33 687 résultats
1974130222(Leipzig, 1974). M. zahlr. Abb. 178 S. OBr. M. Rsign. Umschl. leicht angeschmutzt. Bind. etwas gelockert. St. a. Tit.
1974130221(Leipzig, 1974). M. zahlr. Abb. 178 S. OBr. Umschl. leicht angeschmutzt. St. a. Tit.
245X180 mm. 259 pages. Hardcover with dust-jacket. Dj slightly stained. Sticker on inner cover. Pen inscription on first page. Else in good condition.
IN HEBREW AND ENGLISH. Contains b&w plates. 20X18 cm. No pagination. Soft cover. Pages slightly detached. Pages slightly yellowing. Else in good condition.
IN 4 CARRE. CART [MOY]. ENV 400 PP. NBR ILL DONT QQS EN COULEURS. [BE]
IN 8 CARRE. BR [BE]. 54 PP. ENV 100 ILL EN NOIR. [BE]
IN 8 CARRE. BR [MOY]. ENV 150 PP. ENV 100 ILL DONT QQS EN COULEUR. [BE]
IN 8 CARRE. BR [BE]. 144 PP. ENV 200 ILL DONT 8 EN COULEURS. [BE]
IN 4 CARRE. BR [MOY]. ENV 250 PP. ENV 60 ILL EN OIR ET EN COULEURS. [BE]
1992632562o.O. Neue Sächsische Galerie, 1992. 4°. M. zahlr. (meist farb.) Abb. Vorwort v. Dr. W. Ballerin. Unpag. Farb. ill. OPpbd. Einbd.-Rand leicht bestoßen.
8733Shanghai, Shanghai Renmin Meishu Chuban She, 1979. ??, ?????????, 1979. 1 volume in folio, 105 pp., white fabric hardback with an illustrated dust jacket, flat spine, minor tears on the dust jacket, enriched with 105 colour illustrations, very good condition. ?????, ??????, ????????????????????, ??????????, ????, ?????????????????????
Very Good French A fine original chromo-lithograph print from "Souvenirs de Constantinople" by Brindesi, printed in 1845. Framed, but will be sent no frame. 52x49 cm / 39x 44 cm print area. Stains on right bottom margins of the paper. The Ottoman navy, stationed in front of the Tophane Artillery barracks, is preparing to sail under the leadership of Kapudan Pasha's ship "Amiraute". Jean Brindesi was born in 1826 and worked primarily as a watercolour artist. During the Abdulmecid period (1831-1861), he worked on scenes involving soldiers in Istanbul. Two albums of lithographs after his drawings were produced by Lemercier in Paris: Elbicei Atika - Musee des Anciens Costumes Turcs de Constantinople, 1855, and Souvenirs de Constantinople, 1860; these two works are collections of picturesque views of the city of Constantinople. The originals are kept at the Istanbul Topkapi Palace Museum and at the University of Istanbul. (Source: Levantine Heritage).
Very Good English Original artwork in watercolor on paper. 42x30 cm. Signed and dated on the lower left as "Ghulam Seddig, Kabul, 1996". A fine drawing of a street in Afghanistan and two Afghan figures on the street by Postwar & Contemporary Afghan artist Ghulam Seddig.
1973EEzz7882Leningrad, Aurora (1973). gr.-8°, 161(1)S., mit 28 Farbtaf. u. einigen sw. Textabb., OPp., dieser leicht verstaubt, am vord. flieg. Vors. ausgeschnitt. Schutzumschlagsbild eingeklebt. ("Russian Painters" series). In Englisch.
Very Good Turkish Original greeting card and handmade letter by Eloglu. 2 p. On front side, original oil painting signed by Eloglu, on verso, letter signed sent to Nedret Gürcan, (was a Turkish author and poet), (1931-). A congratulations script.
As New English Paperback. Pbo. Mint. 4to. (28 x 23 cm). In Turkish and Italian. [xxv], 125 p. Several folding plts. [Behçet] Safa. La luce fu su loro leggera.= 1960-1990. Isik vurur üzerlerine hafifçe. 5 Nisan - 5 Mayis 2011 Galeri Tantekin. Translator: Meryem Mine Çilingiroglu. Curated by Jale Durna, Mehmet [Tantekin].
New English Paperback. Pbo. 4to. (28 x 23 cm). In Turkish and Italian. [xxv], 125 p. Many folding color plts. [Behçet] Safa. La luce fu su loro leggera.= 1960-1990. Isik vurur üzerlerine hafifçe. 5 Nisan - 5 Mayis 2011 Galeri Tantekin. Translator: Meryem Mine Çilingiroglu. Curated by Jale Durna, Mehmet [Tantekin].
