Peinture cp

``Tatsuzaburo Tamei Minamikyuhoji-cho Osaka'' <Japanese Version>

2092902138101112 — Not Available N.A. Soft Cover. Fine. Size: 25.5cmx37.5cm Number of books: 1 Not Available paperback

``Western end goods dealer 3-chome Honmachi Osaka Waida branch'' <Japanese Version>

2092902138100429 — Not Available N.A. Soft Cover. Fine. Size: 33cmx49.5cm Number of books: 1 Not Available paperback

A 19th century album of Ottoman Sultans' portraits. Suna and Inan Kiraç Collection.= Osmanli Padisah portreleri. Bir 19. yüzyil albümü. Inan ve Suna Kiraç Koleksiyonu.

New English Original bdg. HC. In publisher's special box. Folio. (38 x 28 cm). In English and Turkish. A 19th century album of Ottoman Sultans' portraits. Suna and Inan Kiraç Collection.= Osmanli Padisah portreleri. Bir 19. yüzyil albümü. Inan ve Suna Kiraç Koleksiyonu. In the mind of every Turk, there is a set image for Ottoman Sultans that he has acquired from a variety of sources: school books, historical texts, encyclopaedias, etc. The Ottoman royal image is not altogether unknown to the Europeans either. This is due to the fact that there is a pictorial record of the Ottoman Sultans created by the numerous portraits produced through the centuries by Turkish and European artists. It was a great pleasure for me to write the explanatory text to this special album of sultan portraits in Inan and Suna Kirac collection. The absence of an original text in the album itself complicated the study of the portraits in view of their iconography, especially the richly detailed backgrounds and attributes used for each sultan. This necessitated a thorough study of historical sources and a search for comparative albums. Nevertheless 17 similar albums dating from approximately the same period were recorded and listed after the text. The main question was to explore into the realm of the Ottoman artist to discover his approach to portraiture. In Islam, to read a person's character through the study of his physiognomy has been a science. With this in mind, did the Ottoman artist confine himself only to the preset details of each sultan's physiognomy or did he enrich his knowledge about the sultans through other sources? I strongly believe that the artist of the Kirac album did this. Therefore, in the short texts accompanying each portrait, I chose to give a brief record of the sultan's deeds, interests and personality as revealed in historical sources. In this way, it would be easier to comprehend the artist's interpretation. In the main text, I tried to give a comprehensive summary of the history of royal portraiture among the Ottomans and presented the prototypes to this album. Then came a discussion of the Kirac album itself not only in view of its artistic value but also as a significant source of information about imperial attire and certainly the artistic milieu of the Ottoman Empire in the first decades of the 19th century.

A bird’s-eye view of the Dutch trading post on Deshima Japan with in the background a Dutch three-master anchored in Nagasaki Bay.

1800 · ABC_48559 — Japan 1800. In a passepartout and framed. Drawing size ca. 34 x 39.5 cm; frame size ca. 46 x 51 cm. Oil painting on leather. Late 18th-century painting on leather depicting everyday life on the island of Deshima in Japan created by an anonymous artist who seems to be of Japanese origin possibly originating from the Nagasaki school of painting: the faces of most human figures show remarkable Japanese features despite their reddish-brown hair and Dutch clothing.Judging by a woodcut map of Deshima published in 1780 by Toshimaya Bunjiemon the south-eastern part of the island is shown in the present illustration. On the left the warehouse master’s residence next to a tall flagpole with the Dutch flag at top; in the centre the important watergate through which cargo was brought in via ship with four Dutch merchants one seen from behind and two Javanese servants in front of the gate; on the right the warehouse "De Lelie" The Lily. In the background lying in the bay of Nagasaki a Dutch three-master has been depicted with fourteen hoisted Dutch flags and several sailors on deck and in the rigging. This ship closely resembles a transom return ship in Dutch: "spiegelretourschip" which was used by the Dutch East India Company VOC during its whole existence.Based on the depicted style of clothing of the Dutch merchants we assume that this painting could have been made during the second half of the 18th century.The artificial island of Deshima was a small fan-shaped island used as trading post initially by the Portuguese until 1639 and subsequently by the Dutch from 1641 until 1858. During the Tokugawa Shogunate the military government of Japan in the Edo period of 1603-1868 foreigners were not allowed to enter the Japanese territory and the island of Deshima was the only place where initially only the Portuguese and later only the Dutch were admitted.With some flaking of the paint off the leather slightly affecting the image but mainly affecting the upper outer corners. Otherwise in good condition.l H. Paul Nederlanders in Japan 1600-1854. De VOC op Desjima pp. 106-107. unknown

