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1982125480(Leipzig, Seemann, 1978). (Lizenzausg. f. Budapest, Corvina, 1982). 4°. M. 200 (teils farb.) Taf. u. einige Abb. im Text. 19 S. Text. OLwdbd. in Schuber. St. a. Vorsatz.
Tiny stain to front board. Very minor shelfwear. DJ has a couple of tiny chips. ; 18 pps text by Charles Mitchell, 10 tipped in colour plates with accompanying text by Plutarch. Humanistic culture of early fifteenth century Florence is brilliantly exemplifiedby the colorful illuminations from this Latin translation of ten of Plutarch's Lives Accompanied by English translations describing the scenes. ; The Library of Illuminated Manuscripts; 40 pages
Light edgewear. Spine ends are lightly worn. Former Gift inscription and marker dot to fly-page. Otherwise Near Fine. ; 18 pps text by Charles Mitchell, 10 tipped in colour plates with accompanying text by Plutarch. Humanistic culture of early fifteenth century Florence is brilliantly exemplifiedby the colorful illuminations from this Latin translation of ten of Plutarch's Lives Accompanied by English translations describing the scenes. ; The Library of Illuminated Manuscripts; 40 pages
653830 fine color paintings & 24 black ink drawings of various parts of the bamboo. 50 leaves. 4to 275 x 206 mm. modern bright silk brocade wrappers stitched as issued. Probably Japan: late Edo.<br/> <br/> A beautiful album of finely rendered drawings of bamboo accompanied by explanatory text. There has been a long tradition in both China since the eighth century and Japan of illustrating bamboo with much thought given to composition and the painting of the stems knots branches and leaves. A number of treatises were written on the subject.<br/> <br/> This handsomely painted manuscript contains many illustrations all finely painted or brush-drawn of bamboo. Following the title there are two leaves which are somewhat soiled illustrating the yin and yang of the three variations of bamboo painting. They include how to place the brush on the drawing surface and how to maneuver the brush and lift it at just the right moment the calligraphy techniques are named. These are followed two fine calligraphic illustrations using black ink of bamboo branches again the calligraphy methods are named followed by a leaf of instructions.<br/> <br/> Next there are 18 pages of illustrations of leaves with each illustration becoming increasingly more complex.<br/> <br/> Then the manuscript text turns to the botanical aspects of bamboo: where it grows the genera and uses appearance how to propagate etc. Both Chinese and Japanese names are given with references to the classic botanical guide Ben cao gang mu Compendium of Materia Medica. Next we have 28 fine full-page illustrations of many genera of bamboo some pages contain multiple images each preceded by text describing the examples depicted. They are very vividly colored and finely painted using many techniques including the application of mica. Among the elaborate and richly colored illustrations are cross-sections roots sprouts leaves and fruits. Some of the examples are very exotic.<br/> <br/> Now we come upon two full-page color illustrations of tools for cutting and trimming bamboo and for the extraction and preparation of medicines with two pages of explanatory text.<br/> <br/> Finally we have a section with six artistic renderings of bamboo in art and literature. They include various iconic Chinese scenes including variations of literati in bamboo groves and the Seven Sages of the Bamboo Grove. Each painting is preceded by a leaf of text with a description and historical background of the scene.<br/> <br/> In fine condition. A contemporary reader has made some neat annotations in red ink. Final leaf has the artist’s pen name written “Seigetsu an.†Several minor and marginal wormholes. Preserved in a chitsu. unknown
653830 fine color paintings & 24 black ink drawings of various parts of the bamboo. 50 leaves. 4to 275 x 206 mm. modern bright silk brocade wrappers stitched as issued. Probably Japan: late Edo. A beautiful album of finely rendered drawings of bamboo accompanied by explanatory text. There has been a long tradition in both China since the eighth century and Japan of illustrating bamboo with much thought given to composition and the painting of the stems knots branches and leaves. A number of treatises were written on the subject. This handsomely painted manuscript contains many illustrations all finely painted or brush-drawn of bamboo. Following the title there are two leaves which are somewhat soiled illustrating the yin and yang of the three variations of bamboo painting. They include how to place the brush on the drawing surface and how to maneuver the brush and lift it at just the right moment the calligraphy techniques are named. These are followed two fine calligraphic illustrations using black ink of bamboo branches again the calligraphy methods are named followed by a leaf of instructions. Next there are 18 pages of illustrations of leaves with each illustration becoming increasingly more complex. Then the manuscript text turns to the botanical aspects of bamboo: where it grows the genera and uses appearance how to propagate etc. Both Chinese and Japanese names are given with references to the classic botanical guide Ben cao gang mu Compendium of Materia Medica. Next we have 28 fine full-page illustrations of many genera of bamboo some pages contain multiple images each preceded by text describing the examples depicted. They are very vividly colored and finely painted using many techniques including the application of mica. Among the elaborate and richly colored illustrations are cross-sections roots sprouts leaves and fruits. Some of the examples are very exotic. Now we come upon two full-page color illustrations of tools for cutting and trimming bamboo and for the extraction and preparation of medicines with two pages of explanatory text. Finally we have a section with six artistic renderings of bamboo in art and literature. They include various iconic Chinese scenes including variations of literati in bamboo groves and the Seven Sages of the Bamboo Grove. Each painting is preceded by a leaf of text with a description and historical background of the scene. In fine condition. A contemporary reader has made some neat annotations in red ink. Final leaf has the artist's pen name written "Seigetsu an." Several minor and marginal wormholes. Preserved in a chitsu. unknown books
26053301N.p. ca 1900 n.p. A matted Chinese paintingca.25.5 x 32 cm. overall including silk brocade borderactual painting is ca. 20 x 25.5 cm. wood frame glare-free glass double mat- ted ready for display very good flawless. R A R E ! A lovely painting of a Mandarin. the verso of this painting has a small sticker at lower left with "Made in China" prin- ed on it. The painting was done with a skilled and steady hand with attention to detail using a very fine brush typical of the time. The Mandarin wears a blue silk gown with delicate gold wave pattern embroidered on it. On the chest is a black silk embroidery with a white crane and the rank badge typical furry "cravat" or neck decoration. He also wears the typical Imperial Mandarin's hat. In order to exalt ancestors it was common to execute such paintings posthumously to elevate relatives of or to offic- ialdom. This piece of unique and original hand-painted art work is ready for library display. BIBLIOGRAPHY: 1. Worshipping the Ancestors issued by the Smithsonian 2. Jan Stuart & Evelyn S. Rawski: Worshipping the Ancestors: --Chinese Commemorative Portraits. unknown
34p. illus.(part col.) 32 cm. Paperback Very good condition
8vo., Sixth Edition, with 2 plans in the text, neat inscription on front free endpaper; original pictorial wrappers, a fine copy.
