Aragon Leiva, Agustin (Ed)Biblio.com
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1943111647México D.F.: Publicaciones Herrerias S.A. bajo la supervisión del profesor Agustín Aragón Leiva Relator y Censor de la H. Academia Mexicana de Gastronomia 1943. Rebound without original covers; normal yellowing of paper; o/w tight clean and vg. illus. tbls. recipes quarter marbled endpapers green calf with leatherette embossed covers raised bands on spine with gold lettering. One of the Mexican men who contributed his gastronomic knowledge through his profession journalism was Agustín Aragón Leyva proof of this are the publications the culinary promotion and the banquets he prepared for friends and neighbors in the colonia Santa María la Ribera . He inhabited the house on Calle Doctor Atl 215 formerly called Pino in that tradition colony. "Agustín Aragón Leyva not only had a taste for cooking he was also a positivist scholar with the most complete library in Latin America. "He always showed his love for gastronomy and more for Mexican food" explains Alejandro Céssar Rendón assistant to the late sybarite. One of the most important cooking books that the journalist introduced is the Dictionary of Recipes for Cooking Pastry Ice Cream and Drinks published in 1942 in two volumes which show the trends of that time in Mexican cuisine. He was one of the pioneers of the gastronomic critic with the weekly participation in his column El Pan de Cada Día published in the newspaper Ovaciones. Another of its gastronomic activities was to found the Academy of Gastronomy and Bromatology a science that studies food. "He also collaborated in campaigns to increase the consumption of fish products and the culinary use of the rabbit" commented Puig and Stoppen in one of the publications published by the Franz Mayer Museum: History of Mexican Cuisine through its Publications. One of his favorite dishes were the chiles en nogada that every August 28 the day of San Agustín he tasted to celebrate his saint.<br /> Ref: Historia de la Cocina México a través de sus publicaciones Puig y Stoppen Museo Franz Mayer. Publicaciones Herrerias, S.A., bajo la supervisión del profesor Agustín Aragón Leiva, Relator y Censor de la H. Academia Mexi unknown
195685467Paris: Gallimard 1956. Fine. Gallimard Paris 1956 14 x 19.50 cm broché First edition a Service de Presse advance copy. Spine sunned with two small lacks at head and foot boards marginally sunned. This collection of poems contains the famous ""Strophes pour se souvenir"" a poem paying tribute to the members of the F.T.P. - M.O.I. of Missak Manouchian shot at Mont Valérien on February 21 1944. This moving poem would be set to music and performed in 1959 by Léo Ferré under the title ""L'affiche rouge"" referring to the ignominious red poster displayed by the Vichy regime depicting the F.T.P.-M.O.I. as vulgar and criminal foreign terrorists. Autograph inscription signed by Louis Aragon to Jean Ballard who was the director of the literary review Les Cahiers du Sud. Gallimard hardcover
195445570Paris: Seghers 1954. Fine. Seghers Paris 1954 14.50 x 19 cm broché First edition one of 40 numbered copies on Hollande the only large paper copies. A good copy. Seghers unknown
197214689Paris Maeght Éditeur 1972. Folio. 28 pp. Illustrated in colour and b/w. Containing 3 original lithographs by Marc Chagall frontcover and 2 other 1 double-page. unknown
mon0000152048Hucitec 1/1/2015 12:00:00 AM. paperback. Very Good. 0.6299 in x 7.0079 in x 5.0394 in. A clean and tight copy. wrapped in plastic Hucitec paperback
194684242Paris: Gallimard 1946. Fine. Gallimard Paris 1946-1953 12 x 19 cm 2 volumes brochés First edition one of 55 numbered copies on vellum for each volume deluxe copies. Spines very lightly sunned without detriment handsome set. Gallimard hardcover
