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A9780309225199Paperback / softback. New. "In April 2011 an ad hoc committee overseen by the National Academies' standing Committee on Women in Science Engineering and Medicine CWSEM convened a workshop entitled "Blueprint for the future: framing the issues of women in science in a global context" in Washington D.C. paperback
0309225191.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
200425658New York:: Doubleday 2004. First Printing of the First US Edition. A Fine tight copy in a Fine bright unclipped dust jacket. In BOBBED HAIR AND BATHTUB GIN Marion Meade presents a portrait of four extraordinary writers--Dorothy Parker Zelda Fitzgerald Edna St. Vincent Millay and Edna Ferber--whose loves lives and literary endeavors embodied the spirit of the 1920s. Capturing the jazz rhythms and desperate gaiety that defined the era Meade gives us Parker Fitzgerald Millay and Ferber traces the intersections of their lives and describes the men F. Scott Fitzgerald Edmund Wilson Harold Ross and Robert Benchley who influenced them loved them and sometimes betrayed them. Here are the social and literary triumphs Parker's Round Table witticisms appeared almost daily in the newspapers and Ferber and Millay won Pulitzer Prizes and inevitably the penances each paid: crumbled love affairs abortions depression lost beauty nervous breakdowns and finally overdoses and even madness. These literary heroines did what they wanted said what they thought living wholly in the moment. They kicked open the door for twentieth-century women writers and set a new model for every woman trying to juggle the serious issues of economic independence political power and sexual freedom. Meade recreates the excitement romance and promise of the 1920s a decade celebrated for cultural innovation--the birth of jazz the beginning of modernism--and social and sexual liberation bringing to light as well the anxiety and despair that lurked beneath the nonstop partying and outrageous behavior. Doubleday, unknown
256 pages, illustrated, recipes, index, ex public library with usual signs. eng
190440230Philadelphia: Journalists' Home. Very Good with no dust jacket. 1904. First Edition. Cloth. 12.5" x 9; 406 pages; Editorial Edition de Luxe. Limited to 100 copies. Two blank end papers with repaired rips. Wear to cloth extremities. Title page states this is volume I but no volume II appears to have ever been published BOHEMIA. Official Publication of the International League of Press Clubs for the Building and Endowment of the Journalists' Home. A Symposium of Literary and Artistic Expressions by Men and Women distinguished in Journalism Art Romance Literature Finance Diplomacy Politics and Statecraft. Especially prepared and voluntarily contributed. Edited by A. K. McClure and others. With numerous colored and plain illustrations portraits facsimiles etc. Thick 4to. Contents generally VG with a few scattered light water stains. . Journalists' Home hardcover
190346402008Paris, Simonis Empis, 1903 ; in-8 carré, demi-maroquin bronze à coins, double filet doré, tête dorée, non rogné, couv. conservée. (Reliure de l’époque). ÉDITION ORIGINALE. Il s’agit de 100 planches de scènes humoristiques avec légendes, variations sur la Parisienne dans tous ses états. L’illustrateur H. Gerbault (Châtenay 1863 - Roscoff 1930) était le neveu du poète Sully-Prudhomme. Il étudia chez Paul Colin, P. Dubois, Gervex et collabora à de nombreuses revues illustrées.“Avec H. Gerbault nous voyons défiler des minois féminins très parisiens, et en général toutes sortes de types caractéristiques choisis dans leur laideur synthétique et courante. Alternativement brutal et tendre, l’artiste garde un cachet personnel, de style soigné...” E. Bayard. La Caricature et les caricaturistes p. 385 - Osterwalder 420. - UN DES 25 EXEMPLAIRES DE TÊTE SUR JAPON, très frais.