IN 4 CARRE. CART [MOY]. 30 PP. ENV 15 ILL DONT QQS EN NOIR. [BE]
30x21.5cm. Unpaginated. Softcover. Cover slightly rubbed. Spine edges slightly bumped. few pages' top corners slightly wrinkled. Else in good condition.
197720682London: Sphere Books limited, 1977. 201 Seiten , 18 cm kart.,
Complete in 2 volumes, well illustrated. A few small smudges on the binding of Vol. II. V2 has isbn struck out with new isbn below. ; Reprint of the 1919 Harvard ed. Xxiv, 472pp; viii, 600pp. ; Large 8vo; 1072 pages
No marks or inscriptions. No creasing to covers or to spine. A very clean very tight copy with bright unmarked boards, bump to spine foot and no bumping to corners. 98pp. With over 700 illustrations of Celtic symbols and designs, this book is a wonderful resource for decoration from Celtic history and mythology. Book dated 1974 but more likely the 1997 reprint.
Architecture, sculpture, gems, coins, jewellery, metalwork, pottery and vase painting, glass, furniture, textiles, paintings and mosaics. 424p. illus (some col) bibliography. index.Map on end pape. Name of previous owner, else as new. Book
Wraps have edgewear with chipping and small tears. Wraps are starting to curl along edges. General shelfwear. Scholar's name to ffep (Jenifer Neils). Creasing to wraps. ; With 500 Illustrations. ; Phaidon Paperback; 431 pages
1890FF2442London:: William Reeves n.d. ca.1890. 1890. Head of title: Flagellation & the Flagellants. Small 8vo. xi 1 544 pp. Frontis. 20 illus. index. Modern full black calf and triangle-shaped red morocco onlays raised bands gilt stamping upper cover with gilt central "rod and birch" motif all edges gilt marbled endleaves hand bound by Martin Frost with his gilt-stamped monogram label on rear board. Red cloth thumb-hold slip-case. Fine. "THE ALLURE OF THE WHIP!" With a splendid fore-edge painting showing a pair of horse or carriage riders "riding" their partners back-sides prominently showing in the spirit of Thomas Rowlandson and in this case like Martin Frost who often displays a remarkable sense of humor and the exotic for artistry. Frost's signed book label mounted as a bookplate in front dated 2007. The artist is playing with us by making the trees into the shape of a phallus all of them!. Painting also signed "MF". Frost himself describes this as "A Rowlandesque road scene of travelers 'whipping up' themselves as well as their mounts!" / This is one of the early efforts of MF to bind and paint the book himself. William Reeves, n.d. [ca.1890]. hardcover
133366673X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
Tears to joint cloth at head of spine (1 cm & 3.5 cm) but firmly attached. Some foxing to boards. Rear inner hinge pastedown partly torn with some weakening. Scholar's name to inner cover (Cedric Boulter) with review bibliographical reference. Minor Faint dampstaining to front inner cover. Good+ to VG- ; Very heavy. Extra shipping charges may apply. ; Photographs; 4to 11" - 13" tall; 410 pages
IN 4 . BR [BE]. 288 PP. 230 PPL DONT CERTAINES EN COULEURS. [BE]
Ink mark to page 45 of Part II and a few fingermarks. No other added marks or inscriptions. No creasing to covers. A tight page block with foxing to dusty edged pages, well rubbed full-leather boards, edges and spine with surprisingly clear intact maroon title block to spine. Front board held just by binding cords and front end paper present but loose. Some loss to lower edge of title page. Page numbering in good order. 327 plus 360pp. Parts I and II of Bewick's Birds present in one volume. Wood engravings by T Bewick. Green Sandpiper at p100.
This is a very good hardcover copy. No dust jacket. Very clean inside, and outside clean, spine faded. This is Volume VI Part I of this well known 20 volume series on Spanish painting. 140 black & white illustrations. Bibliography. 9 1/2" high X 6 1/2", 344 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
Slight edgewear to 1 corner. Very faint curling of upper corner of front wrap and first few pages. ; BAR International Series 2226; 11.6 X 8.2 X 0.4 inches; 127 pages
456pp. with 210 bl/w illustrations & 70 plates in colour & some maps, 30cm., text in English, publisher's illustrated hardcover, very good condition, weight: 2kg., X100991