191475566Grandcamp-les-Bains Grandcamp-Maisy 1914. Fine. Grandcamp-les-Bains Grandcamp-Maisy s. d. ca 1914-1920 13.50 x 21 cm une page sur un feuillet remplié Autograph letter signed addressed to a correspondent whom we have not been able to identify. Written from the Grand Hôtel de Grandcamp-les-Bains Calvados in blue ink on a folded sheet of white paper. A transverse fold inherent to the posting of the letter and four small perforations affecting the text but not impeding its reading. The mention of Grandcamp-les-Bains - where Aragon seems to have been only once during the summer of his seventeenth year - and the signature - of an early form - lead us to think that the letter could have been written in the summer of 1914. Philippe Forest in his biography of Aragon confirms that it was indeed at Grandcamp-les-Bains where his family had rented fifty rooms in a large seaside hotel to accommodate family and friends that the future poet learned the news of mobilization. The handwriting less rounded than on manuscripts prior to the 1920s however seems to us later and we are therefore not in a position to confirm the date of 1914. unknown
196246499Paris.: Au Cercle du Livre Précieux. 1962. Original publisher's full white vellum title and vignette in blind to front cover reduced matching title and vignette in gilt to spine grey endpapers white silk placemarker t.e.g. vellum-edged grey paper board slipcase; spine with wear and discolouration. 8vo. 252 x 168 mm. Half-title in red and black leaf with original engraving by Hans Bellmer verso as frontispiece printed title in red and black 5 leaves with Préface by André Pieyre de Mandiargues and text of 'Le Con d'Irène' leaf with justification and final leaf with achevé d'imprimer recto and publisher's credit verso. Louis Aragon's 'Le Con d'Irène' with Hans Bellmer's original engraving.From the edition limited to 700 numbered copies on vélin d'Arches pur Chiffon each with the frontispiece engraving by Hans Bellmer; several hors commerce copies were also issued.First published pseudonymously in 1928 with etchings by André Masson 'Le Con d'Irène' has been described as 'un essai sérieux de prose pornographique' Cramer. A second edition designed and illustrated by Hans Bellmer was published in 1952 after a facsimile of the first was issued in 1948 before the present edition also illustrated by Bellmer. Of considerable notoriety the novel's pseudonymous Albert de Routisie was identified as Louis Aragon adding to his oeuvre of erotic works that also included - with Benjamin Péret - the explicit '1929'.'Pendant trois mois l'auteur a parcouru notre grande colonie interrogeant administrateurs officiers colons. Pour la clarté de ses exposés comme par la valeur de sa documentation ce livre intéresse le spécialiste et le profane. Selon le mot d'un grand emmerdeur 'Le Con d'Irène' devrait être mis entre les mains de tous nos futurs administrateurs éducateurs et officiers coloniaux.' Aragon writing in André Breton's copy of the first edition. Au Cercle du Livre Précieux. hardcover
1942CAT001047Mexico: Publicacaciones Herrerieas 1942. First Edition. Hardcover. Very Good Condition. 3 volumes rebound in green cloth backed marbled boards with a bit of wear at corners. Modest browning to pages chips to final pages in vol 2 stains to endpapers; very good or better overall. 992pp; 959pp; 284pp. Dated 1942 1943 1943. Illustrated with photos and drawings including detailed step by step instructions in a number of instances.<br /> <br /> Arranged alphabetically but idiosyncratically vol 1 is A vol 2 B-Z vol 3 added recipes. A mammoth collection of recipes collected under the supervision of journalist editor film maker he was the assistant director on Eisenstein's ¡Que viva Mexico! in 1932 and gastonome Agustín Aragón Leiva who was a dedicated enthusiast for regional Mexican cuisine later credited by Diana Kennedy with introducing her to many local foods and allowing her the use of his library -reportedly the most extensive culinary library in Mexico and a sort of Grimod de la Reyniere figure in Mexican cuisine in his later years. Rare with the third volume - 6 copies in OCLC none with the final volume. Size: 8vo. 3-volume set complete. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Cooking Wine & Dining; Inventory No: CAT001047. Publicacaciones Herrerieas hardcover