A black lunch

1989 · 2081502112303111 — New Japan Publishing Company 1989. Soft Cover. Fine. Number of books: 1 New Japan Publishing Company paperback

A black ship a history of a shipwreck a novel for boys and girls <Japanese Version>

1971 · 2111902154609596 — Jitsugyo no Nihonsha 1971. Soft Cover. Fine. The book is in fine condition. Jitsugyo no Nihonsha paperback

A Body and Another Body [TWO BOOKLETS IN CARDBOARD BOX].

TWO BOOKLETS IN CARDBOARD BOX. Box edges slightly worn. [BOTH BOOKLETS]: 24x22 cm. [19+45]+[19+37] pages. Cover corners slightly wrinkled. Spine edges slightly worn. Else both booklets in good condition.

A Book of Famous and Beautiful Cbinese Ladies from all Antiquity

1900 · 22170 — China: n.p. 1900. Hardcover. Near fine. 8vo. 22 unnumbered pages using verso only. Accordion book bound in Asian style. Wooden boards the upper board carved with the character for Good Luck. Top and bottom edges gilt.<br /> <p><br /> This is followed by 11 sets of two pages the right hand page with the story of a particular lady in Chinese and English and the left hand with a painting on silk illustrating the story and bordered in brocade. The silk paintings are bright and unfaded showing vibrant pigmentation and artistically executed with lovely shading effect Includes the story of Mu Lan basis for the Disney film.<br /> <br /> <p><br /> The typesetting and spelling of the English translation are poorly accomplished the word 'Cbinese' in the title being perhaps the most glaring example. Misspellings misuses of quotation marks and unusual word separations lead us to believe this is the first issue of a title preprinted into the 1930's. <br /> <p><br /> A fine example.<br /> <p><br /> Scarce. n.p. hardcover

A Bullet For My Lady: A Gold Medal Original

1955 · 84581 — New York: Fawcett Publications Inc. / Gold Medal Books 1955. First Edition. First Printing softcover Gold Medal Book 472. Octavo 18cm; pictorial wrappers; all edges yellow; 45-1564pp. Light crinkle to rear cover with rubbing and creases to spine ends and cover edges and front cover lightly worn at hinge with cover paper lightly adhered to front endpaper; Good. Mara's suspense novel focuses on Josh Camp as he travels to Barcelona Spain in hopes of debunking news of his best friend's death. 84581. Fawcett Publications, Inc. / Gold Medal Books unknown

A CATALOG OF IDENTIFIABLE FIGURE PAINTERS OF ANCIENT POMPEII, HERCULANEUM, AND STABIAE

Old price sticker to ffep. Small tear to front panel of DJ with a bit of loss. ; How did figure painting fit into the economic and artistic life of Pompeii? Did the best painters work in conjunction with one another? Did they paint only the important pictures in the best rooms and, if so, who painted the rest? Were the best houses the showplaces for these painters' work? If not, what was the function of these decorations in Pompeian life? L. Richardson, jr, has had a long and distinguished career writing about Roman art and architecture, particularly that of the companion town of Pompeii and its environs. In this newest work, he attributes many of the surviving wall decorations to particular painters. It is a catalog in the true sense, grouping the pictures by style and then by painter. Richardson describes the salient characteristics of a painter's work, and then inventories the pictures he attributes to that painter, together with cross-references to other catalogs and sources of good reproductions. ; 190 pages

A catalogue of pictures at Althorp [in; The Walpole Society, 45th volume, 1974-1976]

1976 · S84190 — , Walpole Society 1976 xv + 128pp., with frontispiece + 32 plates out of text in bl/w, 28cm., editor's hardcover (spine in blue cloth with gilt lettering, lower corners bit bumped), "issued only to subscribers", good condition, S84190

