Arms, John TaylorBiblio.com
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192523321925. Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge 14 1/8 x 9 1/8 inches 358 x 232 mm; sheet 18 1/8 x 11 inches 461 x 280 mm full margins. Signed and dated in pencil in the lower margin. Although the work is not identified by the artist given the special nature of the paper it is likely one of a very limited number of trial proof impressions. Minor mat tone otherwise in superb condition. <br /> <br /> Fletcher 166. unknown
19486981948. Etching on handmade cream laid paper 3 1/2 x 4 1/4 inches 890 x 108 mm full margins. Signed dated and inscribed "III" in pencil lower margin. Edition of 150 third state of three. No. 49 from the French Church Series. A beautiful bright inky impression in excellent condition with astonishing detail.<br /> <br /> Fletcher 411 iii/III. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
19266851926. Etching on thin bluish-green cream laid paper 9 1/4 x 4 3/4 inches 233 x 120 mm full margins. Signed and dated in pencil lower margin. First and only state. Printed by Frederick Reynolds. In very good condition with two or three very minor points of light discoloration in the lower left margin outside of image area. Printing anomaly along the extreme left sheet edge well outside of image area. A beautiful inky impression. Comparable impressions of this work may be found in the permanent collections of the Art Institute of Chicago the Toledo Museum of Art and the Cleveland Art Museum. <br /> <br /> Fletcher 197. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
192423201924. Etching on laid paper 13 1/2 x 7 1/2 343 x 191; sheet 16 1/2 x 11 inches 420 x 280 mm full margins. Signed and dated by Arms in the lower right corner. From the edition of 150 impressions printed in 1924 by Frederick Reynolds. Another edition of 50 impressions was subsequently printed by David Strang in 1938. According to Fletcher Arms mentioned a second state of the collaborative print but there appears to be no evidence of this in any known collection.<br /> <br /> Fletcher 144. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
192823301928. Etching on Japon paper 13 1/4 x 6 3/4 inches 337 x 171 mm; sheet 16 1/8 x 8 3/4 inches 410 x 222 mm full margins. Signed dated and inscribed "second state" in pencil in the lower margin. From the regular published edition of 100 impressions printed by Frederick Reynolds aside from only two 2 recorded first state impressions. In excellent condition with some minor mat tone.<br /> <br /> Fletcher 211. unknown
167310661À Chaalons, Imprimerie de Seneuze, s.d. (achevé d'imprimer le 1er septembre 1673) ; in-8 ; plein veau marbré, dos à nerfs décoré et doré, pièce de titre grenat, tranches rouges (reliure de l'époque) ; 160 pp.
107864A Paris, chez Claude Collet, tenant la boutique au Palais, en la gallerie des Prisonniers, 164, 1 volume in-12 de 170x110x15 mm environ, 4ff. (titre, Epître au Prince de Conty), 93 feuillets (1numéro pour 2 pages), reliure signée Bibolet, plein veau havane, dos à nerfs portant titres dorés sur pièce de titre noire, orné de petits fers dorés aux entrenerfs, plats encadrés d'un triple filet doré avec petit fer à chaque angle, tranches coupes et chasses dorées, gardes marbrées. Edition originale illustrée de 9 petits blasons dans le texte, avec un ex-libris armorié de la Bibliothèque du Comte Greffulhe. Petite tache sur le premier plat, frottements sur les coins et les mors, papier légèrement jauni par endroits, sinon bon état, bel exemplaire dans une fine et délicate reliure.