194421641S.l. Paris: Éditions F.T.P.F. Francs-Tireurs et Partisans Français 1944. Limited Edition. Near Fine. <br /> THE EMBOSSED TYPOGRAPHY OF THE RESISTANCE PRESS HE SURREALIST TRANSFORMED INTO A WITNESS OF WAR.<br /> A primary artifact of the French literary Resistance this copy is the premiere example No. 1 of 25 of the special issue on Papier Alfa. <br /> <br /> Composed during the German occupation Aragon's poem is a harrowing and defiant invocation of national identity notable for its early and direct naming of the deportations and Auschwitz. Published by the Éditions F.T.P.F.-an imprint of the armed Resistance-this pamphlet was produced under the semi-clandestine conditions of the Liberation era. <br /> <br /> The title typography is executed in a distinctive tactile relief reflecting the urgent and irregular printing constraints of wartime France.<br /> <br /> CONDITION: Near Fine -- An exceptional survival for such a fragile pamphlet. The octavo is tight and square with a clean text block showing only light even age-toning. A small chip is noted at the lower edge of the rear wrap and a faint pencil notation appears at the lower corner of the final page. The original glassine wrapper is present and well-preserved having been stored separately to protect the tactile embossed title.<br /> <br /> SCHOLARLY INFLUENCES: <br /> The Witness of Auschwitz: Composed during the German occupation Aragon's poem is notable for its early and direct naming of the deportations and the camps. It represents a critical juncture where Surrealist poetry transformed into political testimony. <br /> Tactile Typography: The title is executed in a distinctive tactile relief reflecting the urgent and irregular printing constraints of wartime France. This 'raised printing' is a physical fingerprint of clandestine production. <br /> The No. 1 Specimen: As the first copy of the most limited state this specimen was likely intended for a high-ranking member of the Resistance or a central figure in Aragon's immediate Surrealist circle.<br /> Author: Louis Aragon was the leading poetic voice of the clandestine Resistance. Je vous salue ma France was written as the "Chant National" for the Liberation.<br /> <br /> Bibliographic Scarcity: While major institutions hold the standard issue this tirage de tête of 25 copies is effectively unrecorded in major bibliographical databases. It represents a foundational acquisition for any archive specializing in WWII Clandestine Imprints or French Modernism.<br /> While OCLC records 7 institutional holdings for the standard issue none specify this limited 25-copy state.<br /> <br /> KEY FEATURES<br /> Limitation: Copy No. 1 of only 25 numbered copies on Papier Alfa.<br /> Visuals: Unique embossed and tactile title typography; raised printing visible on recto.<br /> Imprint: Éditions F.T.P.F. affiliated with the Forces Françaises de l'Intérieur.<br /> Historical: Direct references to the Resistance imprisonment and Auschwitz.<br /> Specs: In-8° 8 unnumbered pages; 21 cm. HISTORICAL SIGNIFICANCE --<br /> Louis Aragon was the leading poetic voice of the clandestine Resistance. Je vous salue ma France was written as the 'Chant National' for the Liberation. <br /> <br /> This specific printing by the F.T.P.F. the armed wing of the Communist Resistance highlights the intersection of political militancy and high-art production. As Copy No. 1 this specimen was likely intended for a high-ranking member of the Resistance or a central figure in the Surrealist/Communist circle.<br /> <br /> SUBJECTS: Aragon Louis FranceHistory - German occupation 1940-1945; World War II Literature and the war French Resistance Imprints Clandestine publishing France Poetry Resistance Literature Wartime Printing French Modernism.<br /> <br /> BIBLIOGRAPHIC REFERENCE: FRBNF31726841 standard issue. Éditions F.T.P.F. (Francs-Tireurs et Partisans Français) unknown
323979The Limited Editions Club 1994. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. Original blue-grey silk over boards matching slipcase. Fine. CARTIER-BRESSON Henri. Edition limited to 300 numbered copies signed by Cartier-Bresson. Translated by Simon Watson Taylor. Illustrated with seven original lithographs and a photogravure by Henri Cartier-Bresson. 1 vols. Folio 12 x 16 inches. "Just twenty‑eight when he wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photo- grapher Henri Cartier‑Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon" Publisher.<br /> <br /> The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. The Limited Editions Club unknown
