au contraire l'absinthe versée à l'heure de l'apéritif restait longtemps dans le verre...' (A. Buisine 'Verlaine, histoire d'un corps', p. 90) Provenance : Giraud-Badin ; Vrain (Cat. Paul Verlaine, 1994, n°30) Réf. : Ruchon 'Verlaine, documents iconographiques', LXXVI et p. 236. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
18890035411889 Paris, Vanier, 1889. In-8 (151 X 199 mm) maroquin havane, dos cinq nerfs, auteur et titre dorés, date en queue, coiffes et coupes filetées, bordure intérieure ornée de roulettes et filets dorés, plats et dos de la couverture conservés, tranches dorées sur témoins, étui (Huser); (1) f. blanc, frontispice, 97 pages, (1) f. d’achevé d’imprimer, (1) f. blanc. Infimes traces de frottements sur les plats.
187318636Paris, Librairie du XIXe siècle, Glady Frères, 1873. In-8 de [10]-345-[5] pages, demi-maroquin jaune à coins, dos à nerfs, tête dorée, les fragiles couvertures sont parfaitement conservées. Reliure signée Ch. Septier.
1813186249Osaka: Kajima Chubee; Katsuta Zensuke & Noda Jihee Kyoto 1813. Poetry networks spanning the islands of Japan First edition of this illustrated directory introducing over 600 early modern poets with their names pseudonyms and addresses and examples of their verse. It was published at a time of great expansion for the art form and remains a valuable source of information on both major and minor literary figures of its time. Shime Chosai 1757-1824 was a haikai poet and warehouse owner based in Osaka. He is best known for his large circle of artistic friends and acquaintances with whom he regularly corresponded in person and by letter. When it came to compiling this directory Chosai's social circle allowed him to include not just those living in the social capitals of Edo Kyoto and Osaka but also those in places like Nagano Tokushima and Himeji. Many would likely have been forgotten if he had not recorded them in this work. The poets profiled in these volumes include Kokan Shoroku d.1813 a close friend of the famous poet Kobayashi Issa; Futoda Banri who could trace his poetic lineage to Basho's disciple Sugiyama Sanpu; and a number of women. Some are only represented by their portrait and their poem such as the otherwise unidentified young woman Rieko vol. 5 f. 45r while others are complete with full records. For example Shujo vol. 1 f. 26v is listed as living in Omi province near Kyoto with the real name Mimatsu and being a particularly talented waka poet. As noted by Ito Yoshitaka in Japanese: "Banka jinmeiroku was published in a transitional phase between the 'revival' of haikai poetry in the Kansei period late 1790s and the 'standardization' of the art in the Tenpo period 1830s. During this period haikai poets began to communicate with each other widely by letter. Banka jinmeiroku reflects the popularity and demand for this interconnectivity" p. 17. 5 vols quarto. Woodblock illustrations throughout one with highlights in red as issued; text in Japanese. Original cream paper wrappers renewed green thread fukuro-toji binding spine ends capped in blue cloth printed paper labels wrappers decorated with foliate pattern in silver. Ownership stamp of in each vol. Wrappers creased and marked in places title labels slightly rubbed contents bright with occasional ink marks in margins: a very good copy. Ito Yoshitaka "'Banka jinmeiroku' kanko zengo: Tezen Arihide ate haijin shokan" Rissho Daigaku jinbun kagaku kenkyujo nenpo vol. 57 2020. hardcover
1892058407New York: John McKay 1892. First Edition Thus . Green Cloth. Very Good. 8 5/8" Tall. Portrait Plate. 438 Pp Green Cloth Binding C Per Bal With Gilt Lettering "Leaves Of Grass / Complete 1892 / Walt Whitman" On Spine The Author's Name On The Spine Being A Facsimile Signature. Top Edge Gilt Fore Edge And Bottom Edge Deckled Inserted Portrait At Page 29 No Caption With Tissue Guard With Date 1891-'92 On Title Page Facsimile Signature On Title Page. Title Page And Last Page Of Contents Are Not Cancels. No Date Or Reference Later Than 1891 Anywhere Within Book Except On Title Page. Publisher's Address 23 South Ninth Street. The So-Called "Deathbed Edition" 1892 But Completed Before Whitman's Final Illness. Second Printing Per Bal Incorporating Changes In Earlier Editions With Some Additional Very Minor Changes And A Complete Non-Chronological Re-Ordering Of The Material In Accordance With Whitman's Wishes. Well Preserved No Fading Or Stains Or Marks Spine Gilt All Present And Bright But Not Brilliant; Small Areas Of Fraying On Top And Bottom Edges Of Spine And At Lower Front Tip. Small Illustration Pasted On Verso Of Portrait Plate With Traces Of Removal Of 4 Illustrations Which Were Also Glued On. Front Free Endpaper With Small Loss Of Paper Front Hinge Broken At Gutter Edge Ownership Signature Of Rufus W. Hayes Later Ownership Signature Of Artist W. R. A. Hays Of Waverly Ohio. <br/> <br/> John McKay hardcover
1822007996Tavinorum Turin: Ex Typis Viduae Pomba et Filiorum 1822. SCARCE edition. Frontispiece portrait Vol.I. viii 486 2 454 lvi 490 1 565 1 508 xii 505 2 445 763. Eight volumes published in Turin Italy 1822-1827. Text and notes in Latin. Armorial bookplates of John Timbrell Milward Pierce. Vols. 2-7 at front or rear paste downs. A beautifully bound set in later 19th c. full vellum the backs with red morocco label in gilt and intricate gilt decorations marbled end papers. Very Good Plus light soiling 1/2"red mark fore edge Vol. I. Pieter Burman 1668 - 31 March 1741 also known as Peter or Pieter Burmann "the Elder" to distinguish him from his nephew was a Dutch classical scholar. His first publication of the works of Ovid was in 1713. A heavy set please be advised added shipping charges will be requested for international orders. . First Edition Thus. Vellum. Very Good Plus/No Jacket As Issued. 8vo - over 7¾" - 9¾" tall. Ex Typis Viduae Pomba et Filiorum Hardcover books
1889171073Paris; Léon Vanier, édition originale, tirage à 500 exemplaires (réf. Clouzot), 1 volume de format 19 x 13 cm, reliure plein maroquin signée P.-L. Martin, filets dorés, gardes moirées, chemise maroquin, toutes tranches dorées, non rogné, couverture et dos conservés, étui carton, 116 pages, bien complet du feuillet "Chasteté", très bel exemplaire.