viii, 212 pages. Index. Footnotes. Generously illustrated with informative black and white reproductions of photos. "Provides a standard reference to the serious researcher and collector and gives to everyone an interesting insight into many aspects of what has made the Force what it is today. Most of the illustrations are being published for the first time." - Foreword. Clean, bright and unmarked with very light wear. Includes replica dust jacket preserved in archival-grade Brodart. A high-quality copy of this unsurpassed reference. Book
2016CBS-9781496321480Lww 2016. New. Lww unknown
2016CBS-9781496321480Lww 2016. New. Lww unknown
CBS 9780781775816USA Edition . New. Brand New! Fast Delivery US Edition and ship within 24-48 hours. Deliver by FedEx and Dhl & Aramex UPS & USPS and we do accept APO and PO BOX Addresses. Order can be delivered worldwide within 6-10 days and we do have flat rate for up to 2LB. Extra shipping charges will be requested if the Book weight is more than 5 LB. This Item May be shipped from India United states & United Kingdom. Depending on your location and availability. unknown
192955151929. Arms John Taylor. Arms John Taylor. BASILICA OF THE MADELEINE VEZELAY THE ABBEY CHURCH OF STE. MADELEINE. F.223 3rd state of 3. "French Churches" series Arms Churches of France p. 146. Edition of 130 printed on blue laid paper by Peter Platt. 12 3/4 x 7 3/8 inches; 324 x 188 mm. Inscribed "3rd State" and signed in pencil. unknown
13975Arms John Taylor. BATTLE WAGON - U.S.S. ALABAMA OUTFITTING AT NORFOLK NAVY YARD CRANE SHIP KEARSARGE ALONGSIDE - 1942 . F.376. Etching and drypoint 1943. Sixth State Inscribed "VI" lower left and signed and dated 1943 lower right. This is a proof printed by Charles White aside from the edition of 872. In excellent condition. unknown
9435Arms John Taylor. Arms John Taylor. CRYSTAL AND JADE. F.301. Etching with aquatint 1940. Trial proof "vi" from a group of 16 proofs of the 6th State printed before the edition of 377. Numbered "vi" and signed in pencil. 7 1/2 x 6 5/8 inches 191 x 169 mm. In excellent condition. unknown
10665Arms John Taylor. Arms John Taylor. MONT ST. MICHEL. Fletcher 182. Etching 1926. Edition of 100. Signed and dated in pencil. 15 x 11 3/4 inches 381 x 299 mm. Number 9 of the French Church series illustrated on page 64 of Dorothy Noyes Arms "Churches of Framce." In very good condition. unknown
13887Arms John Taylor. NORTH PORTAL SENS. Fletcher 218. Etching 1929. Edition of 100 printed by Frederick Reynolds and Peter Platt in 1929 a later edition of 40 was printed in 1939. Signed and dated and inscribed "Second State" in pencil and signed dated and titled within the plate and also inscribed in the plate "North Portal Sens." Number 25 of the French Church series; illustrated in Dorothy Noyes Arms "Churches of France." 15 1/4 x 9 1/8 inches plate plus margins. Framed to 21 3/4 x 15 1/4 inches. In excellent condition. unknown
19264991926. Etching on watermarked antique handmade FJ Head paper 9 1/2 x 14 3/4 inches 240 x 373 mm; sheet 14 x 18 1/4 inches 355 x 463 mm full margins. Signed and dated in pencil lower margin. Edition of 97. A magnificent silvery impression with extremely minor almost invisible mat tone. <br /> Fletcher 177 <br /> Illustrated: Page 160 Arms Dorothy Noyes "Hilltowns and Cities of Northern Italy". The Boat Builders Yard in San Trovaso is a historic 17th-century gondola repair and building yard in Venice Italy. It's one of the few remaining such workshops in Venice where skilled artisans traditionally craft and maintain the iconic black gondolas used on the city's canals. The yard is a significant landmark located next to the Church of San Trovaso. <br /> <br /> Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
192523191925. Etching on laid hand made FJ Head paper with a partial watermark 12 1/8 x 7 1/4 inches 308 x 185 mm; sheet 17 3/8 x 11 1/2 inches 441 x 292 mm full margins. Signed and dated in pencil in the lower margin. From the edition of 100 impressions printed by Frederick Reynolds. In excellent condition with superb inking. <br /> <br /> Fletcher 161. Born in 1887 in Washington DC John Taylor Arms studied at Princeton University and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I Arms served as an officer in the United States Navy and it was during this time that he turned his focus to printmaking having published his first etching in 1919. His first subjects were the Brooklyn Bridge near the Navy Yard and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on gothic cathedrals and churches he visited in France and Italy the plate for Guardians of the Spire was created in 1921. He used what was available to him namely sewing needles and a magnifying glass to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war Arms enjoyed a successful career as a graphic artist created a series of etchings of American cities and published Handbook of Print Making and Print Makers Macmillan 1934. He served as President of the Society of American Graphic Artists and in 1933 was made a full member of the National Academy of Design. Arms died in Fairfield Connecticut in 1953. unknown