19170005290Chicago: A. N. Marquis & Company 1917. First edition. Hardcover. Good. Octavo 753pp. original blue cloth edgeworn bookplate removed. <br/><br/>This is the third appearance of this biographical directory 1905 1911. Revised and enlarged -and the FIRST inclusion of WOMEN as entrants. - e.g. Jane Addams. A. N. Marquis & Company hardcover
18512Ian Hodgkins & Co. Ltd. Upper Vatch Mill The Vatch Slad Stroud Gloucestershire GL6 7JY. Catalogue 81. Summer 1995. 40pp. 8vo. Stapled in printed wraps with illustration on front cover. In fair condition somewhat aged and worn. Hodgkin was known for his meticulous catalouging and 500 items are described by a range of authors both prominent and obscure ranging from Grace Aguilar to Mrs Mary Wood-Allen. There are sub-sections for Louisa May Alcott Elizabeth Barrett Browning Fanny Burney Jane Welsh Carlyle Eliza Cook Marie Corelli Maria S. Cummins Lady Elizabeth Eastlake Maria Edgeworth George Elliot Mrs. Sarah Ellis Juliana Horatia Ewing Marjorie Fleming Mrs Anna Maria Hall Francis Ridley Havergal Jean Ingelow Mary Lamb Eliza Lynn Linton Emma Marshall Harriet Martineau Alice Meynell Mary Russell Mitford Hannah More Caroline Elizabeth Norton Mrs Margaret Oliphant Oudia Beatrix Potter Lady Anne Isabella Ritchie Mary Wollstonecraft Shelley Catherine Sinclair Harriet Beecher Stowe Agnes Strickland Charlotte Maria Tucker Mrs Mary Augusta Ward Charlotte M. Yonge as well as a section on 'Etiquetter Good Advice Household Domestic Duties etc' and another of 'General Works on Literary Ladies'. The most expensive item is a 1796 first edition of Fanny Burney's 'Camilla' at £450. A pioneering catalogue no copies of which have been traced either on OCLC WorldCat or on COPAC. Ian Hodgkins & Co. Ltd., Upper Vatch Mill, The Vatch, Slad, Stroud, Gloucestershire, GL6 7JY. Catalogue 81. Summer 1995. paperback
188560593New York: Harper & Brothers 1885. 12mo. 312 pp. Frontisp. map. Pictorial brown publisher’s cloth gilt & black illust. of bugle and sunrise on front cover wear to fore-edges corners rubbing to spine still good copy w/ mounted albumen photo of a classroom on school steps on front pastedown sized 4 x 5 in. from the library of Florence Puher fl. 1890-1920 teacher and stenographer in Kansas City MO. First edition 2nd state of this account of General Custer and his wife during the Dakota campaigns right up till the battle at Little Big Horn. “Libbie†Custer 1842-1933 graduated valedictorian from the Young Ladies’ Seminary & Collegiate Institute in Monroe MI and soon after meeting Captain Custer and his meteoric rise to Brigidair General before Gettysburg married him Feb. 9 1864. Libbie’s charm and intelligence helped advance her husband’s career was admired by Gen. Phil Sheridan and accompanied her husband following the Civil War as he marched a cavalry division from Louisiana to Texas. After the Battle of Little Big Horn she would spend the next 57 years tirelessly writing and promoting to defend Gen. Custer’s reputation including this title and later the Following the Guidon 1890. See: Shirley Leckie Elizabeth Bacon Custer and the Making of a Myth 1993. Harper & Brothers, hardcover
1983WALTER-FILM004116Vintage original 30 x 20" 76 x 51 cm. double crown poster UK. Honey Adele Bertei dir: Lizzie Borden; Cinema of Women. London: Cinema of Women 1983. Folded as issued with small tears marginal chips and signs of light handling VERY GOOD-. <br /><br /> An exceedingly scarce poster from a landmark film in 1980s LGBTQ and African American film history. ""A documentary-style feminist fiction film by Lizzie Borden that explores racism classism sexism and heterosexism in an alternative United States socialist democracy.<br /><br />"<i>The plot concerns two feminist groups in New York City each voicing their concerns to the public by pirate radio. One group led by an outspoken white lesbian Isabel Adele Bertei operates 'Radio Ragazza'. The other group led by a soft-spoken African-American Honey Honey operates 'Phoenix Radio. 'The local community is stimulated into action after a world-traveling political activist Adelaide Norris Jean Satterfield is arrested upon arriving at a New York City airport and suspiciously dies while in police custody. Also there is a Women's Army led by Hilary Hurst Hilary Hurst and advised by Zella Flo Kennedy that initially both Honey and Isabel refuse to join. This group along with Norris and the radio stations are under investigation by a callous FBI agent Ron Vawter. Their progress is tracked by three editors Becky Johnston Pat Murphy Kathryn Bigelow for a socialist newspaper who go so far they get fired</i>.<br /><br />"<i>The story involves several different women coming from different perspectives and attempts to show several examples of how sexism plays out on the street and how it can be dealt with through direct action. At one point two men attack a woman on the street and dozens of women on bicycles with whistles come to chase the men away and comfort the woman. The movie shows women despite their various differences organizing in meetings doing radio shows creating art wheatpasting putting a condom on a penis wrapping raw chicken at a processing plant etc. The film portrays a world rife with violence against women high female unemployment and government oppression. The women in the film start to come together to make a bigger impact by means that some would call terrorism</i>.<br /><br />"<i>Ultimately after both radio stations are suspiciously burned down Honey and Isabel team up and broadcast 'Phoenix Ragazza Radio' from stolen U-Haul vans. They also join the Women's Army which sends a group of terrorists to interrupt a broadcast of the President of the United States proposing that women be paid to do housework followed by bombing the antenna on top of the World Trade Center to prevent additionally destructive messages from the mainstream</i>.<br /><br />"<i>Greg Baise of the </i>Metro Times<i> called it 'an early '80s landmark of indie and queer cinema.' The film has had experienced somewhat of a renaissance after the 35mm restoration print premiered in 2016 at the Anthology Film Archives. Richard Brody of </i>The New Yorker<i> wrote 'the free ardent spontaneous creativity of Born in Flames emerges as an indispensable mode of radical change -- one that many contemporary filmmakers with political intentions have yet to assimilate.' He also wrote 'Borden's exhilarating collage-like story stages news reports documentary sequences and surveillance footage alongside tough action scenes and musical numbers; her violent vision is both ideologically complex and chilling.' Melissa Anderson of </i>The Village Voice<i> wrote 'this unruly unclassifiable film -- perhaps the sole entry in the hybrid genre of radical-lesbian-feminist sci-fi vérité -- premiered two years into the Reagan regime but its fury proves as bracing today as it was back when this country began its inexorable shift to the right</i>.'" Wikipedia books
0267158173.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1330102045.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
201168145ABKöln., Snoeck Verlagsgesellschaft mbH., 2011. 39 x 25 cm. [23] unpaginierte Blätter; 26 unpaginierte S. englisches Insert. Illustrierter OPappband., 68145A Erste Auflage. Etwas schiefgelesen, winzige Druckstelle auf Einband recto, sonst sehr gutes Exemplar. Kienbaum artists' books.