189619730Soixante-dix illustrations par Auguste Gerardin (1849-1933) gravées par Julien Tinayre (1859-1923).Édition tirée à 350 exemplaires. Celui-ci (N°49) un des 25 sur japon des manufactures impériales, avec un tirage à part de toutes les gravures sur japon et sur chine.Paris, Edouard Pelletan, éditeur - 1896. - 205 pages de texte.Splendide reliure plein maroquin lie de vin signé de Petrus Ruban 1904. Premier plat orné d'une belle composition florale stylisée, mosaïquée en brun, bordeaux et rouge. Coupes filetées. Encadrement intérieur doré. Double garde de papier marbré. Dos à nerf avec titre, auteur, et année. Emboitage cartonné. Couverture et dos conservés. Tranches dorées sur témoins. Pas de rousseur. Parfait état. Format in-4° (28x19).Très bel exemplaire du relieur Petrus Ruban qui l'habilla lui-même avec élégance.
188111590THE POETRY OF THE FUTURE from the North American Review for February 1881 first edition lower right corner of the front page chipped but no where near the text some soiling and staining to the first two leaves else a near vg copy of this essay which is an offprint of the North American Review of which only a tiny few were printed up on the request of the author. Housed in a custom folding case. From the library of the former premier Walt Whitman collector bibliophile and philanthropist Charles Feinberg. Rare. Myerson F63. North American Review unknown
1811912271811. POETRY GIBAKU 宜麦1751-1828 compiler. ZOKU E KASEN 続絵æŒä»™. 2 vols. Bunka 8 1811. 22.7 x 16.0 cm . There are 83 single page images with poems printed skillfully in sumi-e. Interestingly the block cutter Asakura Konpachi æœå€‰ä»Šå…« is credited but no one else. The date comes from the preface. There is no colophon. Probably privately printed. In lovely shape and very good printing. An excellent example of the genre. unknown
1854007688Boston: C. S. Francis & Co. 1854. A SCARCE early collection of her poems beautifully bound in contempoary chocolate morocco gilt titles 5 raised bands stamped and tooled rules and decorations all edges dyed red dark brown endpapers. xvii 312. xvi 300. viii 234. Contains all her poems to date the third volume contains "Prometheus Bound and other Poems including Sonnets from the Portugese Casa Guidi Windows etc." Volume I contains her 1844 Dedication to her Father and Introduction by H. T.Tuckerman and the 1850 author's advertisement. Near Fine a few small rubs to morocco white end pages toned period armorial bookplates of Ward front paste downs the owner's name "Julia F. Ward 1855" front end pages is nearly invisible due to dark brown color of paper. . New American Edition. Morocco. Near Fine/No Jacket As Issued. 12mo - over 6¾" - 7¾" tall. C. S. Francis & Co. Hardcover books
1872007732London: Basil Montagu / Pickering 1872. Two volumes RARE First Edition 1872. Bust frontispiece in Vol. I and portrait frontispiece Vol. II. Half titles ccxcv 322 pp. errata 496 pp. Bound in dark brown full crushed morocco wide ornate gilt decorations on covers richly gilt spine in six panels red leather labels wide ornate gilt inner dentelles all edges gilt marbled end papers signed on inner dentelles "Bound by F. Bedford". An exceptional set Near Fine light shelfwear bottom edges morocco rear cover Vol. I lightly rubbed. The first collected edition of this noted English diplomat and man of letters. Last time at auction for the 1872 first edition was 1919 according to auction search results. . First Edition. Morocco. Near Fine/No Jacket As Issued. Royal Octavo . Basil Montagu / Pickering Hardcover books
1822007996Tavinorum Turin: Ex Typis Viduae Pomba et Filiorum 1822. Book. Very Good Plus. Vellum. First Edition Thus. 8vo - over 7¾" - 9¾" tall. SCARCE edition. Frontispiece portrait Vol.I. viii 486 2 454 lvi 490 1 565 1 508 xii 505 2 445 763. Eight volumes published in Turin Italy 1822-1827. Text and notes in Latin. Armorial bookplates of John Timbrell Milward Pierce. Vols. 2-7 at front or rear paste downs. A beautifully bound set in later 19th c. full vellum the backs with red morocco label in gilt and intricate gilt decorations marbled end papers. Very Good Plus light soiling 1/2"red mark fore edge Vol. I. Pieter Burman 1668 - 31 March 1741 also known as Peter or Pieter Burmann "the Elder" to distinguish him from his nephew was a Dutch classical scholar. His first publication of the works of Ovid was in 1713. A heavy set please be advised added shipping charges will be requested for international orders. Ex Typis Viduae Pomba et Filiorum Hardcover