12956Arms John Taylor. U.S.S. COLUMBIA UNDER CONSTRUCTION AT THE NEW YORK SHIPBUILDING CORPORATION CAMDEN N.J. 1942. F.390. Etching and drypoint 1945. Second State Edition of 766. Inscribed "II" lower left and signed and dated 1945 lower right. A small repaired tear in the margin lower left else in very good condition. unknown
1972029530Ottawa: Borealis. 1972. The first book a collection of poetry by the Pulitzer Prize-winning author of The Stone Diaries. Inscribed by Shields to the Canadian poet and novelist Rosemary Aubert: "For Rosemary/ with thanks for a delightful evening/ Carol Shields." Spine faded with a little tear to the spine base; near fine in wrappers. A nice literary association copy of an important first book. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Near Fine. Borealis paperback books
169923678<p><strong>1699 Edinburgh 1ed Proper Project for Scotland IRISH Radicals Church England</strong></p><p>"<em>A Proper Project for Scotland</em>" is a rare 17th-century work attributed to Alexander Shields. This like many other works from this era is a controversial book on the ongoing fights between Protestant and Catholics the government and the church and Ireland and Britain. In fact Shields himself refers to the controversy as a plague.</p><p>"how many millions of poor inadvertent souls hath been irrecoverably lost and ruined to all intents and purposes by this most dangerously infecting plagues."</p><p>This 1699 first and only known edition is incredibly rare with no other example known to exist not only for sale but in institutional holdings. A truly rare and remarkable history of the church and political feuds in Ireland Scotland and England.</p><p>Item number: #23678</p><p>Price: $750</p><p>SHIELDS Alexander attrib.</p><p><strong><em>A proper project for Scotland : To startle fools and frighten knaves but to make wise-men happy</em></strong></p><p>Edinburgh: 1699. First edition.</p><p><u>Details</u>: </p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages</p><p><!-- if !supportLists-->o <!--endif-->77 3</p><p><!-- if !supportLists-->· <!--endif-->References: Wing P 3673a</p><p><!-- if !supportLists-->· <!--endif-->Provenance: Armorial bookplate – Cranstoun of Corehouse</p><p><!-- if !supportLists-->o <!--endif-->Possibly George Cranstoun Lord Corehouse 1770–1850 who was a Scottish advocate judge and satirist. He was also a friend of Sir Walter Scott. Motto: THOU SHALT WANT ERE I WANT</p><p><!-- if !supportLists-->· <!--endif-->Language: English</p><p><!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~7.75in X 6in 19.5cm x 15cm</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>23678</p><p>Photos available upon request. </p> hardcover
2511180068Glitterati Incorporated 2017-01-03. Hardcover. Like New. 12x1x13. Folio. 319 pages : chiefly illustrations chiefly color portraits ; 34 cm. Hardcover and dust jacket. Minor shelf wear to dj. Good binding and cover. Clean unmarked pages. <br> "Provocateur' brings together in a single lavish volume several of the LA-based photographer's collections including a series of retro-style glamour portraits ethereally decadent Marie Antoinette-inspired visions and rustic woodland scenes that serve as a backdrop for modern-day nymphs. No stranger to controversy unaffected by the feathers he ruffles Tyler pushes his subjects - often the young elite of Hollywood - and himself to the limits going well outside usual comfort zones." - Publisher. <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. Glitterati Incorporated hardcover
1979167218N.p.: N.p. 1979. Draft script for the 1979 film.<br /> <br /> A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape.<br /> <br /> Set and shot on location in West Hollywood Santa Cruz and Los Angeles California and in Corpus Christi Texas. <br /> <br /> Green titled wrappers. Title page present undated with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves with last page of text numbered 151. Mimeograph duplication rectos only with undated blue revision pages throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. N.p. unknown
1818000013Paris Janet, Janet et Cotelle 1818
177021433Paris, Valade, 1770 ; in-8 (200 mm), demi-veau fauve, pièces de titre et de date, en queue, grenat (reliure de l’époque) ; VIII, 155 pp., [1]p. Fautes à corriger ; portrait en frontispice, bandeau armorié et cul-de-lampe au chiffre, gravés en taille douce par L. Le Grand.