A catalogue of pictures at Althorp [in; The Walpole Society, 45th volume, 1974-1976]

xv + 128pp., with frontispiece + 32 plates out of text in bl/w, 28cm., editor's hardcover (spine in blue cloth with gilt lettering, lower corners bit bumped), "issued only to subscribers", good condition, S84190

A CATALOGUE OF THE GREEK VASES IN THE COLLECTION OF THE UNIVERSITY OF MELBOURNE At the Ian Potter Museum of Art

Minor stain to 1 page. Includes review of book by Jenifer Neils tipped in. A couple of corners lightly bumped. DJ has a few light scratches and 1 small tears and creasing. ; The catalogue of the University of Melbourne's superb collection of Greek vases is now published as a sumptuous, fully colour-illustrated, cloth-covered volume which will suit the needs of students, researchers and interested readers. This richly illustrated book is a collectors' item, designed and produced to library specifications. It offers the complete scholarly apparatus for study of the vase collection, one of the finest in the country and comparable with others around the world. It will prove valuable as a reference text wherever classics, archaeology or art are studied. The book is a product of one of the most outstanding Classical Studies departments in Australia and is destined for libraries throughout the world. It is the first volume in a series planned to feature various aspects of the University's wider collection. Each vase, fully described and documented, appears in rich colour and detail. Styles and periods are introduced by contextualising photographs presented as dramatic double-page spreads. No effort has been spared to publish this collection as beautifully as these unique artifacts deserve. ; Series 1; 12.6 X 9.8 X 1.2 inches; 208 pages

A CATALOGUE OF THE GREEK VASES IN THE ROYAL ONTARIO MUSEUM OF ARCHAEOLOGY TORONTO [2 VOLUME SET] Edited, with Additions, and an Appendix of Recently Acquired Vases. Vol. I (Texts and Drawings) ; Vol. II: (Plates)

Spines a bit sunned. A few tiny corner creases to V1. ; 288 pp. , CVIII plates

A CATALOGUE OF THE GREEK VASES IN THE ROYAL ONTARIO MUSEUM OF ARCHAEOLOGY TORONTO. VOL. II Edited, with Additions, and an Appendix of Recently Acquired Vases. Vol. II: (Plates)

Spines a bit sunned. Light edgewear to spine ends. White number written to spine. Small ink stain to 1 page. Front inner hinge starting to crack. ; CVIII plates; Volume 2 Only; Vol. 2

A Catalogue of the Memorial Exhibition of the Works of the late John Singer Sargent opened on the Occasion of the Unveiling of Mr. Sargent's Mural Decorations over the Main Stair Case and the Library of the Museum. Exhibition from Nov. 3 to Dec. 27 1925.

1925 · 17882 — Boston, Museum of Fine Arts, 1925. Gr. 8°. With a portrait of Sargent as frontispiece and 29 b/w illustrations on plates. X (1), 26 (16) p., later half-cloth binding. - Featuring a foreword by J. Templeman Coolidge, a list of 113 oil paintings by Sargent and 28 reproductions of Sargent's best known paintings. - John Singer Sargent (1856 in Florenz - 1925 in London) galt als der bedeutendste US-amerikanische Porträt-Maler seiner Zeit. Binding bumped on the edges. Labels of a library on the spine and on the front linings. Several stamps of libraries inside.

A charming original painting depicting a young Chinese-American woman and child purchasing an orange in front of a produce store with Chinese signage beyond. No. 21. Chinatown group. . . .