194724152Paris: Maeght Editeur 1947. Illustrated Wraps. Near Fine/Very Good . Henri Matisse. A very presentable copy of the 1947 1st edition. #004 of 950 copies issued on "Velin superieur". The book consists of the "5-color cover and the 17 full-page illustrations including 1 frontispiece and 1 original out-of-text lithograph 1 wood gouge and 14 unpublished heliogravures composed and laid out by Matisse. The printing of the illustrations and texts was done by Draeger Freres". Clean and Near Fine. And in a crisp Near Fine dustjacket AND a VG to Near Fine example of the outer glassine dustjacket with just a touch of chipping at the lower-edges. And finally sturdy examples of the unprinted gray card chemise and slipcase. Maeght Editeur unknown
lec-0011Just twenty eight when Louis Aragon wrote this magical novel he compares a poet's love for his city to a peasant's love for his land. A leading Surrealist writer Aragon was keenly aware of the hidden life concealed by every object great and small. The Peasant of Paris combines minute descriptions of scenes and objects humorous anecdotes and philosophical reflections: all to create a reality that goes far beyond the literal or visual. Another love affair with Paris: that of the renowned artist and photographer Henri Cartier-Bresson who chose this book to illustrate with seven enchanting lithographs of Paris and a photogravure portrait of Louis Aragon.<br />Seven lithographs and a photogravure by Henri Cartier-Bresson.<br />Edition limited to 300 numbered copies.<br />Each signed by Henri Cartier-Bresson.<br />The text and seven lithographs are printed on mould-made paper from the Arches mill in Epinal France. The photogravure plate was made and the photogravures were editioned by Jon Goodman at his studio in Hadley Massachusetts. The book and slipcase are bound in gray-green Japanese fabric. <br />One Volume 12 x 16¼ inches. <br /><br />As the publisher we unconditionally guarantee that all books are authentic and the condition is As New NOS. Limited Editions Club hardcover
196766840Paris: Gallimard 1967. Fine. Gallimard Paris 1967 14 x 21 cm broché First edition one of 60 numbered copies on Hollande deluxe issue. Minor insignificant spotting to the spine. A handsome copy. Gallimard unknown
8877New York: The Limited Editions Club 1994. Hardcover. NF. Signed by Illustrator. Near Fine. #189 of 300 copies signed by Henri Cartier-Bresson. Designed by Dan Carr and printed on Velin Arches paper and printed by Wild Carrot Letterpress. Type set in Monotype Plantin Light by Dan /carr and Julia Ferrari at Golgonooza Letter Foundry with additional hand work by Art Larson at Horton Tank Graphics. This copy is NF with some slight fading on the spine but otherwise in fine condition. Original monthly letter #573 laid in. NF slipcase Print info from 1985 Bibliography and Snyman - Grossman LEC Checklist #573. The Limited Editions Club hardcover
192647918Paris.: Librarie Gallimard. 1926. Original publisher's cream wrappers with typographic design printed in blue rear wrapper with a manuscript 'pensée' by Péret in Aragon's hand within blue three-dimensional box design. 4to. 237 x 187 mm. Title page repeating cover design with justification verso dedication and frontispiece by Max Morise verso half title and Aragon's poems pp. 9 - 95 printed with one full page illustration by Morise for the section 'Les Destinées de la Poesie' printer's credit to rear. The first edition of Aragon's second poetry collection with original manuscript 'pensée'.From the edition limited to 268 copies this one of 170 printed on Arches.The cover features a superb mirrored typographic design by Aragon himself. The boxed phrase 'Voir au dos la pensée' leads us to the rear cover where a quote by Benjamin Péret here in Aragon's hand reads: 'Ah que le charbon est beau sur / les routes tournesol / Tournesol et carré / Si je tourne c'est que le sol est carré' an extract with one variation from Péret's poem 'Dormir dormir dans les pierres' 1927.'Je dédie ce livre a la poésie et merde pour ceux qui le liront.' Librarie Gallimard. unknown
52229New York: The Limited editions Club 1994. One of 300 copies signed by Cartier-Bresson. Illustrated with Seven Original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. 1 vols. Folio 12 x 16 inches. Grey-Green silk. In slip case. Fine. CRTIER-BRESSON Henri. One of 300 copies signed by Cartier-Bresson. Illustrated with Seven Original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. 1 vols. Folio 12 x 16 inches. The Limited editions Club unknown