A clean, unmarked book with a tight binding. Slight edge wear to dust jacket. Slight waviness to bottom edge of last half of book. Full blue cloth boards. 96 pages. 8 1/2"w x 11 7/8"h. Over 90 illustrations, 8 in full color.
199529259Paris Editions de Minuit 1995 1 vol. broché in-8, broché, non coupé, 155 pp. Edition originale. Un des 37 exemplaires numérotés sur vergé de Vizille (seul grand papier).
199529259Paris Editions de Minuit 1995 1 vol. broché in-8, broché, non coupé, 155 pp. Edition originale. Un des 37 exemplaires numérotés sur vergé de Vizille (seul grand papier).
0849943795New. paperback. New. Satisfaction Guaranteed or your money back. paperback
2002Q-0849943795Thomas Nelson 2002-09-02. Paperback. New. In shrink wrap. Looks like an interesting title! Thomas Nelson paperback
416 pages including bibliography and index. Acknowledges that the province on the far left of the map has always been a pretty strange place, but it also tells a serious story of touchy race relations, heroic men and women, and the kind of romance that makes sensible people want to write books. It's a new kind of history - intensely personal, impeccably researched, intentionally provocative, unexpectedly spiritual, and laugh-out-loud funny - that encourages us to question received wisdom and ponder the elusiveness of history. Book clean and unmarked with moderate wear and slight lean to spine. Dust jacket with closed tear to top of back panel and moderate edgewear with one or two chips missing. Solid copy. Book
1993MST15596Author. Very Good. 1993. Plastic comb binding. Plastic comb binding. Soft cover published by T-Bone Cattle Women in 1993. Brands for Stillwater Sweet Grass and Carbon Counties in the 1990s. Cardstock covers. Covers have some small stains. Book is in very good condition. Small 4to 305 pages .8 lb.; Small 4to 9" - 11" tall; 305 pages . Author unknown
001127Farrar Straus and Giroux 1986 Book. As New. Hardcover. F. Cloth. As New/As New. First Edition. 4to - over 9¾" - 12" Tall. ISBN:374-30947-7. Farrar , Straus and Giroux, 1986 Hardcover books
198640673NY:: Farrar Straus and Giroux. Near Fine in Near Fine dust jacket. 1986. Hardcover. 0374309477 . Illustrated by the author. Thirteenth printing. About fine in like dust jacket. . Farrar, Straus and Giroux, hardcover books
1995130776Washington DC: National Museum of Women in the Arts 1995. Softcover. VG. Red paper wraps with half heart-shaped cut-out to fold out. 40 pp. Numerous charming color illustration. Catalog of the exhibition held from 10/2/95 to 3/22/96 in the National Museum of Women in the Arts Library and Research Center. National Museum of Women in the Arts unknown books
200121694EDITIONS DU ROCHER 2001 1 Textes de Martine Brenot, François Armanet, Nicole Avezard, Jean-Claude Brialy, Fritz Humer, Jacques Lanzmann, Line Renaud, Micheline Sandrel. Editions du Rocher, 2001, in-4, toile éditeur noire à bradel, vignette en couleurs contrecollée sur la couverture représentant Julie la Rousse, dos plat, titre doré en long sur le dos, sous étui toilé noir reprenant la couverture, 286 pages.
201213017MARTINIERE BL 2012 192 pages 13 8x1 4x20 2cm. 2012. broché. 192 pages. Le livre 'Bref j'ai fait de la médecine esthétique' de Nadine Coll et Alexandra Fabre est une enquête journalistique mêlant expériences personnelles sur la médecine esthétique notamment les injections de rides. Il vise à aider les femmes à distinguer les inquiétudes légitimes des autres et à prendre une décision éclairée sur le recours à ces soins