Very Good Turkish Paperback. 4to. (27,5 x 20 cm). In Turkish. 32, [30] p., color and b/w ills., serigraph and mimeograph printing on paper and fabric, 1 folded plate (Ismail Saray's photo). This very interesting and rare book includes the texts on the first 32 pages. Some texts were translated from English and French languages by Sükrü Aysan, Nazli Damlaci, and Faruk Ulay. Articles in the first 32 pages: Kavramsal sanat [i.e. Conceptual art] by Sükrü Aysan.; Felsefenin sonu sanatin baslangici [i.e. The end of philosophy and the beginning of art] by Joseph Kosuth.; Kavramsal sanat üzerine paragraflar [i.e. Paragraphs on Conceptual Art] by Sol Lewitt.; Kavramsal sanat üzerine tümceler [i.e. Sentences on Conceptual Art] by Sol Lewitt.; Not, by Bernar Venet.; Giris notu, by Joseph Kosuth, and Inekleri düzene sokmak için bir yöntem [i.e. A Method For Sorting Cows] by Robert Morris. They're the first and the earliest translations (and for some only) in Turkey on the Conceptual Art. The Definition of Art Group is an original Conceptual Art approach. Conceptual Art was founded to research the structure and nature of art. Conceptual artists question the structure of art through a progression of work that refers to the concept of art. What is being considered is a work or an idea directed towards the analysis of all the facets of and contradictions within the concept of art. Sol LeWitt said, "this type of art is related to all intellectual processes". Impressionism and Cubism gave the first formulas for questioning art. Later, as a result of Duchamp's systematic operations about art's boundaries, function, language, and its being, art again became an intellectual process. Today, the subject of art itself and its place in the universe has reached a stage where its effort is directed towards understanding existence. The stages of this change make twentieth-century art history. Only an art audience informed about the development of art can comprehend contemporary work. To be able to understand today's artistic endeavors, it is necessary to make a conceptual history of art. Pure Conceptual Art by taking this situation to its extreme point, accepts no other audience or observer than the ones actively participating in the making of the work. Thus, art transforms into a state as serious as a science that needs no audience. When using the term, Conceptual Art or its more characteristic name, Analytical Art, in referring to a specific period in the history of Conceptual Art as an approach to art, one is speaking of art that has completely eliminated the production of objects and all plastic art forms. But if one considers the broader understanding of conceptualism, within our twentieth-century art, in addition to the side that verifies by analyzing itself, there is also a logical and philosophical dimension directed towards the comprehension of its structure. In other words, a strongly intellectual art continues its hegemony today. In our time, art without an idea can not be effective. (Source: Official site of Sanat Tanimi Toplulugu). In 1961, philosopher and artist Henry Flynt coined the term "concept art" in an article bearing the same name which was appeared in a proto-Fluxus publication An Anthology of Chance Operations. Flynt's concept art, he maintained, devolved from his notion of "cognitive nihilism," in which paradoxes in logic are shown to evacuate concepts of substance. Drawing on the syntax of logic and mathematics, concept art was meant jointly to supersede mathematics and the formalistic music then current in serious art music circles. Therefore, Flynt maintained, to merit the label concept art, work had to be an object-critique of logic or mathematics via linguistic paradox, a quality which is absent from subs... The use of pure Turkish language in this book is pointed to and this book was printed for an exhibition held between 'March 22 - April 5, 1980'. Printed to only 200 copies and all copies were numbered. This is 49 no. (49/200). Extremely r
Very Good French Original wrappers. Minor wear on spine, age-toned and foxing on some pages. Overall a very good copy. Demy 8vo. (21 x 15 cm). In French. 446 p. First and only edition of this very scarce book written by the son of Ottoman sadrazam [i.e. prime minister] Küçük Said Pasha, including early critics of socialism. It is the first of the three books of this aristocratic Francophone Turkish intellectual who spent his childhood and youth among books, in his own words, "secluded among books". He wrote his all books in French language. Antoine Zellich, who came from Dalmatia as the manager of the printing house of Henri Cayol, who brought lithography to Istanbul, continued to operate the Cayol Printing House for a while after the death of his master in 1865 due to the cholera epidemic. Zellich, who was honored with the title of "printer of the Vatican" by Pope Leon XIII in 1888, died in Istanbul in 1890. The printing press is inherited by his eldest son, gregoire Zellich, and his brothers. This printing house continued its activities by growing and developing in Istanbul, printed a wide variety of products from books to magazines, calendars to stationery, school books to maps and commercial notebooks, and he sold them in its shops in Pera, Beyoglu. The company "Zeliç Brothers" continued its commercial activities in the republican period until it was closed in the 1960s.
4to., First Edition, with 28 fine full-page coloured reproductions; pictorial wrappers, a near fine copy. Scarce, especially in this condition.
4to., with a frontispiece and 16 reproductions in the text; original pictorial wrappers, a near fine copy. Scarce, especially in this condition