19943115950New York: Limited EDITIONS CLUB. Fine with no dust jacket. 1994. First Edition; First Printing. Hardcover in Slipcase. Limited edition. Copy number 3 out of 300 SIGNED by Cartier-Bresson on colophon. Illustrated with 7 original Lithographs and a Photogravure by Henri Cartier-Bresson. The Lithographs were pulled by Bruce Porter at his Trestle Editions studio in New York. The photogravure was printed by Jon Goodman on French-made Arjo Wiggins stock. Folio 12 x 16 inches. Laid-into grey-green silk slip case with interior felt linin. Book and slipcase are fine. The Photogravure frontispiece by Henri Cartier-Bresson is a portrait of writer Louis Aragon. A lovely production. ; 12" x 16" . Limited EDITIONS CLUB hardcover
28817Paris Gallimard 28 avril 1928. 1 vol. 120 x 190 mm de 236 p. 1 et 1 f. BrocheÌ. . Édition originale. Un des 25 premiers exemplaires hors commerce sur papier vert n° 22 réservés à l'auteur. . Le Traité du style est dans la continuité des textes polémiques chers au surréalistes : son déclenchement vient d'un article de Marcel Arland dans La Nouvelle Revue française qui assimilait le surréalisme à un « truc » littéraire. Aragon réplique. Rien de nouveau certes tant les réponses aux opposants au mouvement furent courantes mais la démesure et l'excès prennent ici une proportion inédite et cela sous la couverture blanche des Éditions de la Nrf elle-même largement brocardée. Plusieurs écrivains s'en émeuvent et la fronde couve mais Gaston Gallimard défendra son auteur contre Paul Valéry et André Gide textuellement traités d'« emmerdeurs ». Rare tirage sur papier vert deux ans après Le Libertinage. Ce tirage est annoncé comme limité à 25 exemplaires hors commerce « pour l'auteur ». Breton et Éluard dans ces mêmes années auront également droit à ces tirages spécifiques et colorés sur papier vert jonquille ou saumon. Notons également que Gallimard pour ces papiers verts décline le raffinement jusqu'aux couvertures : l'habituel double liseré d'encadrement sur le premier plan habituellement rouge est ici imprimé en vert. Paris, Gallimard, (28 avril) 1928. 1 vol. (120 x 190 mm) de 236 p., [1] et 1 f. BrocheÌ. unknown
197285358Harcourt Brace Janovich. As New. 1972. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B0012BWMN4. TWO 2 VOLUME SET. -- with a bonus offer-- . Harcourt Brace Janovich hardcover
197285357Harcourt Brace Janovich. As New. 1972. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B001F3Q1SQ. TWO 2 VOLUME SET. -- with a bonus offer-- . Harcourt Brace Janovich hardcover
197285356Harcourt Brace Janovich. As New. 1972. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B0012G6AXM. TWO 2 VOLUME SET. -- with a bonus offer-- . Harcourt Brace Janovich hardcover
197285359Harcourt Brace Janovich. As New. 1972. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000M0XPVY. TWO 2 VOLUME SET. -- with a bonus offer-- . Harcourt Brace Janovich hardcover
198879925University of Nebraska Press. New. 1988. Hardcover. 0803210213 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 102 pp. Description: "Published in 1922 and modeled on Fénelon's seventeenth-century epic of the same name Aragon's work parodies its heroic models didacticism psychological stability and descriptive and narrative balance." -- with a bonus offer-- . University of Nebraska Press hardcover
1960N - 2024 - 40<p>Paris: Les éditeurs français réunis 1960. Mes voyages My voyages. This beautiful book comprises of 28 lithographs in color by Fernand Léger that capture life in major cities around the world. It was produced after Leger's death by his widow Nadia Leger with plates from Ferdinand Mourlot's studio. The lithographs are accompanied by a poem by Louis Aragon. The book bears the artist's initials and is loose as issued in original chemise and paper wrappers in woodgrain guarded in the original slipcase. Limited to 280 copies on Vélin d'Arches of which this is number 90. Printing by Fernand Mourlot. 38 x 27 cm. Ref: Monod 7050. Box has a small tear on the bottom corner. All lithographs and pages within in very good condition.</p> Les éditeurs français réunis