1945 · 63891 — San Francisco CA: Carl Frederick Hobby 1211 Jackson Street ca. 1945. One large oil painting on canvas sized 13 x 18 in. preserved as original stretched canvas within the frame as presented to the artist’s niece and with the original green & gilt frame now professionally cleaned and w/ artist’s business card mounted on verso of frame along with numbering & size. Signed in lower corner this painting was presented by the artist following the War to his niece and held in the family until 2025. This original oil painting depicts a young Chinese-American mother and child buying an orange with fruit crates stacked beside in front of the mirror and pedestrian walking by as well as the advertising signage in the doorway in Chinese painted by Hobby. The sign reads 油糖èœèˆ– You tang chai pu — oil and sugar vegetable shop and produce in the crates below the window in the foreground appear to be cabbages oranges and possibly mangoes. Hobby wrote in his 1936 illustrated book “Chinatown San Francisco†that there were a variety of vegetable and produce “Chinese Food Shops†situated from Washington to Jackson Street selling blue-green melons mustard greens water chestnuts and more.Hobby 1886-1964 was the son of an Iowa City IA ophthalmologist and moved with the family as a teenager to San Diego CA about 1900 where he began working at 14 as a sketch artist and later published a book in San Diego in 1919 with his artwork. He studied art at the Cumming School of Art in Des Moines the Art Students League in New York and became portrait and landscape painter in San Diego until 1923. After a divorce from Plooma Crowther he settled in San Francisco in Chinatown where he became an instructor at the Art Center while also painting and sketching the densely populated area publishing “The Street of Dragon Lanterns Chinatown of San Francisco†in 1936 while contracting with the Madison & Burke Agency through World War II. Exhibits of his paintings and pen & ink sketches were displayed at the Oakland Art Gallery in 1928 and the Society for Sanity in Art in 1945. See: Maud McB. Maywood Palm City The Chula Vista Star July 9 1937 p. 6; Sketches of San Diego 1919. Carl Frederick Hobby, 1211 Jackson Street, unknown

A Checklist of Painters, c.1200 - 1994, Represented in the Witt Library, Courtauld Institute of Art, London

Library sticker to spine and inside cover. Stamp to FEP, title page and pageblock. Text is clean, bright and tight Ex - Library, Usual Stamps

A child from the sky A new creative fairy tale

1980 · 2082702114907599 — Iwasaki shoten 1980. Soft Cover. Fine. Number of pages: 78p Size: 22cm Iwasaki shoten paperback

A Christmas Carol

No marks or inscriptions. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. Unpaginated. 64pp. Delightful coloured illustration by Austrian artist Lisbeth Zwerger accompany the text of Charles Dickens' Christmas Carol.

A city in search if its history: Istanbul and an artist, Timur Kerim Incedayi.= Una citta sulle orme della Storia, Istanbul e un pittore, Timur Kerim Incedayi.= Tarihin izinde bir kent, Istanbul ve bir ressam, Timur Kerim Incedayi.[Exhibition catalogue]. Edited by Amelie Edgü. Texts by Ahmet Oktay, Murat Ural, Maurizio Calvesi.

New English Paperback. In publisher's special slip-case. 4to. (29 x 21 cm). In English, Italian, and Turkish. 127, [1] p., color ills. A city in search if its history: Istanbul and an artist, Timur Kerim Incedayi.= Una citta sulle orme della Storia, Istanbul e un pittore, Timur Kerim Incedayi.= Tarihin izinde bir kent, Istanbul ve bir ressam, Timur Kerim Incedayi.[Exhibition catalogue]. Edited by Amelie Edgü. Texts by Ahmet Oktay, Murat Ural, Maurizio Calvesi. One of 2000 copies.

A COLLECTION OF OLD MASTER PAINTINGS. ASSELYN. BETTES. BOTH. CARRE. DUJARDIN. GHISOLFI. KNELLER. MERCIER. PANINI. ROSA. RUBENS. SASSOFERRATO. TENIERS. WOOTON. WOWERMAN. ZURBARAN. WYCK. DE WILT. WALKER. VERONESE. VAN UDEN. TENIERS. STEEN. ETC.. 14/12/1978

A COLLECTION OF OLD MASTER PAINTINGS. BALEN. BAROCCI. BELLUCCI. BRUEGHEL. CRESPI. DA TIVOLI. DE PUTTER. FYT. GAEL. GIORDANO. HAMILTON. HOREMANS. LINGELBACH. MICHAU. PANINI. RICHARDSON. RUYSDAEL. SALENTIN. SCOTT. SMIT. TENIERS. VAN DYCK. ETC.. 13/07/1978.

ESTIMATIONS

A COLLECTION OF OLD MASTER PAINTINGS. LARGILLIERE. DEVIS. VICTORS. MOLENAER. LINGELBACH. CASTRO. GROOTE. ETC...12/07/1979. (220 grams)

AVEC LES RESULTATS DE LA VENTE